Music Trade Review

Issue: 1892 Vol. 16 N. 10

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
The light from the torch illuminated Justice,
who, seated in the prow, was flanked by
Kquality and Fraternity, and on Peace, Good
Will and Hospitality, who sat under palm
leaves in the stern. On three steps running
and a magnificent success of the Columbian
Celebration.
The city was decorated for the festivities with
a splendor becoming her metropolitan suprem-
acy. The principal streets and avenues were
irridescent vistas whose tinted effect was height-
ened by the resplendent sunshine into a glory of
color. Private dwellings, commercial establish-
ments and public edifices were adorned with
lavish but tasteful profusion, and the city
glowed, glittered and blazed with beauty.
When myriads in their holiday attire poured
into the streets, and uniformed hosts marched by
tens of thousands to the strains of inspiring
music, a spectacle was presented that can be
truly said to have been imposing and unex-
ampled.
Nature seemed to enter into the spirit of the
grand occasion, and by contributing the most de-
FLOAT REPRESENTING MUSIC.
compass.. The ink-bottle was studded with big
quills, and on.either side was a pair of silver
shears, while two mucilage bottles were directly
behind. A press occupied the rear of the float
under a pair of winged field-glasses, which typi-
fied the genius of the American newspaper-
Around the float were symbolical representa-
tions of the great New York and Brooklyn news-
papers, with the dailies occupying a conspicu-
ous position. On a background of black were
ranged sheets of the newspapers, which bore the
legend, " The Pen is Mightier than the Sword."
"Music." The Genius of Harmony, erect
in the prow of the car, dominated a group of
swinging angels. An immense lyre rose in the
center. Two winged spirits were at its side,
their wings sweeping boldly upward and encir-
cling the Goddess of Melody, who rested over
the strings. An orchestra of musicians, dis-
guised as musical notes, encircled St. Cecilia,
the Genius of Christian Music, who presided at
the organ, seated upon an immense golden
treble clef signature. Notes on the five lines of
the staff showed the clouds which surrounded
the car, with the names of Beethoven, Mozart,
Wagner, Gounod, and other great composers.
On Thursday night the ceremonies were ap-
propriately terminated by a great banquet at
Lenox Lyceum, at which eloquent speeches
were made by some of the most eminent men in
the country.
New York is a mighty and a magnificent city,
and during the present week she made a mighty
The hackman whistled. '' To Baltimore !
Why, sir, that is fully fifteen miles."
" Never mind. I must be there for a concert.
Are you willing to whip your horses ? '' This,
of course, in broken Bnglish.
FLOAT REPRESENTING LIBERTY.
FLOAT REPRESENTING THE PRESS.
around the pedestal of the statue, draped with
American flags, and in different parts of the
car, were ranged types of the countries which
helped to build up this, among them being
Spain, Italy, France, England, Scotland, Ire-
land, Germany, Belgium, Holland, Austria,
Russia, Poland, Norway and Sweden. The rep-
resentatives wore the national costumes. The
car was draped with American flags bound with
laurel wreaths.
"The Press." The Genius of the Press, in
parti-colored dress of black and white, rose
from a huge ink-bottle, his right hand resting
on a stafF, surmounted by the four points of the
21 I
lightful weather she effectively aided the efforts of
man to do honor to the memory of Christopher
Columbus.
The city of New York has every reason to con-
gratulate itself upon the praiseworthy manner
in which the Columbian Celebration was con-
ducted from its inception to a magnificently
successful issue.
padereu/s^i's Driver.
A VERY
INTERESTING EXPERIENCE
HACKMAN.
WITH A
w\[N interesting story is told of Paderewski
®^a when on his way to play one afternoon at
Baltimore. Shortly before reaching the city he
left the train to buy some fruit, and chancing to
find a friendly Pole in the vender of fruit, stop-
ped to talk, and when he returned to the station
found the train gone.
He was perplexed to know what to do, as he
was entirely unacquainted with that locality,
and besides knew what a tempest would be
. raging when his agent failed to find him on the
train, says the Detroit Free Press. Glancing
about the station he caught the eye of a hack-
man standing near by, who immediately accost-
ed him with :
'' Carriage, sir ? ''
" Yes, if you will drive me immediately to
Baltimore without delay.''
The hackman grinned as he eyed his two
sorry specimens. " Oh, they can stand it. But
where to, sir ? ''
At this the great artist looked puzzled. '' Why,
I don't really remember." Then, brightening
up : " Oh, I know ; the opera house.''
'' But there are eight or ten, sir. Which one ? ''
" Well, drive to a music store and find out, but
don't stand there talking."
The man whipped up his horses, but the roads
were poor and it was some time before they
reached the city.
Arriving at the music store the hackman got
out, and marching in demanded: "There's a
gent here as wants to know where that piano
man is going to play—Paddyeski or something."
"Paderewski? Oh, that concert is just
around the corner at the
opera house.
But it's half over by this time, and you can tell
your gent it's hardly worth while going now."
Then, taking down one of the huge photographs
of the "chrysanthemum head " from the win-
dow, he said to the boy waiting : " Here, Bill,
this can come down, as the tickets are all sold. "
At sight of the photograph the hackman stop-
ped short, and exclaimed : " And is it him as is
going to play ? Why, he's my gent in the car-
riage ! ''—and rushing out he drove frantically
to the place designated, fortunately in time to
prevent the audience from dispersing.
As Paderewski hurriedly payed him his money
the man hesitated, and then said awkwardly :
" Please, sir, I like a tune with the best of them.
Could I make so bold as to hear you play ? "
The kindly face of the great artist beamed
upon him in assent, and they went into the hall
together side by side. It is needless to say that
there was not one of that vast audience so gene-
rally astonished and delighted by what he heard
that afternoon as Paderewski's hackman.
"How to see Washington" is the title of a
neat little work, issued by the Bradbury Palace
of Music, 1225 Pennsylvania avenue, Washing-
ton, D. C. On the outer cover is an illustration
of the Capitol, while the inside pages are devot-
ed to explaining the way to see Washington.
The back cover contains an illustration of the
White House, and the statement that '' The
Bradbiiry Piano is used by the President, cabi-
net officers, members of Congress, and musi-
cians generally." Taken altogether, it is a
novel idea in advertising.
ALBERT G. WIEGAND, representing the Brau-
muller piano, starts next Monday on a trip
through New York and adjacent States. Mr.
Wiegand reports excellent sales of the Braumul-
ler instrument.
THE employees of F. L,. Raymond, manufac-
turer of the United States organ, Cleveland,
Ohio, recently presented him with a dinner set
of Haviland china.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
212
Instruments of Coijg
SEEN IN THE STOREROOM OF MANY A NEW
ENGLAND HOME.
occasions are frequent, if one travels
~€> much, that his attention may be called
to some ancient or time-worn musical instru-
ment that has been relegated to an unused cor-
ner of the attic or storeroom, there to remain a
visible evidence of the pleasure its chords have
invoked. Should the inquiry be made, '' Why
do you keep that useless piece of lumber? "
you will find that a perfect torrent of reminis-
cences has been awakened, and that it is hard
to check.
The old spinet, if it be that, you will be told,
has had many laments poured into its rheumatic
old heart; its dingy, yellow keys have unlocked
the doorway to tenderest emotions ; its strings
have been the heart strings of a generation that
has turned to dust, of another generation that
totters about aided by a staff, and still a later
generation, just from the cradle. Why, it is
only a few years ago that its old voice broke
down entirely. Part with it ? Never! We
keep it for the good it has done, for the light
and happiness that it has turned into so many
lives.
Whether the instruments of those early days
were more honestly constructed than those of
to-day of course it is not possible to know, as
these later ones have not had time enough to
ripen, so to speak, but that the earlier creations
in musical instruments possessed great solidity
in their construction, and careful fidelity in the
detail of their finish there is abundant testimony
extant. It is not an unusual occurrence to find
in some of the homes in New England a piano
or melodeon from which music was summoned
at the hands of grandmothers of the present
generation. The writer has in his mind the in-
cidents of a visit paid to one of these solid old
houses that mark a rugged era in the country's
history, and it was there that one of the finest
specimens of an ancient piano was seen—a
square, six octave piano, with carved mahogany
legs, and finished in solid dark wood. The
keys, yellowed with age, when struck gave
forth a jangling, discordant sound, for the har-
mony had departed forever. The hammers were
made to strike the string in a manner long since
out of date. The name plate bore the name,
"Meacham & Co., Makers, Albany, N. Y."
The musical value of the instrument had long
ago ceased to exist, but the honesty of its maker
was visible in every part of its construction, and
the pride of ownership was also visible in every
feature of the one who uncovered it for inspec-
tion. To compare this old relic of mechanical
skill in musical manufacture with the peerless
results of modern skill and ingenuity is hardly
a fair thing to do, because one cannot help feel-
ing that with the means at their hands they
did very well. Fifty years from now, may not
comparisons then made be as unfavorable as are
the results of to-day when placed opposite the
applied ideas of fifty years ago ? The matchless
pianos of to-day seem to be absolutely perfect,
yet the inventive mind is ever restless.
Oppressed l^atioQS SIQ^.
" 4 ^ ) ^ y ° u ^now ^ a t oppressed nations al-
C^>- ways sing ? " asked J. W. Wurtemberg,
of Boston, at the Tremont. "Victor Hugo
makes such a statement somewhere, and I be-
lieve he is fully borne out by the facts. It is
the period of the greatest struggle for freedom
and of the greatest tyranny that witnesses the
birth of great musical composers. It was
after the thirty years' war that the German
choral was founded. Italy was in the throes of
dissension, conflict and strife when Palestrina
arose. Art, as represented by the paintings of
the great masters, had been suppressed, and art
in another form, that of music, took its place.
I need not quote instances nearer at hand to
prove the accuracy of my statements.''—Chicago
Herald.
Sigmund Herzog, concert pianist, has return-
ed to the city and will be heard in concert this
season, together with S. Van Praag, solo violin-
ist. Both of these gentlemen are artists of the
foremost order, and their repertoire is large and
varied.
The Violin World is the name of a new
monthly publication, devoted solely to the inter-
ests of the violin family. It is neat, concise,
and contains considerable matter of importance
to violinists,
His Nom de Plume—" I have been trying to
think of a suitable pen name," said the young
author. '' Could you suggest one ? ''
" If it is one of these cheap fountain pens you
wish a name for,'' answered the Rev. Mr. Wil-
gus, " you had better ask some one who is not
debarred by his profession from expressing him-
self."—Indianapolis Journal.
A TRAVELING
8AL.K8L.A&Y.
A LADY desires a position as traveler for a house manufactur-
ing Piano Scarfs, Stools or any Musical Novelties. She
has been engaged in the above business for the past five years,
and understands it thoroughly.
Address, LADY TRAVELER, care of
THE MUSIC TRADE REVIKW,
3 East 14th Street, N. Y.
¥ e have it at last!
A PERFECT GRAND ACTION
FOR THE UPRIGHT PIANO
It is more sympathetic, more elastic repeats more instantaneously and faster
in the Upright piano than in the old style Grand.
To prove all of the above broad claims, we invite you to a critical examination of the
action, in working order, in a number of Pianos to be exhibited at the Parlors
of the HOTEL KENSINGTON, 5th Avenue and 15th Street, N Y. t
from October 17th to 29th, inclusive.

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