Music Trade Review

Issue: 1887 Vol. 10 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW,
THE MOLLER ORGAN.
T
HE Selinsgrove, Pa., Tribune, of December 24,
has a column article about the dedication of
the new Moller organ, of which the following
is a part:
Sunday, December 20, 188G, will be a day long to be
remembered by the members of the Evan. Lutheran
Church, of Selinsgrove, Pa.
The Canvassing Committee visited Lewisburg, Mil-
ton and Bloorasburg, and examined organs manufac-
tured by three or four different parties, and upon
their return home made a full report to the Commit-
tee.
Two manufacturers sent their representatives to
this place, and presented the claims of superiority of
their several instruments, besides this propositions
were in the hands of the Committee from three other
parties.
At a meeting of the full Committee, the proposi-
tion of M. P. Moller, of Hagerstown, Md., was ac
cepted, and A. W. Potter, Dr. B. F. Wagenseller,
Horace Alleman, and J. A. Lumbard were appointed
on the part of the General Committee to enter into a
contract with Mr. Moller, for the construction of the
organ, which was at once done, and the dedication of
the organ, which took place on Sunday last, was the
consummation of the contract.
The instrument is a fine one. It was manufactur-
ed at the factory of M. P. Moller, Hagerstown, Md.,
with 58(> pipes, weighs -H50 lbs., is of two manuals of
r.l keys each, has 17 speaking registers, the case is
<>f solid walnut, finely finished in hard oil, the keys
are of the best ivory with polished ebony sharps, the
front pipes are linely decorated in gold and colors.
The instrument is provided with one of the most im-
proved bellows, with ample wind chests, and in con-
struction, design and finish is complete in all its de-
tails. The case is 10 feet wide, 6 feet (5 inches deep,
and 12 feet high, with front pipes reaching the ceiling.
The organ was thoroughly tested by Prof. W. W.
Keenan, New York City, and by Prof. Ferd Hill, of
Hill & Neff s organ factory, Sunbury, and was pro-
nounced faultless as to tone and construction. The
organ is beyond doubt one of the finest and best in-
struments in the Central Pennsylvania Synod of the
Evan. Lutheran Church, and we would advise all who
may. desire to purchase an organ for church purposes
to examine it, and then give Mr. Moller a trial. We
have no hesitancy, from our dealings with him, to
recommend him as a gentlemau f the strictest in-
tegrity, and who will perform to the strictest letter
any contract he may make.
MORE OPINIONS OF DEALERS AS TO
THE MERITS OF NEWMAN
BROTHERS'ORGANS.
231
HARTFORD, CONN., March 2, 1887.
MB. J. HAYNES :
DEAR SIR : The organs arrived all right after some
delay—I suppose from being snowed in on the road—
and they are giving more than satisfaction. The
sweetness of the tone, combined with the great
power and variety, the even, beautiful action and
elegant case, place these organs in the very front
rank of all the organs in the United States.
The Newman Bros, are certainly to be congratulat-
ed on making such a perfect organ.
Respectfully,
W. E. BARKER.
OGDENSBURG, N. Y., Feb. 22, 1887.
JACK HAYNES, ESQ.., NEW YORK, N. Y.:
DEAR SIR : The Newman Bros, organ just received.
I am delighted with it. It is, without a doubt, the
Mr. J. HAYNES:
finest finished and best design of case of any organ I
DEAR SIR : Knowing you have the management of ever handled. The tone is extra fine. I t discounts
the Newman Bros, organs in the East, I feel that I our Eastern organ in this respect.
I set it up in a masonic lodge to-day, and they
must congratulate you.
I have been in the trade fifteen years, have handled were all highly pleased with it, and expressed them-
several of the best organs made, but none have de- selves by saying it was the best toned organ in the
lighted every one as does the " Newman." I sold town of De Payster — a big feather for the organ. I
the first Newman Bros.' organ June 8th, 1885, and shall make it my leader.
Yours truly,
have sold them since; they have given perfect satis-
F. H. MERBICK.
faction. What a beauty, what a nice action, and
above all such a superior quality of tone, are the ex-
pressions from those that have tried them,and inmy
judgment we can't say too much for them.
Yours Respectfully,
AKRON, N. Y., March 1, 1H87.
ISAAC I. COLE & SON,
GEORGE W. SHEFFIELD.
MANT7FACTUBHB8 OF
ALL KINDS OF
P H I L I P CT. LAWRENCE,
YENEERS.
(Successor to LAWRENCE BROS.)
MANUFACTURER OP MAGNIFICENT ROSEWOOD FINISHED OR BLACK WALNUT
PIANO CASE ORGANS.
Make a Specialty of Piano Case Veneers.
ThiR new Instrument ban no Stops, but is so constructed as to insure the most beautiful effects, by the
use of two levers operated by the knees. The appearance of the instrument is that of a HANDSOME
UPRIGHT PIANO, and it cannot be distinguished from it, except by playing upon it, and as it is of the
name size, it forms at once the most charming ornament for the Boudoir, Parlor or the Drawing Room, and
combines the sustained Orchestral effects of an Organ, with the perfect proportions and symmetrical
exterior of the newest and most artistically designed Piano.
For full particulars, address,
FACTOBT AND WABEEOOMS,
Foot 8th St., E. R., New York.
PHIUP J. LAWRENCE,
Tenth Street, near Washington, Euston, Pa., IT. S. A.
THE MONAECH ORGAN.
DESCRIPTION.
In recommending the M o n a r c h O r g a n to purchasers, we desire to state
plainly and distinctly two claims which we confidently make.
FIRST.—The work both inside and out is strictly first-class. The cases are
solid black walnut elegantly finished, and the reeds, stop works and action arejof
the finest material in every particular. We therefore claim that
The Monarch Organ is unsurpassed in workmanship.
SECOND.—The instruments contain fourteen octaves of reeds and iwenty-two stops.
There are no " d u m m i e s " among these, as is often the case where a large num-
ber of stops are attached to an instrument. Every stop produces its effect. While
we do not claim that this Organ has more speaking reeds than any other of its
size, we do claim that it has more than most of them, and the peculiar and in-
genious manner in which stops are made to act as " m u t e s " a n d "combinations"
gives a variety which we have never seen equalled in an organ at double it price.
We therefore claim that the Monarch Organ is unequalled for beauty
and variety of tone.
STOPS.
No. 12.
N o . 1. CRESCENDO.—Increases power of dia-
pason.
N o . 2 . CELLO.—Bass Stop, 8 foot pitch.
N o . 3 . BASSOON.—Bass Stop, S foot pitch,
softer th ail Cello,
N o . 4 . B A S S COUFLBR.—Couples all the
reeds in tho Bass, thus doubling their
power.
N o . 5 . M A N U A L S U B B A S S . - H e a v y Bass,
10 foot pitch.
N o . 6 . BOURDON.—Increases power of Echo.
N o . 7 . DIAPASON.—Smooth solid tone, 8foot
pitch.
N o . 8 . DOLCE.—Same as Diapason, but much
softer.
N o . 9 . O R A N D O R G A N . — Strong Treble
combination.
N o . 1 0 . T R E N C H HORN.—8 foot pitch, pure
sweet tone.
N o . 11. VIOLA.—t foot pitch, in middle of key-
board.
LEFT KNEE SWELL.
MELODIA.—Opens a swell box, add-
ing power to No. 15.
N o . 13. VOX H U M A N A . — Has a beautiful
trenvlo effect on treble stops.
N o . 14. ECHO.— Round quality of tone, but
extremely delicate.
N o . 15. DULCIANA,— Same tone as No. 14,
but full power.
N o . 16. PICCOLO. — One octave of reeds ex-
actly imitating the piccolo.
N o . 17. CLARIANA.—A combination of 8 and
and '2 foot rueds, very brilliant.
N o . 1 8 . C L A R A B E L L A.—A full rich tone like
St. Diapiisoii in pipe oiyan.
N o . 19. VOX CELESTE.—Tone of Clarabella,
but. very soft.
N o . 2 0 . SAXOPHONE.—One octave for solo,
imitating the Saxophone.
N o . 2 1 . T R E B L E COUPLER.—Couples all
the reeds in the treble, doubling their
power.
N o . 2 2 . F L U T E FORTB.—Opens a swell box,
adding power to treble stops.
RIGHT KNEE SWELL.
We have a limited number of these instruments on hand, which we will
close out to the trade at low prices and on liberal terms. Address,
CHAS. H. PARSONS * CO., 292 Broadway, New York.
2^2
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
RUSE'S TEMPLE OF MUSIC.
busts and richly framed portraits of the old masters
looking down upon you, presents a scene of Oriental
taste and beauty not easily described. These busts
were imported from Italy and the portraits from
Germany. No wondor this parlor is the delight of
our Toronto musical ladies. Appropos to this parlor
and veritable temple of music, we must note a cal-
endar issued by Mr. Ruse for the jubilee year of Her
Majesty's reign. It is a handsome oil chromo por-
trait of Queen Victoria nearly life size, imported
from Bristol, England, by Mr. Ruee as a souvenir to
his patrons and friends, and excels anything in that
line for beauty and art we have yet seen. But I have
already far exceeded my limit. In my next I will
speak of the music trade in our city. Visitors to Tor-
onto will find themselves richly rewarded by taking,
in their sight seeing, this establishment. Courteous
attendants will show them through the various de-
partments and skilled pianists entertain them.
F the success, the direct result of tact, talent, en-
ergy and integrity of an individual enterprise
can be accepted as an appropriate illustration of
the status of the trade in our provincial metropoli-
tan city, Toronto, Ontario, then we must record it as
in a most satisfactory and nourishing condition at
this, the beginning of our Queen's jubilee year. The
founder of Ruse's Temple of Music, now unquestion-
ably the most extensive piano and organ warerooms
in the Dominion, and we think, too, the most popu-
lar and widely known, came in our midst about two
years ago. It seems almost incredible that a single
individual in this short time, in a city where there are
six pianoforte factories in full blast, and at least
eight permanent houses where large musical instru-
ments are sold, should not only take the lead, but ac-
tually eclipse all in his progressive march, his sales
having increased over seven hundred percent, in this
DE PUOH.
time. Wm. Ruse represents, for American pianos,
ED.-
We
are
in
receipt
of
one
of
the
above
named
such firms as Knabe, Baus and Fischer; and for
Canadian make, the Dominion pianos and organs ex- calendars, and it is a real gem of art, and Ruse's
clusively. His success is marvellous, HIKI here we Temple of Music, r>8King street, West Toronto, has
were accustomed to think that there was the least our thanks.
room for another house in the trade, only illustrates
the truth of the old adage, "There is always wide
AT LAST.
room in the upper story." Ruse's Temple of Music
is a largo four story building with basement extra,
HE Chicago agency of the Chickering piano has
litted up outside and inside in the most appropriate
been finally settled, and, to use the term of
and convenient manner, each Hat set apart for its
one of the trade papers, " Messrs. N. A. Cross
own particular department of trade. Through the & Co. capture the prize." The question which now
array of pianos and organs on the ground floor, where arises in our minds is, what have Messrs. Chicker-
are also Mr. Ruse's private office, and the business ing & Sons secured '!
offices, you ascend a grand stairway of carved oak
For a long time past Cross & Co. have handled the
to a platform where are double manual pedal Kroeger piano as their leading Instrument. No longer
bass organs, beautiful in the rich, soft glow ago than last November we heard one of the mem-
of two large stained glass windows, each repre- bers tell a prospective customer that he considered
senting an idealistic female figure of music, one the Kroeger piano the best instrument made; that
playing on a mandolin, the other on a lyre. The next it was far superior to theChickering piano, and that,
ascent brings you to the piano show room. This is if the customer desired a Chickering piano, he would
about 40x80 feet and fitted up in an elaborate and ar- furnish one for $50 less than the cost of the Kroeger.
tistic manner. The piano parlor, semi separated After telling customers -uch stories as these, we are
from the main hall by rich heavy damask curtain- unable to see how N. A. Cross & Co. can now turn
ings suspended from walnut rods; walls and ceilings around and tell these same people that the Chickei-
decorated in a hundred different shades and colors, ing piano is superior to the Kroeger. It may be
contrasting beautifully with the rich, rare and costly however, that they intend to sell the Chickering as
fancy wood pianos all around, and here and there their second-class instrument. At all events the agency
I
T
is now settled, and perhaps the "Committee o I Ru
mora," engaged by some of the trade sheets, will be
accorded a vacation, and that Mr. Gildemeester's
presence in Chicago will bo less frequent in the fu-
ture.
THE BURDETT ORGAN
HE following unsolicited testimonial to the ex-
cellence of the New Burdett Organ made for" a
distinguished Eng.ish organist gives it more
valuable discriminative praise than the Burdett Or-
gan has yet received. This aitist-testimonial refers
to an organ finished and shipped to London in
August, I88(i. This organ is the instrument tested by
the eminent Eric musician, Professor Riesberg, who
pronounced it to be the finest reed-organ he had ever
seen.
"GENTLEMEN : I am delighted with the new organ.
Its tone is magnitleieiit and far surpasses anything I
ever heard in reeds. The Trumpet is very rich and
grand, and proves a most valuable addition. Played
alone in full chords the effect is most striking, and
almost suggests the Tuba of the pipo organ. The
flutina is very charming, an! affords a good contrast
to the softer eight-foot registers. Too much value
cannot be attached to the separate composition ped-
als which command an endless variety of combina-
tion effects. Altogether I am very proud of this in-
strument.
Yours faithfully,
T
ALFHED S. HENRY,
Hyde Park, London, Eng.
Dec. 15, 1H8G.
MASON & HAMLINS NEW PARLOR GRAND.
BOSTON, Feb. 17,
1887.
Music TRADE REVIEW :
We have just finished and have now on exhibition
at our warerooms a parlor grand pianoforte, with
the new method of stringing, as invented and patent-
ed by us in 1883.
We cordially invite our friends and all interested
in recent improvements in pianoforte construction to
call and examine this instrument.
MASON & HAMLIN ORGAN AND PIANO CO.

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