Music Trade Review

Issue: 1882 Vol. 5 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSICAL CRITIC AND TRADE REVIEW.
386
July 20th, 1882.
The Philharmonic, at its last concert of the sea- She is about to kill him, but he looks up at her
gave Rubinstein's "Paradise Lost." The at the moment, and her heart is touched with
June 19. son,
work itself does not seem interesting, and the per- pity. She curses him and allows him to de-
TT ALLAN OPERA is as attractive this season as formance, especially of the chorus, was not at all part.
_L the strongest combination of prime donne can good.
Upon arriving at his uncle's, the King of Corn-
make it.
wall, Tristan praises Isolde so much that the King
0BY.8TAL
PAIiACE.
Mr. Gye has spared no pains to please his sub-
dispatches him to bring her to share his throne.
scribers, but, although he has not failed entirely,
At one of these concerts, a new symphony, by The opera opens on shipboard, with Tristan re-
his success has only been moderate.
Signor Agambati, of Rome, who made his debut turning to Cornwall with Isolde, who is telling to
The performances of opera under Eichter, at here as a pianist a short time since, was performed her companion what has already been detailed.
Drury Lane, have been so perfect in detail that and met with a cordial reception.
She decides to take poison and invite the unsus-
London audiences are no longer content to hear It has much charming melody, which, united as pecting Tristan to share the cup, thus accomplish-
even two or three remarkably good singers in it is to modern harmonic progression and instru- ing her delayed revenge, but the poison is changed
operas frequently given with insufficient rehearsals mentation, makes it a work of interest, aside from by her companion for the love philter.
both of chorus and orchestra.
This accomplishes its purpose, and Tristan
its beauty.
Besides this, Mr. Gye's male singers are not The symphony is in four movements, and was sadly arrives at Cornwall to surrender his loved
good, with the exception of Mirswinsky and Fra- skillfully performed by the Crystal Palace orches- one to the King. A treacherous knight suspects
polli, among the tenors, and two or three basses. tra, conducted by the composer.
Tristan, and delays the entrance of the King, who
finally arrives in time to behold his intended bride
The Belgian tenors, from whom so much was
in the arms of Tristan.
expected, have not turned out well. Indeed, the
MB. CABL BOSA
vibrato with which most of them are strongly has formed a partnership with Herr Franke in
The latter, overcome by remorse, seeks death
affected makes their performances particularly order to secure Richter as conductor of the Eng- from the knight who has betrayed him, and in
distasteful to English ears.
the encounter, purposely avoiding to defend him-
opera next season.
After all, Campanini is by far the best tenor on lish
is wounded.
If English opera is to prove a successful enter- self,
the operatic stage, and Mr. Gye would be fortu- prise
In the last act Tristan is lying ill of his wound
in
London,
as
we
all
hope,
it
may
be
safely
nate in having him, because here he would not be assumed that Richter is the man above all others in his castle. The news of Isolde's coming is borne
worked to death, as he is in America, and conse- who is best capable to direct the musical part of to his ears, and in an ecstacy of joy he tears the
quently would oftener be in good voice.
bandage from his wound and expires as Isolde ar-
the venture.
rives.
The
public
can
also
congratulate
itself
upon
one
MME. PAULINE LUCCA
It will be observed that this story, which closely
probability, viz.: that no more money will be follows
the Celtic legend, "Tristrem and Iseult,"
has reappeared here after an absence of ten years, wasted on the revival of sucli operas as Balfe's is sufficiently
prolific in dramatic situations, but
and has proved an additional attraction at Covent "Moro."
is objectionable—not to say disgusting—in the
Garden.
If Mr. Rosa succeeds in securing an efficient
On this occasion "Carmen" was given, this being chorus and artists that can sing some of Wagner's manner of its tragic end.
the first performance of that charming opera at later operas in English, he will do more for the Frau Lucher and Frau Brandt, Herr Winkle-
Covent Garden, although it is, of course,well known establishment of English opera on a firm basis than mann, Herr Jura, Herr Kraus^, and the remaining
artists all declaimed the work in a style leaving
to the public through the performances at Her would be possible in any other way.
nothing to be desired.
Majesty's Theatre um\er Col. Mapleson's manage-
The last night of the German season was Jane
ment.
"NIBELTJNGEN" IN AMEEICA.
30, when
Madame Lucca, in assuming this difficult role,
brought her finished singing and beautiful appear- Herr Neumann's troupe of German artists will
"DIE MEISTEBSINGEfi"
ance to give it effect, but a voice slightly worn in return here for a few cycles of the trilogy in the
autumn,
after
which
they
will
probably
go
to
New
was
given
with
its usual success.
the high notes failed somewhat to respond per-
York and other important cities.
The Richter season of concerts was brought to
fectly to her wishes.
Mons. Lestellier, tenor, and Mons. Bouhy, basso, You may thus have an opportunity of hearing a worthy close by a splendid performance of the
were not very successful, although the extreme Wagner's great work in America, where, whether Ninth Symphony.
nervousness of the former on this occasion, and the popular judgment is for or against it, it will The last of Mr. Halle's series of concerts for the
the excellent performances of the latter in other probably be listened to with attention and studied benefit of the Royal College of Music was very
interesting, comprising among other things a very
operas, should not lead us to pronounce a judg- as such a grand example of a new art deserves.
good performance of Beethoven's Mass in 1).
ment too hastily.
AMEBICUS.
Mr. Cusins gave a concert during the month, at
Mme. Valleria lent the charm of her voice and
which he displayed his well-known skill as a pian-
LONDON.
acting to the small soprano part.
ist and composer. Some of his compositions were
Mme. Nilsson has had a disagreement with Mr.
LONDON, July 3.
sung by Mr. Santley, and met with the decided
Gye, which will probably end in a law suit.
NE of the most interesting seasons is drawing success which they merit.
It seems that Mr. Gye, before sending the
to a close, and yet, excepting operas, there It is hardly worth while to mention the per-
engagement for her to sign, had received a letter
from her accepting his terms, and relying upon have been few novelties to mention. A few years formances at Covent Garden further than to re-
this, he advertised her to appear in the first per- ago most of the new music to be heard in London mark upon the splendid galaxy of prime donne
formance at Covent Garden of Boito's "Mefisto- was rather of the concert class, but this season who continue to draw good houses.
has brought to our knowledge the great music It is a pity, however, that Mr. Gye still con-
fele."
of Richard Wagner, whose genius we tinues to give us such bad male voices as soloists.
She thereupon wrote to the newspapers, stating dramas
all acknowledge and admire, whether or not If the Italian opera is to be monopolized by the
that she was not under engagement to Mr. Gye, must
we hail him as the prophet of the future.
Belgians, compel them, at any rate, to come over
and that he had no right to advertise her.
to England and learn to sing before they appear.
Mr. Gye replied, stating his side of the case,
"TBISTAN TJND ISOLDE"
and there it stands at present.
LENEPVEtj's OPEBA, "VELLEDA,"
Mme. Nilsson's friends regret that she should was the latest novelty produced at Drury Lane
have had any difficulty with Mr. Gye, who is Theatre. With the general public and a majority will be given to-morrow night with a cast includ-
usually considered very honorable in his dealings of the press, it must be considered almost a fail- ing Mesdames Patti, Valleria, Stahl, and Signori
with artists.
ure. Notwithstanding the magnificent perform- Nicolini, Cologni, and De Reske.
The opera is favorably spoken of, and, in the
Madame Patti is the principal attraction this ance under Herr Richter, the work has been given
season, as usual, of the Italian opera.
only a few times, and that which promised to be scarcity of new works, will probably be a great
She has appeared, so far, only in her usual char- the closing climax of a highly artistic and suc- addition to the Italian repertoire in London. Mr.
acters, but is annoxinced to appear soon in a new cessful venture has proved to be quite the con- Gye has shown his usual commendable encourage-
ment to young composers by employing his best
opera, "Velleda," by Mons. Lenepven, an hitherto trary.
AMEBICUS.
unknown composer.
The reason for this must be sought for not artists for its interpretation.
At Drury Lane, the German operas, under the alone in the ever increasing difficulties encount-
management of Franke & Pollini, with the won- ered by one who attempts to understand the mu-
derful conductor, Richter, continue to draw crowd- sic of Wagner, but also, in the story itself, which
ed houses, especially on the Wagner nights.
exhibits love under some of the aspects so objec-
The "Meistersingers of Niirnberg" has been the tionable in "Die Walkiire."
greatest success of the season thus far.
Tristan is the nephew of the King of Cornwall,
BALTIMORE.
It is really a beautiful opera. Instead of the which kingdom is obliged to pay tribute to Ire-
BALTIMOBE, July 11.
endless recitatives of Wagner's "Ring des Nibel- land. Becoming weary of this tax, the Cornish
ungen," this opera often has melodies of a pro- refuse to pay it any longer, and instead of going A MIDSUMMER calm prevails here at present,
nounced character, and the choruses and concerted to war with Ireland send the knight, Tristan, to XJL which makes it more pleasant for our mu-
pieces are of remarkable beauty.
maintain this determination in battle against some sical people to visit the mountains and the sea
In fact, it is such a charming opera that one can knight to be chosen by Ireland.
beaches, to inhale the healthy breeze so necessary
but admire it and go to hear it as often as possible. The betrothed of Isolde, daughter of the King for a happy existence.
Weber's "Euryanthe" was produced last week, of Ireland, is the chosen champion, and is killed Most of our musical folks can afford to spend a
but was not a great success. This was not so by Tristan, who is also dangerously wounded in few weeks in the country, and, to their credit, let
much owing to the opera itself as to its stupid the encounter.
me state that they take advantage of the op-
libretto.
The champions of the latter knowing by repute portunity offered to them by circumstances, and
The music is, of course, a little weak to our that Isolde has the marvellous secrets of healing leave here whenever they feel so disposed.
Wagner-accustomed ears, but it is often beautiful herbs, and anxious to save Tristan, dress him as a The resorts in the immediate vicinity offer many
and always has musical merit. The overture, poor sailor and put him in a boat which is al- attractions, which are admired as much by the
which is doubtless well-known to the concert-go- lowed to drift near the castle of Isolde. She, see- musician as by other visitors, especially if the
ing public of New York, remains always worth ing this wounded man, conveys him to the castle musician can make hia expenses by playing in a
hearing and loses no charm from its splendid per- and begins to nurse him, but in the course of Summer resort hotel, and something more.
formance under the baton of Richter.
healing, the wound discharges a small piece of a The musicians from Baltimore have engage-
"Tristan and Isolde" is promised for to-morrow, sword. This arouses Isolde's suspicion, and upon ments at the various Virginia resorts, at Cresson
and it is believed will be as great a success as comparing the piece with the broken blade of her Springs, Penn., and at the hotels on the shores of
.lover, she recognizes Tristan as his slayer.
"Die Meistersinger" has been.
the bay and the ocean.
LONDON.
LONDON,
O
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
July 20th, i§82.
THE MUSICAL CRITIC AND TRADE REVIEW.
Most of them return in the Fall fully invig-
orated for an active musical campaign.
MTJSIO IN THE CITY
consequently suffers from this depletion of ranks.
This can easily be verified at the Academy of
Music performances that have been progressing.
."Patience," "The Pirates," and "Pinafore" have
been on the boards for some time, and the perform-
ances would have given more satisfaction if the
orchestra had been constructed of better ma-
terial.
I must not forget to mention, that the ad-
mission is only twenty-five cents, the lowest fig-
ure yet reached for an operatic entertainment.
Great artistic results are not expected, and a
meritorions performance would be a surprise in a
twenty-five-cent performance.
Mr. Fort has endeavored to make the Academy
a paying institution to its stockholders. From all
appearances, there is no doubt of his success.
General delight was manifested by our German
citizens at the success of the
GERMANIA MAENNEBCHOR
at the Philadelphia Saengerfest, although this de-
light was not unalloyed, as there appears to have
been a kind of compromise arranged at Philadel-
phia, which resulted in giving the Maennerchor of
Baltimore a diploma and laurel wreath, while the
Arion of Newark received a most valuable silver
tankard.
When the Maennerchor returned, such members
as were unable to visit Philadelphia with the
Society gathered at the hall of the Maennerchor
and marched in procession to the depot to receive
the victorious singers.
On the arrival at the hall from the depot, the
singers were welcomed by the President of the
Maennerchor, Mr. Theodore Horn; and Hon.
Joseph Letzer, of the Thirteenth Ward, delivered
an address, in which he referred to former vic-
tories and their results.
As the temperance element prevails in this So-
ciety, nothing stronger than beer is consumed at
the hall, and on this occasion the contents of sev-
eral small breweries rapidly disappeared.
It was found necessary to stimulate the mem-
bers after their exhaustive effort at Philadelphia,
and no one was more anxious to assist in this
undertaking than the victorious singers and their
worthy associates who remained at home to besiege
the telegraph offices during the contest in order to
hear the results as soon as possible
It is the wish and hope of all ardent admirers
of the German song that the Baltimore Societies
should always enter into contests of this kind, for
they are nearly always sure to return home with a
prize package.
One of the oldest members of the Baltimore
Liederkranz Society,
MB. W. H. HOLTZMANN,
died recently, and at his funeral the Society was
well represented.
A solemn song was rendered at the grave, which
closed over the remains of one of the most fervent
admirers of good music among us.
THE PEABODY CONSERVATOBY OF MUSIC
ia now fully closed up for the Summer season.
Not a solitary note escapes the portals of the pre-
tentious palace, and one can only hear the anxious
calls of the tomcat at 2 A. M. as he meanders in
anguish over the tin roof of Symphony Hall.
Having been a listener on many occasions to the
elegant performances that have taken place under
the roof, Tom naturally repeats the strains, es-
pecially those of Hamerick's "Love Duet," in the
41nt Norse Suite, and he always does so about a
semi-tone below pitch.
I recognized the familiar tones, and especially
the oboe part, which represents the tribulations of
the lover when not finding his dulcina at the ap-
pointed rendezvous. I also discovered that Tom
must have listened often to the musio, as it is in-
evitably performed about a semi-tone below the
pitch it starts out from.
Having a thorough musical ear, he strictly fol-
lows the example set him by the director and
his orchestra, and consequently makes a wonder-
ful success of it.
Bootjacks, chair-legs, ink-bottles, and chromos
are fired at him, but he minds them as little as
Hamerick minds the criticisms that are fired at
him.
Further than these intensely musical items, I
have none to communicate this time.
You TERPE.
P. S.—The name of Mrs. Stowman, mentioned
in my letter of May 20, in reference to piano com-
missions, should haye been Mrs. Sfcollman.
Y. T.
CINCINNATI, 0.
CINCINNATI, O., July 5, 1882.
r~pHE Glorious Fourth has come and gone, and
_L Cincinnati can once more settle down to her
everyday humdrum life.
Since my last was written not much has taken
place of musical interest. We have been visited
by two or three comic opera companies, among
them the Haverly and Audran. We have had a va-
riety of this class of troupes here during the past
season, good, bad, and indifferent, but it would
seem that the cream was withheld until the last.
"The Mascotte," "Patience," and "Olivette"
have never been so acceptably produced as by j&e
two companies named. Catherine Lewis is par-
ticularly pleasing, and I doubt if her equal as an
exponent of opera bouffe exists in the country.
She is vivacious, piquant, and emotional, and
rouses the enthusiasm of the audience to the high-
est pitch while on the stage.
The frequent infliction of poor companies upon
a long-suffering public has often surprised me.
Flaming and high-sounding advertisements greet
the eye, and expectation is thereby raised to the
highest pitch only to be disappointed on wit-
nessing the performance of the much-lauded
troupe. Frequently it is composed of singers
that would scarcely be noticed in a social gather-
ing—voices untrained, harsh, and discordant—a
disgrace to the profession and an outrage upon
the amusement-loving public.
It strikes me a manager must either be devoid
of common prudence or wisdom, or be inspired
with a profound contempt for the musical dis-
cernment of the American people, who will de-
liberately, with malice aforethought, organize and
send through the country such inferior companies
as have this season visited us.
Such organizations, on presenting themselves
before an European audience, would be promptly
hissed off the stage. I hope and pray such visita-
tions will not be inflicted on us next season.
The past month or so has been characterized by
frequent public examinations of the pupils of the
College of Music.
These recitals have been held in Dexter Hall,
with the exception of those of last week, which
were held in Music Hall, with orchestra and col-
lege choir.
There has been a very noticeable and marked
improvement in those who sang and performed a
year ago—there is more depth, volume, greater
dramatic expression, and more artistic excellence
than ever.
A wise step taken is the production of frag-
ments of opera with the pupils as the dramatis
persona*. It gives them a practical knowledge of
dramatic acting and singing they could not other-
wise obtain, and while judging leniently, owing
to their lack of experience, it must be said some
of the pupils displayed ability of no mean
order.
The recent acquisition of the College, in the
person of
387
of the city and must remain in town and pay for
their suppers in order to be present.
I venture the assertion, and do not believe it can
be disproven, that every member of the chorus,
and there are six hundred of them, during the
two years of rehearsing spends not less than
twenty dollars, making a total outlay of $12,000,
to say nothing of the self-denial and inconven-
ience resulting from regular and constant attend-
ance. Many ladies must go alone, others must
have their fathers, or brothers, or escorts accom-
pany them, and after two years of privation and
expense if any happen to be absent once by
reason of sickness or other unavoidable cause,
their names are dropped, they are not permit-
ted to sing at the performances, and all their
trouble is what they get for their pains. In
view of these facts, many of the members think it
simple justice and courtesy that they be granted
a pass for their escorts, and yet, ignoring every-
thing, the directors positively refuse to grant their
reasonable request, and this in the face of the
fact that every festival has made money, and there
is now $21,500 in the treasury.
Unless this close-fisted, picayune policy is
abandoned, the May Festival will soon die and
opera festival reign in its place.
JNO. DOUBLE U.
DAVENPORT, IOWA.
DAVENPORT, IOWA, July 7.
HE only musical event here for the last two
months has been a concert given at Burtis's
Opera House on July 7, by the Harmonie Society,
assisted by Strasser's Orchestra and De Beriot
Club.
There was a very large audience in attendance,
and by the way they applauded you could see
that they appreciated the excellent music fur-
nished. The programme consisted of the follow-
ing numbers:
1. Overture—"Orpheus"
Offenbach
Strasser's Orchestra.
2. Gipsy Chorus—from "Bohemian Girl"
Balfe
Harmonie Mixed Chorus (with orchestra).
3. Selections from "Oberon"
Weber
De Beriot Club.
4. "The Goblins"
Ollenberg
Strasser's Orchestra.
5. Serenade
, Eosevald
Harmonie Quartette.
6. "When Eve's Twilight Gathers Bound".. Hatton
Miss Nellie Jones, Mrs. Clark Richards, C. F.
Knappa, and H. Eicknoff.
7. Duet for oboe and clarionet, with or-
chestra
Carl
8. "Among Wheat Fields and Corn"
Hauptman
Harmonie Mixed Chorus.
The proceeds of the concert were given for
the benefit of the Iowa cyclone sufferers.
The Burtis house is now closed for the season,
and will not be opened before September 1—Fay
Templeton's Comic Opera Company having en-
gaged it for the 1st and 2d of that month. In the
PROP. GORNO,
meantime it will be newly decorated and have a
A. K.
vocal instructor, is said to give increased strength new drop curtain and new scenery.
and efficiency to the corps of instructors. Of this,
however, it is too soon to form any judgment.
Voiees are not made or cultivated in a day, and
it is only by critically studying a given method or
teacher, after having been put in operation for
PITTSBUE&.
many months, that any just judgment can be
PITTSBURG, PA., July 10.
formed.
I can, however, now say one thing of Gorno, that
E
have
had
a
Musical
Festival, which was
seldom can be said of vocal teachers: He is an
unexpected, and for that reason all the
instrumental performer of the first rank; indeed, more successful.
his recital, given a few weeks since, was a great
"Frohsinn" Society has come back from
surprise to all who had the pleasure of listening the Our
Philadelphia
Saengerfest, and brought home
to him.
a first prize, of which we may well be proud,
His conception is broad and just, his touch when the enemy's strength is considered.
crisp, and his execution brilliant in the extreme.
The Society left home for the field of battle
In a word, he is a maestro beyond cavil.
with the best wishes of its friends, but those who
In my last, mention was made of a spirit of dis- entertained hopes of anything above a second
satisfaction existing in
place among the victors were few indeed.
Hence the joy with which the tidings were re-
THE FESTIVAL CHORUS,
ceived that a first prize was to be brought home
to "America's Blacksmith Shop" by the "Froh-
which, if not allayed, would work serious injury sinn."
to the May Festival Association.
Petty jealousies and estrangements were forgot-
The fact is, the members are treated like so ten in the desire to show the victors that their
many slaves, who tremble at the nod of their achievement was appreciated, and the "Frohsinn,"
masters, and who are granted no liberties what- upon returning home last Thursday, met with a
ever.
reception such as has never been equalled here.
The slightest dereliction of duty causes their
Some months ago the writer, with a German
expulsion from the chorus. Few people, I think, friend, attended the Goethe Memorial meeting at
have ever stopped to calculate the privation, self- Frohsinn Hall, and there heard several songa
denial, and expense which the members of the rendered by the Society.
chorus suffer. Cold or warm, wet or dry, far or
(Continued am page 388.)
near, they must attend rehearsals; many live out
T
W

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