Music Trade Review

Issue: 1882 Vol. 5 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
July 2oth,
THE MUSICAL CRITIC AND TRADE REVIEW.
Max Bruch will leave Liverpool to accept
the directorship of the New York Liedertafel
double-page supplement, giving the pictures of the at a salary of $2,500. I t was at one time
soloists and orchestral leaders at the leading Sum- supposed that he could be secured for the
New York Liederkranz, but the election of
mer resorts of the country.
Mr. Theodore Thomas as director ended the
negotiations.
I.
AND
TRADE REVIEW.
E next issue of T H E MUSICAL CRITIC AND
TRADE REVIEW will contain a handsome
OUR ANNIVERSARY.
T
H E London Figaro says that Abbey has
made an offer to Lucca for the coming
I T H this issue we bring to a close an-
other year of T H E MUSICAL CRITIC season. This is highly improbable. H e will
AND TKADE EEVIEW, and with the issue of not give any operas; he will not have two
THE ORGAN
concert companies running against each
August 5 the paper celebrates its birthday.
It would be aatural on this occasion to in- other, and he cannot get Nilsson and Lucca
dulge in a little self-glorification, but that is in the same concert company. H e has
AND THE MUSIC TRADES OF AMERICA. rather out of our line.
secured Nilsson. If any offer was made, it
was probably of a nature which made ac-
We
can
merely
say
that
we
have
made
a
PUBLISHED on THE 5th & 20th OF EACH MONTH
aper that is readable, honest and outspoken. ceptance impossible. Moreover, Lucca has
At 864 Broadway, bet. 17th and 18th Sts.
Ve have secured a very large circle of read- been engaged ipr the approaching season in
ers,
an excellent advertising patronage, a Yienna.
AMERICAN NEWS CO.,
SOLE AGENTS.
great many friends, and some enemies.
The latter are not by any means all bad
STAFF CORRESPONDENCE.
fellows, and most of. them will, in the course
(Contimud from.page 387.)
of time, see the error of their ways.
Editor and Proprietor.
We have fought several hard battles, and
The performance was not the best of which the
have done some service in exposing roguery Society was capable, and an apology was offered
All communications should be addressed to the editor, and humbug.
W e have kept out of debt, us by a prominent member, to which we answered
CHARLES AVERY WELLES, 864 Broadway, N. Y. City.
that
Checks and Post-Office Orders should be made payable to and have never cramped our business for the
THE "FROHSINN"
CHARLES AVERY WELLES, Proprietor.
purpose
of
building
an
imposing
structure
on
We are not responsible for the return of rejected manu-
script.
an eggshell foundation.
could well compete with the average singing so-
Correspondence must always be accompanied by the name
But rather than talk about what we have cieties elsewhere, and our remark has proven true.
and address of the sender, not necessarily for publication, but
jis a guarantee of {jood faith.
The "Frohsinn," according to the judges, the
Trade reports, items and communioations, relating to the done, we prefer to talk about what we shall press and the public, sang Abt's "Singer's Toinb"
music trade, ate solicited from all parts of the world.
do.
—a composition beautiful alike in words and mu-
Beginning with the issue of August 5 we sic—in a most artistic manner, and every lover of
shall materially enlarge T H E MUSICAL CRITIC music in the Smoky City—be he German, German-
NEW YORK, JULY 20 TO AUGUST 5,1882.
AND TKADE REVIEW, and shall make many American, or American by birth—should be proud
other alterations and improvements, so that of the result.
Here, dear Dr. Scevel, is a more proper event
ADVERTISING RATES.
there can be no question of its being—we from which to date Pitts burg's musical future, for
The following is the schedule of advertising rates for were about to say the finest paper of its there must be no decline now. The "Frohsinn"
tlie MUSICAL CRITIC AND TRADE REVIEW :
class in the world, but that would convey a has made a reputation for itself and this city
wrong impression, for there is no other paper which it would be ignominious to forfeit, and we
COVER PAGES.
are therefore justified in looking for even greater
in the field it occupies.
achievements in the futmre. And Prof. Franz
The four pages of the cover are divided into two col- This at first sight appears a startling state- Lohm&n,
the director of the ' 'Frohsinn," to whom
umns to a page.
No other papers in the musical and all honor is due, is not the man to relinquish his
IN THE WIDTH OF A SINGLE COLUMN ON THESE ment.
COVER PAGES THE RATE IS
music trade field? Not one in this country. right to the laurels, nor to be content with this
success. All he wants is encouragement for
$ 2 O PEK INCH for one quarter (3 months.)
There are dramatic papers with musical first
himself and his Society, and that, according to the
departments,
and
papers
that
deal
with
every-
INSIDE PAGES.
sentiments prevailing at the reoeption, will be
liberally accorded.
The inside pages are divided into three columns to a thing under the sun, including music, and are
issued as advertising sheets by music publish-
page.
TOERGE'S FIFTH SUMMER NIGHT FESTIVAL,
IN THE WIDTH OP A SINGLE COLUMN ON THESE ers, and with musical topics, and publish
INSIDE PAGES THE RATE IS
on Thursday evening, July G, was as successful as
from five to fifty pages of light music.
$ 1 4 : PER INCH for one quarter (3 months).
But none of these are true musical papers, its predecessors, and to the average concert listen-
more enjoyable, because the music rendered
DIRECTORY.
and we are proud to say that T H E MUSICAL er,
was notably light.
CRITIC
AND
TRADE
REVIEW
has
made
a
field
Including subscription to the MUSICAL CRITIC AND
The numbers most appreciated were selections
TRADE EEVIEW.
for itself, and has succeeded in holding that from the "Mascotte" and a cornet solo polka, in
In the "Directory of the MUSICAL PROFESSION AND field by itself against a number of attempts which Mr. Miller displayed great ability as a
cornetist.
THE Music TRADES," a space of THREE LINES, that have been made to enter it.
NEITHER MORE NOR LESS, IS ALLOWED FOR A SINGLE
We beg to gently insinuate to the Messrs.
( ARD. These cards will not be taken for a shorter time We shall not make all our innovations in Toerge, that, in their effort to present a light and
than one year, and their wording cannot be altered after our next issue. I t will be several months popular programme, they went just a little too
Ihe first insertion, except in the case of a change of ad- before the paper, in point of critical ability, far.
dress, or something equally necessary. Payment for
It is well enough to cater to the general taste, but
these cards MUST INVARIABLY BE MADE IN AD- newsiness, typographical excellence, and gen-
gentlemen should remember that quite a num-
VANCE. They will not be inserted until paid for.
eral effectiveness will be as advanced as we the
ber of cultured musical people attend their con-
THE KATE FOR A SINGLE CARD IS
desire to have i t ; but it has always been our certs, and delight in something better than op-
$ 1 2 , TH1JEE LINES, ONE YEAR, INCLUDING ONE
YEAY'S SUBSCRIPTION TO THE MUSICAL CRITIC AND policy to make haete slowly—to grow, rather eretta music.
TRADE REVIEW, INVARIABLY IN ADVANCE.
than to swell violently—and every twelve However, the programmes have heretofore been
months of the existence of this publication so judiciously arranged, that we must overlook
HILAKIUS
has in consequence been marked by steady the indiscretion this time.
SUBSCRIPTION RATES.
progress.
We have made our preparations for a vig-
orous campaign during the coming season
UNITED STATES AND CANADA.
RICHMOND (VA.) NOTES.
we shall appeal as a musical paper to the
The rates for subscription to the MUSICAL CRITIC
D" HOFF, the tenor, will leave here in
AND TRADE REVIEW in the Untied States and Canada community more strongly than any paper
September, as he is under contract with
are:
has ever done before, and the past gives us McCaull, of the Bijou Opera House, New York,
1 YEAR (including postage)
$2.OO assurance that our efforts will be appreciated. for next season.
(; MOS.,
"
"
l.OO
Rehearsals will soon begin for the production of
3 MOS.,
"
"
5O
"Patience" under the auspices of the Mozart
Society. The chorus will number sixty voices.
FOREIGN COUNTRIES.
f T l H E London Musical World states that Mr. Pierre Bernard will direct the performance.
In all foreign countries included in the Postal Union _L "Dr. Leopold Damrosch is organizing a
The Virginia Singing Society returned from
the. rales for subscription to this paper are:
Philadelphia with the second prize of the third
grand
musical
festival
for
next
May
in
New
1 YEAR (includingpostage)
$2.5O
Wrong. This is not so. Where class.
« MOS.,
"
"
1.25 York."
A one-act operette, by Robillard, "A Fit of the
ii MOS.,
"
"
6 5 does The World get its information from Blues,"
was played at the Thursday soiree (July
ALL THE ABOVE RATES MUST INVARIABLY BE PAID this side. I t is usually unreliable. To prove
13) of the Mozart. Miss May Thomas, soprano,
IN ADVANCE.
it we call attention to another statement, that made quite a success.
SINGLE COPIES
1 O CENTS.
With which is incorporated THE MUSIC TRADE JOURNAL.
Of the Musicians
CHARLES AVERY WELLES,
W
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
July 2oth, i§82.
THE MUSICAL CRITIC AND TRADE REVIEW.
TALK OF THE DAY
A POPULAR SOPKANO.—We give with this issue
the picture of the popular soprano, Miss Fritch.
During the past season she has had artistic suc-
cesses in addition to those that have marked her
career in this country. Her voice, which has
been cultivated under the direction of that re-
nowned master, Jules Stockhausen, of Frank-
fort-on-the-Main, and which received subsequent
special training under Bandeggar, of London, is
more powerful than ever. There is no doubt
that Miss Fritch will continue to be one of the
most accomplished sopranos.
ALFRED H. PEASE.
r
TTHE news was received in this city on July 15,
J_ from St. Louis, Mo., of the sudden death of
this pianist, whose disappearance occasioned such
comment during the past month. He arrived in
St. Louis about two months ago, and made his
headquarters at the office of the piano and organ
house of Story & Camp.
On May 31 he disappeared, but this time only
temporarily, as his friends on June 5 discovered
him. He again disappeared on that day, and from
then until the identification of his body at the St.
Louis morgue, on July 14, nothing was heard from
him.
Mr. Pease was born in Cleveland, Ohio, in 1842.
He was the son of a wealthy merchant, Mr. Shel-
don Pease. He showed great talent in youth,
which induced his father to give him a musical
education.
Local and other musicians in this country con-
tributed to his education. He was sent to Ger-
many later in life, and studied in Berlin, under
the excellent tuition of Kullak. He also took les-
sons and received suggestions from such authori-
ties as Von Biilow.
Although not a solo player of eminence, he was
acceptable as a solo player in concert companies,
where his popular style of playing made him quite
an attraction.
He appeared under Henry Mapleson's direction
as the pianist of the Marie Boze Concert Com-
pany; he also played in other companies, the last
of which was the Gerster Company, under Max
Strakosch's management.
His playing was florid, making him an excellent
representative of the bravura school of piano
playing. His compositions ranged from the grade
of the "Delta Kappa March" to his Grand Con-
certo, which, however, proved to be an ephemeral
work. He performed it at the Centennial Con-
certs, under Theodore Thomas, in Philadelphia,
Pa.
Personally Mr. Pease made a good impression
on the stage and was a universal favorite among
his friends. It has occasioned much regret that
he died at so early an age and under such peculiar
circumstances.
MAY FESTIVAL BECEIPTS.—The report of the
secretary of the May Festival Association of
Chicago, shows that the loss on the Music Festival
held in May was $9,400. The total receipts were
$57,006. The orchestra cost $14,897, the building
$42,000, the chorus music $2,076. After hearing
this report, the Association resolved that the "Sec-
ond Biennial Festival" of the Association shall
take place in 1884.
D'OYLY CARTE'S ENTERPRISE.—In addition to
"Manteaux Noirs," the new comic opera by Messrs.
W. Parke and H. Paulton, and Messrs. Gilbert
and Sullivan's new opera, "The Princess Pearl,"
D'Oyly Carte will next season produce in New
York "Bip Van Winkle," a new comic opera by
Messrs. Farnie and Planquette, which is to be
brought out in London in October; the new
"Drury Lane" drama, by Messrs. Pettit and Har-
ris, and the new "Surrey" drama, by Messrs.
Conquest and Merritt. Mr. D'Oyly Garte has
purchased the right to produce these pieces in
America, and they will be given here under his
personal direction.
MARIO'S AMUSEMENTS.—A Boman correspondent
writes that Mario, the great tenor singer, has
about recovered from his sickness, and is looking
as well and handsome as ever, with his white hair
and beard, ruddy complexion, and piercing black
eyes. Having got rid of the doctors and their
medicine, he has resumed his favorite pastime of
carpentering, and showed the correspondent, with LILY POST'S MABRIAGE.—It is reported that Miss
great glee, the mutilated remains of a splendid Lily Post, the Patience of the Bijou Opera House,
and costly gilded table, which he had been sawing has married Harry Brown, the Lorenzo of the
into very ill-made brackets.
Wilbur Opera Company "Mascotte."
PROF. STAYMAN'S DEATH.—Prof. Stayman, of
AN ORGANIST'S VACATION.—George William War-
Baltimore, a brother of Dr. Stayman, of the firm ren, the organist of St. Thomas's Church, is spend-
of Sandera & Staymaa, Baltimore, died on July 4, ing a vacation at the Lake House, Lake George.
at the age of 58. He was often to be found at the
office of the firm, and was an excellent judge of
A SINGER III.—Miss Matilda Schlatter, daugh-
musical instruments and a musical critic of rare ter of Julius Schlatter, a wealthy hotel keeper of
judgment. He was an amiable gentleman, whose Hoboken, is lying dangerously ill at the residence
character was above reproach.
of a friend in New Vernon, near Morristown. Miss
Schlatter is the fine soprano in St. John's Church,
DIRECTOR VOGT'S SUCCESS.—Prof. William G. this city.
Vogt, Director of the Vogt Conservatory of Music,
is gaining many friends and pupils at his new
quarters, 19 East Fourteenth street. Prof. Vogt
is a thorough music teacher of many years' ex-
perience, and deserves the excellent reputation he
is rapidly winning.
JADASSOHN'S TRIO.
E
have
received
a copy of Prof. Jadassohn's
JACOBSOHK BESIGNS.—Another resignation has
Trio, op. 59, for piano, violin, and violon-
occurred at the Cincinnati College of Music. This cello, dedicated
to the brothers Ferdinand and
time it is a very important one. ProfeBser S. E.
Jacobsohn, the eminent teacher of the violin, on Hermann Carri, of New York.
Every work from the hands of Prof. Jadassohn,
June 26 sent the following letter to George Ward
Nichols, president of the College of Music: "I in- of the Leipsic Conservatory of Music, is of more
form you hereby that I am not willing to stay in than ordinary merit. This third trio is full of
the college any longer than my contract says, viz., spirit and action. A consistent development of
the 14th of October, this year. Please let me themes distributed artistically among the three
know when I shall take my six weeks' vacation." instruments with splendid effect make it an un-
usually attractive composition of chamber mu-
sic.
THE GABY FAMILY.—Dr. Nelson H. Cary, the
The romanze, opening with the violoncello with
father of Annie Louise Cary, had a musical family.
Joseph Cary, his oldest son, was a fine bass singer, a charming subject, which is taken up by the
and married a musician. Flora Barry, at one time violin and subsequently worked out with great
a well-known opera singer; William Cary, the taste, is one of the best features of the work.
second son, was a good singer; Marcia Cary, now In connection with this trio we append a trans-
Mrs. J. C. Merrill, of Portland, the next youngest lation of a letter addressed to the Carri brothers
child, was supposed to possess a richer contralto by Jadassohn:
than her younger sister, Annie. The next daugh-
"As both of you gentlemen, although personally
ter, Ellen Cary, was the only soprano singer in the unacquainted with me, have been so exceedingly
family. Then there came Samuel Cary, who had active in- disseminating my chamber music compo-
a good bass voice. With the musical qualities of sitions in America, I cannot withhold from myself
the voice of the next younger child, Annie Louise the pleasure of dedicating to you my latest chamber
Cary, the public is well acquainted. The young- music composition (a trio for piano, violin, and vio-
loncello). It will be published by Breitkopf & Har-
est child, Ada Cary, is about to become a pro- tel,
and I will send you a copy as soon as it is Issued.
fessional singer.
With hearty, sympathetic greeting, I remain,
W
S. JADASSOHN.
BECORD.—Villaret, the tenor of the
Paris Opera, who recently made his last appear-
ance, sang there for the first time on March 20,
1863. He was engaged constantly at the opera
for nearly twenty years, and during that time he
sang 1051 times. He sang 11 times in the "Si-
CHANGES AT THE GEEMANIA,
cilian Vespers," 12 in "La Favorita," 14 in the
"Freischutz,"15 in Gluck's "Alceste,"16 in "Don TUST as we go to press we learn that Mr. Nor-
Juan," 19 in "La Beine de Chypre,"39 in "Bobert t) cross has retired from the management of
le Diable," 88 in "Massaniello," 106 in "La Proph- "The Merry War" at the Germania Theatre, and
ete," 123 in "L'Africaine," 130 in "William Tell," has resigned the entire control of the company and
144 in "La Juive," and 203 in "Les Huguenots." the business of the house to Mr. William Carle-
THE CAEEENO CONCERT COMPANY.
ton, the baritone. Mr. Carleton will continue to
T AKGE and enthusiastic audiences greeted this THEODORE THOMAS IN TROUBLE.— Theodore play the part of Umberto Spinola, and in assuming
1 J company at Eichfield Springs on July 3, 4, Thomas's concerts at Milwaukee were a failure. the sole management of the opera says it is his in-
tention to run "The Merry War" until the end of
and subsequently at another concert on July 8. The Chicago success is also doubtful.
next week in trust for the company.
During the same week a successful concert was
The entire company are thoroughly satisfied
given at Cooperstown. The company has been
JOHN MCCAULL'S COMPANY.—Mr. John Howson
induced to visit Cooperstown again during the and Mme. Mathilde Cotrelly, who was identified with the new arrangements, the change of man-
season. At Sharon Springs the concert made with the early fortunes of the Thalia Theatre, agement having been made at their request, and
•uch a favorable impression that, by special re- Laura Joyce, and Lily Post will be members of "The Merry War" which for some time has been
quest, another one was given.
Mr John McCaull's company at the Bijou Theatre going on behind the scenes has ended.
On July 17 the company gave a concert at the next season. Mr. McCaull announces that Miss Miss Dora Wiley, who did not appear on Mon-
Oriental Hotel, Coney Island, and is now en route Lillian Bussell will also be a member of his com- day night, resumed the part of Violetta, and her
to Long Branch, Saratoga, Newport, and other pany, but as that lady claims that her contract is husband, Mr. Bichard Golden, who has for some
Summer resorts. The following artists constitute invalid, and says that she will sing in London in time been out of the cast, made his reappearance
the company: Mine. Carreno, Mile. Paulina Bos- the Fall, it goes without saying that there is as Marquis Pkilippo. The cast now, with the ex-
sini, Signor Tagliapietra, baritone, and Mr. Louis some difference of opinion in regard to the com- ception of Artemisia, is the same as on the open-
ing night of "The Merry War" at the Germwiia,
Blumenberg, violoncellist.
position of Mr. McCaull's company.

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