Music Trade Review

Issue: 1882 Vol. 5 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
June 20th, 1882.
366
THE MUSICAL CRITIC AND TRADE REVIEW.
Do you encore a portrait; and because the artist his will, and was by him condemned to lose her j tones, Wiegand, Schelper, Eilers, and Biberti.
has succeeded admirably in taking your likeness, godhood and rest in unconsciousness until awak- All the artists act very well indeed, and devote
do you clap and stamp about his studio until he ened by a man; but in order that none but a hero themselves with much self-sacrifice to the proper
might gain her, she was surrounded by a wall of rendition of their characters.
makes you another copy for nothing?
"But, oh!" says the auditor, "these are real fire.
RICHTER
Knowing that only a man of the highest cour- has been very successful in his opera venture at
things with a value, while a song is nothing but
air coming out of a man's mouth, and it has no age would be able to release the world from the Drury Lane. It is not anticipated that he will
value, and he ought to be proud that we are curse of the ring, Wotan became the father of make
much money this season, but he will certain-
Siglinde and Sigmund by a mortal woman.
pleased vrith him."
ly create almost a revolution in the operatic world.
This twin-born pair, whose love shows a god- "Fidelio," "Lohengrin," "Flying Dutchman,"
When you are delighted with an effort that cost
the artist years of expense and laborious study like indifference to our modern notions of morality, and "Tannhaiiser" have all been given with an
to bring to the perfection which enchanted you, were the parents of Siegfried, the greatest hero of ensemble hitherto unknown to opera goers. "Die
and you feel disposed to cheat him out of it again, them all.
Meistersinger" has been given once only, and was
remember your duty to your neighbors—ask your
The story of Siegfried is that part of the Norse a pronounced success.
pastor, or go to a police magistrate and learn it.
legend which first excited Wagner's admiration,
In my next letter I shall give an account of it
Would encores be so popular if the manager and subsequently led him to adopt the whole of and its production here, as well as the highly suc-
should go around and require a second payment of the legend.
cessful season at Covent Garden of Italian opera,
The giant who acquired the ring and treasures which, in the thiek atmosphere of German music,
the price of admission?
There's another side to the question, and not for building Walhalla changed himself into a has only been unavoidably neglected, but not for-
infrequently the auditors pay dearly for their pre- dreadful dragon by means of a magic tarnhelm, gotten.
B. B. Y.
and remained in a cave guarding the treasures.
dilection for encores.
Siegfried slew the dragon and gained possession
If a prima donna, or a pianist, or any one of
those marvelous beings who flourish under the of the ring, for whose value he had little regard.
name of artists, happens to have one friend in the Listening to a song-bird he learned of the sleep-
BALTIMORE.
opera house or concert room, this solitary adorer ing "Walkiire" and of the wall of fire surround-
BALTIMORE, June 15.
suffices to force upon the whole auditory a repeti- ing her; but being without fear, and directed by
tion. Now, whese fault is this? Certainly none the bird, he sought the place and gained the T H E R E would De no music here at present, nor~
other than the performer's, who always seems maiden, notwithstanding the intervention of _L much if any musical gossip, if our German
ready to do a thing twice where once was more Wotan, whose spear he shattered with a blow from societies were not constantly active in their own>
his sword.
than enough.
peculiar and interesting way. It is my opinion
Siegfried and Brunnhilde lived in their rocky and that of many who discuss the subject, that
"0 wad some power the giftie gie us
home, and she taught him all her runio lore, and much more could be done by those societies, es-
To see ourselves as ithers aee us!
finally sent him into the world. The dwarf who pecially at the forthcoming "Saengerfest" in
It wnd frae monie a blunder free us
stole the gold from the Rhine begot a son by a Philadelphia, if they had been amalgamated.
And foolish notion."
mortal wife. This son, having no love in his na-
But this is too late now. A number of societies
RALPH CECIL.
ture, was full of magic arts. He gave Siegfried a have joined forces, and, under the title of
draught which not only made him forget his
Brunnhilde, but also betray her to another; and
"BALTTMOKE 8AENGERBUND,"
finally he treacherously slew the hero to regain
they will participate in the musical contests at
possession of the ring for the dwarf.
LONDON.
But Brunnhilde took the ring from Siegfried's Philadelphia, beginning with the first concert of
finger and restored it to the waiting Rhine maid- the series on June 30.
LONDON, June 1.
A few days ago a general rehearsal took place,
ens as she ascended Siegfried's funeral pyre to
which was attended by the festival director, from
f I ^HE first performance of the Wagner Trilogy in share his grave.
JL London has just taken place, and may be
Thus the curse put upon the ring had proved Philadelphia, Prof. F. W. Kiinzel.
briefly described as a great artistic success and an the death of each successive possessor; but after
There are strong and reasonable hopes that our
equally great financial failure.
again being restored to the Rhine it could work no singers will, as formerly, bring home a prize.
The Arion Singing Society has elected Mr. Geo.
I understand that the manager has lost about further ill.
Schafer director, in place of Prof. Lenschow, who-
$50,000, but as most of this money is supposed to
for the past two decades, I think, has been misdi-
have been subscribed in London, it is not extraor-
THE SONG OF SIGMUND,
recting the tendencies of this society.
Prof.
dinary that he bears the loss well.
at the beginning of the trilogy proper, is the best Lenschow has gone to Europe. For the past de-
It cannot be repeated too often that
vocal number, and indeed is the only place where cade this society has remained dormant, not mak-
there is an opportunity for singing. It is well ing any progress, simply because Lenschow, a gen-
"DEB BTNG DEB NIBELUNGEN"
known to your readers, doubtless, through the tleman of the old school, and a worthy musician
is not an ordinary opera, but a drama in which admirable singing of Signor Campanini.
of that school, has not had the energy to inquire
music is used to illustrate poetry, and that usually
In the prologue, "Das Rheingeld," the song of into what music has been doing "since the war."
by means of the orchestra rather than by vocal the Rhine daughters in the beginning is beautiful,
Music has really been progressing, while the
display.
but when, at the close of the prologue, it reoccurs, Professor has remained stationary.
The drama has been so often described in de- intermingled with the march of the gods and the
He should have abdicated years ago. Young
tail that it is hardly necessary here to follow it recitative of Loge, the evil one, it becomes really Schafer is a splendid musician, educated in Leip-
•cene by scene.
magnificent.
sic, and is one of our most promising artists.
The story of the gold being stolen from the
The ride of the "Walkiire" and the "Trauer-
If the members of the society will realize the
Rhine nymphs by a wicked dwarf, formed into a marsch" are well knewa to you in New York fact that they are now obliged to revolutionize an
ring with which to gather more gold, whose power through Mr. Thomas's splendid rendering.
old method and adapt themselves to new musical
should gain him mastery of the world and work
To your correspondent, the second part of the thoughts, and not lose their patience while doing
ruin to all other powers; his loss of the ring, and trilogy proper, Siegfried, is the most remarkable so, there is no daubt that Mr. Schafer will build
the curse of death he puts upon it, with the final part of the work, both for poetic and musical up this singing society, and make it a healthy
restoration of the gold to the Rhine through a beauty.
competitor of the larger ones here.
great and god-begotten hero, is truly poetical and
I say this, well knowing the general preference
It has been no competitor during many years,
eminently suggestive of dramatic situations.
for "Die Walkiire," and the beautiful, and, indeed, although it contains as good elements as any.
The god from whom this hero is descended is magnificent parts of "Gotterdammerung."
WoUxn, the chief of the northern mythological But in spite of occasional parts more beautiful
SUMMER GARDEN CONCERTS,
deities. He it was who tore a limb from the in "Walkiire," Siegfried produced an impression
world's ash-tree, shaped it into a spear, upon of more uniform beauty throughout.
or light opera, will soon begin again at the
which were inoised the rules for making treaties
Where he welds his own sword, his song, with Academy of Music, Mr. Fort having made ar-
rigid, thus becoming the symbol of his power as the wonderful orchestration which Wagner knows rangements on a large scale. An excellent season
the protector of treaties.
so well, produces an effect unsurpassed by this is anticipated. In the meanwhile I sometimes
He drank from the fountain of wisdom flowing or any other composer. Indeed, hardly less can drop in at Gardner's, to "hear the band play."
The orchestra is not quite large enough, but the
at the foot of the tree, sacrificing an eye for this be said of the part where Siegfried pauses in the
boon. He bargained with his enemies, the giants, forest, and, listening to the song-bird, understands private enterprise of Brother Gardner must be
praised, as there are only a few men in any com-
for the erection of a magnificent castle, promising its language and endeavors to imitate its note.
the goddess of "Youth and Spring" in payment
The performances were canducted by Herr Anton munity who would risk a series of open air con-
therefor. Upon the bond becoming due, he re- Seidl. In hearing his rendition of this most im- certs at their own expense.
gretted to lose his eternal youth, and, in order to portant work, one is inclined to give him no second
The Harmonie Singing Society gave a concert
save it, stole the ring and its treasures from the place amongst conductors.
under the direction of the leader, Prof. Tillmann,
dwarf and gave them to save the goddess, thus
He is perhaps the only man who could have pre- which was largely attended and very successful.
taking the first step towards his own destruction, vented the audience from regretting the absence
Marie Stone, Tom Karl, W. H. McDonald, and
for the dwarf, upon being robbed of the ring, pro- of Richter from the enterprise.
some of our amateurs gave a series of operas at
nounced a curse, whereby it should cause death to
The orchestra was brought from Germany, but CatonBville, a suburb.
every possessor until again restored to him.
The best productions were "Pinafore" and the
was not well balanced, the strings being less in
"Chimes of Normandy."
The power of this curse was so soon exemplified proportion than Wagner's directions indicate.
Catonsville folks have been giving operas on
by the death of one of the giants in a quarrel over
The costumes were beautiful, the scenery was
the booty, that Wotan henceforth devoted him- simply awful, and reached the climax of absurdity various former occasions, and their success this
self to avert the fate which the curse of the ring with a magic-lantern display in the last act, repre- year assures another season of operas for next
year.
had presaged.
senting the death of the gods.
At the annual meeting of the Oratorio Society,
He begot a band of maiden "Walkiiren" (corpse-
The artists were all good, and some were re-
bearers), whose duty it was to incite warriors to markable. Among the latter may be especially a good-sized balance was found in possession of
battle and to bear the fallen ones to "Walhalla," mentioned: Mme. Hedwig Reicher Kinderman, the treasurer. Mr. Otto Sutro was reflected presi-
Wotan's castle, there to become his guards against who is the best dramatic soprano I have ever dent, and made a few remarks which indicate
the threatening doom.
heard; Mme. Vogl, a good singer and excellent great activity for next season.
The Oratorio Society is the greatest musical in-
One of these "Walkiiren," Brunnhilde, the most actress; Herr Vogl and Herr Niemann, fine tenors
beloved by Wotan, in battle dared to work against for this kind of work; and the bassos and bari- stitution Baltimore has ever possessed, overshad-
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
June 20th, 1882.
THE MUSICAL CRITIC AND TRADE REVIEW.
357
•owing everything that has yet existed here. Prof.
THE FIBST EVENING
Fritz Fincke will continue as conductor, although of the festival was devoted to Dudley Buck's can-
the eyes of young Hameriok, of the Peabody, tata, "Don Munio," the rendition of which
have been casting coquettish glances at the chief failed to arouse any great enthusiasm.
members.
overture was poorly rendered, the "Festi-
Hamerick would destroy the Society in less than val The
Orchestra"(!)
consisting of about twenty
six months after his dominion began, or the So- pieces, augmented by
the seemingly indispensable
ciety would have to destroy him.
I have few personal notices to write; all can be piano.
The chorus, "Jesu Dulcis Memoria," and the
condensed in a few short paragraphs.
"It is the Lot of Friends to Part," by
Prof. Hamerick is busy conducting rehearsals quartette,
Misses Wallace and Weber and Messrs. Balph and
for the festival chorus, to take place at Phila- Zimmerman,
were the best numbers of the even-
delphia.
ing; but throughout the performance there were
Prof. Mittler is anxiously awaiting vacation.
evident to a painful extent the inadequacy of the
Prof. Gaul, Jr., is practicing the variations of orchestra, and a lack of confidence on the part of
Auber's "La Muette de Portici."
the orchestra and chorus, and the absence of that
Prof. Fred. Eversman, Jr., is out fishing. Some ourage on the director's part which usually im-
one told me he caught a whale weighing twenty bues a ohorus with spirit and boldness for its
pounds. I think it was an eel.
work.
Prof. Schwing is studying up the German song The rehearsals of the orchestra must have been
composers, as he has been selected as one of the "fearfully
few" and superficial, as there seemed to
judges at the Philadelphia Saengerfest.
be no understanding of the director's beat, which
Prof. Gens is putting his cloali away in camphor itself was undecided and wavering. It is need-
for the hot season, prior to its use for a cold less to say that not a little "see-sawing" between
snap.
baton, piano, and orchestra was the result.
Prof. Schmoll is composing four-part songs for As predicted in my last, Miss Cary did not
Catholic church service. He says if the Churches appear at
will not abandon the Gregorian chant, and accept
THE SECOND CONCERT,
iiis offerloires, etc., he will build a church of his
own to have them produced.
as announced, her place being taken by Miss
Prof. Odend'hal is studying Gilbert and Sulli- Winant.
van's "Pinafore," to appear as Dick "Deadeye early This lady created quite a furore, and received a
next season.
well-merited ovation on her rendition of Bee-
Prof. Winterbotham is soliloquizing on the re- thoven's "In questa tomba." The strength and
mote possibilities of the diminished seventh chord. roundness of her voice, together with her artistic
Prof. Courlaender is expecting a decoration delivery, almost caused Miss Gary's absence to be
from the King of Denmark.
overlooked for the time being.
Prof. Fred. W. Wolff is deploring the ignorance Expectations of Mr. H. F. Trask's abilities,
of the masses regarding Mowskowski's composi- based on the terms in which his appearance had
tions, and the quantity of rain-fall during a been announced, were not realized, while his sing-
month.
ing was not wituout merit; in fact, his intelligent
Prof. Gehre is reflecting why people do not oneeption and tasty rendition of his solos were
consider him a pianist; the people are not re- decidedly praiseworthy.
flecting.
Miss Maud Morgan gave evidence of perfect
Prof. Tannhauser is practicing batting, to join mastery of her instrument, the harp, playiag with,
a base-ball nine this Winter that will give ex- great skill and much expression.
hibition games on the ice.
Miss Jean Wallace, Mrs. J. S. McDonald, Mrs.
Prof. W. M. D. R. Muller will spend his time Scott, Mrs. Palmer, Misses Lucas and Weber, and
in the family circle, thus showing the influence Mr. Balph, all local talent, deserve special mention
music exercises on married happiness.
for the excellent rendition of their respective num-
Prof. Udelle has advanced his price, and will bers at this and
hereafter charge $3.75 for one quarter of sixty
THE THIKD CONOEBT,
lessons, payable quarterly in advance, singing in-
cluded.
Thursday afternoon, which consisted principally
Prof. F. X. Hale will soon furnish the second of organ solos, by Prof. Whiting, of the Cincin-
Yolume of his work, "What I Know About Church nati College of Music. The matinee was rather a
Ghoirs, and the Manner in which They are Con- wearisome affair, and the vocal numbers were all
trolled by Outsiders." Racy developments are the more enjoyable from their juxtaposition to the
expected.
organ solos, which were se plentiful as to become
Prof. Grist is going to compose a series of monotonous.
"Funeral Marches" for the Young Men's Chris-
THE FOURTH CONCERT
tian Association, which will be danced in the
large hall, when the mortgage is paid off. on Thursday evening presented another miscel-
The first one will be in double C sharp major. laneous programme, and was given before an audi-
No croBS-eyed people will be permitted in the ence of unusual proportions.
hall.
The male chorus rendered the Vintage Song
Prof. Roemer, who is a wealthy bachelor, is go- from Mendelssohn's "Loreley," with an utter lack
ing to donate a large part of his property for the of unanimity of pereeptien, and consequently
purpose of erecting a home for disabled mu- "sans verve. Mrs. Osgood sang Buck's "Are
sicians; twenty -two applications have already been Maria" admirably, and used her splendid voice
filed.
throughout the evening in a most artistic manner.
Prof. Beckner will accept the position tendered
Mr. Myron W. Whitney made his first appear-
to him as engineer on the Baltimore and Ohio ance at this concert, sang Schumann's "Two
Railroad, in order to enable him to get away from Grenadiers," and Mendelssohn's "IamaRoamer,"
the bad music the parents of his pupils want him and elicited the amount of applause deserved by
to bring.
and usually meted out to him.
Prof. Emerich has borrowed Prof. Feldman's The evening's programme concluded with Ros-
•other eye for the excursion season.
sini's "Stabat Mater," and while the soloists were
Prof. May wants to keep his change the next excellent, yet, taken all in all, there were many
time he swaps violins.
crudities to deplore.
More or less, our professors are rather active,
j o u see.
You TEBPE.
PITTSBUEG.
, PA., June 12.
T)ITTSBURG'S May Music Festival was inaugu-
_L rated on Tuesday evening, May 30, at Library
Hall, by the unusual proceeding of an "op ning
address" by Rev. Dr. S. F. Scovel.
In this address Dr. Scovel made the remark,
that "the success, already assured, of this festi-
val, heralds the musical future of our noble old
city."
I quote this remark in particular from the ad-
dress, because I shall take occasion to dwell on its
purport at length in the course of my to-day's
communication.
THE FTPTH CONCEBT
gave us Haydn's "Creation," the solo numbers
of which were all rendered with more or less ex-
cellence, whilst the chorus numbers varied from
excellent in "Awake the Harp," to indifferent in
the fugue, "Achieved is the Glorious Work."
The orchestra, although better than at the first
concert, was "up to" or "down to" what could be
expected from a score of musicians, good as they
may individually be and were, who had the fewest
possible rehearsals, and who, as I have it from
several of their number, had no confidence what-
ever in Mr. Whiting's baton.
In fact, even some of Mr. Whiting's friends now
admit that he is not a conductor for such a mu-
sical event. His inability in handling the baton
was evident in every recitative, and throughout
the festival he showed a lack of that knowledge of
the score and of that courage in handling his
forces in which other local conductors have been
successful.
PITTSBUBG'S MUSICAL FUTUBE.
And this brings me back to Dr. Scovel's remark,
that "the assured success of this festival heralds
the musical future of this city."
The festival, according to the manager himself
(Mr. Fred. A. Parke, who has done hard work to-
wards its success), was by no means a '"bonanza"
financially.
And to claim success for it musically, one would
be compelled to place on the word "success" a
more liberal construction than even I intended,
when in my last I referred to our limited facilities
for such an undertaking.
Now let us take into consideration, whether
under any circumstances the musical history of
our city should date from the May concerts of
1882.
Many years ago there was organized in this city,
by Prof. Clement Tetedoux, now in Chicago, a
vocal society called the "Gounod Club," com-
prising in its membership list nearly all our local
talent. This society nourished for a long time and
did some excellent work.
In 1877, when Mr. Carl Retter was director of
our foremost German singing society, the "Froh-
sinn," he organized a small orchestra to take part
in an operetta, and it continued to exist under the
name of "Carl Retter's Orchestra."
It also flourished, thanks to Mr. Retter's zeal
and the enthusiasm of its amateur members, and
became what was known as the "Symphonic So-
iety."
Three years ago the two societies mentioned,
"Symphonic Society" and "Gounod Club," com-
bined and gave a May Festival in our Exposition
Building which was the grandest event, musically,
n the history of our city, and compared with
which the 1882 festival was but a series of indif-
ferent concerts.
The chorus on that occasion numbered some
hundreds, the orchestra sixty, and the baton was
in the hands of Prof. Tetedoux and Mr. Retter
alternately, both gentlemen directing with marked
ability and success.
From the programmes then rendered such
works can be quoted as Verdi's "Requiem," Men-
delssohn's 95th Psalm, "The Messiah," "Elijah,"
Beethoven's "Symphony Pastorale," Mozart and
Haydn symphonies, etc.
Since then Prof. Tetedoux has left Pittsburg to
take up his residence permanently in Chicago,
and the Gounod Club was left and has remained
ithout a leader and become dormant—which, for
a lack of support and encouragement, was also the
fate of the Symphonic Society.
Along comes Prof. Whiting, who takes hold of
material drilled and polished by Prof. Tetedoux,
and the late concerts are the result.
Then why treat the recent undertaking as the
genesis of Pittsburgh Musical History? "Honor
to whom honor is due." And right here let us re-
member that the Toerge brothers, as long as eight
or ten years ago, had organized the "Germania
Orchestra," whose performances have never been
excelled, and that Zitterbart, and Foerskr, and
Gittings, and Lohmann, and others have for years
past been- alive to Pittsburgh musical interests.
Prof. Whiting, as stated in my former letters,
deserves much praise indeed for having under-
taken and consummated what other musicians were
not courageous enough to attempt, and I repeat
the hope formerly expressed, that "the festival
will at least give an impetus to the good cause."
Let us hare another festival next year. Prof.
Whiting is fully competent to drill a chorus; now
let him cooperate with some musician who can
organize an orchestra and direct a festival (and
we have such in our midst), and I am sure that in
'83 we could have a May Festival deserving of hon-
orable mentien, as well as those of New York, Cin-
cinnati, and Chicago.
HILABIUS.
INDIANAPOLIS.
INDIANAPOLIS, June 6.
HE "Olivette" of the Corrinne Merrie Makers
at English's, May 26, is best described as
Mark Twain describes the music of the "Arkansas
Bride," which was perfection in its way: It was
the worst performance that has ever been achieved
on our planet by mere human beings.
Corrinne in the title role was all that could be
expected from one ef her age, but at best it seemed
very like a farce.
Jennie Kimball, who assumed the character of
the Countess, made no attempt to sing the music,
but entrusted it to the tender meroies of one of
T
(Continued on page 359.;

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