Music Trade Review

Issue: 1882 Vol. 5 N. 20

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
May 20th, l88i.
THE MUSICAL CRITIC AND TRADE REVIEW.
to its work, while the orchestra, under the direc- in the same capacity. Mr. Paul Gideau is in
tion of Mr. Ernst Catenhusen, is the best that charge of the organ at the Church of the Saviour,
can be heard in any New York theatre at present. where Mr. Fred. Stein ia basso, and Mr. Chauncey
Law is the tenor.
"THE WIDOW" AT THE STANDARD.
A. S. Caswell is organist of St. Stephen's R. C.
" THE CHIMES OF NORMANDY."
Church.
Carrie J. Clark, soprano, goes from
NEW opera, especially when composed by
E CHIMES OF NORMANDY," as pre- the South Miss
Bush
wick Reformed Church to the
a musician living in this country, whose
sented by the Hess Acme Opera Company
identity is familiar, is received here with a pre- at the Standard Theatre, i« a thoroughly enjoyable Reformed Church on the Heights. Miss Carrie
judice which foreign operas are not subjected to. performance of this popular opera. Miss Adelaide E. Mason, soprano, returns to the Strong Place
The secret of this can only be found in a phase Randall, who is winning golden opinions for her Baptist Church.
of human nature which admires importations more artistic singing and naive acting, was an interest- Mr. Charles H. Parsons remains as organist of
because they are foreign than because they con- ing Germaine, but Miss Louise Searle gave rather All Saints' Protestant Episcopal Church, to which
tain real merit; on account of the enchantment too great a flavor of exaggeration to the role of Mig- Mrs. Alice Meserau, soprano, comes, from St.
lent to name and person at a distance.
nonette. Mr. Mark Smith was a capital Marquis, Peter's Protestant Episcopal Church.
Mr. Calixa Lavallee, a Boston musician, has and Mr. Henry C. Peakes made a profound im-
composed an opera called "The Widow," which pression by his realistic impersonation of the Miser. Miss Agnes Lasar leaves the St. James Protest-
has more musical value than the great majority of Mr. Wilkie sang the role of Robin More with ant Episcopal Church to join the choir of the One
light operas produced in this city during the last good taste, and the ehorus was spirited and intelli- Hundred and Twenty-fifth Street Church, Harlem.
Mr. H. M. Hyman, basso, of Dr. Cuyler's choir,
two decades, and the only reason which prevents gent.
returns to join Rev. Dr. Armitage's choir in this
it from becoming a success is the fact that he does
city.
not reside three thousand miles away from here,
GRAU'S
FRENCH
OFERA.
and get a manager to tell all kinds* of remarka-
Prof. A. R. Walsh exchanges with Mr. Henry
l^HE season of Maurice Grau's French Opera H. Powell, the latter hereafter being at the West*
ble stories about his idiosyncrasies.
J.
Company
came
to
a
conclusion
on
Saturday,
minster Church, and the former at St. George's
The plot is outlined by the following: The act
opens at a fete at the chateau of the Due de Trop, May 13. At no one time was there a large Protestant Episcopal Church.
in honor of his neice and ward, Nanine, who loves audience present, and the performances were Mr. Robert Graham is now organist of the Old
Marcel against the wishes of her guardian. At only passable, the soloists, with the excep- Bushwick Reformed Church, where Miss C. Dazet
the fete the Marquis Beauseant meets Donna tion of two or three, being of mediocre quality,
Paquita, to whom he had been engaged, but he and the orchestra and chorus not worthy of much is the leading soprano, and Mr. Foster, leader.
Miss Sophie Stoddard changes from St. Bar-
has in the meanwhile married A dele Henriques comment.
for her fortune. Paquita, incensed at the treat- French opera requires thorough singers and nabas's Protestant Episcopal Church to the
ment she has received from the Marquis, pretends actors, as much as any other kind of opera, and if South Bushwick Reformed Church. Mr. H. E.
to drown herself. As he is running toward the works are presented in the shabby manner in which Hutchinson leaves St. Peter's Protestant Episco-
water to prevent her he is caught by Passepoil, a Grau has been giving them here this season, the pal Church to take charge of the organ at the
Middle Reformed Church. Mr. Harry Eyre
servant, who, not having seen the widow, thinks audiences will undoubtedly be small.
Browne continues at the Clinton Avemie Congre-
he has prevented the Marquis from committing
gational
Church, with Miss Saenger and Mr.
suicide; and the Marquis, thinking he will be ar-
A WONDERFUL CHILD.
Henry Baird. It is expected that notwithstand-
rested for murder, bribes his captor to silence.
From these circumstances follow several amuaing rpHEODORA LINDA DACOSTA, a young ing passing differences, Mr. George W. Morgan
situations, and after many mishaps the opera ends J_ child, seven years of age, sang at Chickering will resume his duties as organist at Talmage's
Hall, on May 17, at a concert tendered for her Tabernacle.
happily in the marriage of Nanine to Marcel.
benefit. She sang several songs with much ex-
Upon this slight fabric Mr. Lavallee has built an pression and a sentiment which was suprising for
ANNIE LOUISE CARY.
excellent light opera, full of rich solos and de- one so young. With proper care and discrimina-
lightful concerted numbers and effective cho- tion in the culture of the voice, this child will M I S S ANNIE LOUISE CARY, contralto, whose
ruses.
-^-'-*- retirement from the concert stage has been
become a noted vocalist.
The opera indicates that the composer is a mu-
nimored, is the daughter of the late Dr. Nel-
sician of more than ordinary ability who has
son H. Cary. She was born in 1842 in Wayne,
qualities which enable him to do even better in
ORGANISTS AND CHOIR SINGERS.
Kennebec county, Me. When fifteen years of
future, although "The Widow" is in itself a work
age she was sent to Boston to study music,
of more merit than we meet with every day.
and soon became a member of Dr. Bartol's
CHANGES IN BROOKLYN CHURCHES.
The instrumentation is very effective, although
church choir. A testimonial concert was given to
a larger and more competent orchestra should
ISS KATE PERCY DOUGLASS succeeds her, the proceeds of which were devoted to assist-
have been selected to play the opera.
Misg Emma S. Howe as soprano in the Ply- ing her to obtain an education abroad. She
As Mr. Lavallee is accused of plagiarism, it may mouth Church choir. Miss Helen Norman, alto; started for Europe in August, 1860, and proceeding
be well to state that there hare been and are com- Mr. George Werrenrath, tenor, and Mr. Ivan directly to Milan, studied first with Giovanni
paratively but few modern composers who have Morawski, basso, continue, with Mr. Henry Camp Corsi. Thence she went to Baden-Baden, where
not been accused of the same charge.
as leader of the choir. Mr. Henry Carter, of the she studied with Mme. Viardot Darcia. She stud-
To be original in music in our day is to be one Cineinnati College of Music, has just begun his ied, later on, with Bottesini, in Paris, and Henry
C. Deacon, in London, and the latter she pro-
musician out of nearly all that are living, with a term as organist.
nounces the best of all her teachers. Her first
probable exception of half a dozen.
Mr.
Dudley
Buck
continues
as
organist
of
the
Mrs. Seguin sang the title role. Mr. William Church of the Holy Trinity. Miss Jennie Grant appearance on the operatic stage she made as
Castle, who should now make room for younger succeeds Miss Holcomb as soprano. The alto is Azucena, in "II Trovatore," in Copenhagen, in
men, as his voice has lost its musical quality, was Mrs. Draper, Mr. Colville is tenor, and Mr. Brown, 1867. She remained in that city until March, and
then made a tour of Norway and Sweden, under
cast for the part of Marcel; Miss Adelaide Randall basso.
the management of Ferdinand Strakosch. The
sang Nanine, and Mr. Mark Smith made an excel-
lent Marquis Beauseant.
At the Lafayette Avenue Presbyterian Church, following winter season she sang under the man-
Mr. I. H. Brewer is organist; Miss Schraeter, so- agement of one of the Strakosches in Stockholm,
prano; Miss Emma Wilkinson, contralto; Mr. and accepted an engagement for the Royal Swed-
"THE MASCOT" AT THE GERMANIA.
Charlas H. Thompson, tenor, and Mr. John ish Opera House, singing in Italian while the
chorus and other soloists sang in Swedish.
SUMMER season of English comic opera Saunders, basso.
was begun at the Germania Theatre, with
At the close of this engagement she sang a short
The Rev. Charles Cuthbert Hall's Church in season
Audran's "Mascot,"on May 8, the English libretto,
in Berlin, and with such success that she
by J. W. Norcross, differing somewhat from the Henry street has the following choir: Miss Chris- was offered an engagement for three years by the
librettos used at the former productions of this tine Dossert, soprano; Miss Nettie Cook, alto; manager of the Salle Ventador, in Paris. She
comic opera in New York. There is also an inci- Mr. Louis Belcher, tenor, and Mr. Edwin Bray, declined to accept it, however, and engaged
dental ballet added during the second act, led by basso.
herself for three years with the Strakosches. Dur-
Mile. Adele Cornalba, which unquestionably adds Mr. H. E. Duncan is Mr. Wiske's successor as ing the winter of 1869-70 she sang occasionally in
a great deal to the interest of the operette.
organist of Hanson Place Baptist Church. Miss London, and in the fall of the latter year returned
The cast is one of more than usual excellence. Emma Sweetzer is soprano; Miss Cavanagh, con- to this country in a concert company, which in-
Miss Dora Wiley's voice seems to be specially tralto, and Mr. W. C. Kimball, basso.
cluded Mme. Nilsson, Signori Verger and Brig-
adapted to light opera, and she uses it in the
noli, and M. Vieuxtemps. Afterward she sang in
The new choir of the Reformed Episcopal opera and concert under the management of the
"Mascot" with excellent effect. Her interpreta-
tion of the role is more life-like and natural than Church of the Atonement is Miss Sarah Spender, Strakosches for several seasons in this country
any we remember having seen. Mr. W. F. Carl- soprano; Miss Ella Spender, contralto; Mr. M. and Europe. Her engagements in St. Petersburg
ton, as Pippo, adds another to the successful roles Barnes, tenor, and Mr. F. P. Barlow, basso.
and Moscow were most satisfactory.
he has appeared in during his engagements in
At the Protestant Episcopal Church of the During the seasons of 1877-78 and 1878-79 she
light opera, although he could still improve it by Reformation, in Gates avenue, Miss Mary Butler was a member of Colonel Mapleson's opera com-
acting equally as well as he sings the part. Miss is organist; Miss Emma C. Smith, soprano; Miss pany. She created in this country the character of
Pauline Hall was a charming Fiametta. The Mina E. Grotjun, contralto; Mr. W. H. Bretell Amneris, in ' 'Aida." Her repertoire is an extensive
orang-outang song and dance in the third act was tenor, and Mr. Henry F. Reddall, basso.
one, not only in opera, but in oratorio, and as a
very effectively done.
ballad
singer she has few rivals. She sang in the
We must advise Mr. Henry Molten, the Prince In addition to these the following changes have Cincinnati Music Festival in 1880, and then visited
Frederick, to pay attention to time in singing. taken place since May 1: Mr. Shelly, of New Ha- Europe. Last season she sang in the Festival in
He did not sing two consecutive measures in ven, becomes the organist of the Church of the May in Cincinnati, in the May Festival in this
proper tempo during the performance of the opera, Pilgrims, in place of Mr. Cortada, who goes to St. city, and in the Chicago Saengerfest in July. Dur-
and in concerted parts this error became danger- Mark's Church, New York. Mr. George Ellard ing the past season she has been traveling with the
remains as tenor; Miss Montez, formerly of Zion Petersilea Concert Company, and has been ac-
ous to the surroundings.
will be the soprano, and Mr. Fred. Ingra corded everywhere most cordial receptions and
Mr. J. W. Norcross, Jr., as Lorenzo, and Mr. Church,
formerly of the First Presbyterian Church the
Richard Golden, as Rocco, kept the audience in a ham,
warm commendations to which her merits as
condition of constant merriment during the even- succeeds Mr. Fred. Crane.
a singer entitled her. Miss Cary will also sing
ing.
At St. Ann's, Mr. Archibald Arthur remains as in the Festivals to be held in the great cities of
The chorus is fresh and youthful, and fully up organist, and Mr. Caulfield stays at Grace Church the West.
PERFORMANCES
A
M
A
f
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSICAL CRITIC AND TRADE REVIEW.
May 26th, i#82,
IMPORTANT NOTICE.
of four million copies—more or lesg—each
E wish to call especial attention to our standing issue, but will not raise our advertising rates
notice, that all communications must invari- in consequence; neither will we turn T H E
ably be addressed to the Editor, Charles Avery Welles, MUSICAL CRITIC AND TRADE REVIEW into a
864 Broadway, New York City. Letters from cor- dramatic paper, a peanut trade paper, or an
respondents and advertisers are frequently addressed
to individual members of the staff, and in case of an old clo's trade paper, on account of its pres-
editor's absence from the city, must await his return ent enormous success.
before they can be opened. Tfds puts us to a great
r I 1HE Opera Festival in Boston was a
deal of trouble.
W
AND
TRADE REVIEW.
J L fiasco, and made trouble all around
among the managers, the artists, and the
With whicji ia incorporated THE MUSIC TRADE JOURNAL.
orchestra.
The only artist that came away satisfied
\ VTE do not, as a rule, impose upon our was Mme. Hauk. I t appears that Strakosch
THE OEGAN
VV
readers statements of the extraor- owes Gerster and Carnpanini certain sums
dinary attainments of T H E MUSICAL CRITIC for services during the season, which he
AND TKADE REVIEW. I t is best that the pa-
hoped to pay out of the profits of the Boston
AND THE MUSIC TRADES OF AMERICA. per should continue to speak for itself, as it Opera Festival, but which were increased on
has done for nearly four years.
account of the failure of that scheme.
PUBLISHED on THE 5th & 20th OF EACH MONTH
But it is not always just to the paper to
Strakosch has had bad luck this season in
persistently pursue such a policy. I t was playing against Mapleson and Patti, the lat-
At 864 Broadway, bet. 17th and 18th Sts.
because we thought it but right that, a few
AMERICAN NEWS CO.,
-
-
SOLE AGENTS. numbers ago, we devoted a little space to a ter singing on the same nights in New
Orleans against his company.
statement of our circulation, and also because
Here, in New York, Strakosch did quite a
it would not have done to permit the honor- good business, but the cream of it was on
able and somewhat celebrated editor of a— Gerster nights, and she consequently took
Editor and Proprietor.
we believe it is now a dramatic sheet, though nearly everything.
no one would have the courage to premise
It seems that success on tournees depends
•11 communications should be addressed to the editor, what it may be within a week or a fortnight upon success in New York, and if an opera
©HAULM ATIRY WELLES, 8(54 Broadway, N. Y. City.
Checks and Post-Office Orders should be made payable to —to occupy the field alone in the task he has company does not make a great hit here, the
CHAKLM ATEBY WELLES, Proprietor.
set his vivid imagination of piling up figures probabilities point to failure on the road.
W« are not responsible for the return of rejected manu-
—on paper.
script.
•lpv.
name
Correspondence must always be accompanied by the na
When we published our last statement of F I H I E mercantile classes in this country
and & address
address of
of the
the sende:
sender, not necessarily for publication, but
as a guarantee of good faith.
circulation, we stated that it had reached the _L present striking anomalies. Some of
Trade reports, items and communications, relating to the
music trade, are solicited from all parts of the world.
unprecedented number of one million eight the sharpest, shrewdest, hardest-headed men
hundred thousand copies—more .or less— of business will be caught by that shallowest
each issue. Since that time, only a few weeks of all confidence games, "the bogus noble-
NEW YOBK, MAY 20 TO J U N E 5, 1882.
ago, the circulation of T H E MUSICAL CRITIC man" swindle. And they will be 'caught at
AND TRADE REVIEW has more than doubled, it over and over again, though never twice
ADVERTISING RATES.
so that its present average circulation is four by the same party. I t seems almost incredi-
ble that clever men should deliberately put
The following is the schedule of advertising rates for million copies—more or less—each issue.
Great as are these figures, per issue, they themselves a second time in a position where
th4 MUSICAL CRITIC AND TBADE REVIEW :
were eclipsed by one edition of sixty million they can be caught by the same swindler.
COVER PAGES.
(60,000,000) copies—more or less. This was We have been told that this has happened in
The four pages of the cover are divided into two col- the edition of May 5, the New York Musical the business world, but we shall never be-
umns to a page.
IN THE WIDTH OF A SINGLE COLUMN ON THESE Festival number. Think of i t ! Sixty mil- lieve it until we have seen it with our own
lion copies of a musical paper. Such num- eyes.
OOVEB PAGES THE BATE I S
$ 2 0 PEB INCH for one quarter (3 months.)
bers seem almost incredible.
F Colonel Mapleson does not disappoint
An editorial and office force of two hun-
INSIDE PAGES.
—and he has ! een known to disappoint;
dred and fifty (250) people were employed
The inside pages are divided into three columns to a
and if Patti does not disappoint—and she
for four months, working thirty hours each has been known to disappoint, we will have
page.
IN THE WIDTH OF A SINGLE COLUMN ON THESE day and nine days to the week, to bring this
Italian opera at the Academy of Music dur-
INSIDE PAGES THE BATE IS
mammoth number of T H E MUSICAL CRITIC ing the coming season.
$ 1 4 PEB INCH for one quarter (3 months).
AND TRADE REVIEW to completion.
DIRECTORY.
The mechanical work of the paper was ac-
ABOUT RUBINSTEIN.
Including subscription to the MUSICAL CBITIO AND complished by a small army of about seven HPHE Paris L'Art Musical of April 20, in a long
TBADE EEVIEW.
thousand (7,000) printers, pressmen, jig saw- JL article on Anton Rubinstein, says, among
In the "Directory of the MUSICAL PBOFESSION AND yers, engineers, varnishers, hat trimmers, other things: "Rubinstein is not a pianist in the
THE Music TBADES," a space of THBEE LINES,
sailmakers, tailors, lithographers, sign paint- vulgar acceptation of the term. He is a poet. His
NEITHBB MOBE NOB LESS, IS ALLOWED FOB A SINGLE
repertoire is immense. It comprises all styles,
CABD. These cards will not be taken for a shorter time ers, plumbers, kalsominers, bricklayers, gas schools, epochs—Bach and Ghopin; Scarlatti and
than one year, and their wording cannot be altered after manufacturers, taffy makers, and many others Beethoven; Mozart and Mendelssohn."
the first insertion, except in the case of a change of ad- too numerous to mention.
L'Art Musical expresses the opinion that, as a
dress, or something equally necessary. Payment for
these cards MUST INVABIABLY BE MADE IN AD- The regular office force of T H E MUSICAL composer, Rubinstein can be considered as the
TANCE. They will not be inserted until paid for.
CRITIC AND TRADE REVIEW, consisting of ten chief of the conservative party, in opposition to
the modern school of Weimar, founded by Wag-
THE BATE FOB A SINGLE CABD IS
$ 1 2 , THBEE LINES, ONE YEAB, INCLUDING ONE bookkeepers and twenty-h've assistants (in- ner and Liszt. His instrumentation proceeds
TEAT'S SUBSCBIPTION TO THE MUSICAL CBITIO AND cluding the office boy, the cat, and a pet ca- from Beethoven and Mendelssohn.
TBADE REVIEW, INVABIABLY IN ADVANCE.
nary), twenty-five musical editors, twenty In 1862 Rubinstein founded the Conservatory
business managers, forty canvassers (no black- of St. Petersburg, in conjunction with the late
Henri Wieniawski, the violinist; Dreyschok and
mailers), and thirty superintendents of the Leschetitzky,
SUBSCRIPTION RATES.
the pianists; Zaremba, the professor
mailing and distributing departments, was of harmony, and Davidoff, the violoncellist.
increased by one hundred persons for this Among the most prominent pupils of that con-
servatory is, first and foremost, Tchaikowsky;
UNITED STATES AND CANADA.
special occasion.
The entire cost of producing this one then Mme. Essipoff; Cross, the pianist, now pro-
The rates for subscription to the MUSICAL CBITIC
fessor at the conservatory; Siecke, now professor
AND TBADE REVIEW in the United States and Canada mammoth edition of T H E MUSICAL CRITIC
of composition at the Moscow Conservatory; the
are:
AND TRADE REVIEW was $155,698.96 1-2.
cantatrice, Mme. Lawroffakaia, and Hermann
1 TEAB (including postage)
$2.OO
We do not publish any testimonials from Laroche, the musical critic of the Oolos and the
6MOS.,
"
"
l.OO
3 MOS.,
"
"
5O singers or piano manufacturers, in payment Gazette de Moscow.
for pictures of the one or advertisements of
The following German artists are singing at the
FOREIGN COUNTRIES.
the other, because we only take cash for such Drury Lane Theatre this spring: Frau Rosa
In all foreign countries included in the Postal Union things; and we find that our books make a Sucher, Hamburg; Fraulein Therese Malten,
the rates for subscription to this paper are:
Dresden; Frau Peschka-Leutner, Hamburg; Friiu-
1 TEAB (includingpostage)
$2.5O better showing for it at the end of the year. lein Marianne Brandt, Berlin; Fraulein Josephine
6 MOS.,
"
"
1.25 Nor do we publish the testimonials of furni-
3 MOS.,
"
"
6 5 ture makers, so long as we are indebted to Schefsky, Munich; Herr Winkelmann, Hamburg;
Herr Franz Nachbaur, Munich; Herr Engen-Gura,
ALL THE ABOVE BATES MUST INVABIABLT BE PAID
to them for furniture.
Herr Dr. Emil Kraus, Herr Josef Koegel, Ham-
IN ADVANCE.
We shall continue to bring out an average burg.
SINGLE COPIES
1 0 CENTS.
OUR GREAT SUCCESS.
Of the Musicians
CHARLES AVERY WELLES,
I

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