Music Trade Review

Issue: 1882 Vol. 5 N. 20

318
Music Trade Review
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20th, 1882.
THE
CRITIC AND TRADE
REVIEW.
Do not suppose that I have been consulted by away," which, luckily, did not reach Materna's
these artists regarding their wealth, or the manner ars; otherwise a scene might have followed.
in which their money is invested. I know as lit- What is the use of getting jealous, ladies?
tle about the real condition of these affairs as a Each one is great in her particular field. You
Wall-street broker knows about the real condition must not compare a trombone to a flute, yet both
of Jay Gould. But I take general reports and are musical instruments, and both may be good,
sift them, and often pay attention to individual or may be bad. Still, a comparison can result
cases, and thus reach my conclusion.
only in a contrast. I am afraid Gerster has a
There would be a larger number of wealthy good deal of jealousy in her composition.
artists if their business affairs were under the
control of competent management.
I wonder if she will come here again? Young
There is a striking instance of this kind of mis- Edgar Strakosch, who thinks a great deal of her,
management now going on. It is the case of should organize a concert company, and take her
young Michael Banner, the boy violinist, a phe- to cities where she jhas not yet been heard. He
could make a good round sum, which I know he
nomenon in the musical world.
Young, ambitious, and gifted by nature with in- would not refuse.
Edgar is one of the very best young men in the
tense musical feeling, he has had, in Jacobson of
Cincinnati, one of the most aeeomplished teach- musical line to-day; a perfect gentleman, and as
ers that could have been secured. His perform- keen and shrewd in his views as his uncle, Mau-
rice, the Thursby-ite.
ances are marvelous, as far as they go.
There must be a limit to the abilities of the Let us hope his career will be successful. I ex-
greatest musical genius as long as the intellect is pect to meet him at Coney Island this summer.
NICHTSNTJTZ
limited in its development. This Banner boy has
had comparatively no intellectual development,
PA&ANINI IN LONDON.
and his musical education is also in an embryonic TTJAGANINI'S London experiences were exces-
state.
JL sively remunerative: 200,000f. he mentions
Nevertheless, his performances are marvelous, as the sum he cleared by his concerts there; and
and indicate how great he could become if prop- there is a story that when William IV. on one oc-
casion offered him half the sum he had asked,
erly managed. Proper management with Banner namely,
£50 instead of £100, for a special per-
signifies, first of all, seclusion for three or four years formance before the Court, Paganini haughtily re-
under an able master, during which time much plied, "I consider no one has the right to dictate
care must be taken of his physical training also. my priees to me."
Se advantageous was Paganini's English tour,
Then the young man could come before the mu- and
so busy was he, that he apparently found no
sical world, and, judging from present appearances, time to write to Germi till Jan. 15, 1832, when he
dated the following letter from Manchester: "The
he would astonish the cognoscenti.
The present management is ruinous to Master diabolical enthusiasm which my instrument has
produced in the concerts I have given has deter-
Banner's future; it should be stopped at once.
minded me to give sit mere next week. I shall
Mistakes, just like this, often destroy the best then make a tour through some other towns, and
return to London by Feb. 20 next, on my way to
opportunities, which can never be retrieved.
Even a more developed genius than Banner, Paris, to embrace my dear Achille, who is doing
and is im excellent hands. When once I get
namely, Dengremont, was shamefully misman- well,
hold of him again, I shall not part with him, for
aged in this country.
he is my great joy. As you advise, I shall soon
It has become simply a question of manage- require a year or two of repose to cure myself of
ailments which produce melancholy. The elec-
ment.
which arises from my tragic muse pains me
There is to-day a great violinist traveling through tricity
terribly, but when I get home and am near you
Europe, and producing the greatest sensation wher- for a time I shall add years to my life. On leav-
ever he performs. He is the celebrated Spanish ing London for Ireland, what a lot of concerts I
gave, commencing with the festival at Dublin,
violinist, Pablo de Sarasate.
then in other cities in Ireland, Scotland, and
He was here in 1872, and could net secure a and
here in England. Sixty-five concerts, commenc-
successful engagement on account of mismanage- ing on Aug. 30, 1831, and ending on Jan. 14, 1832!
ment. He was not properly presented, and mad Remember, I was ill for six weeks, and gave no
no public impression, because he remained un- concerts—so the sixty-five concerts I gave in the
space of three months, passing through thirty
known.
cities, accompanied by four people on horseback,
The manager is the man who gives the artist the and with the singer, Signora Petrola. I have a
chance either to rusticate during the summer season certain Cianchettini with me, who plays the cym-
or remain at home and suffer the agonies of 100 bals; a secretary, a very prepossessing young
Englishman, who travels before me to arrange for
degrees in the shade.
my concerts; also a stupid fellow who acts as por-
Take away the manager, and the artist is all ter, and a good domestic. I hired a splendid
at sea. With few exceptions, artists mismanage carriage in London. You can form no idea of the
exorbitant expenses necessary for this tour; but I
themselves.
Wilhelmj did, as well as many others. The con- will tell you some of them by and by, and of the
astonishing customs existing in this country.
sequence of this experience is a greater demand Those who have not traveled therein cannot have
for competent men to assume managerial duties. been properly educated. If I had come to Lon-
don 12 years ago, I could easily have made a for-
* * *
tune; but now one cannot, owing to the poverty
Referring to managers reminds me of Freddy which every one experiences. Now, they do not ask
Schwab and his trouble with the festival commit- you if you have heard PagaDini, but if you have
tee. He got ahead of the whole committee, judg- seen him. To tell the truth, I regret to say that
ing from what I hear; and as he controls Materna, there is an opinion prevalent throughout all
classes that I have a devil on my back. The pa-
I suppose he will make as much money out of pers
speak too much of my figure, which creates
her engagements as he could possibly have an- an incredible curiosity. To-morrow I go to
ticipated.
Leeds, and shall give a concert on Tuesday even-
The festival advertised her, and her concerts ing; on Friday and Saturday I shall give other
at Manchester; Monday, and the 23d,
will be crowded. If he planned this little affair concerts
24th, 25th, at Birmingham; 30th, a concert at
he must be put down as a pretty shrewd fellow. Chester; and then in three er four more cities,
There is no use in tearing his character all to where there are musical students. I hope to
pieces until the true inwardness of the transaction reach London on the 20th of the following
is fully known; then, and then only, can a proper month."—Fraser's Magazine.
judgment be passed upon the merits of the case.
Mile. Caroline Brun, the singer, who con-
tributed so much to the success of the "Damna-
V
tion de Faust," at the Colonne Concerts, Paris,
Materna made Gerster very jealous, I under- has been engaged to sing during the summer at
stand, and Gerster could not help betraying it. the Cercle d l'Athenee, Toulouse, and the Casino
Then she made a remark or two that "gave her at Boulogne.
STAFF CORRESPONDENCE
CHICAGO.
CHICAGO, May
r
7.
HE interest at present manifested in the ap-
proaching Music Festival is all-pervading,
and the accounts of the music feast that has
been served for the delectation of New Yorkers
have been eagerly read.
It adds greatly to our anticipation to reflect
upon the good things you have been having, and
to realize that ere long all this bliss is to be ours,
none the worse, and perhaps even better, for being
second-hand, so to speak.
The arrangements at the Exposition Building
are going along finely. The acoustics of the hall
are excellent, and the seating arrangements all
that could be desired.
The first rehearsal in the building was held on
Friday evening last, and the chorus work done
was very satisfactory, speaking highly for the
work done by Mr. Tomlins and the progress made
by his forces.
When the Thomas Orchestra gave its summer
concerts in the Exposition Building, much annoy-
ance was experienced by the occasional and not
infrequent passing of locomotives on the adjacent
Illinois Central Railroad.
This nuisance would sdmetimes render a soft pas-
sage perfectly inaudible, and Wagner's "Centennial
March" was the only composition that could com-
pete with the engines with the least approach to
success.
Then the electric lights at the rehearsal Friday
evening—they kept up a buzzing and a sputtering
that was anything but agreeable.
If the obligates furnished by these two ex-
tremely useful adjuncts to modern civilization,
steam and electricity, are not moderated to a
proper pianissimo, Heaven help the unfortunate
soloists and strengthen their vocal powers, or they
will be drowned out completely.
Mr. Milward Adams is the enterprising and effi-
cient business manager of the May Festival here,
and he is working it for all it is worth; for in his
mind's eye he sees a seething mass of struggling
humanity clamorous for admission to the Exposi-
tion Building, and shekels galore pouring into the
Festival coffers.
If the concerts are not a big financial success, it
will not be the fault of the genial Milward.
The advertising arrangements are thorough and
effective, and the printing very handsome. The
programmes—well, they would fill a page of THE
MUSICAL CRITIC AND TRADE REVIEW, SO I will for-
bear "springing them on you."
I believe we are to have the same soloists that
have appeared in the New York Festival, with the
exceptions of Mme. Gerster and Signor Galassi.
The good-natured and eminently Teutonic vis-
age of Frau Materna is omnipresent in the form
of photographs, lithographs, and other styles of
counterfeit presentments. The sale of season
tickets begins to-morrow, and a rush is anticipated.
BRIGNOLI
was in town last week, and his presence was the
cause, direct or indirect, of the only musical
events of the week. He succeeded in stirring up
the semi-dormant Mozart Society to the extent
that a sort of cooperation was effected between the
tenor and the club, which was expected to redound
to their mutual benefit. The consequences were a
Brignoli Testimonial on Thursday evening, and a
Mozart Society Concert on Friday evening.
'The testimonial was the more pleasing concert
of the two, and the audience should have been
larger. Many opera goers of by-gone days were
noticed in the audience, and it is understood that
the sale of seats was much larger than was repre-
sented in the house.
Old folks turned out on Thursday evening who
remembered the veteran tenor in his prime, and
had not heard him in many years, despite his
frequent appearances here.
It was curious to watch their expectant looks as
the Signor rolled upon the stage with his familiar
stride, and it would have been more curious to
have read the memories that his voice recalled.
I'll warrant that it invoked the ghost of many a
love forgotten or gone to dust and ashes years ago.
Brignoli was in excellent voice. He seemed
rejuvenated and inspired by the occasion, and he
himself declared that he had not sung so well in
ten years. He sang STappari, from "Martha;"
Sullivan's "Once Again," in a duet with Miss
Fannie Kellogg, and in the "Martha" Spinning
Wheel Quartette.
I wish I could have arrived on this mundane
sphere in time to hear Brignoli when he was at
the height of his greatness. He must have had a
tone like velvet. But he had commenced to fail
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSICAL CRITIC AND TRADE REVIEW.
May 20th, 1882.
319
even when my interest in musical affairs was con- Hamilton audiences never grow weary of listening an attractive feature. In addition to the orches-
fined to the cavatina, with rocking-chair obligato, to that opera, for, although it was the fourth time tral performance, there have appeared, and will
that aecompanied me over to the arms of Mor- of its production this season, long before the cur- appear, Miss Ella Maddox, Mrs. Minnie Roehm,
tain rose the house was crowded, and those who also the Harmonie Singing Society, and the Ger-
pheus.
Besides Miss Kellogg, who made a very pleasant had the misfortune to come late had their mania Msennerchor.
impression, Mr. Adamowski, the violinist; Miss "patience" severely tested by being obliged to The latter society held its annual meeting dur-
ing this week, Mr. Theodore Horn, the presi-
Emma Mabella Baker, Mr. George H. Broderick, stand.
and the Mozart Society participated. The con- We must confess we were somewhat disap- dent, presiding. There are now 562 members on
cert was a delightful contrast to the generality of pointed at the manner in which the opera was the roll. Mr. C. G. Nickel, the treasurer, was
benefits.
produced, for, although the company has greatly presented with a portrait of himself on the oc-
At the Mozart concert the next evening Brig- improved in many respectn since its last appear- casion.
noli sang again. So did Miss Kellogg. There ance here, yet, at times, great lack of enthusiasm Miss Cottrelly, the German soubrette, was to
give performances at the Concordia Opera House,
was a fair-sized audience, but the performance was noticeable.
dragged, and the work of the society was lacking Of the individual singing and acting, we may under the [management of one H. E. Wilke, No.
in the precision, vigor, and shading that are the say that Mr. Seymour as Bunthome was all that 327 Broome street, New York. A good many of
life and soul of male chorus singing.
could be desired. He is a whole show in himself, our German fellow-citizens bought reserved seats,
There will be two summer gardens here during and his singing and acting brought down the but as neither Wilke nor Cottrelly came, and as
no performance took place, they demanded their
the approaching warm weather, which institutions house.
will be given over to the pernicious and demoraliz- Miss Emma Howson as Patience delighted the money back.
ing influences of comic opera and burlesque.
audience with her acting. She is rather pretty This could not be done, as no one was in town to
The awe-inspiring rumor has also got abroad and has a fascinating way, which, judging from return the money.
Mr. E. C. Linden, the manager of the Concordia,
that ice cream, lager beer, and sundry other de- the applause she received, takes wonderfully,
was made the innocent scapegoat of this unpleas-
vices of the evil one are to be Berved at prices though her singing is not quite up to the mark.
that place moral ruin within the reach of the Miss Orme, as Lady Jane, and Mr. Pyke as ant affair, which has done much to destroy con-
humblest.
Grosvenor, were both good, as also were the other fidence in the professions of outside German
I wonder if we are not having more than our members of the company in their respective managers.
The piano and organ houses of this city are
share of comic opera. During the week commenc- parts.
ing May 15, there will be the Audran Company The only drawback to the performance was the often pestered with the commission fiend.
doing "The Snake Charmer" at the Grand, Ford's apparent lack of energy and expression at times,
Of course, they are willing to recognize such
Company with "Manola" at McVicker's, and otherwise it was a success.
persons as are justified in claiming it, but there is
Haverly's Company at Haverly's Theatre.
The only other musical event worth speaking of always a certain class of persons hanging around
musie stores and warerooms that watches its op-
This is doing pretty well for our size, we flatter was a concert given by the
portunities to claim commissions on sales when
GUERNSEY-LISTEMANN COMPANY
ourselves. All of them will enjoy good business,
too.
on the 28th ult. The programme was varied, they are not entitled to them, and they interfere
Mr. Will Davis and Mr. W. E. Hayden are re- comprising vocal and instrumental selections, in- with the regular business by alluring purchasers
and advising them to buy where a commission can
organizing the Church Choir Opera Company, and terspersed with recitations.
from the way things look, one can easily infer The concert opened with the "Norwegian Rhap- be secured out of the saie.
that the entire musical population of Chicago sodie," by the Listemann Company, which was I remember the case of a Mrs. Stowman, who
is to be drawn into a Patience-Pinafore vortex.
executed in a manner that elicited great applause. imagines she knows something about music
The company will play at Haverly's Theatre for Miss Barnes then sang "Handel's Lascia Ch' and instruments, but who knows less than nothing
a month, commencing June 19, with "Patience." II Pianga," a difficult air in which she seemed about music, and absolutely nothing about a
piano. She has acquaintances who speak about
The repertoire will include "Patience," "Pinafore," scarcely at home.
"Chimes ef Normandy," and, possibly, "Fatin- Although possessing a powerful voice, she lacks her musical(?) accomplishments, and she is at
itza." All these operas could be finely sung by that finish the acquisition of which will no doubt times called upon to test instruments for parties
who are on the eve of purchasing.
the people seeured, but of the acting one can bring her to the front as a vocalist.
only guess as yet. It cannot be otherwise than Miss Guernsey, the attraction of the company,
These innocent people do not know that when
amateurish—the only question is, how much so. gave a recitation from "David Copperfield" in a they go in company with "friends" to warerooms
The principals have had no stage experience, very fair manner, but in the prison scene, from they generally assist these "friends" to secure a
except what the former season of the Church "Faust," she decidedly eclipsed her former pro- commission. To my knowledge, such persons as
Choir Company has given to some of them, and duction. With her wonderful portrayal of the the one referred to have often interfered with
all are lacking in knowledge of dramatic art, love and anguish of the ruined maiden, she com- legitimate trade; in fact, they are not desirable for
any dealers or manufacturers, as they always direct
stage business, and familiarity with the glare of pletely secured the sympathy of her hearers.
the footlights, all of which "Time alone can Mr. B. Listemann gave a violin solo with his customers to firms where they can secure per-
bring."
well-known skill, as did also Mr. A. Heindl, who centage for the special case they may happen to
have in hand.
Of this troupe and its components I shall have gave a 'cello solo.
much more to say anon. In my next I will have Mr. E. Heindl played a flute solo, which was This commission nuisance should stop, and
May Festival news for you, as by that time the enthusiastically encored, and in response he gave could be stopped if a combined effort would be
great musical event of the year will be upon us.
"Home, Sweet Home" in a way which will not made on the part of the trade.
You TEBPE.
HAERT B. SMITH.
soon be forgotten by those who heard it.
CANUCK.
INDIANAPOLIS.
INDIANAPOLIS, May 8.
ROCHESTER, N. Y.
BALTIMORE.
ROCHESTER, N. Y., May 9.
BALTIMORE, May 15.
S the warm weather approaches, the amuse-
ORD'S OPERA COMPANY clesed a very suc- ~O EHEARSALS have been in steady progress
ment wheel grinds slower, and items of news
cessful engagement at the Grand Opera W for the Oratorio Concert which is to take
House on Saturday, May 6. The operas given place on the 19th. "Israel in Egypt" will be pro- are correspondingly scarce.
About the-only musical recital during the past
were "Billee Taylor," "Manola," and "Patience," duced, under Prof. Fritz Fincke's direction.
two weeks was a piano recital by Wm. H. Sher-
in the order named.
Those members of the society who attended the wood, at the Corinthian Academy, on May 1.
"Manola" is a mystery. There is an indescriba- New York May Festival, and aided in the per-
ble something about the opera that charms the formance of the same oratorio, express themselves To-morrow evening the San Francisco Minstrels
hearer which he cannot explain. It contains none as delighted with the concerts of the festival give a performance. "Patients, or Bunion Salve's
Bride," is billed as the leading attraction.
of the bright, catchy airs upon which "The Mas- which they had the opportunity of attending.
The Opera Club give "The Musketeers" at the
cotte," "Olivette," and "Patience" depend for It is expected that every ieat of the armory
popularity, and yet it is a much more enjoyable here will be occupied at this the last concert of Corinthian Academy the 17th, 18th, and 19th of
the present month.
performance than any of them.
the Oratorio Society this season.
The following week the Oratorio Society present
I have seen no one who heard the opera who is It is also to be hoped, that for the next season
not delighted with it, and yet I have seen no one more modern choral works will be studied by the themselves to a Rochester audience for the first
time.
who could remember any part of the music.
society, which contains elements that can do jus-
The audience laughed immoderately at the witty tice to the latest productions of our modern com- They will be assisted by Mrs. Imogene Brown,
soprano; Miss Antonia Henna, contralto; Mr. Carl
dialogue, but could not remember what it was posers.
Steinbuch, baritone, of New York city, and Mr.
that provoked their mirth.
The Haydn Musical Association held its twenty-
It is just such an opera as one likes to hear the second annual meeting at its hall on West Fay- Philip Fried, a local tenor.
second time, and is one that must become very ette street on May 15, Mr. H. D. Hewitt presid- The chorus will consist of about 220 voices, and
popular. The company was excellent, and fully ing. The report was read, which showed that the everything bids fair for a successful finish to the
M.
deserved the large audiences that greeted it.
season just past was the most prosperous in the winter's work.
Marie Bockel, as Manola; May Stembler, as twenty-two years of the society's activity.
PITTSBURGH PA.
Beatrix, and Messrs. Denham and Fitzgerald, in For next season concerts will be given in Wash-
the characters of the Prince and Baron, were very ington also. Nearly all the old officers were re-
PITTSBURG, PA., May 11.
good, as were the other members of the cast, with elected: President, Mr. Thomas C. Basshor, one of
S Lady Angela says to Patience, so would I
the exception of Miss Minnie Taylor, who has an the representative merchants of the city; vice-presi-
reply to "Retter's Friend:"
air of abandon that suggests a recent promotion dent, Mr. Horatio D. Hewitt, a gentleman whose
"No doubt, yet spite of all your pains,
from the variety stage.
interest in music never ceases; secretary, Mr.
The interesting fact remains"
The chorus is the best that has been heard here Charles Mehlgarten, and treasurer, Mr. Joseph A. that it was an orchestra of nineteen, and a chorus
this season.
Prevost, whose labors in the interest of the Haydn
We will soon have an infliction of "Patience" have been constant, and I must say decidedly of about fifty-five!
I almost feel like calling "Retter's Friend" by
by a company of amateurs.
N.
effective.
another title, viz., "Retter's Idolater," for he is
The remainder of the board of directors are Mr. certainly more than a friend who finds exceptions
E. F. Grady, Mr. G. F. Blinsinger, and Mr. A. S. to a letter containing such phrases, in speaking of
HAMILTON, CANADA.
Kemp.
HAMILTON, CANADA, May 10.
Mr. R., as "well-merited evidence of his popu-
THE ART LOAN EXHIBITION
N the 26th ult.
larity," "may well be proud of what he had
HA VERITY'S COMIC OPEEA COMPANY
is progressing at the Academy of Music, anp achieved," "conducted with his accustomed self-
appeared in "Patience," and it would seem that good results are anticipated. The concerts form reliance and ability," and so forth!
F
A
A
O

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