Music Trade Review

Issue: 1882 Vol. 5 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSICAL CRITIC AND TRADE REVIEW.
270
no law that will reach the man that makes •johy it allowed itself to be so duped. Freund left
England near eleven years since, under a cloud. *
this infamous charge against us?
*
* His last experience seems to have been
But in all seriousness, let us say for the
T is never an easy task to catch a snake or benefit of this man Freund and his follower 10 novelty to him. He will probably turn up in Can-
an eel with the hands, but after you have Fiske, that we shall not be turned from our ada or Australia, and soon or late circumnavigate the
secured your "varmint," it is still more diffi- course by their incoherent raving. It is the globe on his cozening -mission.—N. Y. Times.
cult to hold on to him. The trouble is that Freund policy at present to play the martyr,
TRUTH'S OPINION OF FREUND.
~ m \~
these creatures are slimy, and then they and to claim that he is foully abused ancU
persecuted. He is also trying to make us
T I ^HE troubles of weekly journalism in New
wriggle so.
_l_ York have a fresh illustration in the case of
John C. Freund, a so-called "musical jour- abandon the attack and put ourself upon the
nalist," like the snake and the eel, possesses defensive. But bless your innocent heart, John C. Freund, the proprietor of the Musical and
these qualities of slime, and wriggle in an Mr. Freund, we have nothing to defend, and Dramatic Times. This man was a common black-
eminent degree. For years before his record we shall not give up the pleasure of exposing mailer, and to that quality he has now the distinction
oecame a public matter, he was so slimy that you to reply to any complaints that are moist- of a fraudulent and fugitive bankrupt. He pub-
it was difficult to seize upon him in any way, ened with your crocodile tears.
lished a newspaper which had a circulation of 2,500,
Before this man Freund, with his martyr- but threatened the piano trade into supporting him.
and now that his record has been made
known to the world, he wriggles as violently like manner, has had an opportunity to im- They not only kept his paper up, but lent him $60,-
as it is possible for a creature to do that press upon even a few guileless people that 000 in addition. They did this because they were
knows it must be destroyed for the benefit of we are attacking him merely with that desire afraid of him, and in place of bemoaning their
mankind. Every time we have attempted to to be abusive, let us make a plain and concise loss they should rejoice that he did- not remain to
pin this man down he has wriggled, instead statement of the case. We have attacked, bleed them still further. Did anybody know what
of meeting the issue squarely. First, he was and shall continue to attack this Freund, had become of Mr. Freund, he could doubtless be
about to bring a criminal action for libel solely because we believe him to be a bad, arrested criminally, but he has fled from his credit-
against a dozen or more parties. Then he unscrupulous and unprincipled man, as his ors and the law, and though an offer, has been made
was going to "live it down"—'-cheek it out"' record, which we are setting before our read- to his creditors to purchase the paper for $10,000,
would have been a more appropriate, if a ers, shows him to be. He is a dangerous payable in three years, they are only loo glad to
more vulgar, expression ; then he asserted in man to the musical profession and the music get rid of it, preferring losing their money to sup-
his lordly manner that he would pay no at- trade.; for lacking organization and being porting something that is a constant menace to them.
tention to vile mud-slinging, and, finally, easily moved to spite against each other, they If the very men who have suppotted a paper for
when he has been pretty closely pinned to are constantly placing themselves in his three years consider it better that it should go under,
the ground, he has wildly shrieked, "You're power. He will coerce, if he can, and when no better indictment could be found of its useless-
that is not possible, as in the present state of
another."
In one of the recent issues of his paper he affairs—thanks to THE MUSICAL CRITIC AND
\
has devoted an entire page to "The Story of TRADE REVIEW—he will involve his victims
EMMA ABBOTT'S ST0R7.
Charles A very Welles" (whom he calls the in complications with one another, and will One of the stories attributed to Emma Abbott is
"incompetent editor of an obscure sheet"), harrass them to an extent that will make life that of a rich mi*er in London who died of starva-
besides referring to this person several times a burden. As a well-known piano manufac- tion and left £100,000 to a poor young man who had
him a crust of bread. But the ruling passion,
in other places. This, we should think, was turer said not long ago: "The music trades of given
btrong in death, caused the miser to make it a con-
bestowing an unnecessary amount of atten- this country have gone on in absolnte peace dition of the bequest that £1000 should be interred
tion upon an incompetent person and his and quietness for two years, and now this with his corpse.
man returns to try and set us all by the ears In vain did the heir consult lawyers. They all de-
obscure journal.
clared that to quality as legatee he must comply
In other words, this innocent and great- again."
with the condition of the will, and ihe youth's tears
With any other sort of paper but a musical flowed afresh at the prospect of this double funeral
hearted man, having no answer to make to
of friend and money. He was preparing for the
the charges against him, retaliates by first and trade paper, this man is entirely harm- financial
bereavement when Emma, struck with the
less.
He
tried
his
methods
in
a
paper
pub-
playing the martyr, and then calling out like
pathetic spectacle of his grief, and learning its
the small boy who puts his thumb to his lished in the hat, cap, and fur interests in cause, demanded to know in what form the money
had to be interred.
nose as he retires round the corner, "You're this city, and, as Mr. George Bartholomew "Alas !" said the youth, in the interval of his sobs,
another." He has pursued this same method states in an interview on another page, he no form is prescribed for the corpse, gold, silver,
with reference to other newspapers that was walked out of the hat, cap, and fur or paper but the spondulicks must be buried all the
:i
have attacked him. Notably, the New York trade just as soon as his true inwardness same."
Then," said Miss Abbott, "draw a check to the
Daily Tbnes, whose opinion of him we once was discovered. He has tried a railroad order of the deceased, and bury that with his body.
more reprint in another column. * He cannot paper, in which he stole an idea suggested If he is able to use the money he will certainly be
able to indorse the check, and until he does you may
defend himself against the charges brought to him four years ago by our "incompetent" safely
enjoy the entire £100,000—which he did.—
•editor.
He
had
not
sufficient
ability
to
de-
by the Times, and so contents himself by
Ex.
publishing an arraignment which must have velop this paper properly, and it fizzled out This is another story about "Honest Emma"
carried consternation and dismay even to the after its fifth issue. He tried his bulldoz- that we do not believe.
smallest printer's devil in the Times estab- ing methods in the Arcadian newspaper, Emma never bothers herself about financial
Her husband, the genial Wetherell, al-
lishment. Like most of Freund's journal- and was quickly consigned to obscurity. In matters.
ways attends to that part of her career. What
fact,
we
do
not
know
of
a
single
field
in
istic efforts, this arraignment of the Times is
does Emma know about drawing a check, or draw-
a collaborated affair, and we can detect in it which he has ever met with success, except ing a house, for instance?
Wetherell knows all about both, and he probably
the hand of Mr. Stephen Fiske, whose career 1 in that of music and the music trades.
has been nearly as brilliant as that of the dis- j This statement points its own moral, one advised the youth.
! which we hope our readers will discover and
tinguished Mr. Freund.
We observed in the "Man About Town," apply, for we warn them that if they do not,
VOCAL METHODS AGAIN.
in last Sunday's Star, another specimen of they will once more fall a prey to the machi-
ROCHESTER, OLMSTED CO. , MINN. , March 9.
Mr. Fiske's handiwork. It is an amusing nations of this man Freund. A little more Editor of THE MUSICAL CRITIC AND TRADE REVIEW :
IR—I am one in a large circle of musicians in-
little shot aimed at THE MUSICAL CRITIC AND tloan two years ago we plainly warned them
terested in voice culture. We have many mu-
TRADE REVIEW in behalf of the man Freund. against him, and those who heeded our warn- sicians
in our own city of R. Picking up a copy
We take notice of the remarks in the Star, ing had cause to thank us within the next of your journal, I find this: "Teachers of so-called
not because we think they are particularly few months.
vocal methods are likely to have considerable atten-
Let the musicians and the music trades of tion given to them through the agency of this
pointed, but because they refer to the editor
journal."
of this paper as having written a book of po- this country heed our words now.
Just hits many of us here. Be kind enough to
ems.
We can endure most of the cruel
send me a >eopy six months on trial, commencing
THE TIMES' OPINION OF FREUND.
remarks that such men as Freund and Fiske
jswith first number in January, 1882; hope you have
OHN C. FRUEND, who has taken himself off, I tta back numbers. Mr. Welles, it seems strange
can make about us, but we cannot hold up
leaving many creditors to mourn their loss, seems that the gentleman who wrote the January 20
our head under the charge of having written ,
against the "Howard Method" should nave
a book of poems. To say that we have ever •to have many of the qualities of a first-class adven tirade
had such an experience with the same. In my
written a single poem is a brutal and unjusti- I Wurer. He is one of the men—always numerous m own case it has done wonders, and I know of
fiable assault upon our good name; but to as- [great cities—who make large pretentious, flourish for others rejoicing in having found the "Howard
sert that we have ever been addicted to the vile habit of writing poetry to the extent of iJthey have no reputation to warrant trust, they managt I will conclude by saying I am confident your
will increase in usefulness and popularity
a whole volume, is too much—it is much too fo get trusted in a way that honest men could not, and eno journal
in this part of the world in proportion to the fos-
much.
ij i>y so duping the community where they happen
tering of the interests of the voice-trainer.
We ask an outraged community, Is there \ 'abide thai ii wonders, after they have disappeared.
Very respectfully,
GEORGE DURAND.
YOU'RE ANOTHER,
I
S
J
L
April 5th, 1882.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
April 5th, 1882.
THE MUSICAL CRITIC AND TRADE REVIEW.
271
like to hear Christian as Lohengrin, a part in which
KIND WORDS.
he excels.
A MERITED NOTICE.—Mr. Hugo Bialla is an or- Notices of the MUSICAL CRITIC AND
ganist
of more than erdinary merit. He would TRADE REVIEW, taken from other
JOACHIM'S REMARKABLE WORK.—Joachim is doing
give
more
satisfaction at a public organ recital newspapers, are entirely unsolicited by
some remarkable work in London this season. than the majority
of organists we have heard re- us. In spite of the editor's large news-
During the first week of March he performed the cently .
paper acquaintance, he has never asked
first violin part in the following compositions:
a line of encomium from any one.
MISS" KELLOGG'S SEASON.
Beethoven's Quartette, E minor, op. 59; Trio, C
minor, op. 9, and Quintette, C major, op. 29; •'TT7E had a very successful concert season The usual method of obtaining large
Spohr's Duo Concertante, ©p. 67, No. 1; Schu-
VV with Miss Kellogg," said Major Pond, of numbers of puffing notices for a critical
mann's Trio, D minor, op. 63. Besides all this, the firm of Pond & Bachert, to a representative of or art paper is to offer to send such pa-
he performed several solos at different concerts.
THE MUSICAL CRITIC AND TRADE REVIEW the other per to country editors for a year free
A POOR APPOINTMENT.—Mr. George Grove has day.
"We gave one hundred and eighteen concerts, "it they will kindly publish the enclosed
been appointed director of the Royal College of
and
Miss Kellogg was received at each concert lines " - w r i t t e n in the office of the paper
Music, London. If his direction of this institu-
with
the greatest enthusiasm. Her name, in my to be puffed—and the value of the critic-
tion should be as faulty as his Dictionary of Music
is, we are extremely sorry for the Royal College of opinion, is one of the most attractive for the Ameri- al paper is just about equal to the value
can people. Then she is so reliable for a manage- of the puff in the obscure country sheet.
Music.
ment. Inclement weather or difficulties that often
BEFORE THE LONDON SEASON.—It is reported harrass artists never have any effect with Kellogg. f^ EORGE D. GREIG, of Nunda, N. Y. writes:
that Adelina Patti will give concerts at the Theatre She never disappoints."
\J " I have THE MUSICAL CRITIC AND TRADE
des Nations, Paris, after her return from this
"Will she retire permanently?"
REVIEW through the newsdealer here, and it is a
country and prior to the London season. She will
"Yes, sir. Miss Kellogg has a determined, posi- very welcome visitor to me. Could not do with-
be assisted by Nicolini, Gayarre and Cotogni. tive character, and she knows what she is about. out it."
The latter two are supposed to be a grade higher She did not intend to close her artistic career in
WASHINGTON, D. C, November 21, 1881.
than the "sticks" she had here with her.
concert, and she therefore stipulated in her con-
Mr. C. A. WELLES:
tract
with
us
that
she
was
to
be
allowed
to
sing
SCHUBERT'S UNPUBLISHED WORKS.—Herr Nich-
Dear Sir—We are glad you reminded us of the
opera at thirty days' notice. She joined Stra-
olas Dumba, of Vienna, has collected a large number in
kosch when our season was up, and is now sing- expiration of our subscription to THE MUSICAL
of the many unpublished compositions of Franz ing
in his company. This will close her artistic CRITIC AND TRADE REVIEW, and we send enclosed
Schubert, and intends to have them published.
check of $2 for a renewal of the same for one year
Among other works, there are five symphonies, career, in my opinion."
"As I understand, Miss Kellogg is very from August 20, 1881. Your respectfully,
three overtures, eighteen masses, five chamber
G. L. WILD & BRO.
pieces, three cantatas, fifteen pianoforte j>ieces, wealthy?"
"I
suppose,"
said
the
Major,
"that
she
is
the
STAUNTON,
VA.
, January 10, 1882.
and many choruses and songs.
wealthiest singer to-day, even including Patti. I MR. AVERY WELLES:
WHAT GRAU WANTS.—Maurice Grau advertises mean that she has understood how to save money,
Dear Sir—I send enclosed $2 subscription.
in the Paris L 1 Europe Artiste for artists for French although she lives as comfortably as means and
Respectfully,
F. W. WALTER.
comic opera, to be given next season in America. good taste call for. But she does not waste money.
BRIDGETON, N. J., January 19, 1882.
This may signify both North and South America She is essentially a business woman. Her knowl-
and Mexico, where Grau has been making money. edge of the events of the day is as thorough as Enclosed please find amount, for which send
that of any one. She is a reader, and, coming MUSICAL CRITIC AND TRADE REVIEW.
PATTI FREES HER MIND.—It is said that Adelina down to facts, let me tell you that she knows all
E. BUCKLEY.
Patti made this remark recently: "I am as much the dividend-paying investments of any moment
RED OAK, IA., Jan. 23, i882.
Mme. Nicolini as George Eliot was Mrs. Lewes, that are in the market to-day."
CHAS. A. WELLES, Esq., 864 Broadway, N. Y.:
and I am proud of my choice." This is encourag-
Dear Sir—Please send us THE MUSICAL CRITIC
"That is somewhat remarkable for a woman."
ing. At least, it is an improvement on what was
"Yes,
sir.
I
must
say
for
Miss
Kellogg
that
she
AND TRADE REVIEW for six months, for which, en-
generally believed to be the case. We like to see is a person of extraordinary good sense, and that closed, find $2. Yours, &c,
a woman stand up for her rights.
she is far-seeing. When she retires, the operatic
It. & M. WADSWORTH.
BUSY ARONSON. — The new Casino, corner of stage loses one of its most thorough artists. She
A
member
of
The
Whitney
& Holmes Organ
Broadway and Thirty-ninth street, will be opened is a musician. She not only knows her own score Company writes from Quincy, 111. : "We re-
about July 1. Mr. Rud. Aronson has returned from in her repertoire of forty operas, but she also ceived no REVIEW last week, which we miss con-
Europe and is pushing matters in order to have knows the whole scores, the librettos, and under- siderably. We hope you still continue to publish
stands the intentions of the composers. The direct- your valuable paper—and we want it. Enclosed
everything in readiness on time.
ors under whom she has sung will tell you how
A WICKED REPORT.—It is reported that Capoul quick and sparkling her ideas are, and how rapid find P. O. order for subscription. Send us the
is coming to this country again. We hope this her comprehension; especially is this noticeable at January number."
rumor is not well-founded, as falsetto tenors are rehearsals. She is a remarkably fine artist."
836 NORTH SIXTH STREET,
i
plentiful, and we are well supplied at present.
"Will she marry, Major?"
PHILADELPHIA, February 22, 1882. \
' 'I think so. I understand the gentleman who Editor of THE MUSICAL CRITIC AND TRADE REVEW:
'"~MR. COPLESTON'S CASE.—It is a hard one. He
was the musical critic of the New York World, is to become her husband is a man of means."
Dear Sir—Please put me down as a subscriber
and is the father of Miss Florence Copleston, the "Have you made any preparations for musical to the TRADE REVIEW.
Yours truly, - *•
pianist. Recently he lost his position on The events for next season?"
GEO. L. WALKER.
World, because, so rumor says, he did not procure "Some matters are under consideration, but are
PHILADELPHIA,
March G, 1882.
a sufficient number of free tickets for the Patti not yet ready to be announced."
operas for the editor-in-chief, Mr. Hurlburt. He
CHAS. AVERY WELLES, Esq.:
LENNOX IttLL VOCAL SOCIETY.
is the critic whom J. C. Fr
d attacked because r
Dear Sir~-I have a copy of your bright, sensi-
Copleston refused to notice Fr
d's new paper T^HIS is one of the youngest choral societies ble and valuable Musical Journal, and finding it
JL that has been organized in this city.
so necessary for every piano and organ dealer in
in The World.
The first concert, under the direction of Mr. H.
country to become a subscriber at the earliest
SCHWAB.—It is stated quite openly that Mr. F. B. Romeyn, took place in Stock Hall on March 23. the
moment, that I wish to have you enrol
A. Schwab is no longer the business manager of The chorus is composed of about thirty fresh, possible
the May Musical Festival Association; that he vigorous and musical voices, and the singing was me without further delay.
Yours very truly,
Wm. H. W.
draws his salary still, but has been requested not characterized by precision and artistic instinct.
to interfere with the business of the position; The chief number on the programme was Saint-
PHILADELPHIA, March 10, 1882.
that this trouble came about by his engaging Saens's "Cantique de Noel," sung by Miss Corradi,
Madame Materna for himself, instead of for the Miss Wade, Miss Stuttsman, Mr. Blois, and Mr. CHAS. AVERY WELLES, Esq.:
Dear Sir—Enclosed I send you one dollar for
association, etc., etc. Mr. Schwab can probably Harvey as soloist, and the chorus and orchestra.
six months' subscription to your valued paper.
best tell whether there is any truth in these
It is surprising that this charming work has not It is of great assistance to me in improving myself
rumors.
been produced here heretofore.
in my business, and I would not be without it.
The choruses, "Quare fremuerunt gentes;" the
BLUMENBERG'S SUCCESS. —Louis Blumenberg, the
Wishing you the success you deserve, I am
violoncellist, is at present in Baltimore, Md. He quintette and chorus, "Consurge, FiliaSion," and
Yours truly, WM. H. WILLIAMSON,
has recently returned from a concert tour in the the final chorus, "Tollite Hostices," were rendered
NEW YORK, March 11, 1882.
with
much
expression.
far South. The local press is full of compliment-
Among the solo numbers we may mention CHAS. A. WELLES, Esq.:
ary remarks regarding his artistic performances
Rossini's "Bell Raggio," sung by Miss Corradi; a
Dear Sir—Please send us the REVIEW for one
on the violoncello.
solo from Gounod's "Polyeucte," sung by Mr. year, and bill for the same.
A NEW ORGANIST FOR BEECHER'S CHURCH.— Romeyn, and a Rubinstein piano solo, played by
Your manly efforts to expose Beatty's iniquities
Mr. Henry Carter, formerly organist of Trinity Miss Cady.
deserve recognition by every honest manufacturer
Church, New York, and assistant organist at the
and dealer.
THALIA THEATRE.
College of Music, Cincinnati, has received a call
If you can induce all Beatty's victims to report
:
from Plymouth Church Brooklyn, the former QTRAUSS S operette, "The Merry War," con- to you it would be the best possible way of deal-
O
tinues
in
its
successful
career
at
the
Thalia
organist not being competent to retain the posi-
ing with him. Yours truly,
OBSERVER.
Theatre. On April 18 Marie Gestinger begins
tion.
QUINCY,
I
I
I
.
,
March
10, 1882.
A CONSCIENTIOUS MUSICIAN.—Mr. Carlos Hassel- her farewell performances at the same theatre.
C. A. WELLES:
brink, one of the most finished solo violinists, is Joseffy's concert in Brooklyn, which took place
Dear Sir—We express an appreciation of the
constantly adding to his repertoire. He is a con- in the hall of the Historical Society on March 31, work you are doing, and find each issue of THE
scientious musician and anxious to extend his was remarkably successful.
MUSICAL CRITIC an improvement on previous ones.
knowledge of the art.
Letitia Louisa Fritch will sing at Gilmore's Should you give us a copy every week and doubl*
WHY FRITSCH IS IN A HURRY.—Christian Fritsch, benefit on April 10. She has lately returned from your subscription price we think the trade would
the tenor, is always in a hurry, especially when he a Southern tour, -which has increased her popu- give their assistance to support it. Truly,
W. & H. ORGAN CO.
is invited to take dinaer "with a friend." We would larity and added to her past successes.
TALK OF THE DAY

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