Music Trade Review

Issue: 1882 Vol. 5 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
February 20th, 1882. T H E MUSICAL CRITIC AND TRADE REVIEW.—Supplement.
Father Maturin, rector of the church, thought
PHILHARMONIC CONOEET.
PITTSBURG.
;he boys had got nothing undeserved.
PITTSBURG, February 11, 1882.
DIVERSIFIED programme was presented
Father Sheppard said that he was sorry he had
to the patrons of the society on the occasion QINCE writing you last, on the 28th ult.,
of the fourth public rehearsal and the fourth con- O scarcely anything worth reporting has oc- made a mistake about Ernest, and asked his par-
don, but the executive committee decided that it
cert, which took place respectively on February urred here in musical matters.
10 and 11, in the Academy of Music.
Madame Rive-King gave a piano recital at Lib- was a case requiring prosecution, and the aid of
Mozart's D major symphony comprised the rary Hall on the evening of January 31, and the law will be invoked.—N. Y. Sun.
opening number, followed by Gluck's "Armida," made many recruits in the army of her admirers
aria sung by Mrs. E. A. Osgood. A minuet and here. Her abilities are so well known—ditto her
AN INQUIRING CORRESPONDENT.
finale for string orchestra by Beethoven was among faults—that a notice of the same would be super-
PRESTON, CONN., January 9, 1882.
the number.
fluous.
She was assisted by Madame Loheyde, of this Editor of THE MUSICAL CRITIC AND TRADE REVIEW :
Mrs. Osgood and Mr. T. J. Toedt sang a duet
EAR SIR: Where now is Miss Emma C.
from Berlioz's "Benvenuto Cellini," and the con- city, who sang in a very pleasing manner, the
Thursby engaged in singing? What is her
cert closed with a symphony by Hans Huber, called riticism of the correspondent of a New York
"Tell."
musical sheet to the contrary notwithstanding, full middle name? Have you any printed sketch
The Mozart symphony is called the No. 5, in who seems to consider it his duty, in the language of her? If so, what would you charge for it?
Yours respectfully, S. T. M.
the Breitkopf & Hartel edition. It is not heard of a local paper, "to make it lively for some aspir-
[Miss Thursby is singing in Paris. Her middle
often, and is not one of the renowned symphonies ing amateurs hereabouts."
of Mozart.
In my opinion, the amateurs are those who name we have not yet hunted up. It is such an
It was played with faultless precision, and its should be most charitably handled, and whose important matter we shall have to take a week off
characteristic features were clearly presented.
fforts in the good cause deserve special encour- some time and find out. Meanwhile, one of the
Strakogch.es might relieve "S. T. M. V anxiety
The same can be said in reference to the per- agement.
formance of the string quartette (arranged by
At the Art Society's ninety-eighth reception, on on the subject.—ED. MUSICAL CRITIC AND TRADE
Thomas for string orchestra), by Beethoven.
February 9, Messrs. C. F. Cooper and Carl Retter REVIEW.]
The novelty of the concerts was the "Tell" sym- rendered some violoncello and piano duets in
phony, by Hans Huber, a youthful German com- good style, and Miss Mamie Reuck, a little lady Tke thirty-second recital of the Temple Grove
poser, who was educated in the Leipsic Conser- of twelve, gave evidence of talent and study in a Seminary took place at Saratoga Springs January
li). Mr. W. H. Sherwood was the piano soloist,
vatory.
Singelee fantaise for violin rendered by her.
He is in his thirtieth year, and has written a
We are promised a visit by Joseffy, "provided and Miss Carrie A. Kennedy was the soprano.
The following programme was presented: Schu-
great deal for one so young, and the greater part a suitable hall can be found for him."
of what he has written is conceded to be excel-
Why the halls used by Wilhelmj, Remenyi, mann—Etudes Symphoniques, op. 13 (theme, va-
lent.
Madame Rive*-King and others are not suitable riations, and finaie); Gounod—Le Parlate d'Amor
(Faust); a. Bach—Gavotte ce"lebre, G minor;
He has written a suite for orchestra, which has for Joseffy, I confess my ignorance to explain.
been received with favor; also a piano concerto,
Next week Gorham's Church Choir Company b. Beethoven—Menuetto, Sonata, op. 10, No. 3;
and numerous other instrumental and vocal com- will give us the often repeated dose of "Pinafore," c. Schubert—Moment uiusicale, No. 3, F minor;
positions of merit.
"Patience," etc., and also, the "Red Musketeer," Tosti—"Non m'a pin;" a. Chopin—Scherzo, So-
The symphony performed on the occasion re- not given here before to the best of my knowledge. nata, op. 35; b. Chopin—Nocturne, F sharp, op.
ferred to is characterized by broad and massive Our choral societies are hard at work, and 5; c. Chopin—Scherzo, C sharp minor, op. 39;
treatment. The musical idea is thoroughly con- Messrs. Whiting and Retter are giving their best Schumann—Moonlight; Liszt—Grand Polonaise,
major.
ceived. The young composer attacks the work attention to the success of their respective organi-
with determination, and with assurance of his zations. As to the May Festival, if anything
The Cumberland Musical Association held its
ability to do justice to the conception.
definite has been decided upon, the tidings have sixth soiree, on January 21, in the Union street
In the execution of the general form and the not reached the writer, and I am therefore unable building, at Cumberland, O. The programme was
subsequent details of instrumentation, he shows a to make any report on the subject.
as follows;—"The Heavens are Telling"—Creation,
masterly grasp of the subject.
The Pittsburg Musical Club, an orchestral and horns and orchestra; Fantastic Waltzes, orches-
There is nothing absolutely original in the sym- vocal organization, contemplate giving a concert, I tra; Solo, "Angel's Serenade," with violin obligato,
phony, yet in the treatment of the orchestra, novel understand. I would advise a petition to the cor- Miss . M P. Shuck and Dr. E. C. Gaskill; Solo,
effects and combinations are met with, that respondent of the New York musical paper for Piano—Sonata Pathetique, Miss Lulu Patterson;
indicate a talented composer of the modern his indulgence, since he may crush the poor vic- Funeral March, orchestra; "In this Hour of Soft-
school.
tims out of existence if he becomes a slave to the ened Splendor," chorus without accompaniment;
The symphony produced a marked effect, and duty of "making it lively for amateurs."
address bv the President, Hon. H. W. Hoffman;
no doubt made a more than transient impression
Cornet Solo, "Der Flotte Ulan Polka," Mr. W. A.
HLLARIUS.
upon the listeners.
Reinhart; "Gvpsv Life," chorus and orchestra;
Any performance of an additional orchestral
Solo. "The Noble Boy of Truth," Mr. R. D.Rees;
TROUBLE
IN
ST.
CLEMENT'S.
work by Hans Huber will be looked forward to
Boccaccio, selections, orchestra; Damascus Trium-
PHILADELPHIA, February 9.
with great interest.
phal March, "Naaman," chorus, solo, trio, and
The ultra-classical "Armida" aria, "Ah! that's 'T^HERE is a stir in St. Clement's Episcopal orchestra.
my heart's blest freedom," by Gluck, was sung JL Church. St. Clement's is a High Church
The eighteenth anniversary of the "Working
parish, and very fashionable. Father G. E. Shep- Women's Protective Union" took place at Chicker-
by Mrs. E. Aline Osgood.
It is seldom the case that a vocalist makes it a pard, one of the clergy, is charged with cruelty to ing Hall on February 6. The programme con-
study to sing an aria with such a conscientious de- some of the choir boys. The Society to Protect sisted of recitations, addresses, organ recitals, and
sire to adhere to the spirit of the song as Mrs. Children took it up, and to-day Father Sheppard songs. Miss Jennie Dickerson, contralto; Miss
Osgood did in this instance.
had a hearing before the executive committee of Emma Howe, soprano, and Miss Letitia Louise
Although there were opportunities in it for the the society.
Fritch, soprano, were the artists that sang. The lat
display of catching effects, the lady sacrificed
Agent Dutton, of the society, said that on Mon- ter lady received a double encore after singing "The
these in order to give a strict and consistent ren- day evening seven boys knocked at his door and Sicilian Vespers."
dition of a Gluck aria, in the spirit in which tra- said that they had been abused. Ernest Belin-
It gives us great pleasure to announce a gener-
dition lias left it to us.
fante had a lump on his head and a cut on his
act on the part of a Christian gentleman,
Mrs. Osgood and Mr. Toedt, the tenor, sang the nose. Two or three of the boys had been crying. ous
whose bountiful gifts to our university Rochester
duet from Berlioz's "Benvenuto Cellini." Mrs.
They said that the choir boys had been dis- people are familiar with. He does not stop, how-
Osgood would have made a more pronounced missed ; that Henry Magill, one of them, had left ever,
with the great institutions of learning, but
success in the duet had she had a tenor voice of a paper behind, and that they all returned with
has recently made glad the hearts of his brethren
more strength and vigor to co-operate with.
him to get it; that Father Sheppard assaulted them, of the Baptist Church of Brockport by presenting
Mr. Toedt has an excellent voice of its kind; knocked Magill down, and struck Ernest and them
with an organ. This organ is to be built
that is, of the light ballad or song order. In certain kicked him.
to the specifications, desires, and tastes
Schubert, Schumann, and Eubinstein songs, and When Mr. Dutton had finished his story, Ernest according
of the church to which it is given, and the cost of
in ballads, his voice may be heard with pleasure; Belinfante told his.
it is $4,000. It is to be finished and in place by
but in dramatic songs, in oratorios, in cantatas
After the choir rehearsal the boys had been or-
designed in heroic style and in conjunction with dered out. They made a noise in the entry, and the 1st of May next. The name of the donor is
singers whose voices are clear and powerful, Mr. Father Sheppard struck Magill. Ernest remained John H. Dean, of New York.—Rochester Demo-
crat.
Toedt does not do himself justice.
at the organ, and all the other boys went away.
The German Leiderkranz gave its second
His voice is small, and to a certain extent cov- On their return for the paper, Ernest told them
for the season of 18S1-82 in Leiderkranz
ered and husky.
that they had better go or he would be blamed. concert
We noticed this in the concert and rehearsal of Father Sheppard came in just then, struck Ernest Hall on January 30. The artists who took
the chorus society, but did not refer to it, as we in the head, knocked him down, and kicked him. part were Mr. Hermann Rietzel, piano; Messrs.
were under the impression that it was a temporary
Father Sheppard was then given a chance to Henry Mollenhauer, A. Mollenhauer, and William
indisposition, but now we find that it is a perma- explain. His version was that the boys were very Balck, violoncelli, and Miss Johanna Mollenhauer,
Mr. A. Paur was director of the
nent condition of the voice.
noisy in the corridors. He spoke to them sharply, accompanist.
The programme consisted of an over-
It is a great mistake on the part of singers to and told them to go home
"It was half-past orchestra.
attempt things that they cannot do satisfactorily. nine by this time," he continued, "and the bell ture, "Jessonda" (Spohr), performed by the or-
Many vocalists mistake the quality of their voices, rang for the compline office. It is the rule of the chestra; "Ballade" (Bendel), piano solo, by Mr.
and undertake songs which, in a short time, ruin household that all must bo present at that service, Hermann Rietzel; "Wie Kam die Liebe" (Frey),
what is best in their organ.
including Ernest Belinfante. He was not there. by the Mannerchor; trio, "Wilhelm Tell" (Batta),
They seem to be misguided by false ambition, to There was a great deal of noise in the choir room for violoncelli, Messrs. H. Mollenhauer, A. Mollen-
sing in oratorio for instance, when their voices are during the service, and after it was over I went hauer, and W. Balck. A new club-house for the
not adapted for composition of that order; yet they out in the corridor. I thought the boys' coming Leiderkranz is in course of erection in Fifty-eighth
persist in doing what is evidently injurious to back was a piece of insubordination, and I boxed street.
them, and in a short time the timbre of the voice Magill's ears. I saw Ernest in thechoirroom, and
The New "Casino," m process of erection at
becomes questionable, and in a few more months thought he was in the mischief." Father Shep Broadway and Thirty-ninth street, will be com-
the voice is ruined.
pard admitted striking Ernest with his fist and pleted in' May. It will be lighted by an electric
Mr. Toedt's voice is not adapted for the greater knocking him down. His defense was that the apparatus similar to the one in nse at the Savoy
part of the duties he imposes upon it.
Theatre, London.
boy had always been troublesome.
A
D
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSICAL CRITIC AND TRADE R E V I E W . - S u p p l e m e n t . February 2 oth, 1882.
manufacturers were 'unable to fill orders if they bv water not long since. There was a fire on the
did as a piano man did lately with him—told him floor above them, but they escaped damage from
that his firm were unable to supply their custom- that cause.
ers, and ten minutes afterward offered to send him
THE LORING it BLAKE FIRE.
ANCIENT MUSICAL INSTRUMENTS.
several instruments on consignment.
N learning of the fire a representative of THE Messrs. Taylor & Farley, the organ manufactur-
UNIQUE musical entertainment was given
Mr. Mclntyre
MUSICAL CKITIO & TRADE REVIEW immediately ers, are doing a fine business.
recently at the Royal Conservatory of Music
visited Worcester. He found Mr. James B. Wood- thinks that the small-pox scare in the West has at Brussels. This conservatory contains in its
ford, secretary and manager of the company, and had a somewhat depressing influence on trade, museum the most complete collection of ancient
Mr. Currier, of the firm of Whitney & Currier, of but not enough to severely affect it. The orders instruments in Europe. At the concert clavecins,
Toledo, Ohio, which firm is largely interested in upon this company are three or four weeks in pinettes, and virginales, portable organs and
the Loring & Blake Organ Company. Mr. Cur- advance of their capacity to produce, and have regal organs, violins di gamba, cornets, cromor-
rier was obliged to leave T©ledo hastily, although been so for the past year.
nas, and flute douces were used.
he was preparing to celebrate the opening of his Mr. E. P. Carpenter's private office contains
The charming programme introduced all of
new store in that city.
the handsome organ, with pipe-top, which he ex- these instruments, and nothing could be more
hibited
this
fall
in
Atlanta.
Carpenter
received
a
The organ company were way behind orders
unique than the arrangement. There was first
when the fire occurred. They were working up a fine award in Atlanta, and is justly proud of it.
sung a psalm of 1544, melody by Bourgeois, words
Mr. L. C. Clark, who used to manufacture by Marot, accompanied by regal organ of the six-
large stock which they had on hand, and received
one hundred orders the day after the fire. The organs in Worcester, is at it again. For the last teenth century, so called from the first specimen
principal damage done to stock was by water, year and a half he has been superintending the being offered to a King.
which soaked everything from roof to cellar. The manufacture of cabinettos for Mr. Hammond, but
This came from the Valley of Freuenfeld, in
company was very fortunate in saving their large has at last gone back to work for himself.
Switzerland. It was a small instrument, the or-
Messrs. Witherby, Rugg & Richardson, who ganist and blower sitting at opposite sides of it in
stock of valuable machinery. It was well wet; but
the day after the fire it was thoroughly oiled, so build as fine wood-working machinery as any in full view of each other. Transcriptions from
the country, and in many respects surpass their "Acante et Cephise," by Rameau (1751), were
that it escaped without serious damage.
The company has taken two floors in a vacant competitors, have been supplying a good many played upon four flutes, soprano, alto, tenor, and
bnilding opposite their factory, and they expect new machines to the piano and organ trades. bass.
to work on the lower floor of their own building They have a large business in these trades, and
These flutes were very popular in the sixteenth
at an early date. It is probable that they will deserve it.
and seventeenth centuries; even the ladies played
Mr. Munroe, of the Munroe Organ Reed Com- upon them. The only variety now in use is the
have organs ready for shipment by the middle of
March. They have a large stock of lumber in pany, was out of town when our reporter called, flageolet. The viola di gambo, an instrument of
but Messrs. Charles Fisher and Martin Barre were six strings, accompanied by a clavecin, with two
their yards which was uninjured.
The Loring & Blake Organ Company's agents in, and they entertained THE MUSICAL CRITIC AND banks of keys, of the seventeenth century, exe-
throughout the country haev signified their inten- TRADE REVIEW representative delightfully, as they cuted an aria by J. S. Bach, of the sixteenth cen-
tion of waiting for their goods, if it takes until always do. This concern is extending its busi- tury, and a minuet by Boccherini.
ness in many directions.
next summer.
The family of violas is complete from the six-
teenth century. They have a greater number of
THE GAZETTE.
GIVEN THE COLD SHOULDER.
strings than the violin, that replaced these instru-
The stock of J. B. O'Connor & Co., of San Fran- ments in the eighteenth century. The sound of
rj^HE Fr
d states, in one of the late issues of
X his paper, that he has been received with cisco, music dealers, has been attached to satisfy a this instrument as played had something uncom-
monly sweet and original.
open arms, so to say, on his return to the fields of judgment for $1,100.
Four cromornas, the rarest instruments that the
his former exploits. An incident which happened
G. Robert Martin, of this city, dealer in musical
in the office of a prominent organ manufacturer is instruments, has had a judgment for $1,205 en- Conservatory possesses, date from the end of the
sixteenth century, and belonged to Alphonse
only one of the kind that indicate how he is re- tered against him.
Duke of Ferrara. These instruments ex-
ceived.
J. R. Clements, a piano dealer of Manitoba, has d'Este,
isted complete from the fifteenth century. They
He visited this firm for the purpose of getting sold out to Brydon & Mclntosh.
gave among other pieces au air made at the siege
an advertisement, for (although he pretends to be
of Hanover, in 1692, by Hatteterre.
an aesthetic young man) he still will take a run
Mrs. Bertha Fitch, of Fentonville, Mich., is the Following each instrument as specified in the
north to get advertisements. The organ manu-
facturer promptly told him that he would not, un- general agent in that place for the B. F. Baker Up- programme is a description taken from the cata-
logue of the museum. The clavecin brise accom-
der any circumstances, put an advertisement in right Piano Company of Boston.
Mr. N. Stetson, of Steinway's, has gone to panied two songs of J. Lefevre (1631). The
his (the Fr
d's) paper. He then turned around
and resumed his duties at his desk, telling the Florida. The last few weeks of winter at the catalogue of the museum also shows that this
North are rather severe for him.
clavecin is an invention of the celebrated manu-
Fr
d that he was very busy.
Mr. Currier, of Mason & Hamlin's establish- facturer, Marius, who made it about 1707, in box
Four witnesses were present when this recep-
tion by the trade was given to the Fr
d. This ment in New York city, was to have left for Eng- form, to facilitate its transport in traveling, whence
comes the name clavecin du voyage, that this cu-
is only one of the many receptions which have land last week.
been given to him. Times have changed, and no
First Piano-maker.—"Some man is trying to stir rious instrument also bears.
An interesting feature of this concert was the
one has discovered that with more certainty than up another row in the piano trade by howling
appearance of Mary Gemma, a wonderful child
the individual who has been trying to confess, and 'Bogus pianos! Stencilled pianos!'"
Her mother and father are English,
has not succeeded.
Second Piano-maker.—' 'Bogus pianos be hanged! artist.
Let the Fraud that cries that wait until his own but she was born in Italy, and is a prodigy of
WILCOX & WHITE ORGAN 00.
crooked transactions are forgotten. The time for musical talent.
She will soon be graduated from the class of M.
HE new addition to the organ factory of this stirring up advertising patronage on that cry has August
Dupunte, the first professor of piano mu-
company is about completed, and the work- gone by."
sic at the conservatory, and intends giving con-
men are now transferred to the new quarters. The
The new building of Messrs. Pratt, Reed & Co.,
afterward in Europe and America. This
old factory building is 200x40 feet, with an L lOOx manufacturers of ivory keys at Deep River, Conn., certs
child artist executed several charming selections
40. The new addition is a five-story building is about ready for work. It is four stories high, of
the fifteenth, sixteenth, and seventeenth centu-
106x40 feet.
with a brick tower ninety-five feet high. When ries on the clavecin in a brilliant manner.
The company has shipped 40 per cent, more or- Pratt, Reed & Co. are in full running order, the
gans in January, this year, than January, 1881, size of the heads of some other key makers, There were Christmas songs of the eighteenth
and up to February 14 they had shipped as many who have profited by P. R. & Co. 's fire, will be century sung by young girls, accompanied by
an organ of the epoch of Louis XIII., a sweet
organs as during the whole month of February, considerably diminished.
instrument, and a cornet of the sixteenth century.
1881. There are more orders coming in than can
Mr. W. W. Kimball, of Chicago, is said to be
It is said that Gliick is the last composer who
at present be filled. Mr. Wilcox has just started making about two hundred organs a month.
made use of the cornet in the orchestra in his
on a tour to California.
Newell, of Chicago, supplies him with reeds, "Orpheus," played the first time in 1769. The
and he gets his small work from the East. So W. Queen of the Belgians, accompanied by many no-
THROWING MONEY AWAY.
W. has actually gone to manufacturing! Luck to ble ladies and gentlemen, honored this delightful
FORT SCOTT, KAS. , February 8, 1882.
him!
entertainment, and personally congratulated the
Editor of THE MUSICAL CRITIC AND TRADE REVIEW :
Angelo Heilprin, of this city, has patented a artists, especially the poetic Gemma.—JV. Y. Times.
K.N0W of a number of persons who claim to music-leaf turner. Application filed August 16,
have sent Beatty money for organs several 1881. Number of patent, 253,043.
The Carri Bros. (Ferdinand and Hermann), for-
months ago, and they cannot get either organ or
merly residents of New York, gave a concert in
Otto
Spaethe,
of
Gera,
Germany,
has
patented
money. I have examined one of his 27-stop
January in Salle Pleyel, Paris.
organs, which has not quite two full five octave a meehanical musical instrument. Application
filed
June
21,
1881.
Number
of
patent,
252,977.
Four Sunday concerts took place in Paris on
sets of reeds. It is a clap-trap "thing" through-
January 15: Concerts Popnlaires, M. Pasdeloup;
out. This State has been flooded with his circu-
BOSTON TRADE NOTES.
Association Artistique, M. Ed. Colonne; Societe
lars. Hope you will "follow" him up.
Mr. T. Smith, of the Smith American Company, de Nouveaux Concerts, M. Lamoureaux; Societt*
Yours truly,
MARCY ORGAN CO.
informed our reporter that the only news he had de Grand Concerts, M. Ed. Broustet. Beethoven
to impart was that their branch house in Atlanta occupied four numbers; Mendelssohn, two; Han-
WORCESTER CHAT.
N a conversation with Mr. Leland, so well had taken the agency for the Chickering pianos in del, one; Haydn, one; Meyerbeer, two; Mozart,
one; Rossini, one; Gounod, one; Godard, three;
known all over this part of the country as a that place.
The fire at Doe & Hunnewelle's furniture fac- Bizet, one; Schumann, one; Liszt, one; Saint-
dealer in pianos, organs, sheet music, and small
musical instruments, that gentleman said, that tory, a few days ago, came very near burning out Saens, one; Dvorak, one; Rubinstein, one; De-
the piano renting business was excellent, but he two or three piano factories, for if they had started libes, one, and Richard Wagner two numbers.
wished that he could command New York prices— nothing could have saved them, situated as they
Mme. de Montcalm gave a piano recital in
$25 per quarter was the highest price they ever are, up alley-ways, where fire engines could not Steinway Hall on January 27. The programme
reached, and $10 to $15 per quarter was the aver- reach them.
comprised a Chopin nocturne, the Liszt arrange-
age. Business, Mr. Leland said, was in excellent
The B. F. Baker Upright Piano Company's fac- ment of "Rigoletto," a Weber rondo, and sing-
condition. He did not wonder that so many tory, on Harrison avenue, was slightly damaged ing by Mrs. Duncan and Miss Hall.
TRADE REVIEW
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