Music Trade Review

Issue: 1882 Vol. 5 N. 12

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSICAL CRITIC AND TRADE REVIEW. .
172
STAFF CORRESPONDENCE
CHICAGO.
CHICAGO, January 10,1882.
HE Apollo Club concerts, with the assistance
of Mr. Theodore Thomas and an orchestra,
were the musical events of Christmas week.
On the first evening "The Damnation of Faust"
was given, with Miss Heckle, Mr. Knorr, Mr.
Clark, and Mr. McWade as soloists.
The chorus numbered about 150 singers.
The Apollo Club have sung this work two or
three times before; but on this occasion they
didn't have any rehearsal with the orchestra, and,
in consequence, there was a little uncertainty at
times that a more complete preparation would
have prevented. It is not quite right to expect a
chorus to do its best work, no matter how well
drilled they have been, without a thorough rehear-
sal with the orchestra.
Why this was not done, the management of the
Apollo Club alone can answer.
T
NOT UP TO THE STANDARD.
The instrumental part of the performance was
hardly up to the standard of last winter. Mr.
Thomas brought some seventeen men with him
from New York, and the rest of the band was
selected from our home players, and they had
hardly got used to working together.
However, their work was so much better than
that which we usually hear from our orchestra,
that we ought to be pleased with the performance.
Miss Heckle did not succeed very well with the
part of Marguerite. She was often out of tune.
TOO LIGHT FOB THE PABT.
Mr. Knorr, as Faust, was true to the score, but
unfortunately his voice was too light for the part.
This gentleman has been endowed by nature with
a fine tenor voice, of a sweet quality. His method
is a bad one, and prevents a free vocal delivery.
Hence, all he does seems contracted in utterance,
and the voice has a forced sound to it.
This can all be prevented by a different method
of vocal utterance, and keeping the throat free
from contraction, and allowing the large muscles
of the diaphragm to act as the motive power.
With a true method this gentleman wo aid be a
most agreeable and pleasing singer, for nature has
given him the vocal powers.
A GOOD "MEPHISTO."
Mr. Clark, the Mephisto, has a telling voice,
which is capable of much better work than he does
at present.
He sings the notes, but is unable to give a
melody with that flowing character of utterance
so necessary to a beautiful delivery.
The Italian style of sustained singing should be
his study for some time, until he had mastered the
secret.
Mr. Whitney's method of vocalization would
be a good example to follow.
"THE MESSIAH."
On the following evening this oratorio was given
with Miss Carpenter, Miss Johnson, Mr. Clark, the
tenor, and Mr. Grose as soloists. I was unfortu-
nately called out of town that day and was unable
to hear it.
The club was fortunate in having good audiences,
and opened their season with a marked sign of
appreciation from the musical people of this city.
PATTI.
This lady has been here in three performances
in Haverly's Theatre, presenting a mixture of con-
cert and so-called opera at each entertainment.
She gave the same selections that she sang in
New York, and an act of "Aida," "Faust," and
"Trovatore," respectively, at the different enter-
tainments.
On the first evening she did not have a large
house, for the high prices seemed to throw a cloud
even upon a Patti concert.
A POOB COMPANY.
The troupe is a very poor one, and with the
exception of Patti herself, there is nothing worth
the hearing for a truly musical person.
It is a disgrace for the management to offer such
singers on the same programme with Patti.
They might do for a fifty-cent concert, and the
audience would put up with the affliction on
account of its cheapness; but in an entertainment
of the character that a Patti concert.should have,
they are a disgrace.
On Thursday evening, when Patti offered the
"garden scene" from "Faust," she had a much
better house. Many persons availed themselves of
admission tickets, and in this manner obtained five-
dollar seats, for there was plenty of room, although
the house was comfortably filled.
The entire charm of the concert and act of the
opera was, of course, the singing of Patti.
She appeared to the best advantage in the opera
act. Her singing of the jewel song, and the love
duet that follows, was very beautiful, while her
acting was the picture of grace.
Her true place is in the opera. But in this
entertainment the concerted music was all marred
by the wretched support given her by the poor
singers that make up her company.
A PROTEST.
As Patti's visit to the country was entirely a
money making one, I suppose that it was good
business management to keep down expenses by
having a cheap company.
But I hope before long, that the American public
will not stand this kind of treatment. They have
the right to expect for a five-dollar entertainment
the best of singers in all the parts.
Patti may desire the entire returns to go into
her own pocket, and thus content herself with as
cheap support as may be obtained, but the public
has its rights.
Chicago people didn't rave over these concerts
by any means, although the management endeav-
ored to make them seem very brilliant affairs to
the outside public.
Patti is a beautiful singer, who owes a large
amount of her success to her perfect method.
Her voice is the result of proper vocal-develop-
ment rather than any wonderful gift, as is so often
supposed.
PATTI'S POINTS.
January 20th, 1882.
ALBANY, January 9, 1882.
News this week is a little scarce, although
musical events are numerous enough. Theo.
Thomas's orchestra gave two grand symphony
concerts on the 5th and 6th, and was greeted by
large and appreciative audiences. The selections
given were from the best composers, and in-
cluded the "Damnation of Faust," 4, and Liszt's
"Mephisto Waltz."
The most noticeable feature of the concert was
the new symphony, No. 5 in C minor, of Rubin-
stein's. It is a tribute of affection to the memory
of the late Grand Duchess Helene, who was a
friend of the composer. It is founded upon slave
melodies, which run in and out throughout the
whole composition. The Hungarian dances, with
the Magyer rhythm, were played superbly.
The concert concluded with the ballet "Sylvia,"
a recent work by a composer of the modern
French school, Leo Delibes. The concerts were a
grand success and proved that the city contains a
great many lovers of fine music.
AN ESCAPED LUNATIC.
Chas. Brown, the maniac horse clipper and
musical composer, will present "Elfins and Mer-
maids" at Music Hall on the 12th, 13th, and 14th,
with a company, as he claims, from the Standard
Theatre of New York. Parties desirous of seeing a
pantomime will probably attend.
Jerome Hopkins, composer of the alleged
"Oratorio of Samuel," will produce the same at
the Leland Opera House on the 13th with local
talent. Rice's Surprise Party will present "Cin-
derella at School" at the Leland on the 13th.
A grand concert under the auspices of the Bur-
gess Corps will no doubt attract a large crowd at
the Leland on the 14th. The artists engaged are
all of good reputation, and sing well. The oon-
cert will be under the personal management of
Leigh S. Lynch, and include Anna Teresa Berger,
Mile. Zela De Lussan, and Christian Pritch.
The Kellogg Concert Company is now under the
management of Geo. E. Oliver, and will appear at
Music Hall soon.
"Patience" has been offered by four different
troupes here already this season, and prospects for
several more now appear.
C. M. G.
I observed that she had a perfect control over
her breath, and that the larynx was free and un-
restrained in its movement; that the purity of
her voice was the result of purely formed vowels,
which extended to every note of her compass.
This made her pronunciation so perfect, and
gave her the power to express whatever phase of
sound she might desire.
Hence the tender, the brilliant, and the joyous
in vocalization were hers at command. It was the
old school of vocal method, as so many call it, but
in reality the only natural way to properly use and
develop the voice.
Hence we hear so many critics say "she sings
ROCHESTER.
like a bird," and contrasting her naturalness with
. ROCHESTEB, January 9, 1882.
the beautiful of nature.
FEW of the events and attractions which have
She has not a great voice in the sense of being
been, which are, and which will be, make
wonderful, but it is a perfectly developed organ,
and used according to the natural laws that govern up the following list:
Primrose and West's Minstrels, and Ford's Opera
pure vibration, and hence its beauty.
C. H. BBIXTAN. Company, at the Grand Opera House; Deacon
Crankett and Robinson's Humpty Dumpty Troupe
at the Corinthian Academy. This is what has been
ALBANY.
going on at the two houses since about January 1.
ALBANY, JANUABY 2, 1882.
Frank Frayne Combination is holding the
HE musical season in this city has been in- The
augurated in a most satisfactory manner, boards at present, while the coming attractions
and from present indications promises to be one are the Emily Melville Opera Company, for next
of the most brilliant known for a number of years, Saturday, at the Opera House, in the "Chimes of
numerous first class attractions having been an- Normandy" and "Patience;" at the Corinthian
Academy, Prof. Greiner's complimentary perform-
nounced.
ance of "Der Freischutz," by the Mtennerchor,
The Albany Musical Association, who presented on
the 12th inst.; Clara Louise Kellogg's farewell
"Elijah" recently with considerable success, are
hard at work upon another oratorio, which will be concert on the 16th, and the great Patti (per-
offered the latter part of the month. The name of haps) on the 19th.
These, with the numerous church and school
the production has not yet been announced.
entertainments, organ concerts, piano recitals, and
A CUTE "PHO3BE."
the like keep the average amusement seeker oc-
Ford's Opera Company sang ^'Billee Taylor" on cupied.
December 29, and "Patience," 30th, at Music
MADE AN IMPBESSION.
Hall, to good houses and with marked success.
The performances of the Ford Opera Company
Miss Madeline Lucette is a most charming sou- were wretched in the extreme, and they have cer-
brette, and, as Phoebe, she was "cute" and modest, tainly left a lasting impression upon the public
and sang very well. The chorus was, to use an here. It is a pity that any paper, even for the
expressive, if not elegant, phrase, "howling" tempting "twenty cents a line," will lend its voice
good, and showed themselves possessed of a in praise of such a combination of talent(?).
lung capacity quite remarkable for a troupe of Strange as it seems, it is nevertheless a fact, that
its size.
the company was heralded by most flattering press
The "Mascotte" was admirably sung by the notices from papers that ought to know better,
Wilbur Opera Company at Tweddle Hall on De- and were thought to be above such things. Even
cember 29, 30, and 31.
our own papers, in some instances, echoed the
The principal characters were sustained by Louis praise of these advertising notices, instead of crit-
Searle, who resigned from the troupe at the close of icising where the proper opportunity afforded.
their engagement here; Harry Brown, Jas. Brand
INTEBESTING YOUNG LADIES.
and Chapman, old favorites with lovers of bur-
The reception of the young ladies of the Opera
lesque, and they were fairly supported by a some-
what scant but handsomely dressed chorus. The Club, at Powers' reception rooms on New Year's
day, was a most successful affair. The afternoon
attendance was fair.
Miss Bessie C. Hamlin, who was recently a pupil was taken up with the usual New Year's calls un-
of Mme. Rudersdorf, of Boston, is singing soprano til eight o'clock, when the evening was devoted to
in St. Peter's church and teaching music in St. a social gathering of the members of the club
only. Dancing was the principal amusement,
Agnes' school.
Prof. T. Spencer Lloyd, organist at St. Paul's although this was interspersed with an occasional
church, has composed another anthem, to be pub- chorus, quartette, or song.
The club is now actively engaged in rehearsals
lished soon. Mme. Albani, who sang with great
success at Berlin in October, was formerly con- of "The Musketeers," which is to be produced
some time in the latter part of February, or early
nected with a church choir in this pity.
in March.
C M. G.
A
T
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
January 20th, 1882.
THE MUSICAL CRITIC AND TRADE REVIEW.
The reproduction of "Der Freischutz," by the
Msennerchor, as a testimonial to Prof. Greiner. is
expected to meet with the same success the for-
mer presentation of the opera did, and it is to be
hoped that the testimonial will be a substantial
one.
It is a long time since the estimable Clara Louise
Kellogg has appeared before a Rochester audience,
and the concert to be given on the 16th inst. will,
no doubt, be well attended. It is to be hoped so,
and also that the great Patti will be greeted by a
large audience, should she favor us with a call.
173
Mr. Fritz Staub is manager of our Opera House, been greeted by a crowded house at each' per-
and is an exceedingly clever and accommodating formance.
gentleman. Our Opera House is a very nice build- The operas given were "La Mascotte," "Pina-
fore," "Olivette," "Chimes of Normandy," "Fat-
ing, with a seating capacity of 1,000 to 1,200.
We hope to have some good musical troupes initza," and "Czar and Carpenter," and it is need-
later in the season; our best troupes usually come less to add, that the last named elicited most
interest on the part of the musical people here.
in the latter part of the season.
A.s soon as our newjines of railroads are com- Of the other operas, it is hardly necessary to
pleted, which will be in less than a year, our speak; suffice it to say that they were splendidly
transportation facilities will be equal to that of rendered, and that the company, if anything, was
far above the requirements of the works.
any city of its size in the country.
The "Czar and Carpenter" was produced with
Troupes can then come without being carried
out of their way a hundred miles or more, as they the following cast:
INTRODUCING THE ELECTKIC LIGHT.
Burgomaster, Myron W. Whitney; Czar, Mr.
The electric light, which is quite general here have been forced to do in the past. A good musi- McDonald,
who hails from our neighboring town
now, has been introduced in the Corinthian Acad- cal company would be liberally patronized here of
Steubenville and has naturally many friends
emy, and over the entrance hangs one of the
here; Ivanof, Mr. Fessenden; French Ambassador,
magic lamps. The Grand Opera House has not
Tom Karl; Marie, Miss Geraldine Ulmar.
yet indulged, but as enterprise is one of its mot-
WEST DETROIT.
Mr. Whitney's Burgomaster was capital, beyond
toes, no doubt ere long it will also "let its light
WEST DETROIT, MICH., January 10.
riticism, and Miss Ulmar was charming in her
shine," etc.
T)RrVATE letters and the press from Australia
At all events, one great improvement is to be JL speak in very glowing terms of the Mendels- ole. opera was given here for the first time, and
made, and that is the enlargement of the facility sohn Quintette Club, of Boston, and the associated the The
daily press incline to the opinion that it will
of egress, in case of fire, and the placing of two prima donna, Miss Cora R. Miller.
a success.
fire alarm boxes in the building, one on the stage It is plain that the concerted playing of the not It prove
not have satisfied that part—and perhaps
and one in the auditorium. This will also be club is a revelation to our antipodal friends, and t was may
the greater part—of the audience which
done in the other places of amusement.
in no stinted measure do they express their feel- sxpected the rollicking, and I may say'vulgar fun
E. H. L. ings in regard to it. The club gave a series of con- only too liberally offered in "La Mascotte,"
certs at Sydney in October, after which they went Olivette," etc.; but the real musicians among us,
to Queensland, visiting Brisbane, Maryborough, those who care more for the intrinsic value of the
INDIANAPOLIS.
November 12, Gympie, November 18, Toowoomba opera musically and those who saw the best operas
INDIANAPOLIS, January 9.
and back to Sydney, November 26, where they in Europe and are best able to judge, were not
r p H E O . THOMAS'S Orchestra drew a good house left the same evening for Newcastle, arriving there ouly pleased with its rendition, but predict a
JL at the Park Theatre December 29, and the on the 27th of November; from there they go to successful future for the opera in this country.
Yale College Glee (Hub did a fair business there Tasmania, and then to Victoria and South Aus- The sextette for male voices in the second act
on January 4.
tralia.
was the evening's gem and was heartily encored.
Since the engagement of the Emelie Melville Miss Cora R. Miller, who is said to be a very Next Monday Miss Kellogg appears at a farewell
Company, we have had a rest from comic opera, handsome young debutante, reaps the highest com- oncert here, and a crowded house seems to be
although the return of this company would be pliments for her beautiful voice and the artistic insured.
welcomed, as it is the only comic opera company grace with which she imbues her simplest ballads
CHORAL SOCIETIES.
worthy of the name that has appeared here this as well as the most trying selections from operas.
My
reliance
for
material for future letters to you
season.
is placed upon the two attempts now being made
MISS MILLER'S SUCCESS.
MISS KELLOGG ATTRACTS ATTENTION.
to organize choral societies here.
Clara Louise Kellogg was never possessed of a The Gympie Boucicault says: "Miss Miller was Mr. Whitney, of Boston, who has been among
greeted
with
a
perfect
fusilade
of
applause
that
very sweet temper, and as she grows older she
us for some months, and who is backed by repu-
seems to become crankier. Her recent performances ran round the house like independent file-firing, tation and by friends made since his arrival, has
have surpassed all her former efforts to make her- which was taken up and*rang out sharply from the issued a call and expects to recruit a society from
self disagreeable, and if her poor little husband crowd, after her brilliant vocalization of Donizet- the membership of the former Gounod Club.
gets much happiness out of the coming union, he ti's Se Crudele, in which she more than realized Enjoying the prestige of some influential musical
our expectations."
will have to be a very patient man.
society people, he is confident of success, whilst
Eecently, at Milan, Tenn., she compelled the Mr. Schnitzler, violin, and Mr. Ryan, clarionet, Carl Retter,. an old resident of the city, organizer
are
apparently
great
favorites
with
their
audiences,
proprietor of the hotel to allow her colored maid
and director of the Symphonic Society (now dor-
to eat at the table with the other guests, threaten- and the success of this first venture of the Men- mant), is making a like effort, and is equally san-
delssohn
Quintette
Club
in
distant
lands
seems
ing to leave the house with her company in case
guine.
to be assured.
her demands were not acceded to.
Mr. Retter is well and favorably known here-
At Louisville she visited McCauley's Theatre, The Mastodon Minstrels have been drawing big abouts, is a thorough musician, has hosts of
and disgusted the audience by carrying on, in a houses early in November at the Opera House, friends, and has probably done more for the cause
loud tone, a conversation with her manager, who Sydney, and the Williamson Opera Company was of good music here than any other person.
sat in the box with her, and called down upon her- to open with "Pirates of Penzance" on the 12th It remains to be seen who will gain the lead. At
self the wrath of the ladies of the company by re- of November, at the Theatre Royal.
all events the city will profit by the undertaking
ferring to them, in a voice loud enough to be heard Mile. Charbonnet, a superb pianiste, was to whoever gains the victory.
have
a
benefit
concert
on
the
23d
of
November,
at
all over the house, as "those females."
On Thursday evening next the Art Society will
At Masonic Temple, the same night, she made a Masonic Hall, on which occasion some of the best give its ninety-fifth reception, Mrs. H. Holdship
similar display of herself, so that, considering she Sydney talent were to participate.
and Mr. Carl Retter having charge of the pro-
is only human, and with only human capacity for Miss Georgie Smithson has been delighting gramme, •which will consist of vocal music, piano
Jarge audiences at the Queen's, in a sensational aolos by Mr. R., and quartettes by Messrs. Maeder,
making trouble, she did pretty well.
drama entitled "The Female Detective;" it was ooper, Hirsch, and Retter.
ANOTHER PRIMA DONNA WITH A TEMPER.
changed November 12th for the play of "Mazeppa."
Mme. Gerster is another prima donna who pos- Theodore Thomas gave three concerts, with the
CINCINNATI'S OPERA FESTIVAL.
sesses a temper not to be despised.
members of the N. Y. Philharmonic Orchestra, on
The Cincinnati Opera Festival has excited much
While en route from Cincinnati here a short time December 30 and 31, and January 1, at Music interest here, and our city no doubt will be well
ago, she became enraged because the cars jolted Hall, Detroit. The attendance was not large, and represented at Cincinnati next month.
her, and declared that if the train was not run the management loses by it seventeen hundred Perhaps after our Choral Society is fully under-
slower she would refuse to sing that night.
dollars.
way, and peace reigns supreme, we may be able
She was finally pacified, however, and graciously
to announce another May Festival here. Who
allowed the train to proceed at the usual rate of
knows!
PITTSBUBQ.
speed.
Our last one, some years ago, was certainly suc-
Church choir concerts are quite the rage now,
PITTSBURG, January 7, 1882.
iesaful enough to justify a repetition.
and from one to a dozen are annonnced every
MUSICAL correspondence from America's
HlIiARIUS.
week.
blacksmith shop! What a task!
The Matinee Musicale closed its sixth year Jan- I should hardly have the courage to undertake
uary 4. They have had six years of uninterrupted it, were it not that the past and coming weeks
PHILADELPHIA.
success.
N.
furnish material for this letter, and that matters
PHILADELPHIA, January 10, 1882.
I shall mention below justify me in the hope of
HE holiday season has not been prolific of
having subject matter for future letters.
ENOXVILLE, TENN.
events.
Musically, this city has been almost as devoid The musical
Cecilian and Mendelssohn Societies have been
KNOXVILLE, January 9, 1882.
of enjoyable occasions of late as the Sandwich recuperating
from the recent concerts noticed in
UR amusement season, so far, has been un- Islands.
usually light, and almost a blank, so far as 'Tis true, the Art Society has its bi-monthly your last issue, and with Patti's brilliant concerts,
musical entertainments are concerned;
receptions, and quite a number of music-loving even the benefit-fiend seems frightened out of
Some amateur home concerts comprise the list people and amateurs arrange chamber-music even- the notion of concerts, as a possibility, after her
up to date. We have had circuses, "Two Medal- ings for themselves, but both are equally inacces- successes.
lions;" "Phunny Phellows," "Milton Nobles," sible to the general public, and unless a concert or She seems to have exhausted the field.
However, Colonel Mapleson is with us, proffer-
"Claire Scott," "Harry Pease," etc., and the next opera company should come here now and then
inflicted on the boards is Nick Roberts' "Humpty we would have a musical desert with scarcely an ing a two weeks' repertory of more dignity and
importance than any Her Majesty's Opera has
Dumpty" dates for the 10th and 11th inst.
oasis.
On the 27th the Knabe Orchestra gives a musi- No wonder, therefore, that the brief season of hitherto offered Philadelphia.
cal concert which introduces to our people our music which we are in the midst of brings out The first week we are promised "Aida," "Wil-
liam Tell," "Carmen," "Les Hugenots," "H
best home talent. They usually give one enter- the populace en masse.
Trovatore," "Rigoletto," and "Lohengrin" at the
tainment each year, about the holidays. These On Monday last, January 2, the
matinee; and the following week, "Mignon,"
entertainments are usually very creditable to those
BOSTON IDEAL OPERA # COMPANY
"Martha," and "Faust" for Wednesday, the 18th.
who participate in them, and are greatly enjoyed
opened an engagement at Library Hall, and has Further than that this deponenth sayeth not.
by our people.
A
T
O

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