Music Trade Review

Issue: 1882 Vol. 5 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
152
THE MUSICAL CRITIC AND TRADE REVIEW.
January 5th, 1882.
The concert at the Metropolitan Casino Decem-
ber 18 presented the vocal soloists selected from
the Thalia Theatre company: Miss Jenny Stubel,
Mr. Carl Walter and Mr. Alexander Klein. Miss
AT HOME.
Seebold was also announced to appear, but she
"Patience" will be given in Montreal during was prevented by sickness from being present.
Christmas week by the company playing at the The orchestra, conducted by Mr. Widmer, played
Boston Museum.
a number of popular pieces, including march
Saturday, December 17, was Beethoven's birth- "Blondin," Bial; "Au Douan Straude" gallop, by
day, and the programme of the Boston Symphony Gung'l; the "Mandolin" Polka, Resch, and over-
Concert, conducted by Mr. Georg Henschel, was ture "Frau Meistera," Suppe. Mr. Shuebruck
played Gounod's "Serenade" as a cornet solo. Mr.
composed exclusively of his works.
Walter gave the waltz song from " The Chimes of
When "Genevieve de Brabant" was hurriedly Normandy," and Mr. Klein sang "Verbassen bin
put OH the stage of the Royalty (London) Theatre L." Miss Stubel was heard in a Tyrolean air, "I
to replace "Dust," which was a complete failure, und Mei Bore." The "Gobble Gobble" duet from
Miss Emily Soldene took the part of Drogan.
"La Mascotte" was sung by Miss Stubel and Mr.
The Christmas performance of the "Messiah" in Klein in capital style.
Cincinnati has been creating considerable excite- The Newark Harmonic Society will give a grand
ment in the West. Clubs were formed in Chicago concert on January 18, with chorus of the society
to attend the oratorio, and delegations came from and full orchestra, under the direction of Mr.
Columbus, Cleveland, Dayton, Hamilton, Rich-
Damrosch. The soloists will be Mile.
mond, Ind.; Paris, Lexington, and other citieB in Walter
Isidora
Martinez,
soprano; Mrs. Helen Norman,
the neighboring States. The chief attraction was, contralto; Miss Florence
pianiste; Mr.
of course, Patti, in the soprano part, but the rest Charles Fritsch, tenor, and Copleston,
Signor Carlo Orlandini,
of the quartette, which included Miss Cary, Toedt baritone.
and Whitney, was excellent. The chorus num-
bered 600 voices. Theodore Thomas conducted The first public rehearsal of the New York Chorus
the orchestra of the New York Philharmonic So- Society takes place in Steinway Hall on Friday after-
ciety.
noon, January 27, and the concert on Saturday
evening, January 28. The soloists will be Mias
A Parisian musical success, "La Girouette" (The Hattie Schell, Miss A. Wurmb, Miss E. Winant,
Weathercock), by Hennery and Bocage, the music Mr. Theo. J. Toedt, Mr. Max Truemann, Mr.
by M. Ccedes, has been secured by Augustin Daly, Franz Remmertz and Mr. Rafael Joseffy.
and will probably be the attraction at Daly's
Theatre, succeeding "The Passing Regiment." The 100th consecutive performance of "Patience"
The piece is a comic operetta in three acts, and at the Standard Theatre took place December 29.
had a run at the Theatre Fantaisies Parisiennes. Handsome specimens of typography and printing
Mr. Daly proposes to introduce novel and inter- in the way of illustrated programmes were distrib-
uted among the audience.
esting musical features.
Miss Kellogg's farewell concert in Cincinnati Mile. Marie Vachot, Mile. Lanri and Signor
Ravelli, of Her Majesty's Opera Company, were the
will take place January 5.
attractions at the Metropolitan Casino December
Mr. Jerome Hopkins's extraordinary "sacred 25. This was the first appearance of Mile. Vachot
opera," "Samuel," will be given in Albany on Jan- at these Sunday night concerts.
uary 13. Those who witnessed the performance
"Little Red Riding Hood's Rescue," a juvenile
of this astonishing work at the Academy of Music
a few years ago will not forget it as long as they operetta by Mr. W. M. Broad, has been recently
performed every evening at Masonic Temple,
live.
Twenty-third street and Sixth avenue, with a cho-
Members of the Arion Society gave a concert at rus of 100 children in costume.
Steinway Hall December 17, which attracted a
large audience. The chorus of the society was Mr. Rafael Joseffy has returned to this city after
assisted by an orchestra led by Mr. Arnold ; Mme. a successful tour in California and the South. Ho
Caroline Zeiss, mezzo-soprano; Mr. Jacob Graff, appears at the New York Philharmonic Society
tenor, and Miss Florence Copleston, pianiste. An concert on Jannary 14.
excellent programme was presented, and the Miss Blanche Roosevelt will make her American
BOSTON MUSICAL NOTES.
various vocal and instrumental pieces were well
"JV/TR. G. W. CHAD WICK, one of the most given. The feature of the concert was the singing debut in Italian opera as Violetta, in "Traviatft,"
•*•*•*• talented young American composers and of the Arion chorus. The voices—eighty in number with the Strakosch Opera Company in New Or-
musicians, has charge of the rehearsals of music —gave with fine effect, with the orchestra, a choral leans on January 6.
written by J. K. Paine for the "CEdipusTyrannus," work by Julius Rietz, and "Heinrich DerVogler,"
has been attracting large audiences
which will begin at the Boston Globe Theatre by Fromm. The chorus was heard also in two at "Patience"
the Casino. On Monday, January 2, Hague's
January 23.
unaccompanied part songs, "Am Aarensee" (Lind- British Operatic Minstrels will begin an engage-
It is intended that the performance shall excel blad) and "Brautfahrt in Hardanger."
ment there.
any production which has recently been given of
the tragedy of "Sophocles." Miss Ober, of the The annual benefit concert of the Atlanta Boat • Miss Julia Fiest, pianiste, pupil of S. B. Mills,
Roberts Lyceum, is managing the preparatory Club attracted a large audience to Chickering will give a concert on January 18 at Steinway
stages. Mr. George Riddle, who assumed the title Hall December 19. The entertainment was under Hall. She will be assisted by the Philharmonic
role at Harvard, will appear in the same at the the charge of Signor C. Moderati, the artists in- Club and other artists.
Globe, and Miss Georgie Cay van will play Queen cluding Miss Anna P. Hall, soprano; Miss Anna
Parker, soprano; Mrs. J. E. Eustis, mezzo-soprano; There was a good-sized audience at Steinway
Iocasta.
Mrs. Belle Cole, mezzo-soprano; Mr. Ch. Fritsch, Hall December 21, in spite of the bad weather.
tenor; Mr. Willet Seaman, baritone; Miss Jennie Mr. L. F. Harrison is a well known manager, and
KISS VINNIE MAYNARD.
Parker, violinist; Miss Mary Werneke, harpist; the interest that was felt in his concert was very
MONG the voting vocalists from this country Mr. W. B. Vandewater, organist; Signors M. Bina general throughout the community. The impor-
studying and singing in Europe, Miss May- and C. Moderati, accompanists.
tant features of the evening were the playing of the
nard, of Boston, Mass., has attracted a great deal The Carreno-Donaldi company sang in Rochester Philharmonic Club, which gave a number of selec-
of attention. Her first musical instruction was re- December 19.
tions, and that of Mr. S. B. Mills. Besides these
ceived under the guidance and experience of Mme.
there were songs by Mile. Zelie de Lussan, Mrs,
"Patience"
was
given
at
the
Metropolitan
Casino
Rudersdorff and Mme. Long, both of whom readily
George W. de Lano, Mr. Frederick Harvey, and
December
19,
with
the
following
cast
:
Reginald
discovered her talents.
Mr. L. G. Gottschalk, and some pretty singing by
Before leaving for Europe, she sang at Dr. Bunthorne, Mr. William H. Seymour; Archibald the Meigs Sisters' Quartette.
Putnam's church, at the Boston Highlands. She Grosvenor, Mr. L. Rike; Colonel Calverly, Mr. J. F.
sailed for Europe in the fall of 1880, -and, taking Dalton; Major Murgatroyd, Mr. Henri Learock; Handel's oratorio, "The Messiah," was sung at
the advice of Miss Anna Louise Cary, she placed Lieutenant, Duke of Dunstable, Mr. Alonzo Hatch. the Philadelphia Academy of Music, December 22,
herself under the tuition of Mme. La Grange, and Rapturous Maidens—The Lady Angela, Miss by the Cecilian Society, with the following artists,
subsequently studied under Dr. La Sada^ in Paris Louise Manfred; The Lady Saphira, Miss Pauline assisted by the Germania Company: Mrs. E.
Hall; The Lady Ella, Miss Rose Wilson; The Lady Aline Osgood, soprano; Miss Emily Winant, con-
for the opera.
Miss Cary's advice to her, given about this time, Jane, Miss Gertrude Orme. Patience, Miss Dora tralto; Mr. Theodore J. Toedt, tenor; Mr. John
induced her to give her full attention to oratorio, Wiley.
F. Winch, bass. The building was filled to the
and she began that special study under_Deacon, in The concert at Steinway Hall, December 18, for dome, despite the inclement night. The chorus
the family of the late Rudolph Bial, was not very numbered about three hundred. Mrs. Osgood
London.
Her voice is a high soprano, exceedingly sympa- well attended, but the size of the audience bore no achieved a success in the airs, " Rejoice greatly, O
thetic and powerful, yet at the same time very relation to the sale of tickets, which was large. daughter of Zion," and "I know that my redeemer
flexible. She sings without apparent effort, and The programme was interesting, the orchestra, liveth."
with pure intonation and proper vocalization. which was conducted by Theodore Thomas,
The Urbana Choral Society, of "Urbana, O.,
She is blessed with natural vocal gifts, and has, was in capital form, and Mme. Caroline Zeiss,
with proper cultivation, undoubtedly acquired vocalist of the evening, secured a well de- rendered Handel's "Messiah," December 26, at the
that ease and facility in singing which comprise served success. The orchestra gave two move- Grace M. E. Church, with the following soloists:
one of the charms of a vocalist. She is expected ments of Beethoven's "Eroica" symphony (the Miss Belle Eichelberger, soprano; Mrs. Frank
to remain in Europe for some time yet. A opening Allegro and the Funeral March), Liszt's Sewall, alto; Mr. Henry Helps, tenor; Mr. W. H.
snlendid future awaits a talented vocalist like Miss "Mephisto Waltz," Leo Delibes' ballet, "Sylvia," Crane, bass. Mr. Walter Small was the organist
and the Rev. Frank Sewall director.
and the overture to Wagner's "Rienzi."
Mavnard.
The fourth concert, which takes place January
12, 1882, will present Weber's overture, "Preci-
osa;" Rubinstein's Symphony, op. 46; charac-
teristic pieces, by Dr. Maas; overture, "Rienzi,"
Wagner, and a Handel aria and a Schubert song,
by Mrs. Ella Cleveland Fenderson.
The second concert of the ninth season of the
Boylston Club took place December 19, at Musio
Hall. Mr. Geo. L. Osgood is the director; Mr.
Geo. W. Sumner was organist, and Mr. Leandro
Campanari, solo violinist for this occasion. The
programme consisted of Gounod's "Messe Solen-
nelle," and male, female, and mixed choruses, and
a violin solo—the latter by Paganini.
Christmas night, the Handel and Haydn Soci-
ety gave "The Messiah," with Mrs. E. Aline Os-
good, Miss Cary, Mr. William Courtney, and Mr.
John F. Winch. Carl Zerrahn, conductor; B. J.
Lang, organist.
The third recital of Mr. and Mrs. Georg Hen-
Bchel took place at the Meionaon, Tuesday, De-
cember 27.
Mapleson began his season here ou Monday,
December 2G, announcing "William Tell," "Aida,"
"Carmen," "Rigoletto," "Lohengrin," and a grand
sacred concert for his first week of performances.
Dr. Louis Maas, Director of the Boston Phil-
harmonic Society, was born in Wiesbaden, the
celebrated German Spa, on June 21, 1852. He
resided in London in his early youth, but returned
to Germany about the age of fourteen, and, entering
the Leipsic Conservatory, applied himself with
such earnestness to the study of music that at the
age of sixteen his first overture was performed at
the Gewandhaus Concert, and a year later his
second overture was played at the same place.
His piano tutors were Carl Reinecke and Herr
Dr. Papperitz, and under their excellent direction
he soon developed into a pianist of more than
ordinary accomplishments.
Ho, of course, studied the other branches taught
at the conservatory, and soon became the assistant
director under Reinecke and David.
In April, 1872, his first symphony was produced,
and received with great favor. In 1875, he re-
ceived an offer of a professorship at the same con-
servatory in which he had received his musical
education, and, accepting, he remained there un-
til October, 1880, when he came to this country
and settled in Boston.
He is an acquisition to musical circles, and the
quality of the music and its rendition have im-
proved decidedly since he has assumed the position
of Conductor of the Philharmonic.
A
MUSICAL CHAT
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
January 5th, 1882.
THE MUSICAL CRITIC AND TRADE REVIEW.
153
The Yale College Glee Club is preparing a
a voice already diseased. There are certain affec-
comic opera, to be presented about the middle of
tions of the throat which, if they exist in a pupil
April for the benefit of the Yale Navy. The
under tuition, render it impossible for the master
libretto was written by D. H. Buell, of the Junior SOME EFFECTS OF BAD TEACHING ON THE to train the voice. The most common of these
Class, the author of "Medea," which was given
affections are:
VOCAL ORGANS.
last year' by the Sophomores. The music is the
1. Elongation of the uvula.
work of Prof. T. G. Shepard, organist of Trinity AN INTERESTING PAPER, BY AVHITFIELD WARD,
2. Enlargement of the tonsils.
Church. There has been one rehearsal; the music
3. Inflammation of the voice-box.
A. M., M. D., PHYSICIAN TO THE METROPOLI-
found favor with the chorus, and the work of
4. Nasal catarrh.
TAN THROAT HOSPITAL.
preparation will now go on vigorously. The Glee
When the uvula, or palate, as it is popularly
Club and other members of the college will take
called, is too long, in order to sound a note prop-
STRAIN
AND
RELAXATION
OF
VOCAL
CHORDS—CHKOXIC
the male parts; the others will be taken by local
erly, the vocal muscles—the bodies which solely
LARYNGITIS—PARALYSIS OF VOCAL CORDS —
singers of note. Miss Ingersoll, daughter of ex-
preside over the action of the vocal chords—are
INJURY
TO
MUSCLES
OF
THE
CHEST.
Gov. Ingersoll, an amateur actress of some note,
exerted a great deal more than they should be;
has been induced to assist, and Miss Phelps, Miss I j U Y methods of singing affect the vocal hence, too much effort is brought to bear on tho
Gaffney, and other New Haven young ladies will J_ organs, directly and indirectly; directly, by vocal cords, and, as a direct result, these bodies are
take leading parts. The opera is entitled "The producing
a diseased condition of the parts, stretched, and eventually strained. This fact is a
Penikese Summer School of Gastronomy." The and indirectly,
causing improper action in the self-evident one to the many singers who have had
scene is not local, but the libretto abounds in several different by
organs
that make up the human this operation poformed properly, for, whilst prior
local hits, and is of especial interest to a college musical instrument. For
upwards of ten years to the amputation of the uvula, every act of vocal-
audience. The plot is as follows: Upon the I have been brought in direct
communication ization was labored, requiring an extra effort in
Island of Penikese is a summer school of gas- with pupils from nearly every singing
teacher of the neighborhood of tho larynx, that singing
tronomy, kept by Dr. McBosh, whose hobby is any note in this and neighboring cities, and
I have which was performed subsequent to the operation
©at-meal. Miss Teacaddy is a teacher, and the thereby been enabled to make many valuable
was, comparatively speaking, effortless. I shall
Misses Milicent Melange and Annette Trent are observations regarding many of the so called not stop here to go into this subject, but will re-
young ladies of the school. A vessel touches at peculiar methods.
fer the reader to my paper on "The Action of the
the island during the summer session. Among As a result of my experimentation, I can con- Soft Palate and Uvula."*
the crew are Bigelow Bonanza, a student of Yale,
The effect of an enlarged pair of tonsils on the
state " that there are but a handful vocal
and Lee Ward, a young cadet. They fall in love scientiously
cords of singers is even more apparent than
of
masters
whose
teachings
are
not
followed
by
with the two young ladies mentioned. The Yale some one or another of the many throat difficul- that of an elongated uvula How can it be other-
student, while making love to one, finds that the ties with which the singers of the present day are wise, since in some cases these bodies almost com-
lady of his choice is in love with the cadet, while afflicted."
pletely fill up the back of the mouth, thus stand-
the latter discovers that he is in the same predica- This statement may seem exaggerated to many ing directly in the way of the outcoming tones.
ment. The island is upset, the quiet of the school non-observer; but if these individuals were com- Occupying the above position, these tumefied
is disturbed, and Dr. McBosh is at his wits' ends. a pelled,
must be forced apart, to a greater or less
day after day, month after month, and glands
At this point, Miss Teacaddy "gets in her great act," year after
degree, in order that the tone-waves may have an
year,
to
look
into
the
throats
of
singers,
the lovers are disguised, and the young ladies, de- many of them utterly ruined by bad teaching, exit from the body. It is the force expended in
ceived thereby, are won by their lovers. The plot
making a passage which strains the cords,
would have ample opportunity of changing thus
is completed by the marriage of Miss Teacaddy to they
since it requires for its performance the aid of the
their
opinions.
Generally
speaking,
with
the
ex-
the Doctor. The opera will probably be given at ceptions above noted, my estimation of the singing stronger and more powerful muscles of the neck.
Carl's Opera Hoiise. If it is as successful as teachers of our city is but poor indeed; and why? Of the
(
"Medea," a repetition in New York may follow.
HUNDREDS OF CASES
Simply because there is no standard by which the
professional master can be rated, since every per- in which I have performed the two operations
son, whether he or she is competent or not, is above alluded to, namely, the amputation of the
ABROAD.
Mr. Sullivan, the composer, has gone to Egypt suffered to attach professor to the name and start uvula and the extraction of the tonsils, I have yet
to see a single case in which other than benefit re-
for the winter for the benefit of his health, and out into a more or less successful career
will there complete the music for a new comic Begging tolerance for this slight digression, let sulted, notwithstanding all statements made to'the
opera which is to be produced simultaneously in us look, from a medical standpoint, into this sub- contrary by many teachers.
ject, and tabulate the principal affections likely to The manner in which that bane of the singer's
England and America.
be induced by improper tutelage of the voice. existence, nasal catarrh, produces a strain of the
A chimney on a private theatre in Matzleindorf Arranged in the order of their frequence we vocal chords, is somewhat similar to that of an en-
recently caught fire, and, owing to the stupidity have:
larged pair of tonsils, namely, by offering an obsta-
of the officials and the police, there came near 1. Strain of the vocal cords.
cle to the free exit of the tone-waves. Catarrh of
being a terrible loss of life.
the nose is a disease characterized by two prin-
2. Relaxation of the vocal cords.
cip'al symptoms: First, an accumulation of thick
Hentschel's opera, "Die schone Melusine," has 3. Chronic laryngitis.
and tenacious mucus in the nasal passages, and,
4. Paralysis of vocal cords.
been performed in Konigsberg.
second, a swelling of the membrane lining these
5. Injury to muscles of chest.
The Joachim Quartette recently gave a success-
tubes. Either one of these two manifestations
STRAIN OP VOCAL CORDS. •
ful concert at the Leipsic Gewandhaus.
will bring about the condition of the vocal bodies
This is the most frequent result of pernicious above alluded to, by stopping up the passages
Donizetti's "Duca d'Alba" will be given during singing. It can be developed gradually or pro-
and preventing to a greater or less degree the
the carnival season at the Teatro Apollo, Rome.
duced suddenly by some ill-timed act of vocaliza- passage of air through them. As we all know, the
tion.
When
a
bad
teacher
takes
in
hand
a
suscep-
It is proposed to perform Gounod's "Tribut de
nose is a prominent adjunct to vocalization, the
Zamora" this winter at the Teatro Reggio, Turin. tible pupil, he endeavors by every manner of potency of its canals being absolutely necessary to
means to develop the voice as rapidly as possible,
An International Exhibition of Musical Instru- hoping thereby to acquire renown among the per- singing, more especially the higher notes of the
register, as in their rendition the tone-wares go
ments will be held at Berlin in 1883.
sonal acquaintances of the singer, and thus in- entirely through the nasal organs. Now suppose
At a concert given by Sarasate, the Spanish vio- crease his revenue in the shape of new victims. the nose to be partially stopped by catarrh, or
linist was compelled to add five pieces to those He endeavors at each lesson ,to make hia pupil other causes. In order to force the tones through
set down in the programme, so that the concert sing higher and higher; his idea of progress being it, an extra effort is necessary, which, as in the
entirely gauged by the distance reached on the cases already cited, is the destroying agent on the
lasted an hour longer than was expected.
scale. Now the delicate little organs, the vocal voice.
A five-act opera, "Attala," by Fr. Schauer and A. cords, will not stand much of this kind of non-
Varadi, has been produced at the National Thea- sense; hence they rebel, and a species of conges- When the vocal cords are the seat of inflammatory-
tre, Pesth. At the last Philharmonic concert, in tion is excited which produces hoarseness on the action, every act of vocalization enhances the diffi-
the same city, Johannes Brahms played his new part of the singer. Now if, when this hoarseness culty, it being a fundamental principle of medi-
pinaforte concerto and conducted his "Akade- is produced, the teacher had a grain of common cine'"that in order that inflamed parts shall heal,
they must remain quiescent." As a swelling of the
inische Ouverture."
sense and would take the back track, not much diseased tissues is always a concomitant of inflam-
damage
would
be
inflicted
to
the
vocal
bodies;
"Tannhauser" and "Lohengrin" are, it is said, at
mation , the vocal cords are, therefore, when thus
the request of the Emperor of Russia, to be per- but I am sorry to say that the reverse is generally affected, considerably thickened, a condition
the
case,—the
pupil
is
made
to
persevere
and
the
formed in German in St. Petersburg next spring.
directly antagonistic to proper singing. In severe
cords are strained sometimes beyond the possi- cases, where the inflammation is greatly marked,
Verdi has finished his new opera, "Othello."
bility of repair. There is a golden rule, which, such hoarseness exists that it is impossible to per-
Wagner has given to Angelo Neumann the exclu- if always observed by the vocalist, would preclude form vocalatory acts, but in mild cases, especially
the possibility of injury being done to the vocal where the disease has been gradually developed
sive right of performance of "Parsifal."
cords, namely: " That all acts of vocalization which
The compositions of Carl Heyman are creating are productive of or fallowed by hoarseness, be it ever and is of a chronic nature, the hoarseness is not
marked except during exercise of the organs, or
a sensation among the pianists of Germany.
so slight, are improper, and certain to injure the vocal directly afterwards.
bands
if
persevered
in."
Anton Rubinstein will direct his new symphony
In the first instance, that is, when the hoarse-
(No. 51) at the Leipsic Gewandhau.s Concert on There is another thing which often results in ness is marked, improper singing cannot injure
January 12.
strain of the vocal chords, namely: The misunder- the parts, simply because the aftiioted person is
standing of the "voice" of the pupil,—that is to say, unable to sing; but in the mild form of laryngeal-
Mr. Maurice Strakosch has engaged Herr Si-hott, the endeavor to develop a soprano where only a
above referred to,vocalization is pro-
the renowned tenor heroico, for the weapon of 1882- mezzo-soprano exists, or the training 'of a tenor inflammation,
ductive of strain, because, the cords being thick-
83 for the sum of #37,500.
which should be treated as a baritone, etc.. etc. ened, a greater amount of forcJe is requisite to pro-
duce the vocal sounds. That many teachers suffer
The piano score of Wagner 1 * ^Parsifal" has been Just here comes in the wonderful agency of the
LARYNGOSCOPE,
their pupils to exercise their voices when their
arranged by Joseph RubinBtein, under the im-
mediate supervision of Wagner himself,
by means of which the peculiar differences in throats are thus inflamed, is a well-known fact, and
throats can be acourately mapped out and the range one that is illustrated to mo many times in the
Mme. Wilt has been singing with great suooess of a given voice be almost invarjablv ascertained- course of a week, How the teacher contrives ta
iu Norwegian cities. Her appearance at Christiania Another prime oause for the affection under
made a profound impression,
consideration is the; endeavoring of teachers to train f- Sea VOICE-TRAINING.

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