Music Trade Review

Issue: 1881 Vol. 5 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSICAL CRITIC AND TRADE REVIEW.
October 20th, 1881.
might in the future devote yourself to subordin- >f these, then he is only writing "words, words,"
ate parts, viz:—Lecocq, Audran and Sullivan, and as Shakespeare has it, without meaning. If a
jive a rest to Donizetti, Gounod, Auber, Rossini, madman were fiddling away at one of the symph-
onies of Weber, or Schuman, or Rubinstein, (they
md Wallace.
HE New York Grand Opera House is truly a
)elong to the "romantic" school), his neighbor
*
grand place for operatic performances. The
r the director would know it before the first
But
you
must
never
abandon
your
kind
friend
seating capacity is three thousand and odd seats, be-
measure was completed.
Tomasi.
sides the window sills on both sides of the house,
For Mr. Warner's special information, we will
which have been much favored by the friends and This genial, good-natured and easily-moved di- Ldd
that no fiddling is indulged in when romantic
admirers of " Honest " Emma, who has been oc- ector is an absolute necessity to Miss Abbott. )r classical
music is performed. There is such a
cupying the stage of that place during the two watched him very closely and found him ready rhing as violin-playing,
but not fiddling, unless
to repeat an aria in a mere whisper for an encore.
weeks beginning Oct. 3rd.
ood violin-playing is not appreciated by persons
Emma Abbott is one of the most charming At encore concerts he would be the right man in who have heard music of the "intense" school,
young (?) ladies in the profession at this moment, the right place, if the Abbott engagement should as they call it.
but she does not know how to be modest, nor does cease. Mark what I say, it will cease, I refer to The entire statement credited to Mr. Warner
she know how to sing. I am very sorry to be Abbott Opera. The public can only be imposed
evidence that the writer knows nothing what-
compelled to use plain, unvarnished language, but upon for a few short seasons. Some morning the gives
about music, beyond a superficial acquaint-
really I cannot, I cannot help it. As Heinrich managers of the so-called English Opera Com- ever
any will awake to the fact that all this absurd, nce with a few musical terms, and these he has
Heine says:
put to an absurd use.
" Oh Emma; whoa, Emma! why do you put me aelf-laudatory advertising can no longer be forced It is nobody's fault that Mr. Warner has not
down the public's throat, and on that morning the
in such a dilemma?"
tudied music, or that the art is inaccessible to
My dear MUSICAL CKITIC AND TRADE EEVIEW it beginning of the end will be inaugurated. The him, but it is his fault if he exposes his ignorance
hurts me to say things about a good-natured managers of Emma Abbott will be obliged to with- to the world at large.
" Jenny-Smith-young-girl," who apparently tries draw a phraseology that ignores the existence of
her too too utterly utmost to increase the size of her rtists like the late Parepa-Rosa, and many other
AN APPEOPEIATE PAPEE.
bank account, even at the sacrifice of what she irtists who have appeared in this country in Eng-
claims to be the ideal art. I do not want to be lish Opera.
LINCOLN, Oct. 5, 1881.
* * *
known as an aesthetic young man, nor do I claim
Editor MUSICAXI CKITIC AND TRADE REVIEW,
any exceptional ability as an ordinary young man,
The ipse dixit of any one man is generally not Dear Sir:—It would be a great favor to the pu-
but I assuredly do claim the possession of an ear, redited unless fortified by reasons and facts. I pils
of our Asylum if you would send us your
a big ear, if you please, that can distinguish be- must therefore give some reasons why I write that r aluable
Journal gratuitously and regularly.
tween musical tones and braying. Emma has been mma cannot sing. Of course, I mean in opera Our pupils
very fond of music, and our
at it* for two weeks past without cessation, giving or classical concerts In the first place Miss eachers would are
like to get up for them monthly
us a healthy repertoire of English Opera, so- Abbott has not a musical voice; there are a few musical entertainments
and your Journal would
called.
notes that possess tone, but they are very few and aid us materially in this effort.
a
few
will
not
do.
In
the
second
place,
the
large
She started in with Auber's " Fra Diavolo " an
Hope you may find it possible to grant this re-
old time picture of the most veritable Italian number of notes that lack the essential quality, quest.
Respectfully yours,
C. T. WILBUR.
commonplaces, to which are added bad English make it impossible for her to sing for any length
Supt. Asylum for Feeble-Minded Children,
puns. I admit that I would have been perfectly of time without exposing the uneveness of her
Lincoln, 111.
satisfied to take all this in, had honest, aye honest, register. Her singing of a chromatic scale sounds
[Of course we could not refuse the above request,
Emma stuck to Diavolo; but in spite of the devil, ike a diatonic scale. To make this plainer to hough it occured to us that the most appropriate
she would intersperse the opera with airs from readers who do not understand musical terms, I paper for an asylum for feeble-minded children
other operas, and did not hesitate to sing an aria must state that in singing a run or scale from would be the Art Jabbei-er, edited—with a pair of
from Rossini's " Semiramis " in Auber's " Fra semi-tone to semi-tone, she forces one note and scissors—by W. eak M. inded Tom—-ED. MUSICAL
Diavolo." The Queen of the East captured by the the next note is not heard. The scale, therefore, "KITIC AND TKADE REVIEW.]
bandits of Italy! Think of it! Emma knew, how- is not from semi-tone to semi-tone, but from tone
ever, that she ran but little risk. The audience to tone, and that constitutes a diatonic scale.
FEED. EULLMAN TALKS ABOUT PATTI.
that takes in so-called Grand Opera at 50 cts. for a Her trill is not a musical trill but a sensational
reserved seat does not care for such slight changes device to catch the multitude. Miss Abbott can-
E happened to meet Mr. Fred. Rullman,
of programme. In fact she might have improved not trill.
the ticket and managerial speculator, the
the occasion by singing: '' Way down upon the Another device is the unnecessary length of other day at the corner of Fourth avenue and 14th
Suwanee lliver" and would have succeeded in cap- time that she holds a high note. Any ordinary street. He looked exceedingly happy, seemed
turing a pronounced encore, outside of the clacque singer can perform such a feat, but very few carry bouyant and full of spirit, and was brimful of
that was drilled to do the business at every inap- it to such an excess; it is simply a trap for the talk. We know Fred, to be a good talker ; more-
propriate moment.
ignorant. Her phrasing is contrary to that of the over one.who can always tell us some of the very
vocalist, and if she claims merit for it on the latest musical news. Knowing that he had his
There is where Emma and her backers made a best
of originality, it would be advisable for her hands in the Patti pie we, of course, very
grand mistake. What's the use of singing " Bel- score
to retire into obscurity at once. Last, but not naturally asked him when he expected the diva in
raggio " to an audience that came to hear a fifty- least,
she takes the most unwarranted liberties America.
cent opera.
the works of composers; cutting operas into
" Why "—answered Mr. Rullman—" when I see
Oh, Emma ! you might have saved the wear and with
all kinds of absurd shapes, and transposing aria the cablegram that the steamship with Patti on
tear of what is left of your voice.
voice to another, just as it suits her board has left Queenstown then I'll believe that
Sing anything next time, in any opera you from one She
often leaves out the original aria in she is coming. But not until then. You see,
please, at any place, after such a success in New fancy.
certain scenes and replaces it with a song by Sulli- there is a little sea between Liverpool and Queens -
York.
van, or & force aria of her own from some other town and we do not know how that will affect
* * *
opera.
her."
I wanted to know who "assisted" Emma, in I must state also that Miss Abbott never permits Reporter—What are your ideas of Patti ?
the circus at the Grand Opera, and looking over the a subordinate singer to assume a role that might Mr. Rullman—Ideas ! Why I've known Patti
programme for information, I was stupified by read- unduly exhibit the talent of the subordinate.
she was knee-high. I knew her when
ing this sentence: "EMMA ABBOTT, one of the Why does she not permit Miss Rosewald to since
she was a child of six years, at the time those con-
most finished, artistic, and versatile prima donnas sing Maritana or Marguerite? and why does Miss certs
given in the Musical Hall at Niblo's,
on the lyric stage, whose brilliant record of unin Rosewald sing Olivette? The latter part is not when were
Gottschalk
played. She's more like a
terrupted triumphs is unparalleled in the annals of
to her in any way, while either of the two daughter to me as it were and I speak very plain
music in this country, and who is universally ac suited
named roles would be in competent hands i to her. As I was going to say, I said to her,
knowledged as the 'Queen of English Opera.' " first
"Look here Addy, I'll give you 1,350,000 fr, for
she should assume them.
I was stupified on account of the combination of
Every musical person knows that Rosewald is a fifty concerts in the United States." She seemed
fact and fiction combined in that one short, terse superior
to hesitate and in order to close the matter up, I
singer to Abbott.
and elegant sentence. Emma certainly is " finish But I am
forgetting that it is the Abbott and told her I would make it the round sum of 1,500,-
ed," artistically speaking. Undoubtedly Emma is not the Rosewald
company. That is a suffi 000 fr. You see that was $300,000 for fifty con-
versatile . She saag Marguerite, but would not cient answer to my opera
certs.
questions.
NICHTSNUTZ.
sing 'Praviala; and at last, her conscientious scruples
Well, you know, I had my friends here all
having permitted her to sing Traviata with a
fixed and the money was ready. A few days after-
PUTTING HIS FOOT IN IT.
Moody-Sankey libretto, she throws away all re
ward I got a letter from Nicolini, (I have it now),
straint and abandons herself to the licentious sur
HE following has been published in severa' in which he stated Patti's ultimatum, and that was
roundings of a French Opera Bouffe, and comes
papers about the country :
2,000,000 fr. for himself and Addy, besides
out in " Olivette." Oh ! leave it Emma ! leave i
Dudley Warner says: " You can detec travelling and hotel expenses; also told me that for
alone! Don't begin an indiscriminate fusilade along an Charles
inaccuracy in the playing of the music of Mozar a small figure I could get the balance of the com-
the whole musical line. Let us have some opera as readily
as a finger print on burnished silver; bu pany. Of course that was the end of it.
or operette in its pristine purity !
in one of the romantic symphonies of the intenst
I had everything prepared. Went so far as to
Do not ruin our conceptions of Olivette. I heard school, a madman might be fiddling away mean while
small matters, photographs for instance.
your company do " Olivette " during the firs and nobody would suspect that it was not con- arrange
They cannot get up a respectable photograph in
week of the engagement and also dropped in a summate."
Vienna is the only place where you can
Grand Opera House during the second week, when If Mr. Warner did say that we are sorry for him Europe.
get a good one, and then it does not equal an
the attendance was less over-powering, and you What
he means by the " intense " school, we fai American photograph. I told them out there,
friends more exhausted. Judging from what wa
understand. The "intense" school has hitherk that in the future they had better send their
presented to me, I should suppose Emma, that you to
unknown to everybody but Mr. Warner, anc artists over here to get the photographs. I
had, at last, reached something approaching the been
would confer a favor by informing the muaica' believe now, some of our American photographers
level of your abilities. You know, the Countess in he
have orders from a«ross the water for their pictures
who are the composers of that school,
" Olivette " is merely a secondary role, and fits you, world
is able to detect inaccuracies in the playing o: of artists. When I showed some pictures of pretty
Emma, like the glove upon your finger. You he
the music of Mozart so very easily, he must cer women to Nicolini, Patti said: "He does not
tainly be an able judge of contrapuntal forms an want to look at those photographs; he does not
* " Emma has been at it." Does NICHTSNUTZ mean by this tha their development, as Mozart is foremost in tha' want to see anything, nor anybody.
He only
Miss Abbott has beeu at singing, or brayiug?—ED. MUHICAL, CBITR
description of composition. If he is not a judg< wants to look at me." How's that?
AND THAI>E ltKVIKW.
T
W
T
October
1881. Review THE
Music 20th,
Trade
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arcade-museum.com
-- digitized
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MUSICAL
CRITIC AND TRADE
REVIEW.
PERSONAL
from namm.org 67
laying, a most difficult accomplishment at the
Reporter.—Well, well ! You surprise me. What
kind of a fellow is Nicolini ?
resent time.
Mr. Rullman.—Oh ! about 62 to 63 years old,
CELLISTS.—Mr. A. Hartdegen, violoncellist,
but he makes up very well.
tas taken up his residence in New York city. I t
Reporter.—Was there not a story that when Patti
WAGNEK.—Dr. Hanslick, of Vienna, is one of the 3 rumored that he will soon marry Miss Norton,
first sang with Nicolini, some years ago, before she iritics par excellence, on all musical subjects. His he soprano. Mr. Adolph Fischer, violoncellist, is
fell in love with him, she used to object to having ork "Vom Musikalischen Schonen," known in sxpected soon from Europe, and Madame Rumor
him cast in the same operas with her, because he nglish as a "Treatise on Musical iEsthetics," is ays that he comes to marry the daughter of Mr.
smelt so badly ! Was there any truth in it ? "
idely circulated and has been translated into jchirmer, of the well-known music publishing
Mr. Rullman.—See here, have you ever been in several languages. The sixth edition has just been ouse.
ublished. Dr. Hanslick is one of the pronounced
Havana ?
KELLOGG.—Clara Louisa Kellogg, has thus far
mti-Wagnerites who continues active in opposi-
Reporter. —No.
cured good houses and liberal applause wherever
Mr. Rullman.—Well, when you approach Hav- tion, notwithstanding the positive success which he has appeared. She attracts large audiences.
ana, you notice a peculiar odor, a smell of garlic, Wagner operas are achieving on the continent.
PHILHARMONIC CLUB.—The New York Philhar-
very disagreeable and nasty. That's the way with ~he arrangements for a Wagner cyclus are about to
Nicolini. As soon as you get near him you get )e closed in London. This is the first step tow- monic Club, begins its fourth season at Chicker-
that garlic smell in your nose and it is awfully .rds a similar cyclus in New York. It is to be ing Hall, Nov. 15th. The three succeeding con-
rts are to take place Dec. 20, Jan. 17, and Feb.
offensive. He is celebrated for it. Patti's infatu- oped that we will soon have an opportunity to
The soloists are S. B. Mills, Miss Copleston,
ation for him cannot be accounted for. Why, she isten to the remarkable works of this remarkable
Mrs. W. G. Morgan, pianistes, and Maurice
told me herself that she had made her will leaving snius.
'engremont, violinist.
everything to Nicolini. It's a good thing for his
THURSBY ABROAD.—-Maurice Strakosch is taking
wife and two children, isn't it ? I advised her that mma Thursby all over Europe, according to the
AN ICE IDEA.—M. J. Warner & Co., of No. 737
when she came here that she had better go house- eports from the other side. He has been giving roadway, New York, offer a prize of $1,000 for
keeping; if she had no faith in cooks she could ioncerts with this American vocalist throughout
the best new and original music composed for and
bring her own along. I told her she could not >reat Britain, Spain, Germany, Austria, Denmark dapted to Colonel I. F. Warner's libretto of a comic
carry this thing on in our country, as she does in md Norway and Sweden.
pera, entitled: 'Arctic; or, the North Pole Ex-
Europe, because the first thing she would know,
>edition.'" Here is a chance for some of our
" PARSIFAL."—Wagner's
"Parsifal" is now :old-blooded composers to freeze on to a one thou-
if she stopped at a hotel with him, the proprietor
would surely bounce both of th'em into the street undergoing preparatory rehearsals, while the solo- and dollar bill. The Ice-berg intermezzo, be-
the next morning. I told her such carryings-on ists are studying under the personal supervision of ween the first and second acts, must not be for-
might do over there, but they would not work ;he " master." Each role is studied and practiced gotten. There are excellent opportunities for a
?» double, so that in case of sickness or unforseen eal-skin scherzo, an Esquimaux ballet, and an open
here.
iccidents, no delay in the performance will take
Reporter.—Perfectly correct, Mr. Rullman. But place. The copyright of the work has been pur- 'olar Sea waltz. A beautiful Adagio a la Alaska,
tell me, how about the dates at Steinway Hall, and hased by Schott, of Mainz, who will publish the ;an be introduced in the Kamtchatka chorus, and
he opera might very appropriately close with
in Boston, etc.
•arts as rapidly as possible The performance at 3ishop Heber's " From Greenland's Icy Moun-
Mr. Rullman—Oh, there is nothing sure about Bayreuth takes place in the Summer of 1882.
lins."
those dates. She has had a kind of agent here, a
WONDERFUL.—As an instance of managerial
Frenchman, but he makes no positive arrange-
B I L L . — " A dramatic and musical paper in
ments as he is compelled to submit everything to liberality, we must record the action of M. Vaucor- tuenos Ayres has the terrifying name of The Mos-
the Madame, and, as a matter of course, no one beil, of the Grand Opera, Paris, who voluntarily uilo. We wonder how often it presents its bill?"
can deal with him. That ridiculous report that is doubled the salary of the rising young American Musical Herald, Boston.) If the net's account
out, which states that Steinway had advanced prima donna, Miss Griswold. Her Paris suc- ood it will never present its bill.
money, is too absurd to countenance. Do you think cesses have exceeded the expectations of her most
call Minnie Hauck, Miss, when
Tretbar is such a fool to advance money without a sanguine friends, and, (what is of more conse- she MARRIED.—Why
is now Mme. Hauck-Wartegg, having recently
written guarantee ? No, sir, never in the world. quence), those of her teacher and manager. married
the Chevalier Ernst von Hesse-Wartegg,
Those dates don't amount to a pinch of snuff, if Among coming engagements at the Grand Opera,
Patti takes it into her head at the last moment not Paris, that of M'lle Nordica, another reputed ne of the travelling correspondents of the Vienna
to come. As I told you, I will believe she is com- American prima donna, must be noted. Great Freie Presse ? The chevalier pressed his suit per-
sistently, and has at last been rewarded.
ing when I see the cable dispatch that the steamer expectations are entertained.
VALLERIA NOT COMING.—Alwina Valleria is ad-
with her on board has left Queenstown.
COMIC OPERA.—Miss Danille as Donna Juanita
Reporter.—Patti is about thirty-five years old, is seems to have made a success. She is at present vertised by Col. Mapleson as one of the members
with Mahn's Opera Company, filling the roles for of his company. She has, however, up to date,
she not ?
to come to this country. As a fact,
Mr. Ridlman.—Well, as I used to dandle her on merly taken by Jennie Winston. A new work in declined
Valleria has accepted an offer to sing at the Leices-
my knees, I suppose I know. She is more than ourse of rehearsal, which will be played by this ter
Musical Society Concert, with Sims Reeves, on
ompany is " T h e Gascon." It is also contem-
forty.
Dec. 12th.
Reporter.—What was your idea of a scale of plated to give " L e Postilion de Longumeau,"
the opera in which Wachtel, the German tenor,
LARGE IDEAS.—Patti thinks of giving her first
prices with Patti ?
concert at the New York Stock Exchange. She
Mr. Rullman.—My plan was only to charge $5.00 made such a furore.
has heard that the price of seats there is $30,000
each for the best seats, and $1.00 each tor the poor-
PATTI TROUPE.—Salvati, the baritone, is now an-
est. Give everybody a show to get in, was my nounced as a member of the Patti Company. This ;ach.
motto. Then I was going to spend $20,000 with adds another " unknown greatness " to the other
A WANDERING MINSTREL.—Remenyi, the Hun-
agents in Paris and London to cable every move- ' unknowns." It is a fact that with the exception of garian violinist, is concertizing in the West, play-
ment of Patti and Nicolini to the New York papers, Nicolini, none of the troupe have been mentioned ng nearly every night in small cities. By the
during the Summer, to begin with. But these in the prominent musical journals of Europe. time he gets through, his acquaintance with the
fellows who are managing her won't spend a cent. Who are Mile. Castellan, Violiniste; Mile. Hoh«n- ounty seats of the United States will be more
I'll bet they don't even give free admission to the schid, Contralto; Sig. Pinto, Basso? According thorough than that of any other artist who ever
members of the New York press. Why, sir. I ex- to reliable reports, Nicolini is of no account, so travelled here. Remenyi understands how to
pected to spend at least $40,000 before she gave that it will cost ten dollars to hear Patti sing two attract the multitude. There is life, vivacity and
her first concert.
arias, with an encore, if she is not in a bad humor. soul in his violin playing.
Reporter.—How will the concerts draw at ten
RUSH FOR MAPLESON.—Why do the reporters of
MOSZKOWSKI AND TSCHAIKOWSKI—Moszkowski the daily papers make such a rush for Col.
dollars a seat, under her own management ?
Mr. Rullman.—Who is going to give ten dollars and Tschaikowski, two Russian composers, are at Mapleson's room as soon as he lands in a hotel in
a seat ? How many people will pay that ? She present attracting considerable attention, due to this country. They hardly give him time to re-
will be just about as successful in concerts, at their extraordinary originality and individual
over the effects of the sea voyage before they sub-
that price, as her sister Carlotta was at two dollars. ity. Tschaikowski is in the thirties, and has com ject him to another nauseating experience. We
I could have bought all the seats I wanted for posed symphonies, chamber music, songs, and a notice that he always indulges in generalities, and
Carlotta's concerts, from Max Strokosch, at one large repertoire of pianoforte music. He is now why should he not ? His business secrets are his
dollar each; but, oh no, not much. Patti is great about completing an opera, "Mazeppa," in the own, and he is perfectly right in not giving them
in opera, there is no use of talking. I told her I libretto of which some effort is made to copy the to the Press.
could run " Traviata " here ten nights and draw Byron version. Von Billow, considers Tschaikow
tremendously. Let me tell you she is great in ski one of the few competent composers of the
POPULAR SONGS.
that role. You see she is very natural in it day. Moszkowski, is about twenty-five years 0
MONG
the
coming
publications we hear of,
age,
and
has
suddenly
loomed
up
as
a
genius
in
Good bye. [Exit.)
none seems to have a brighter prospect than
the art of music. He has composed a large num-
Reporter.—Good bye. {Exit mystified.)
ber of pianoforte morceaux. His symphony "Joan the remarkable ditty, " Baby's Empty; Cradle's
of Arc," was heard here last season, but for want Gone." There is something so pathetic, so emo-
The rapidity with which dates have been filled of a proper interpretation many of the beauties o tional in this song, that it strikes home in a most
for the Kellogg Concert Organization proves the tone-picture were lost. It is to be hoped that fervent and passionate manner.
the wide extent of Miss Kellogg's popularity the works of these talented young men will be
It will however soon be obliged to succumb to
and the ardent desire of the public to give he produced here, not alone for the purpose of en- the overpowering impression of the latest lyric
cordial greeting after-her two years' absence.
couragement, but also in order to help educate th< effusion, entitled, "Father is with Mother Now."
The other song is mere pap to this, and this is
The Paris Conservatory of Music is located in a present generation of. music lovers.
more pop to the other. ' ' Father is with Mother
building of relatively small dimensions. Lately
ON THE TRAMP.—Mme. Donaldi, one of ou Now!" how intensely overpowering, how familar
the property in the immediate vicinity has been
secured and improvements, costing a half million American prima donnas, is " o n the road," singin the idea! " Father " (not step-father, not father-
dollars, will be made. A large concert hall will b grand Italian opera airs with piano accompan: in-law), but simply, " Father is with Mother Now."
built, and the room used at present for that pur ment. Last season the Donaldi-Rummel Company It will draw tears from the eye-lids of the most
lost considerable time and quite as much money matter-of-fact individual. The idea of mother be-
pose will be devoted to instruction.
Some say that Mme. Donaldi's false intonation hac ing in company with some one, that she is not en-
Anton Rubinstein has been requested to direc: a great deal to do with it. Mme. Carreno, tin tirely alone, that it is Father she is with now ; is it
the symphony concerts at Moscow, and has accept- pianiste, belongs, or, rather, is at the head of tin not sublime ? I t surpasses in witching tender-
ed, although he is suffering severely from an present company. She is an excellent artist ness that other beautiful song, "Father's Teeth
affection of the eyes.
who has the ability to interest pin audience in pian are Plugged with Zinc."
A

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