Music Trade Review

Issue: 1881 Vol. 5 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
50
THE MUSICAL CRITIC AND TRADE REVIEW.
IN A CONGEST MANAGERS' OFFICE.
A GALAXY OF ARTISTS.—GROWING POPULARITY OF
CONCERTS.—HOW THE BUSINESS IS CONDUCTED.
busy scene which a reporter for THE
DROPPED in the other day, accidentally, at
I upon T was the a other
day in a couple of rooms at the I Koster & Bial's popular resort and heard
MUSICAL CRITIC AND TRADE REVIEW happened
October 5 th,
when the Assembly makes an appropriation of say
$85,000 (they might as well make it $100,000) for
Music in the Parks, and a portion to this Conser-
vatory for Symphony Concerts, another to this,
for Philharmonic Concerts, etc., etc , how the mu-
sic of the future and the present (the latter is
younger) will be heard and disseminated. A
great many abuses will cease and among other
things, the overture of the "Freischiitz" will be
played with an evenly-balanced orchestra. Hamm
will enjoy that. You know he is quite young yet.
I may call there soon again to hear an orchestra
they say, called the "Philharmony," consisting of
ladies of different ages. I will wait a few weeks
until they have things "down fine," as it is graph-
ically called. It would be so ungallant and show
a total absence of chivalry to go there in the be-
ginning of the engagement. I might be apt to
mis-judge the misses (and the mesdames!). Some-
times ladies do play very well, and often lecture
well. The latter seems to be their more experi-
enced field. Mrs. Caudle was, I think, the first
one to venture upon it and make a success. She
has had many successors since. Poor, good girl!
I think about the time your next edition is out, I
will have had the opportunity to hear the ladies
of the Philharmony, fill the place with harmony
and the box-office with money.
Your devoted
NICHTSNUTZ.
Everett House in this city. Messrs. J. B. Pond The Freischiitz Overture." Now, Hamm is cer-
and Max Bachert were in one room directing a tainly a good and conscientious musician and con-
number of clerks, one of whom was evidently the sequently must be a great admirer of Weber and
Rubinstein of the type writer, another was taking consequently also a great lover of that splendid
stenographic notes, while Mr. Charles Crosby, a piece of musical composition, " The Freischiitz
cousin of Miss Kellogg, was driving through a Overture." And it is truly one of the most dra-
pile of letters, newspapers, etc., etc. In the other matic and soul-stirring overtures ever written,
room were several artists, among them Signor full of imposing figures and contrasts, and inspir-
Brignoli, Mrs. Florence Rice-Knox, and Miss ing in its development of musical form. That
Howe, who were trying their voices accompanied much boasted of accomplishment of the younger
by an upright piano.
composers—namely, instrumentation and the
" Want me to speak a little piece for your paper, science of orchestration, is found in this overture
eh !" said Major Pond, a large, hearty, straight- in all the grandeur of simplicity. I love to hear
forward man, to our reporter. " Well, if I can get the work and love to hear it repeated again and
a moment's time from this rush of business I will again.
give it to you."
Now, as I was saying about Hamm at Koster &
" You are quite right," he continued, in reply to Bial's, well he directed and did it well. But I
a remark made by the reporter. " The concert would like to know whether he did not think
business was never in a healthier or livelier con- that the construction of the orchestra was entirely
dition. I have been in it, in connection with my inadequate for the purpose of a " Freischiitz
lecture business since '72 and '73 and I have never Overture." The f and ff passages were all in-
seen it promise better than it does this Fall. If audible on account of the preponderance of brass
you were to cover the smaller towns throughout and tympani over strings. No theme could be
this country as I have done, you would be sur- heard at times and it was a positive pity that the
A CASINO.
prised at the amount of interest taken in them in noble work was again maltreated. The orchestra
musical matters, and you would wonder at the is composed of excellent material, only there is not T was due entirely to the efforts of Mr. Rudolph
natural musical talent—crude and imperfect though enough of it for such a work or similar works.
Aronson, that the Metropolitan Concert Hall
it often is—which is to be found in such places. We must say that sandwiched in between many was projected and subsequently completed. A
I assure you there is a great store of native musi- bad and indifferent compositions, Hamm often had short time after its inauguration, circumstances
cal talent, especially vocal, which is scattered a good piece of work that showed the musician.
(the knowledge of which is of no public impor-
broadcast. It is like many of our other resources,
tance), intervened, which severed Mr. Aronson'a
* * *
it only waits proper development to become
connection with the Metropolitan.
noticeable. Now these musically inclined people You know when a musician is genuine and Lately Mr. Aronson has undertaken the task of
honest
he
loves
the
good
stuff.
You
should
get
a
in our smaller towns, have no other form of musi-
organizing a company for the purpose of erecting
sal entertainment, but that given by such organiza- chance to hear a number of them talking about it a new and novel place of public entertainment, to
around
a
table
with
glasses
of
beer
as
the
only
tions as we send out. Besides, there is always a
be known as "The Casino," to be located at the
large number of people who will not patronize auditors. They don't want an outsider to join corner of Thirty-ninth street and Broadway. Mr.
theatrical, circus or minstrel shows, but they joy- them, because that would produce an interference, Aronson has succeeded in getting a charter and
fully hail the advent of a good concert company." and unless he treated at once, the flow of soul, subscriptions amounting to over $90,000 out of
and cider would cease. After the treat $100,000 to be raised. Work will begin in a very
"We are now filling the time for from six to sentiment
could join them and hear some of the most re- short time. Some of the most prominent mer-
eight concerts a day outside of those to be given he
by Miss Kellogg and her company. These are all markable experiences at occasions when good re- chants and capitalists are embraced in the list of
first-class attractions, for I have made it a point as liable music was performed. Soon an enthusiasm subscribers; among them we mention: Cyrus W.
long as I have been in business to handle only the would become manifest and he would be astonish- Field, Chauncey M. Depew, Jesse Hoyt, D. S.
best. I have probably done more in this way, and ed to hear of episodes as thrilling as the decisive Appleton, J. Pierpont Morgan, James W. Con-
spent more money than any other man in this charges of decisive battles. It's all about some stable, Charlea Lanier, L. L. Lorillard, Robert B.
country, and I had always rather pay the best overture that was played so and so many years Minturn, U. S. Grant, Jr., George Peabody Wet-
price for the best article than deal in that which is ago, under some celebrated director, as it never more, H. O. Havemeyer, J. F. Kernochan, H.
was played until then and as it surely never will McK. Twombly, C. L. Tiffany, L. M. Bates, J. N.
second rate."
played again. The narrator played the viola A. Griswold, C. C. Baldwin/W. H. Fogg, F. W.
" Here is a pamphlet which contains a list of the be
lecturers and the musical artists for whom we make and you can take his word for it, that although he Stevens, J. A. Roosevelt, C. N. Bliss and others.
engagements," said Major Pond, handing our has played it thousands of times since, he never It is proposed that Herr Strauss, of Vienna is to
reporter a long list which included the Kellogg, heard it played in that way. We mean the over- inaugurate the "Casino." When it is completed
the Maurice Dengremont, the Remenyi, the Gil- ture. You see, he forgets that he is about 32 we shall be abundantly supplied with popular
more's 22d Regiment Band, the Arbuckle, the years older than on that occasion, and his auri- places of amusement for the Summer and Fall
Plymouth Church Quartet, the New York Philhar- cular nerve has been strained many hundred times seasons, and with the completion of the Grand
monic Club, and the Weber Quartet Combinations, each year since. He also forgets that he was 32 Opera Building, another structure for musical per-
besides soprano, contralto, tenor, baritone and bass years younger then than now, when the deli- formances will be added to those already in use.
singers and pianists, violinists, harpists, cornetists, cate pp passage was first heard recurring again
and again in its manifold changes with its
ete., etc.
OBITUARY.
" Miss Emily Spader has just been singing for us additional arabesques and embellishments, he
CHARLES LAMB KENNEY.
to-day," said Major Pond. " She has an excellent would naturally think of the blue-eyed girl he
mezzo-soprano voice and is studying oratorio with would soon take over to the "home of the free," piHARLES LAMB KENNEY, who recently died
Dr. Damrosch. One of the most promising con- where he would marry and settle down and make V_y in England, was a son of the late James
traltos we have engaged is a young lady from Bos- money and buy a better viola. Of course, she is Kenney, the dramatist, and a godson of Charles
ton, Miss Alta Pease. Miss Zillie de Lussan we about 50 and over now and one of the boys has a Lamb. He commenced his literary career at nine-
also count upon ; she has a high soprano voice, boy and the viola is much better from constant teen as assistant foreign editor, dramatic critic,
and a bewitching manner, just suited to light opera. play, which grandfather is doing and has been do- and scientific reporter on the Times, simultaneously
She made a hit at Richfield Springs this Summer. ing. Of course he forgets all this and will con- contributing to magazines and writing plays for
There is also Mrs. Helen Norman, contralto of tinue to tell you how grand that performance was. the Lyceum, Princess's, Haymarket, and Adelphi,
Plymouth Church, Miss Emma S. Howe, Miss Well, I suppose it was better than on the occasion in conjunction with Tom Taylor, Shirley Brookes,
Jessie Bartlett, who has a charming contralto voice; I refer to; the surroundings were more adapted to Albert Smith, and Dion Boucicault. In 1851 he
and the Conron Sisters, who have delightful it and I suppose that the government paid a part aided in promoting the objects of the Great Ex-
hibition in Hyde Park. Ill-health obliging him to
soprano voices. These are a few of our vocal of the expense.
give up work on the daily press, he became secre-
artists."
*
'' I could tell you a great deal more, if I only Here, in our good country, all the entertainments tary to Sir Joseph Paxton during his organization
had the time, about the concert business," said of a public description are created by private en- of the transport service for the Crimea. In 1856
Major Pond, as he heaved a sigh and plunged terprise and investment. We suppose that if an he was called to the bar, and became secretary to
into a pile of letters, while Mr. Bachert started orchestra of 20 men is satisfactory the first few M. de Lesseps. He advocated the advantages of
off to telegraph a lists of artists who could be sent nights, the gentlemen who are obliged to foot the the Suez Canal at a time when the enterprise was
bills, will not enlarge it to 25 or 30 men. Talking opposed by Lord Palmerston, and wrote a book
to fill a concert route in the Far West.
confidentially however, an orchestra should really on the subject, entitled the "Gates of the East."
Music is going to be so fashionable during the consist of no less than 40 men and more if possi- Partly owing to his exertions a complete revolu-
present season that all the ladies who attend ble. But as I said before, this is a question con- tion was effected in public opinion, and he re-
musical performances will wear counterpoint lace. trolled altogether by circumstances. It is some- ceived from Seyd Pacha a letter of thanks, accom-
times impossible to pay for more than a limited panied by a diamond ring. Some misunderstand-
Music of the future—promissory notes.
number of men and as a matter of course that ends ing between him and M. de Lesseps deprived him
Music of the past—protested notes.
it. " No money, no music; little money, little of the secretaryship, and his connection with the
Suez Canal ceased. In'1858 he joined the staff of
BEHKENDS, the director of the Strakosch Italian
the Standard as a writer * n social and scientific
or English Opera (as the case may be) is at present
topics, as well as dramatic and literary critic In
in New York and taking it quite easy. During The day may come, although it looks to be off 1862 he was active in support of the Great Exhibi-
the season ke is known as a very hard working about two geological periods, when the Govern- tion at South Kensington, and was awarded Great
dirigent, whose work has often been very un- ment or States will encourage the Arts as an incor- Council Medal and Medal for Services. Besides
grateful. We suppose he will take the "baton porated part of the Educational System. There these services of public utility, he contributed to
under the Strakosch management this season as he is nothing inconsistent with a Republican form of miscellaneous literature—"Count Hamilton's Fairy
has in the past.
Government in such a course. Then you will see
I
Music
October
5 th, Trade
1881.
Review THE
-- © mbsi.org,
arcade-museum.com
-- digitized
with support from namm.org 5 1
MUSICAL
CRITIC AND TRADE
REVIEW.
season, with the aid of Mr. Thomas and his monie flute, and the 9th, with the vox kutnana and
tremolant, in which the great organ is introduced
orchestra.
Our Beethoven Society will not be behind in its very effectively and boldly, to lead up to the clos-
endeavors to make the season rich in attractions. ingfngata.
It offers Mendelssohn's "Hymn of Praise,"
The organ and violin movement, by Mr. Batch-
Liszt's "Prometheus," Saint-Saens' "Noel," a elder and Mr. Schultz, was a charming blending
" Te Deum" by Hensohel, and Gade's "Zion," of harmonies and was listened to with unaffected
and " The Crusaders." Besides these larger offer- pleasure. Mr. Meakin's part in the programme,
ings, the society gives a monthly reunion, at which was marked by all the excellent features of that
string quartettes and pianoforte works are played, gentleman's usual work. His selections, were per-
while vocal selections of the solo, or quartette haps, not all equally felicitous, but his undoubted
order, add variety. The programmes are always skill in manipulation and technical knowledge of
filled with the most worthy selections from modern his instrument were abundantly evidenced.
and classic authors.
The voices lent a pleasing variety to the occa-
A new society called after Mozart has come into sion, and their efforts found admirable support
being since the last season closed. It is a Manner- in the jndicious accompaniments of Messrs. Batch-
chor, and will number among its members the best elder and Meakin.
of our male singers. Mr. Balatka, the conductor
The organ itself, I should not forget to add, is
of the last Sangerfest is the conductor. A large a superb piece of mechanism, replete with all
number of our people enjoy music of the four part modern devices, and possesses fine voice, but is
order, and I have no doubt that the society will lacking in volume. This the judgment of a first
CHICAGO.
win for itself popularity.
hearing, but as we are promised other opportuni-
CHICAGO, Sept. 25th.
One or two smaller societies, the "Bach and ties, and. at no distant day, one's views may un-
•:Q INCE the close of the summer-night season of Handel" and the Mannerchors of the Germans are dergo a change in some particulars.
O
concerts by Mr. Theodore Thomas and his yet to be heard from in regard to their winter offer-
Heas's Acme Opera Company put in an appear-
orchestra, musical entertainments have not been ings in the way of concerts.
ance last week, and gave us a season of three
very numerous in this city. Active preparations
In regard to chamber concerts we are to have a nights and a matinee in " Mascotte." Their audi-
are being made by our home societies for the fall goodly number, while a number of our pianists ences proved to be numerous and enthusiastic,
season, however, and it bids fair to be one of the have underlined recitals, and the visiting artists and it is a matter of general regret that their stay
most successful in many a year.
will swell the list almost without end. The cul- was so limited. The national calamity has very
Chicago is noted for its enterprise in commercial mination of our next season is to be a spring-time materially interfered with the business of the
affairs, but its position in matters of art and taste festival under the direction of Mr. Thomas. The company through the State circuit, and they have
is often over-looked by the good people of the Festival chorus is already organized and at its wisely concluded to cancel their engagements un-
East. Yet there are many earnest endeavors being work. A complete programme is not yet made til after the last services are rendered to the de-
made in the direction of art, which at no very late public, but Beethoven's "Ninth Symphony," parted President. They are spending the interval
day will so manifest themselves as to claim the Handel's " Messiah " and " Jubilate" and a march in this city.
acknowledgment of the whole country. It is a by Schumann, are among the works to be given.
Musious.
mistaken notion to think that our people are only It is to be hoped that a number of symphony con-
engaged in the practical operation of money-mak- certs will yet be arranged, for orchestral music has
ing, for there are other factors at work, which aim been our greatest need in the past seasons. If Mr.
at the more agreeable side of life, even those Thomas can find worthy support for forty orches-
which administer to the pleasure and advancement tral concerts in the summer, doubtless a small
of the mental man.
number of symphony entertainments at mid-winter
FIFTH AVENUE THEATRE.
In the West the practical is the forerunner of would meet with full appreciation. But the ques-
MADAME FAVABT.
OFFENBACH S
the esthetical, but good taste and culture are pre- tion of a home orchestra is one that we have yet
dominating elements that are sure to make them- to meet.
English adaptations of French operas, especially
selves felt when the right time is at hand.
It will be my purpose in these notes to keep of the school of Offenbach and Lecocq, are, as a
In the past ten years a wonderful impetus has your readers en rapport with our musical affairs, rule, poor substitutes for the originals. The
been given to the art side of our western develop- both artistic and commercial, and I shall make dialogue, by-play and national esprit, form an
ment, and many good results may be seen. In no mention of all these entertainments as they occur. important adjunct to that class of work, and where
case is this more marked, than in our musical In this simple manner, our more humble endeavors the adaptation substitutes poor puns and unnatural
matters. In viewing this from its commercial may receive some acknowledgment in the East, situations, the representation becomes gross and
side, we may observe that a very large business is even as our light is reflected back to the orb that absurd. Expense and all necessary outlay to make
being done by a goodly number of music houses, gave it being.
a great scenic effect, have been overlooked at the
C. H. BBITTAN.
:and that the combined transactions of these
Fifth Avenue Theatre, and as a result of such a
merchants already amounts to millions of dollars
bold and liberal spirit, the eye is perfectly gratified.
during this year. That one large firm has over a
But few instances can be recorded where so much
DETROIT.
hundred men in its employ is enough to prove
attention has been bestowed upon detail and extra-
DETKOIT, Sept. 20, 1881.
that its business is active.
vagant scenic display and costumes; the ohoruses
In pianofortes and organs this city is one of the
HE first event of the season was the opening are fresh, vigorous and exhilarating, and the orches-
largest distributing points in the country, and in
organ concert at the "Church of Our Father," tra is sufficiently large for the purpose, and, except
small goods, closely following New York in the Sept. 14, under the direction of Mr. I. C. Batch- that it does not pay close attention to the most
amount of its business. There is a feeling of elder, organist of St. Paul's Church, with whom delicate portions of the work, performs ita duty
necessity among the merchants of the East to were associated Mr. Henry Meakin, organist First satisfactorily.
either have good agencies here, or to establish St. Presbyterian Church; Mrs. Gleason, of Chica-
Refined shading and the ability to seek the most
branch houses, for the wide-awake business man go, soprano; Mr. Slocum, of Detroit, tenor; and delicate episodes of an opera, and give them proper
realizes that this city is one of the best points for Mr. Schultz, of Detroit, violinist.
expression, depends entirely upon the conductor.
distribution in the West.
What proved to be a miscellaneous concert was Mr. Cellier has the best material at his disposition,
It has been a sure indication of the rapid ad- originally projected as an organ exhibition, but as but he seems to lack the' essential quality of inter-
vancement of a love for music all through the West, the public taste is not sufficiently developed for an preting an Offenbach opera. Vivacity, grace and
for as a general thing the people only spend their exclusive entertainment of that description, the abandon are wanting, and it seems to us like a poor
money for what they want. The development of earlier design was modified into the following version of a Sullivan attempt. The solo parts are
taste in music, also shows a more marked discrimi- programme:
in the hands of well-meaning artists. Miss Dora
nation in regard to kind and quality. A better
Organ — Chromatic Fantasia, (Thiele), Mr. Wiley makes up excellently, and would be able
instrument is called for, and the first-class publica- Batchelder. Vocal—(a) Serenade, (Raff), (b) Rev- to sing her part if she had sufficient voice; the
tions of good authors are finding a ready sale. eries, (Rubinstein), Mr. Slocum. Organ—Schiller same may be said of Marie Jansen, although she
This condition of things is healthy from both the March. (Meyerbeer), Mr. Meakin. Vocal—Reci- could gain much by observing Miss Wiley's acting.
art and commercial sides of the question.
tative and Aria, "With Verdure Clad," (Haydn), Major Goiignac, by Mr. Win. Hamilton, is very
Discrimination in regard to the musical enter- Mrs. Gleason. Organ—Theme with Variations, acceptable, with the exception of a little too much
tainments offered has reached a very high point in (Smart), Mr. Batchelder. Organ and Violin— brusquerie in the first act. Hector, by Mr. J. C.
the past few years. Kind and quality are no nega- Adagio, (Merkel), Mr. Batchelder and Mr. Schultz. Armand, is about the most objectionable feature.
tive elements in the public consideration, although Vocal—Duet, (Eli)—"Wherefore is my soul cast Young men who cannot sing and cannot act, who
our present state of development in art, is by no down?" (Costa), Mrs. Gleason and Mr. Slocum. stand like statues, have no business on the operatic
means at a very high point of attainment. Yet ad- Organ—Tema con Variazioni, Opus 8, (Beetho- stage. Decidedly the most welcome and pleasant
vancement is being made, and the present promises ven), Mr. Meakin. Vocal—(a) "Thou art the feature is Mr. Fred. Leslie's impersonation of
rest," (Schubert), (b) "Sancta Maria," (Faure), Chas. Favart. It embodies dash, knowledge of
a brighter future.
Organ—Overture to "William the character, consistency and routine. Mr. Leslie
In our home undertakings our best endeavors Mrs. Gleason.
has an excellent voice, and knows what he is about.
are made manifest, and to bring those more fully Tell," (Rossini), Mr. Meakin.
before the readers of THE MUSICAL CBITIC AND
Mr. Batchelder's first number was a very judi- Such actors and singers as he are perfectly adapted
TBADE REVIEW I will make some mention of our cious selection, and exhibited admirably his superb for Opera Bouffe.
musical societies, and of their plans for the technique, for nothing but the neatest quality of
Taking it all in all, " Mad. Favart " is presented
season.
execution could have overcome the difficulties of aa well as any translated version of Offenbach has
In classic order I name " The Apollo Club " this composition.
been in this country, with the additional merit of
which takes a leading rank among our choral
A chromatic fantaisie is not particularly inspir- excellent scenic effects such as are rarely witnessed
societies. This club has brought out a large ing, but Mr. Batchelder's crisp touch and treat- in works of that order.
number of very important works during the years ment of the arpeggio passages as well as his re-
it has been before the public, and will not lessen fined phrasing made it a work of decided interest.
its reputation by its efforts during the coming sea- The same conscientious study characterized this
GERMANIA THEATRE.
son. The works mentioned for production are fine organist's rendering of Smart's Theme and
" L A FHIIJE DE MADAME ANGOT."
Mozart's "Requiem Mass," the "Messiah" of Variations. His beautiful registration of this in-
Lecocq's opera was given at this theatre several
Handel, the "Crusaders" by Gade, and the teresting composition gave it a coloring which
"Damnation of Faust" by Berlioz. This last brought out, with delightful effect, its unquestion- times lately by a German company under Mr.
named work was given three times during last able merit, notably in the 6th Variation, with har- Adolph Neuendctf'ff's management, the parts being
Tales," "Demidoff's Travels in Southern Russia,"
"Life of Balfe," "Correspondence of Honor<5 de
Balzac," some lives of celebrated women, entitled
'•Daughters of Eve." several minor dramatic
pieces, a number of popular lyrics—-e. g., the
"Vagabond"—and upwards of a score of adapta-
tions of foreign operas, among which Mozart's
" Nozze di Figaro," with Beaumarchais's text,
Meyerbeer's " Africaine," Gounod's " Medecin
Malgre Lui " (Mock Doctor), Offenbach's " Grande
Duchesse," "Belle Helene," "Blue Beard," and
' ' Princess of Trebizonde." For some years he had
been suffering from a dangerous and intensely
painful illness, from the effects of which he died
on Thursday, 25th of August, aged fifty-eight.
STAFF CORRESPONDENCE
MUSICAL PERFORMANCES
T

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