Music Trade Review

Issue: 1881 Vol. 4 N. 5

82
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from April
namm.org
5th, 1881.
THE MUSICAL CRITIC AND TRADE REVIEW.
noon, March 24 The artist formerly had the intention of giving seven re-
citals, but it seems that other arrangements of more private character inter-
fered with the second series of his recitals, and he closed with the fourth
recital. He offered on this occasion the following programme :
Chromatic Fantaisie and Fugue, Johann S. Bach ; Sonata, op. 57, F
minor, (appassionata), L. Van Beethoven ; Eondo Cappriccioso, E minor,
op. 14, F. Mendelssohn ; Etudes Symphoniques, op. 13, E. Schumann; Im-
promptu, op. 91, No. 1, F. Schubert; Berceuse, Valse, A flat, op. 42, Noc-
turne, D flat, op. 27, No. 2, F. L. Chopin ; Etude, op. 2, No. 6, "Sioiseau
j'e*tais," Ad. Henselt; Gavotte, Gliick-Brahms ; Serenata from op. 15, Mosz-
kowski; Siegmund's Liebesgesang, Feuerzauber, Der Eitt Der Walkiiren,
Wagner-Brassin
A large audience was present, and followed the gigantic task of the
pianist with great and undivided interest. Mr. Bummel will leave this coun-
try very soon, it may be for years, and it may be forever, and on the eve of
his departure for Europe, it is only just to acknowledge that Mr. Eummel
gave great pleasure to the musicians and the musical public during his so-
journ in America. He is an earnest artist and a man of conceptional facul-
ties. At the same time, we must not forget that he has improved wonder-
fully since he came here. "When he made his first appearance in New York
he was unripe, and accordingly given to exaggerations, he is now an artist,
not without blemishes, but with so much genuine stuff in him that he will
be instantly recognized as an excellent pianist, wherever he may appear.
We hope that fate will bring him back to the United States after a few
years.
Mr. E. A. Saalfield, gave the tenth concert of his series on Monday night,
March 28, with the support of the following artists . Miss Belle Cole, Miss
Zippora Monteith, Miss Lizzie Bacon, Miss Kate Vashti Hill, Mr. M. M.
Weed, Signer Gadoy, Carl Lanzer and Signor La Villa. Mr. Saalfield has
the greatest talent of any man in New York, of bringing a crowd of singers
and players together, hitherto utterly unknown in professional circles. We
shall henceforth call him "Saalfield, the discoverer."
THE THROAT IN ITS RELATIONS TO SINGING.
A SERIES OF POPULAR PAPEES BY WHITFIELD WAED, A.M., M.D.,
TO THE METROPOLITAN THROAT HOSPITAL.
PHYSICIAN
vni.
How TO TAKE CARE OF THE VOICE.
There are many different agents which, more or less, influence the voice.
I shall, however, confine my remarks to the four principal ones; viz : Cli-
mate, Dress, Diet and Exercise, and treat of each individually.
CLIMATE AND ATMOSPHERIC CHANGES.
Change of climate undoubtedly will for a time exert some slight deleteri-
ous influence on the delicate tissues of the larynx, but this influence is, in my
experience, greatly over-estimated. The climate of America, which is the
most changeable of any country under the sun, can be taken as an excellent
standard ; here we frequently have three out of the four seasons represented
in a single day—Spring in the morning, Summer at noon, and Winter at
night—and yet we constantly have sojourning with us the best vocal artists
of Europe, whose voices do not seem to be materially affected by the change.
The effect which our climate is apt to exert upon the new arrival is a slight
congestion of the larynx, which in turn produces a slight amount of hoarse-
ness, especially marked at nightfall. As soon, however, as the singer be-
comes acclimated, the symptom will disappear. The same rule applies here
as elsewhere, that unless the vocalist leads a regular life, avoiding every
excess, he cannot retain the gift entrusted to his care. By keeping the body
up to a high standard of health, he will be able to combat successfully the
different climatic changes to which he may be subjected. All ordinary
affections of the throat are either directly or indirectly caused by the influ-
ence of the atmosphere and the changes so characteristic of it.
The houses which many of us occupy have been constructed without the
least concern as regards their ventilation, hence, when fresh air is needed,
the windows must be lowered ; this procedure is not generally necessary
during the day, because pure- air readily effects an entrance through the me-
dium of the doors, which are constantly being opened and closed, but at
night when all entrances are barred, the lowering of the window becomes an
imperative necessity. If we sleep in closely confined apartments, the oxygen
—which is the element in the atmosphere absolutely necessary to life—con-
tained therein becomes speedily used up, and its place taken by carbonic
acid gas, which is a product of the waste of the body, and is exhaled through
the lungs. This consumption of oxygen and surcharging with carbonic acid
produces a vitiated atmosphere, which will poison the system in direct pro-
portion to the state of vitiation and the amount inhaled. The symptoms of
carbonic gas poisoning—many of which my readers have undoubtedly ex-
perienced—are headache, weakness of body, languor, dullness of intellect,
lividity of countenance, and, in marked cases, great difficulty of breathing,
which will result in fatal asphyxia unless pure air be speedily allowed to
enter. There are several well-known cases in which the speedy death of a
number of persons confined together has resulted from the neglect of the
most ordinary precautions for supplying them with air, that of the " Black
Hole of-Calcutta," which occurred in 1756, being the most noted. In this
instance, 146 prisoners were confined at night in a single room 18 feet square,
provided with two very small windows ; in the morning 23 only were found
alive, the balance, 123, having died of suffocation.
THE BODY WHEN OVERHEATED SHOULD NEVER BE EXPOSED TO DRAUGHTS OF
COLD AIR.
When the body is overheated, its surface is covered throughout its
entirety with profuse perspiration. Now, if while in this condition it be
subjected to cold, all the minute sweat pores which abound on its surface
and through which the perspiratory fluid oozes, will be instantly closed,
which in turn will cause an instantaneous checking of perspiration. When
the cutaneous secretion is checked in the above manner on any portion of
the frame, all the blood is driven from the surface to the organ or organs
immediately subjacent, which causes them to be supplied with a much
greater amount of sanguinious fluid than is necessary, producing congestion
the precursor of inflammation. If the system is in prime order, it will gen
erally be able to combat successfully this congestion and prevent its develop-
ment into inflammation, but if it is weak and run down, inflammatory
action is a foregone conclusion. The reason why the larynx, and the other
organs in its immediate vicinity, are so frequently attacked by cold are two-
fold: First, they are very near the external surface of the body, being
covered in lean persons by the skin and a few ribbon-like muscles; Second,
they are situated in that part of the frame which is, as a rule, unclothed.
There is a time when the singer is especially liable to take cold, and that
is when he proceeds from a warm apartment into the colder atmosphere
beyond immediately after acts of vocalization. The larynx when at work
requires a greater amount of blood than during rest; this causes it for the
time being to be in a congested state, which congestion, however, is per-
fectly natural; when the larynx has accomplished its task and is quiescent
this natural congestion gradually subsides, until the vocal organs contain
only their normal quantity of blood. Now, if the vocalist should expose
himself to the cold street air before this congestion has entirely subsided, he
is almost sure to suffer from his indiscretionary act.
OUT-OF-DOOR SINGING.
This species of vocalization is especially injurious to the voice. It
requires a much greater effort on the part of the performer to be heard in
the open air than within the confines of a theatre or hall; this extra effort
soon wearies the voice, and will certainly strain, if not paralyze, the vocal
ords if persevered in after a sense of fatigue is experienced. One of the
most tedious cases of paralysis of the vocal bodies that has ev«r fallen to
my lot to treat was produced in this manner.
ALL CLOTHING SHOULD BE LOOSELY ATTACHED TO THE BODY.
The style of dress adapted by the votaries of fashion of the present age
s not only decidedly uncomfortable, but also decidely unhealthy; the wearer
is as it were in a vice, and the chest and abdomen are unnaturally confined,
which preveats the lungs, and other organs contained therein, from acting
in a normal manner. When a fashionable belle dons her dress, she is com-
pelled, before the garment can be fastened, to evacuate a large quantity of
air from the lungs.
Some years ago the ill-effects of tight-dressing were forcibly impressed
upon my mind by an autopsy that I witnessed at Bellevue Hospital. The
subject—a female, aged about thirty—had, no doubt, for years striven by a
system of lacing to lessen the diameter of her waist; this—as the post-
mortem revealed—she accomplished, at the cost of her life. Upon opening
the abdomen, the surface of the liver was found to be stamped with the im-
pression of the ribs, the latter bodies having been driven about one-quarter
of an inch directly into the substance of that organ. The injury thus
inflicted brought about a series of phenomena, which culminated in death.
As the lungs are important factors in singing, it follows that impairments in
their action will alter the quality of the voice. An unnatural confinement
of the chest and waist will seriously impede vocalization, by not only pre-
venting a full inflation of the lungs, but also compelling the employment
of forced or false breathing, which will soon fatigue the voice and render it
useless. It is my firm conviction that many of the tones popularly known
™° "throaty," are produced by this last-mentioned style of breathing.
THE DRESS SHOULD BE WORN HIGH IN THE NECK.
The sensible female artiste avoids as much as possible appearing on the
stage in full dress, that is, low neck and short sleeves. Only those who
have been behind the scenes in one of our metropolitan theatres can appre-
iate the dangers to which an improperly dressed singer is exposed from the
numerous draughts which sweep the stage in every direction from every
wing. The larynx requires plenty of room for its proper mechanical action,
hence articles of wear such as collars, cravats, bands, etc., should never
tightly encircle the neck.
AVOID AS MUCH AS POSSIBLE THE WRAPPING UP OF THE THROAT WITH
COMFORTERS, MUFFLERS, ETC.
When once the throat becomes accustomed to "bundling," it demands
that the habit be faithfully persevered in. What effect does this "bundling "
have on the vocal organs'? It renders the delicate tissues of which these
parts are mostly composed exceedingly sensitive and very susceptible to the
action of cold.
The fashion has been in vogue during the past few years of wearing
what is designated by the patentees as " chest protectors." Several varie-
ties of these so called " protectors " are manufactur* d, the peculiar virtues
of which it is unnecessary to state here. It is sufficient for me to assert that
they are injurious, and that the person wearing them violates a fundamental
principle of health, in that he causes one portion of the chest to be more
thickly covered than another. Assidously guard against the wetting of the
feet. Many a sore throat can be ascribed to thoughtlessness or inattention
to this point. Be careful to remove all overcoats, sacques, furs, etc., when
entering a warm apartment, for these appliances are safe-guards against cold,
and if worn while tarrying in a heated hall or room, unless the stay be brief,
they soon lose their efficacy.
FOOD
Has a double office to perform within the human organism. 1st. To supply
nourishment. 2nd. To supply heat. The article of diet that has the special
property of producing heat in the body is fat. When this substance, which
may with propriety be called fuel, enters the stomach, which may be called
the stove, it undergoes a process of combustion, which generates heat.
This explains the reason why the temperature of the body remains at nearly
the same point throughout the entire year. This establishes the point that
fat is necessary to health. It is not necessary to eat the clear fat of meat, in
order that fat as such may effect an entrance into the body, for there are
many articles which enter into an ordinary bill of fare that contain great
quantities of it; for instance, butter, gravies, salad-dressings, milk, some of
the vegetables, soups, etc., and from which enough heat can be obtained to
satisfy all ordinary wants in a temperate climate such as ours. With regard
to food, the several points which the singer is most desirous of obtaining
information about are—
1st. What style of diet will conduce most to the preservation of the
voice.
2nd. When ought the meals to be partaken, and
3rd. How long after eating can vocalization be safely entered upon.
The diet of the singer should be bland as well as nutritious, he should
eat those things which have the dual quality of being easily assim-
ilated, and very nutritious. Of the different kinds of meats, venison,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
April 5th, 1881.
THE MUSICAL CRITIC AND TRADE REVIEW.
83
turkey, roast beef and lamb, are the easiest digested, occupying from one
Bodily exercise is especially beneficial to the singer—that class which is
hour and thirty-five minutes to three hours, whilst veal, corned beef, and performed in the open air, and which calls into play nearly all the muscles
roast pork are the hardest to digest, consuming from four hours to five hours Of the body, such as vaulting, running, brisk walking, etc., is the most
and fifteen minutes. Cooked vegetables, as a general thing, unless seasoned healthful. The various kinds of instruments that have been invented for
too highly, are easily digested. Those, however, served up in a crude form, in-door exercise, such as Indian clubs, health-lifts, gymnastic tubes, rowing
as cabbage (in the form of "cold slaw "), cucumbers, and suchlike, with the machines, etc., are generally serviceable.
exception of fresh salads which in some manner seem to be beneficial, had
Daily sponging of neck and upper part of the chest is an excellent pre-
better be avoided. Pastry contains very little nutritive material, and should ventive of throat difficulties; it toughens the tissues and renders them less
be invariably discarded. Rich puddings and sweetmeats should be partaken susceptible to the influence of atmospheric changes. The growing of a
of sparingly; ripe fruits in moderation are useful as abbettors of digestion; full beard is also said to be very efficacious; I have been repeatedly assured
nuts of all kinds, especially when eaten at the conclusion of a hearty meal by reliable persons that excellent results have followed the employment of
are particularly hurtful, they do harm by absorbing the digestive fluids, this remedy. Respirators, although commonly used abroad, are seldom seen
•which of a necessity stops the digestion. A moderate quantity of liquid in this country. They are elliptical in shape, fit accurately over the mouth
only should be taken at meals. Regularity in meals is a point of vast im- like a pad, and are provided with the finest wire gauze to allow of respira-
portance. As a rule food is more easily assimulated the earlier in the day tion;'they perform a double duty, they heat the air as it passes through
it is ingested, this is due to the fact that the digestive organs have become them and they prevent all particles of dust, etc., from obtaining an entrance
thoroughly rested throughout the night, and are consequently able to enter into the body. The principal virtue of these appliances lie in the fact that
with vigor upon the daily task. Dinner at noon to be followed by a light they keep the cold air from striking against any part of the mouth or
tea at nightfall is a rule, which, if rigidly adhered to, will be a safeguard throat, which might chance to be the seat of disease.
against all ordinary attacks of indigestion. In order that acts of singing be
Respirator veils are also much worn abroad; the only difference between
properly performed it is absolutely necessary that the stomach should be nearly them and an ordinary veil is, that that portion extending from the nose to
empty. If this organ is full, it will prevent the proper inflation of the lungs the chin is lined with very fine wire gauze. The closing of the mouth and
by affording an obstacle to the descent of the diaphragm and the action of breathing exclusively through the nostrils answers the same purpose as the
one part of the vocal apparatus being thus compromised, it follows that two above-mentioned varieties of respirators. All diseases of the nasal pas-
tones generated in the latter mechanism must be faulty.
sages and mouth should be cured if possible, for fear that the larynx be sec-
The period of time that should intervene between acts of eating and ondarily involved by extension of inflammation. The affection most often
singing depends entirely upon the heartiness and digestibility of the meal. found in the nasal cavities is catarrh, which, thanks to the laryngoscopic
It is utterly impossible to specify any exact amount; generally enough of apparatus, is readily cured. An elongated uvula, or, as it is popularly
the food will be disposed of in from one to two hours after breakfast, from designated, " palate," forms a great source of annoyance, and should always
two to three after dinner and from one-half to one after a light supper, to be removed. If this operation is not performed, the offending body will
allow of free play of the breathing apparatus.
irritate the upper part of the larynx, and eventually cause it to inflame.
On account of the numerous fallacies in vogue respecting the use of alco- Enlarged tonsils prevent proper vocalization, by offering an obstacle to the
holic beverages, I shall devote a few lines to their brief consideration. By exit of air.. They should most certainly be removed.
In conclusion, let me reiterate several well-known axioms:
careful and repeated chemical analysis, alcohol—which forms the basis of
First.—That the very exercise of singing is conducive to health and
all fermented liquors—contains nothing capable of affording nourishment
to the body. What influence, then, does it exert upon the system? Simply longivity.
Second.—That a good singer is always the very type of health; and
that of a heat producer. This substance upon entering the body undergoes
Third.—That rightly learning to sing is learning to be healthy.
a process of rapid combustion, which speedily generates heat, and this heat
is almost instantaneously diffused throughout the entire frame, producing
an agreeable sense of warmth, which warmth, however, is unnatural and
short lived, and is speedily superceded by depression, which is great in
proportion to the amount of the previous excitement. The operation of
alcohol upon the human organism is essentially that of a stimulus, increas-
HIGH-PRICED.—An Episcopal Church in New York wants a soprano
ing for a time, like other stimuli, the vital activity of the body, so that
while under its influence the body can often perform greater feats of exer- " with a strong voice for $50 annually." As things go, we are sure the church
tion than at other times. When, however, the effects of the stimulation has will be accommodated, and hundreds of prima donnas will be anxious to get
worn off, there follows a state of depression which, as I have already stated, this splendid position.
is more prolonged and severe in proportion as the previous excitement has
UNDER FALSE COLORS.—Is the New York College of Music a place of
been greater. Nothing, therefore, is in the end gained by the employment amusement? If not, it is advertised in the wrong column of the Sunday
of alcoholic beverages, which is only justifiable where some temporary Herald.
emergency can only be met by a temporary augmentation of power, even at
MARRIED.—Miss Auguste Kruls was recently married to Mr. Lowes R.
the expense of an increased amount of subsequent depression. I was some
time since very much surprised while perusing a lately published work on Dickenson, in London. Miss Kruls is well known in this country. She
the voice to learn that the author advised the singer when fatigued during came over here with her aunt, Therese Tietjens, and was the great singer's
a protracted performance to resort to an occasional glass of stimulants. No constant companion.
advice could be more pernicious than this—certainly none more fraught
ON BIZET.—The role of Carmen is now performed by Mis3 Annan-
with danger to the prospects of the artiste; the habit once formed is apt to dale HARD
the performances of the Strakosch Opera Company. We do not
be kept up, more especially if it is authorized by the master, and, as a con- doubt at that
Miss Annandale will sing the rote quite acceptably; but we can
sequence, the voice will eventually be ruined. The evil effects of " d r i n k " hardly imagine
heroine void of personal charms. But Strakosch
on the voice are marked: 1st. I t destroys that freshness and vivacity so remains true to Merrime's
hia principle, that every thing is good enough for the public.
enchanting to the listener; 2d. It gradually diminishes the capacity or range
of the voice; 3d. By creating congestion it renders the delicate tissues of the
PERFECTLY RIGHT.—Hugh Talbot, who is now a member of the Abbott
larynx more susceptible to cold; 4th. Its excessive use produces a peculiar troupe, said the other day in Boston: " I have sung with Nilsson, and I have
hoarseness and cough easily distinguishable to the practiced ear.
sung with Patti; but I never heard Lucia given, as Emma Abbott gave it,
For the fatigue engendered by protracted singing, whether it be in opera Tuesday evening." We agree with Mr. Talbot, who may be a correct critic
or concert, I should prescribe an occasional sip of beef-tea, feeling well malgre lui.
assured that this beverage will meet the requirements of an ordinary case.
SOUR GRAPES—A Buffalo paper tells its readers that the committee of
The Vocal Cords are capable of a great degree of development by the
use of a judicious series of exercises. For the proper development of these the Music Festival in this city offered Miss Hauk strong inducements to take
part in the programme, but she being engaged in London for that time,
bodies, there are several rules which must be observed:
could not accept. Well, we know better. If the committee had accepted
1st. The exercises must be regularly and systematically practiced.
Miss Minnie Hauk's terms, she would have gladly broken her engagements
2nd. They must always be well within the register.
in England.
3rd. They should never be pushed to the point of fatigue.
4th. They should never be sung too loud.
WHAT'S IN A NAME?—Mme. Mary Louisa Swift has lately adopted the
5th. They should never be made use of when the vocal organs are stage name of Mile. Dotti. Generally these changes are accomplished before
attacked by cold, no matter how slight.
the opening of a career, and Mme. Swift comes rather late to the conclusion.
6th. They should be practiced while standing upright, so as to allow of But the reason is funny, too good not to be mentioned. She thinks that
free play of the lungs and aocessary vocal organs.
New York critics will treat her better when singing under an assumed name.
It is not generally known that the lungs or bellows, so to speak, of the If Mme. Swift could change her voice and style, instead of her name, critics
human musical instrument are capable of being greatly increased in size as would be delighted. We are afraid that Mile. Dotti will share the fate of
well as strength. These organs are in a measure elastic, and it is this pro- Mme. Swift.
perty which enables them to expand during inspiration and collapse during
ABANDONED.—The terrible news has reached the world that Col. Maple-
expiration. Now, if by any means this elasticity can be augmented, the
expansive power of the pulmonary organs will be proportionally increased, son has abandoned the idea of performing " Fidelio " this season. The terror
which in turn will enlarge their capability for holding air. This increase in of this news has lost its sting, as we never expected him to perform this opera
elasticity and consequent enlargement of the lungs can be produced by the or many others on his long list. If Mr. Mapleson would mention all the
practice of a variety of exercises styled " breathing exercises." If any one operas he is not going to perform, it might take a good deal of his undoubtedly
doubt the truth of this statement, let him practice these " breathing exer- valuable time.
cises "—which are porformed by slowly and gradually inflating the lungs to
BEAUPLAN.—Monsieur Gaston de Beauplan, the amiable friend and pro-
their fullest extent, allowing the air to remain there for a short time, and
then gradually permitting it to escape—daily for several weeks, and I assure tector of Mme. Emilie Ambre, will soon make his appearance in New York
him he will be well satisfied with the experiment. Numerous blowing as manager of his French Opera Troupe, and give us two weeks perform-
instruments have been from time to time invented for the express purpose ances at the Academy of Music. Theoretically, Monsieur de Beauplan must
of developing the pulmonary organs, but the employment of these con- be a good impressario ; we are curious to see him practice his art. It seems
trivances is dangerous, because the person using them, unless he exercises a that in New Orleans they like him very much, and would willingly have him
great amount of caution, is apt to strain or possibly rupture the lung tissue. there another season, if it were not for Mme Ambre, who, of course, wants
In order to estimate the expansibility of the lungs, it is only necessary to to sing all the leading roles. Husbands and friends of prime donne are dan-
measure the circumference of the body at the lowor part of the chest during gerous creatures when managing operatic affairs.
complete collapse, and then during full expansion, and subtract the one from
WHICH IS WHICH ?—Mr. Rudolph Bial has written a Geistinger polka
the other; the average difference is 2>£ inches, but I have frequently—after
a judicious course of exercises—seen this difference amount up to 4j<£ or 5 and a Gerster polka. People, who heard both, cannot come to a decision
"which is which," and confound the two creations constantly. It is very hard
inches.
to express in a polka, the characteristics of the prototype.
INDIVIDUALITIES.

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