Music Trade Review

Issue: 1881 Vol. 4 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
78
THE MUSICAL CRITIC AND TRADE REVIEW.
MUSICAL NOTES.
AT HOME.
April 5th, 1881.
Mr. Gerritt Smith, one of the most prominent musicians of Buffalo, will
probably take up his residence in Boston.
Miss Catherine Lewis and Mr. John Howson, together with their asso-
ciates of the Comley-Barton Troupe, will reappear in New York, on the 18th
of April, at the Fifth Avenue Theatre, in " Olivette."
An organ concert was given in Calvary Chapel, Worth street, on the even-
ing of March 23. Mr. L. N. Penfield, of the Lafayette Avenue Presbyterian
Church, Brooklyn, was the organist.
A number of prominent gentlemen who are interested in the settlement
of the Wood will case involving the bequest of a million as a fund for the
erection of a College of Music, met on the night of March 22, at the residence
of Dr. Wm. A. Hammond, No. 43 West Fifty-third street. Among those who
were present were Mr. Frank R. Lawrence, Mr. J. H. Dingman, Mr. Charles
L. Tiffany, Mr. Theodore Thomas, the Rev. Dr. R. S. Moran, Mr. Charles
H. Contoit, Mr. H. Tucker, Mr. Wm. Byron, Mr. Addison Brown, Mr. T. M.
Fuller, Mr. Washington E. Connor, Dr. Louis Elsberg, Dr. J. L. Little, Mr.
Morgan L. Harris, Professor Frobisher, of Columbia College ; Dr. John F.
Kennedy, Mr. J. T. Patterson and Mr. Clinton Wagner. Dr. Wm. A. Ham-
mond, the Rev. Dr. R. S. Moran and Judge Enoch L. Fancher, the commit-
tee appointed to inquire into the present standing of the bequest as affected
by the litigation over the will, reported fully upon this point, saying in con-
clusion : " It is apparent that the time has come when the trustees should
again convene as a board and adopt by-laws authorizing them to fill in their
number and to provide for other essentials in the future proceedings of the
corporation. Its President has already verified a petition for a change of
name. The committee recommend that the trustees of the Institute be re-
spectfully requested to convene at an early day to take such action as a board
as they shall deem expedient and proper." It was resolved to print the re-
port and send a copy to each trustee and copies to all who are interested in
the establishment of a musical college out of the fund left by Mr. Wood for
that purpose. The Board of Trustees consists of the following gentlemen :
Mr. Wm. H. Vanderbilt, Mr. E. D. Morgan, Mr. H. G. Stebbins, Mr. Ed-
wards Pierrepont, Mr. H. J. Jewett, Mr. Charles L. Tiffany and Dr. Wm.
Elmer. The late Marshall O. Roberts was also a member of the board.
On Wednesday evening, March 23, at Chiekering Hall, Mr. David
Small, a member of the St. Andrew's Society of this city, and favorably
known as an elocutionist and baritone singer, gave a literary and musical
recital from the works of Burns and Scott, and with Scottish music, assisted
by Mrs. Florence Rice-Knox and Miss Florence Tylee. Many of the musical
arrangements on the programme were by Mr. Small.
A concert was given at the First Baptist Church, Pierrepont street,
Brooklyn, on Monday evening, the 28th, in which the Brooklyn Philhar-
monic Chorus (Theodore Thomas, conductor) and Raphael Joseffy, pianist,
took part.
There was a vocal and instrumental concert given by Mr. Charles E.
Mead, organist of the Second Baptist Church, Harlem, at the new church,
Lexington avenue and One Hundred and Eleventh street, on Thursday even-
ing, March 24, at 8 o'clock, assisted by Miss Nettie Balmer and Miss Bettie
Samson, soprano; Miss Kate Taylor, piano; Mr. A. H. North, violin; Mr.
William H. Mead, flute; the Alpha Male Quartette and a chorus of twenty
voices.
On May 5, Mr. Neuendorff, of the Germania Theatre, goes to Europe
to engage actors for his new theatre, returning June 10 to lead the concerts
at Koster & Bial's from the middle of June to the month of September.
The last concert this season of the Symphony Society was announced to
take place on the 2d of April. The services of Signor Galassi and a male
chorus have been engaged, and the following was to be the programme:
The overture to Wagner's " Flying Dutchman," and an aria from the same
work, sung by Signor Galassi; Beethoven's Seventh Symphony and Berlioz's
overture, " Carneval Romain," which will be followed by the latter's ode on
the death of Napoleon (the words by Beranger), which will be sung for the
first time in New York by Signor Galassi and a male chorus.
An interesting performance will be given at St. Stephen's Church the
second Sunday evening in April (Passion Sunday). The work will be " The
ABROAD.
Seven Last Words," by Dubois, who is a graduate of the Conservatoire of
Paris. The solo quartet will be Miss Lathrop, Miss Manier, Messrs. Fritch
Mme. Ingeborg von Bronsart, composer of the one-act musical piece,
and Oudin. Mr. Mulligan, whose abilities as an organist and musician are " Jery und Bately," has completed the score of a four-act opera, " Konig
well recognized, will conduct the performance, and will have an orchestra Hiarne." The book, founded on a Danish saga, is written by the lady's hus-
of twenty-five musicians and a chorus of eighty voices.
band and F. Bodenstedt.
It is stated that Miss Emma C. Thursby is coming to this country next
At the suggestion of Herr Heyl, the Cm-director, it has been resolved to
season with a number of artists, who have been engaged for a series of get up a Grand Singing Match at Wiesbaden about the end of August.
concerts.
The " Mannergesangverein " has appointed a committee to draw up a pro-
Mr. Joseffy played on Sunday evening, March 20, in Brooklyn, at the gramme and make the necessary arrangements.
Park Theatre, for the benefit of a local'charity.
There is a chance that the operatic company at the Ducal Theatre,
Mr. William R. Case, pianist, gave a matinee concert on Wednesday, Coburg, will not be disbanded. The Duke has expressed willingness to
March 23, at Chiekering Hall, with the assistance of Miss M. Louise Segur, grant as heretofore an annual sum from his private purse if the Corporation
will contribute 60,000 thalers a year. A committee is considering the prop-
soprano. He offered an extensive programme.
osition.
Mr. Frederick Archer, organist of Henry Ward Beecher's church, lec-
Professor Niels Gade, at Copenhagen, is composing an oratorio for the next
tured upon music before the Teachers' Association in Chiekering Hall, in
the afternoon of Saturday, March 19. He illustrated his remarks by playing Birmingham Festival, the subject being the Greek myth of Pscyhe. The
upon the organ and piano. Mrs. Helen Norman, alto, and Mr. George book is written in German, by Herr Lobedantz.
Werrenrath, tenor, assisted him with vocal illustrations of his theme.
Mme. Artot-Padilla joins the Hoch Conservatory, Frankfort-on-the-
Miss Emma Cranch, the .well-known contralto and teacher at the Cin- Maine, as vocal professor.
cinnati College of Music, has resigned her position in that institution because
The eldest son of the late David Kalisch (founder of Kladderadatsch),
of unfair treatment by Mr. Nichols. Miss Gane, a pupil of Mme. Marchesi's, has been studying singing at Milan, and was to make his debut in Paris in
has succeeded Miss Cranch.
March, as Almaviva to Adelina Patti's Rosina.
The young violinist, Dengremont, has postponed his concerts in the
Massenet, Saint-Saens, and Plante will preside this spring at the inaug-
north-western part of this State until after Lent.
uration of a new concert-room, the Sala Beethoven, in Barcelona. Pujol
Just before the curtain was to rise on the evening of March 16th, in the officiates as conductor.
Grand Opera House, Rochester, where the Strakosch-Hess company was to
Rudolf Weinwurm has completed a three-act buffo opera, "Wiener
give the opera of " Aida," George L. Werner, Clerk of the Municipal Court, Schule." The libretto is by the late Mosenthal.
procured an attachment against the wardrobe and other chattels of the com-
Johann Brahms's first Symphony (C minor), was somewhat coldly
pany, and, accompanied by an officer, went to the Opera House and stated
the purpose of his visit to Max Strakosch, announcing at the same time that received at a recent Milan "Popular Concert."
unless certain bills were paid forthwith the play would have to go on with-
The Managing Committee of the Silesian Musical Festivals have
out the usual mechanical accessories of robes, &c. After a sharp parley, in announced their intention to hold one every year in a leading town of the
which Max saw that argument was useless, he paid the bills, and the per- province. A public appeal is made on behalf of the lottery of plate, art
formance went on without interruption. This action was at the instance of objects, and musical instruments, organized for the purpose of obtaining a
certain bill posters and printers in Utica with whom Mr. Strakosch had moderate sum wherewith to carry out the scheme.
incurred bills amounting to $150, which he had neglected to pay, because
The newly founded Orchestral Society at Naples, gave its first concert
the company did not give a performance in Utica after their arrangements
with satisfactory results. The programme comprised Mozart's G minor
had been made.
"Symphony;" Beethoven's third " Leonore Overture," a selection from
De Beauplan's French Opera Company, of which Mme. Ambre is the Mendelssohn's music to " A Midsummer Night's Dream;" and the Adagio
star, will open at the Academy, April 25th. Mme. Lablache and Miles. from Rubinstein's " Ocean Symphony."
Lagye and Delprato, and MM. Tournier, Pellin, Armandi, Utto and Jourdan
Franz von Suppe's new comic opera, "De* Gascogner," will be shortly
are also in the company, which includes a chorus of forty-five voices and a
ballet. The repertoire comprises "Africaine," "Aida," "Huguenots," produced at the Carltheatre, Vienna.
"Robert," "Carmen." "Romeo and Juliet," "La Juive," "Faust,"
A young lady violinist, Babette Lobach, at the last Academie Concert
"Prophete" and " Paulet Virginie." Mr. T. M. Croft is the business man- in Mannheim, played Max Bruch's C minor " Concerto " and an Adagio by
ager.
Spohr.
Some one in writing on the history and characteristics of the various
A new theatre is to be erected in Agram, at an estimated cost of 1,400,000
musical instruments, comments thus upon the Violoncello. " I t seems to francs.
be perfectly adapted by nature for the use of bachelors to correct certain
Hans von Biilow gave recently a Liszt Evening in Pesth, the Abbe him-
tendencies common to that class of men. It is a solemn instrument, there
is no conviviality about it as there:is about the violin, it is not suggestive self being present.
of gin and water like the flute, and it lends itself to amateur psalmody with a
Labatt, of the Imperial Opera House, Vienna, has signed an engagement
facility which leaves nothing to be desired."
for Covent Garden, London, in May and June. He will appear as Lohengrin,
At the 11 o'clock service on March 21, at St. Ignatius' Catholic Church, Tannhauser, Vasco di Ga?na and John of Ley den.
Baltimore, Mr. A. F. Barley sang in splendid style the " Cujus Animam,"
The following works will be performed at the Richter concerts in the
from the "Stabat Mater," one of the most difficult tenor solos of Rossini's course of the forthcoming season at London:—Beethoven: "Eroica," C
greatest work.
minor, and choral symphonies, " Missa Solemnis," -'Egmont" overture,
Mrs. F. A. Tannehill brought suit through Howe & Hummel, against and "Overture im Handel'chen Style,"op. 124; Bach: concerto for orchestra;
Max Strakosch, for the recovery of $320, eight weeks' salary due her for her Haydn: a symphony; Mozart: Symphony in D; Weber: " Oberon " overture;
performance with Strakosch's company, of which Mr. Dion Boucicault was Schumann: Symphony in C; Brahms: Symphony in C minor, and the two new
"Tragische" and "Academische " overtures; Dvorak: Symphony in D; Gold-
the star.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
April 5th, 1881.
THE MUSICAL CRITIC AND TRADE REVIEW.
79
mark: " Penthesilea" overture;Raff: " Wald " overture; Grademer: Capriccio
PRIZES OFFERED BY THE CINCINNATI MUSICAL CLUB.
for orchestra; Berlioz: "Franc Juges " overture, orchestral version of Weber's
HE Club offers two prizes upon the following terms and conditions:
" Invitation a la Valse," and six songs for different'voices with orchestra;
FIRST.—The prizes are open for competition to all muticians of Cin-
Liszt: "Mazeppa," " Mefisto Waltzer," and " Ce qu'on enfcend surlamon- cinnati and suburbs.
tagne " (Berg symphonie); and Wagner: " Tannhauser " overture (with the
SECOND.—The composition to be a String Quartette, consisting of four
new Venus music), scene from the "Rheingold," "Siegfried's Tod," Ver- movements, taking from twenty-five to forty minutes in its performance.
sammlung der " Meistersinger," "Siegfried Idyll," and "Huldigungs
THIRD.—The prizes to be awarded are a first prize of $200.00 for the
Marsch." Villiers Stanford's Psalm, " God is our hope and strength," and most meritorious and original composition; and a second prize of $100.00
Mr. F. H. Cowen's new Scandinavian symphony.
for the one next in merit; Provided: That the judges may, by a unanimous
Liszt will give a series of piano recitals next month in the salons of the vote, if none are considered of sufficient merit, award only the second prize;
Countess Czartoryska at Vienna. Liszt proposes in the course of the spring in which case the first prize shall be considered open for further com-
to revisit Raiding, where he was born, and Oedenburg and Pressburg; at the petition.
FOURTH.—Manuscripts to be delivered addressed to the President of the
former of which towns he made his de'bui about sixty-one years ago.
Club, not later than October 15, 1881. They shall be sealed and contain
Tschaikowsky has produced at St. Petersburg a new opera, '' The Virgin only the private mark of the composer. Each competitor shall, also in a
of Orleans."
separate sealed envelope (to be opened in the presence of the Club after the
At Leipsic the University choir of St. Paul produced a cantata for solo- award of the prize), give his name and private mark, to enable the Club to
ists, male chorus, and entitled " Die Hunnenschlacht," by Herr Heinrich return the manuscript.
FIFTH.—The Club shall have the privilege of publishing the prize com-
ZoUner.
positions if it so elects.
At the Seventeenth Gewandhaus concert Jadassohn's 100th Psalm for
SIXTH.—The prize compositions shall be produced at a regular meeting
double chorus, alto, solo, and orchestra was produced.
of the Musical Club.
SEVENTH.—A committee of seven to be appointed by the Board of Direc-
At Valencia Anton Rubinstein had at his recital a silver wreath from the
A. HOWARD HINKLE, President.
students at the University, and numbers of bouquets. After the recital a tors, will officiate as judges.
CHAPMAN JOHNSON, Secretary.
military band played the Russian national anthem in front of his hotel.
At the Liverpool Philharmonic concert, March 15, the newly married
wife of Herr Max Bruch appeared as a vocalist. Verdi's " Requiem " and
Mendelssohn's 30th Psalm were in the programme.
WHAT THEY SAY.
A new Conservatory is to be erected in Liege at a cost of 800,000 francs,
towards which the Government contributes 500,000; the Province, 150,000;
THE LOGIC OP COUNTERPOINT.
and the Town, 150,000.
Rule 7 of Cherubini's code of laws says that, " False gelation of the
The New Society of Music, at Brussels, will shortly give its first per- octave and of the tritone should be avoided." In his consequent remarks
formance, the work selected being the "Damnation de Faust," by Hector on the nature of what is called relationship, he says that the nature of the
interval, or combination, is false, when there is any alteration in either of
Berlioz. Warnots is appointed Director.
directions, augmentation or diminution. Of course, intervals producing
Spontini's "Vestalin " is in rehearsal at the Imperial Opera House, the
false relationship in combination, produce a similar tone-discrepancy when
Vienna. The leading characters are entrusted to Mdmes. Friedrich-Materna, taken separately in melodic or single note succession.
Ehnn, Herren Labatt, Rokitansky, and Horwitz.
There is around this topic of relationship versus false relationship,
M. A. Vizentini, who from next season will be manager of the Italian foundation enough for a volume of thoughts on musical metaphysics.
For brevity and clearness, let me endeavor to point out something of
Opera, St. Petersburg, has already engaged Mdmes. Sembrich and Marie
the direction of such thoughts, as regards the melodic intervals only; mean-
Durand, M. Devoyod, Signors Masini and Cotogni.
be it understood, that through the underneath harmonic bearings of
No fewer than 11 masses and 43 pieces of chamber-music have been sent while,
different sounds, the observations apply alike to the combined or distinct
in by competitors for the prize offered by the Academia Filarmonica, Bologna, the
enunciation of succeeding sounds.
for the best work in each of these two styles.
The false relation of the diminished octave C to C flat, ceases when the
Edgar Tinel, " prix de Rome," has been appointed director of the similar interval, C to B, appears as a major seventh. This form of the inter-
val, though disagreeable (from another cause), is much less harsh than the
School of Religious Music at Malines, in place of the deceased Lemmens.
from C to C flat. The reason lies in the fact that the major seventh
Mdlle. Monica von Terminsky, a young Russian pianist, has been well leap
may
appear as the passionate expression of the elements of one or two chords
received in Berlin.
naturally together, and common to the same harmonic strata. Thus, the C
It is said that Tamberlik intends visiting Porto Rico with an Italian belonging to its own root, might (as an extreme melodic expression) be suc-
ceeded by its major seventh B, as the thirteenth of the chord of D; an effect,
operatic company.
at times, justifiable, if properly followed up. Now, the possible harmonic
A new theatre, capable of containing about 2,000 persons, will be opened relationship concerning the notes C and C flat, taken in succession, is far
in April at Alicante.
too remote to be available. Again other reasons would stand in the way of
Keler-Bela, of Wiesbaden, has composed a new series of Hungarian such a succession. In leaping (to suppose all but impossible progressions)
from C to C flat, with their respective harmonic ranges, violation would be
Dances.
done to a possible chromatic descent of a semitone; in springing from C up
Mdlle. Marianne Viardot, daughter of the well-known dramatic singer, to C flat, supposing C as its own root, or as part of the chord F or of A flat
Pauline Viardot Garcia, is about to marry M. Duvernoy, author of "La and C flat as the seventh of the chord of D flat, then the leading function of
Tempete."
C to D flat, the root of the chord to which C flat would belong, would be
During the last rehearsal of " Der Freischiitz " at the Scala, Milan, a destroyed. Other similar discrepancies could be traced out, to show that
mason fell from the roof on to the stage, and was at once conveyed to the the skip, by ascent, from C to C flat, should be regarded as impossible of
satisfactory connection.
hospital.
The objection to such false relationship arises from a subtle mental pen-
Besides the Scala and Dal Verme, the Teatro Castelli, Teatro S. Radi-
of an all but absolute want of connection between the harmonic ele-
gonda, and, perhaps, the Carcano, will be open for opera this spring in etration
ments concerned, in the two objectionable sounds, forming the progression.
Milan.
Similarly, the interval of the augmented octave, from C to C sharp, is
The new opera of the Intendant-General, Von Perfall, at Munich, was to be protested against; as in melody, the skip would leap over the natural
produced on the 25th of March. The original title, "Die Schone Melusine," chromatic succession of the semitone, from the upper C to C sharp; as in
has been changed to " Raimondin."
harmony, the lower C could not advance over the upper C to C sharp, not-
withstanding any point of relationship in the several harmonic strata which
Mdlle. Weckerlin, who has resumed her place at the Theatre Royal, might
clothe such aprogression.
Munich, after a long illness, has been appointed a Royal Bavarian Ohamber-
Now, the interval of the minor ninth, from C to D flat (which, like that
Singer.
of the major seventh, has been boldly and happily employed by Mendelssohn
The sisters Douste have returned to Brussels after a tour in Germany.
and other composers) is quite a feasible interval, even though it may not be
Sophie Menter, who has never played before in Paris, took part in M. too frequently used. Its feasibility though would cease, were the two notes
forming the interval, to be employed in two roots with no natural or very
Pasdeloup's Concert Populaire, on the 20th of March.
remote connections; thus, C leaping a minor ninth to D flat, with the last-
The next triennial musical festival at Norwich will begin on Tuesday, named sound as its own root, would be an impossible progression, if for no
October 11th, and will end on the following Friday. The Prince of Wales other reason, for the overlooked leading functions of C to the nearest D flat
has consented to become President of the festival. Among the new works a semitone higher. On the other hand, the rise of a minor ninth, with both
which will be produced are a sacred cantata by Mr. A. Cowen, a cantata by notes as of one common harmonic range, is, though a strained, a not
Sir Julius Benedict, and a symphonic poem by Mr. J. F. Barnett. The unnatural melodic leap.
other leading works selected for performance are Handel's oratorio, " The
There is something strangely subtle in the operations of the intelligent
Messiah;" Mendelssohn's oratorio, "St. Paul;" Dr. Sullivan's cantata, "The and more or less trained mind, when engaged in the dissection of musical
Martyr of Antioch;" Berlioz's dramatic legend, " Faust," and Mendelssohn's progressions. Be it observed too, that the mind is only prone to accept
"Athalia." Signor Randegger will be conductor.
natural or linked connections; as fixed in the very creation of the wonderful
The Baroness Vigier (Sophie Cruvelli) was to play Elsa in "Lohengrin" harmonic relationship from the beginning of time, which was to be slowly
and patiently brought to man's high use and enjoyment, by the tone agent
for a charity at Nice, March 17th.
and tone distributor—the musician of profound instincts and large
At the last Gewandhaus concert at Leipsic a second symphony in B flat experience.
by Herr Richard Kleinmichel was performed with fair success.
greatest composers are those, who, putting together the elements of
The London Figaro is responsible for the following: Mr. James Gordon their The
tone
most strongly, as most naturally, produce music accept-
Bennett, proprietor of the New York Herald, has engaged Johann Strauss to able to the language,
great
majority
of human minds.
give concerts (it is said private concerts for Mr. Bennett's friends) at Pau
When
we
say
that
one
of our ton*! monarchs is immortal, we merely
for a month. Mr. Bennett, it is stated, guarantees $22,000.
imply that he has had penetration and souse enough, not only to successfully
M. Gounod has completed the first part of his new oratorio, "The appeal to the largest number of minds of his own time, but to forsee how
Redemption," which he undertook to write for the Birmingham Musical by his strength through naturalness, to affect minds, living under the same
Festival to be held in 1882. The other two parts are promised by the 1st of impulses, in all times. (One of a series of articles by E. H. Turpin.)
January next.
Musical Standard, London,
T
OUR EXCHANGES.

Download Page 4: PDF File | Image

Download Page 5 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.