Music Trade Review

Issue: 1881 Vol. 4 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
54
THE MUSICAL CRITIC AND TRADE REVIEW.
March 5th, 1881.
mm.
DOMESTIC
VOL. IV.
.AJSTD EXPORT
NEW YORK, MAECH 5TH, 1881.
TRADE.
No. 3.
THE IMPORT TRADE IN PIANOS.
Imports.
IIK excellent contemporary, the London and Provincial Music Trades England
$141
Review, in an article in a recent issue, entitled " Another American Strike,"
PORT OP BALTIMORE.
appears to think that a considerable proportion of the imports of the United
States consists of pianos, and that in consequence of the strikes the prices of Imports of Musical Instruments for the month of February, . . . $5,218
pianos have advanced here, thereby rendering foreign competition possible in
spite of our tariff. It says :
A large assemblage of Mr. Alfred Dolge's friends was in attendance at the-
'• Meanwhile the attention of the trade may reasonably be directed to the whraf of the steamer "Spain," on Saturday, Feb. 26th, to say farewell to the
increase in American imports, and it seems only reasonable to presume that eminent belt and sounding-board manufacturer, before his departure for Eng-
the high price of American goods, caused by the recent strikes, has at least land and the European continent, where he purposes making an extended busi-
something to do with it. The total imports at New York for the five weeks ness tour. Judging from the lengthy list of places he proposes visiting, Mr.
ending January 18th, were $92,851, roughly £18,570. The total exports to all Dolge dees not intend to allow the "grass to grow under his feet." He will
parts during the same period were 545,36], roughly £9,072, or less than half.
probably return to this country in August next.
"Messrs. Steinway have admitted the necessity for some alteration, by
Occasionally the advertisements which cover rocks, fences, and every " coign
starting a factory at Hamburg. Altogether apart from their fine quality. of vantage " along the lines of our railroads present curious instances of juxtapo-
American pianos are rapidly being placed out of the running as regards price. sition which are far from carrying out the intentions of the advertisers, though
The large amount of the New York imports should 1 cause the artisans to con- sometimes they are strangely appropriate. Journeying through the New Eng-
sider whether, in insisting upon high wages, they an not really cutting their land States not long since, we were amused at seeing on an outbuilding, covered
own throats, by opening the market to European goods."
with old inscriptions across which D. F. Beatty had recklessly painted his huge
We regret to be obliged to dispel the pleasant illusions of our contempo- organ sign, the following startling announcement: "Diarrhoea Mixture a Sure
rarj T with regard to the possibility of an American demand for European Cure for the Beatty Organ."
pianos, but the facts in the case compel us to do so. The writer of the above
We have received from Mr. Wm. -Reeves, a London publisher, "Reeves'
infers, although he does not explicitly state it, that the musical merchandise
imported to this country consists to a considerable extent of pianos, whereas Musical Directory " for 1881. This directory contains a full and as accurate as
the contrary is the fact. I t is a very rare thing to find a piano on the list of im- possible a list of all Academies, Colleges, Institutions, Schools of Music,
ports, and only occasionally one gets hei'e because some Briton or Teuton has Lists of Musical Societies and their Conductors, Musical Newspapers and'
such an affection for • is native country that he cannot believe in the good Periodicals, Professional General Directory, Singer's and Trade General
quality of anything that does not come from it. Our musical imports are Directory in Great Britain and Ireland. Even in this country Reeves'
almost exclusively made up of miscellaneous musical merchandise, and instru- Directory is a necessity to all enterprising musicians and members of the
ments not pianos.
music trades. Mr. Reeves is also publisher of the London Musical Standard,
Furthermore, the strikes which have taken place within the last two years one of the best musical newspapers published in Great Britain, and one of
have not caused an appreciable advance in the prices of pianos, and could not do our
most valued exchanges.
so, unless the strikes had become general throughout the country, which was not
Houghton, Mimin and Co., of Boston, are publishing this year, as they
the case. The manufacturers of pianos in New York city have not been able to
increase their prices to correspond with the increased wages paid their work- did last, the "United States Official Postal Guide." I t is issued monthly at
men, but have been obliged to lose that difference, and we do not believe even $1.50 per year, and is a publication that we have no hesitation in saying
if the workmen in this city should again strike for higher wages, that the prices should be upon the desk of every business man.. Every particle of informa-
ot pianos would be greatly affected.
tion relating to our post office, both at home and in its relations to foreign
This is a large country, and there are many manufacturers in it, besides countries, are to be found in this work.
those of New York. Those outside of New York do not have to encounter the
Messrs. Kranich & Bach are in a quandary. They don't like to claim that
same difficulties with the labor question as the manulacturer of this city, and
it is evident that while those manufacturers of other localities continue to their business is good, for fear their workmen will strike for higher wages, and
make pianos, it will be impossible for the New York maker to advance his they don't like to say that business is dull, for that wouldn't look well to the
prices. We agree with our contemporary in thinking that the artisans are cut- trade.
ting their own throats, but not in the way it supposes ; the only effect contin-
Mr. Jacob Greener, of Elmira. N. Y., is still about, coming down upon our
ued demands on the part of the men can have is to compel those pianomakers piano makers to pay him one hundred or one hundred and fifty dollars for the
who wish to continue in the business, to remove their capital away from New York use of a soft pedal attachment, which he claims to have invented. Several
to places where they can find a more intelligent class of workman, who have makers have satisfied his claim, but there are others who pay no attention to
brains enough to consider the future as well as the present; and this we advise his importunities, and who dare him to come on.
our New York manufacturers to do.
Silas M. Waite, the defaulting president of the Brattleboro, Vt., bank,
and Kiley Burdett's partner in the celebrated organ case against J. Estey
EXPORTS AND IMPORTS.
& Co., was, on Feb. 22, stated to be too ill to be tried at the present term of
court.
POET OF NEW YORK.
A competent organist can find a good position in a church in Atlanta,
Week ending Feb. 21st, 1881.
Ga. Inquiries may be sent to the office of the MUSICAL CKITIC AND TRADE
Exports.
EEVIEW.
Liverpool, 21 cases organs, . $1,280 Hamburg, 6 cases piano mt'rls,
Ludden & Bates and H. L Schreinerare at it again in Savannah, Ga. Each
6 " organ fixtr's, 271
do
do.
12
958 is charging the o'her with selling stencilled pianos, and up to the present time,
organs,
1,150
do
both
appear to have got the best of the battle.
Argentine Republic, 1 case piano, 410
2 " pianos,
do
2 " organettes, . 113 Bremen, 25 cases organs .
1,200
Messrs. De Zouche & Co., Decker Bros.' agents in Montreal, and the New
500
Hayti,
1 case piano, .
York Piano Co., Weber's agents in the same city, are exercising the public mind
Total, . . . . $6,732 with a piano war which they have instituted. Mr. De Zouche so far has fired
the hottest shot and appears to have the upper hand.
Imports.
Musical merchandise, 76,
$12,078
Mr. M. Selierzer, of Philadelphia, was in town this week. Since the
Sohmer agency has gone to Blasius, Scherzer has been looking for another first-
Week ending March 1st, 1881.
clafcs New York piano.
Exports.
Mr. Rufus Blake, of the Sterling Organ Company, Derby, Conn., dropped
H a m b u r g , 11 organs,
. . . $489 Mexico, 1 piano,
into New York last week. We had not heard from Derby for so many weeks
1,575 that we thouyht it must have been swamped in the late thaws, but Mr. Blake
Bremen, 9 organs,
. . . . 860 Brazil, 4 pianos,
Liverpool, 13 organs.
. . . 691 Havre, 1 organette, . . . . 50 assured us that Derby, the Sterling Organ Company, Mr. Hawkins, its genial
Bristol, 1 organ,
85 U. S. of Colombia, 3 organs, . 190 booueeper, and Mr. Blake's own agreeable self are all safe.
O
Glasgow, 1 organ,
. . . . 125
Brit. Possns., Africa, 8 organs, 846
Total,
We read in the MUSICAL CRITIC AND TRADE REVIEW the following: "As
§5,611 Mr. Weber has reduced his workmen's wages 10 per cent., on the score of econ-
omy, would it not be well for him to cut off his other extravagance, the mild
Imports.
Musical instruments, 51 cases,
$4,853 little pianist, Sternberg, who has been a dead failure all over the country, and
has cost the Gordon-Mayer-Weber concern a considerable sum of money." We
POET OF BOSTON.
recognize the fact that Mr Sternberg possesses talent both as a composer and
virtuoso; but this fact does not justify Mr. Weber in obliging the purchasers
Week ending Feb. 21, 1881.
of his pianos to pay the large sum which it is said the importation of this Euro-
Exports.
pean piano player has cost him.—Le Canada Musical.
E n g l a n d , o r g a n s , . . . . $ 6 , 2 4 7 British Possessions, in Aua-
It is reported that C. D. Blake, of Boston, has settled with J. P. Hale for
584
tralasia, organs, .
$365 twenty
do
organettes, .
cents on the dollar; that Henry Behning has made a settlement with
200
Nova Scotia, etc., organ.
him also, and that Blake is getting ready to commence again.
Total,
$7,396
Mr. Milliken, of Messrs. Hair-es Bros., left the city on Tuesday last for an
Imports.
extensive Southern tour in the interest of the house of Haines.
England, new musical instruments,
$509
Messrs. Calenburg & Vaupel, of 333 West Thirty-sixth street, this city, have
just sent one of their elegant new scale 1% octave pianos to Middletown, N. Y.
Week ending Feb. 25, 1881.
Their agent in Philadelphia, Mr. A. G. Clemmer, has lately moved into spacious
Exports.
warerooms on the Southwest corner of Thirteenth and Chestnut streets.
E n g l a n d , organs, . . . -
$1,850
Mr. A. H. Hammond, of Worcester, was in town on March 2.
do. organettes, . . ,
220
Mr. C. E. Wendell, of Albany, visited this city on Wednesday last, and re-
Total,
$2,070 ported trade prospecis good.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
March 5 th, 1881.
THE MUSICAL CRITIC AND TRADE REVIEW.
NEW MUSICAL INVENTIONS
65
For the holes m in the arm g' of block or lug 0 to receive the strings,
pins F F ' are substituted, which pins are shown in two forms—the one pin,
PBEPABED EXPBESSLY FOR THE MUSICAL CKITIO AND TBADE REVIEW.
F, as provided with a head, n, and driven into the block or lug c', which ia
suitably drilled to receive it, and for it to be turned after such insertion, and
No. 237,528. STBINGING PIANOFORTES. Albert K. Hebard, Cambridge, Mass., the other pin, F', as at the end of a screw-bolt, G, arranged to pass loosely
Feb. 8, 1881.
through a raised flange, o, of the arm/' to block or lug c', and to receive on
Among the attempts which have been made to overcome one of the princi- the other side of such flange o a screw-nut, p. The lug or block c' rests, by
pal difficulties under which piano manufacturers have labored, this invention is its arms/, upon the iron frame, and is between the agraffe or bridge 13 and
most noteworthy. It must prove interesting to practical piano makers, and, the fixed flange E of such frame, and the screw-bolt b connects the arm d' of
although not fully accomplishing all that is claimed for it by the inventor, the block or lug c' to the said raised flange.
still it is a move in the right direction.
The ends of the two lengths of strings making string A 2 are put through
It is well known to those who are at all familiar with the mechanism of the the holes m of the side projection, /, of the arm, g\ to lug or block c, and are
piano, that the wrest pins, to which the strings of a piano are attached, and bent about such projection /, and the two lengths of strings between such
by means of which the strings are tuned, are likely, by means of friction in bent ends and the agraffe B run inside of said bent ends, around the lower
their sockets, or the shrinkage of the wood which holds them, to gradually sides, q, and rear side, q\ and thence over the upper side, become loose and slip, thereby slacking the strings and putting them out of tions to the agraffe or bridge B.
tune. The invention now before us is a device for preventing this, and a
The ends of the two lengths of strings making string
A 3 are looped
reference to the accompanying diagram and the following description will around
the pin F of the lug or block c' to such string A 3 , and lie under the
make plain how the inventor endeavors to remedy the difficulty.
head n of said pin.
£, .4 / ^ y
Fig:!.
The ends of iwo of the lengths of string making string A t loop around
the headed pin F of the lug or block c' to such string A4, and lie under the
head
of said pin, and the remaining end is hitched, by its eye r, to the pin
F f of said lug or block c', described as at one end of a screw-bolt, G, which
is arranged upon said block.
Second, as to the portion of the iron f iame making the string-plate,
(shown at H,) the separate lengths of strings making the strings As, A3,
and A+, are secured to said string-plate by means of a hitch pin or pins.
The drawings show these hitch-pins in different forms.
The hitch-pin K (shown in connection with the strings A 2 ) has a shank
or stem, s, and a head, s'. The shank s enters the string-plate and is sus-
ceptible of being turned therein, and the head s' is slitted for convenience in
turning the pin; or it may be otherwise adapted in obvious ways for the pin
to be turned.
The string A2 loops around the stem of the pin and lies between its head
s' and the string-plate.
The hitch-pin M (shown in connection with the string A 3 ) differs in con-
struction from the hitch-pin K, described in connection with string A 3 , in
that it has side arms, t, upon which to hook or hang the eyes u, which are at
the two ends of the lenghts making the string A 3 .
The hitch-pin N for the string
A 4 is in one case the same as the hitch-
2
pin K, decribed for the string A , and has the string similarly looped about
it, and in the other case it is a pin, L, of the ordinary kind of hitch-pins,
without a head or other construction and arrangements such as herein de-
scribed.
The headed pin N receives the looped end of the two lengths of the
string which pass, the one length from the pin F ' of screw-bolt G on the
block or lug c' for such string A*, and the other length from one side of the
headed pin of such block, and the ordinary pin, L, receives the end of the
length of the string which passes from the side of the headed pin on block c'
opposite to that from which the length of the string passes to the headed
pin N of string-plate, as aforesaid.
Under the several arrangements of connection between the strings A2,
A3 and A* and the lag or block cc' to such strings, in connection with a screw-
bolt and nut applied thereto and to the iron frame, it is plain that the
strings to each note can be brought to pitch and put under any desired
amount of tension, and that in so doing the strings of each note are simul-
taneously and similarly so drawn; and, again, after such strings have been
so put under the desired tension, and at the desired pitch, should it be
^o
found that the strings to a note are not in unison, such unison can be
obtained by turning the pin to which the strings are hitched or looped—as,
for instance, the hitch-pins K N at the string-plate H, or the hitch-pin F at
the lug or block c'—which turning of such pins, because of the friction
between them and the strings and otherwise, as is obvious, plainly servos to
raise the pitch of the string from the location of which it moves in such
turning, and to lower the pitch of the string toward the location of which it
D
moves in such turning.
Figure 1 is a plan view, showing the strings to three separate notes, as
it were, of a pianoforte; Figs. 2, 3, and 4, sectional views in the direction of No. 237,114. PIANO ACTION. John Ammon, of New York City, assignor to
Wessel, Nickel & Gross, of same place, Feb. 15, 1881.
the length of the strings, and on lines x 1 , xi, a?, ,v\ and.T*, at, of Fig. 1; Fig. 5,
a cross-section on line y //, Fig. 1; Figs. 6, 7, and 8, longitudinal vertical sec-
This invention is described as follows:—
tione of the lugs, with their screw-bolts and nuts, shown in Fig. 1.
In a pianoforte action as ordinarily constructed the jack, after acting
2
3
In the drawings, A , A , and A*, represent, respectively, the strings to three upon the hammer-butt to raise the hammer, is thrown out from the notch in
separate notes of a pianoforte. These strings run between and over a bridge said hammer-butt, and the distance to which it is so thrown out is controlled
or agraffe, B, of the iron frame and a bridge, C, on the sounding-board, all by what is termed the " blocking" of the lower arm of the jack against a
as usual, and beyond each bridge they are secured to the iron frame, as cushion on the jack-bottom, by which the jack is attached to the key. The
means heretofore commonly used for regulating this blocking is to pare
follows:
First, as to the portion of the iron frame covering the wrest plank or away the bottom of the jack, or to build up or add to the cushion, according
block (shown at D) by means of a screw-nut, screw-bolt, and block or lug, as it is desired to let the jack fall farther, or not so far, out of the notch.
The object of this improvement is to provide more conveniently for
which are constructed, the lug to receive such end or ends of the strings, and
the screw-bolt and nut to enter the one into the other, and arranged toge- adjusting or regulating the blocking; and to this end the invention consists
ther and applied to and placed upon the iron frame in such manner that the in the combination, with the jack and jack-bottom, by which it is secured to
lug can be made to draw the strings connected to it to any desired tension, the key, of a regulating-screw placed between the lower arm of the jack and
and to release or reduce such tension, if so desired. The drawings show the jack-bottom, whereby the said adjustment or regulation may be con-
these several parts—screw-nut, screw-bolt, and block or lug—in two dif- veniently effected. The inventor preferably also combines with the above a
ferent forms; but each form, as will appear hereinafter, is the s^ane in prin- let-off screw, which may be fixed in some stationary part—as, for instance,
in the hammer-rest rail.
ciple and operation.
I am aware that it is old to employ a let-off screw inserted through the
In the form shown in connection with the strings A 2 , a is the screw-nut,
h the screw-bolt, and c the block or lug. The screw-nut a is in and through ower arm of the jack, and between it and the jack-bottom, so that as soon as
the thickness of a vertical flange, d, which is secured to the iron frame by a the jack-bottom strikes against the screw, the jack will be thrown out of the
screw, e, or in any other suitable manner; or it may be made iu one piece notch in the hammer-butt, but this inventor's blocking-screw is different
with the iron frame. The screw-bolt b is threaded to screw into this screw- rorn this in that it prevents the jack from being thrown out beyond a cer-
nut a, and it has a head,/, suitably slitted to be conveniently turned; or it ain point.
may be otherwise adapted for the same purpos%|n many obvious ways. The
What Mr. Ammon claims as his invention, and desires to secure by letters
lug or block c is of right-angular shape, and on^gr, of its arms g ;/' has a patent is—
hole, h, through its thickness, suitable for the free passage of the bolt, and
1. The combination, with a jack-bottom and a jack for a pianoforte
the other, g', of its arms has a projection, I, at each side, each of which pro- action, of a regulating-screw between the jack-bottom and the lower arm of
jections has a hole, in, through it of suitable size to receive a string.
the jack, whereby the said regulating-screw serves as a means of regulating
In the form shown in connection with the strings A 3 and A*, the screw- the distance to-which the jack is thrown out of the hammer-notch.
nut a is in one arm, d', of the lug or block c', instead of being in a flange se-
2. The combination, with a jack-bottom and jack for a pianoforte
cured to the iron frame, as before described for the strings A 2 , and the hole action, of a let-off screw for moving the jack out of the haminer-notch, and
h, for the loose passage of the screw-bolt b, which, as before described, was an independent regulating-screw between the jack-bottom and the lower
in one arm, g, of the block or lug c, is, in lieu thereof, in the flange E of the arm of the jack, and serving as a means of regulating the distance to which
iron frame I).
ihe jack is thrown out of the hammer-notch.
.*?£.

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