Music Trade Review

Issue: 1881 Vol. 4 N. 2

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
36
THE MUSICAL CRITIC AND TRADE REVIEW.
DOMESTIC
EXPORT
February 20th, 188 r.
TRADE
NEW YORK, FEBRUARY 20TH, 1881.
VOL. IY.
No. 2.
foisted the mild little pianist Sternberg upon young Albert Weber was
sufficient of itself to have created a breeze, for if the Weber pap should be
withdrawn from his newspaper touts, they would be obliged to return ta
p "Free Lance " is again omitted for want of space.
their 'original unkempt and uncleanly condition, which until the last few
months made them offensive to all who came in contact with them.
DISTURBING THE VERMIN.
The one prayer that young Albert Weber in his youth and inexperience
T has fallen to the lot of nearly every one of us, while strolling through should send up with all his soul, is, " Lord, deliver me from my friends! "
the fields on a summer's day, to chance upon some sort of small, flat
stone which cxxriosity, or possibly even design, tempts us to disturb with
von Biilow, whose winter seems to have been spent in the compara-
the toe of our shoe. It is an innocent-looking stone enough as it lays in the tive Dr.
quietude of organizing the Grand Ducal orchestra at Meiningen, gava
sunshine surrounded by the grass on which the mild-eyed cattle are feeding,
but when it is hastily turned over a decidedly unpleasant sight is disclosed. four " Beethoven concerts " in Coburg, Bamberg, and Niirnberg. la
It is the hiding place of a quantity of small vermin of the insect sort, very March, Dr. Von Biilow will have a more extended German concert tour.
offensive to look upon, but entirely harmless, in spite of their evil
Professor Theodor Leschetizky has been appointed honorary member
appearance.
and honorary professor of the Conservatory of Music, St. Petersburgh.
In the last issue of the MUSICAL CRITIC AND TRADE REVIEW we raised
The Pesth papers state that Racz Pal has been asked by the English
a small, flat stone in the field of music trade journalism by an article which Rothschilds
he would come with his celebrated band to London for a
was entitled "The Old-time Weber and the Weber of To-day," and imme- week, and on whether
what terms. He replied that he was perfectly willing to visit the
diately the vermin swarmed forth.
metropolis, and his terms would be 14,000 florins, exclusive of travel-
We reprint in another column, under the head of '-Kind Words," as is great expenses
and board. He said he fixed on this sum because Baron
our custom when anything good, bad, or indifferent is published about us, ing
even if the source, as in this case, is so unimportant as to be hardly worthy Erlanger, of Frankfort, paid him 2,000 florins for a day.
of attention. We adhere to our plan in this case, in the first place, because
Although it has been announced that Miss Annie Louise Cary would
it cannot be too forcibly shown that young Albert Weber should be on his accompany the Mapleson Grand Opera troupe to England and Europe next
guard against those of his friends whose shallowness and ignorance are a summer, she had decided to remain in America, and, it is said, will sing at
constant injury to him; in the second place, because it gives pretty good the Saengerfest to be held in Chicago in June.
proof of our claim that we have started some of the vermin which infest the
On the afternoon of Saturday, Feb. 12, at the German Masonic Temple,
music trade; and in the third place, because it presents the remarks of an
''eminent (Boston?) manufacturer," who can be discerned in the distance, East Fifteenth street, Mr. Jerome Hopkins gave his second piano recital.
with his coat-tails dragging on the ground and a chip on his shoulder,
The opening reception of the Weber Musicales took place on the night
screaming like a wild Irishman for some one to tread on the one or knock off of Feb. 10, at the Westminster Hotel. This association, named after the late
the other, and boiling over with a wild desire to get into this fight, "some- Albert Weber, is composed of several ladies and gentlemen of musical and
how or other, and at all hazards."
literary tastes, both professionals and amateurs. They have engaged par-
Perhaps the "eminent (Boston?) manufacturer" thinks he may get a lors at the Westminster for monthly receptions throughout the year. At
little free advertising out of it, or perhaps he wishes to gratify a little matter these gatherings there will be music and elocution, dancing and a supper.
Among those who entertained the company last night were Miss Henriette
of personal spite.
Perhaps he may get a little free advertising out of it, perhaps he may Markstein, piano; Mrs. George W. DeLano, contralto; Mrs. De Lano, contral-
gratify his little personal spite; perhaps, to sum it all up, he may get into to; George Weeks, tenor; Signor Godoy, baritone; La Villa, piano; Lencioni,
the fight, and perhaps, he may, by the time he gets out of it, wish he had baritone; Morosini, piano; Miss Ella Hersey, soprano; and Professor Jen-
never been born.
nings, elocutionist.
As for the remarks of the little paper whose words we give in another
Maurice Dengremont is announced to appear in Chicago in March.
column, we shall not waste time upon them. It is not worth while to be-
The musical society in Barcelona, Spain, offered Anton Rubinstein
stow serious attention upon these words of a child's primer. But this much
we will say, that if the little sheet we have alluded to, or any other sheet, 5,000 francs for a new festival march for the dedication ceremonies of a
even if it be of a callow and insignificant nature; or, if any individual, Beethoven hall to be opened March 31. The offer was declined, however,
will come out boldly, instead of indulging in petty hints and inuendoes, as the sum was not large enough.
and will directly charge us with blackmail, or attempted blackmail, we will
agree to take sufficient notice of it to bring it before a court of law where
ROSA AGAIN IN THE FIELD.—It is again asserted that Carl Rosa will bring
the matter can be definitely set at rest.
English opera company to the United States in the fall and winter of
The party that we are most anxious to deal with in the present article, an
1882-83. It is said that several offers of alliance from American managers
is the " eminent (Boston?) manufacturer."
been made to him. But why alliances? Mr. Rosa knows America well
It may be stated right here that although neither the '' eminent (Bos- have
ton?) manufacturer," nor the lively paper in which he has procured the pub- enough to either succeed or fail without any help. We do not see the bene-
lication of his letter, are men enough to state boldly to whom they refer, we fit of an alliance with an American manager, who, if a capitalist, can have his
say unhesitatingly that we beleive the " eminent (Boston?) manufacturer " own company, and if without any^means cannot be of any advantage to Mr.
Rosa. Mr. Rosa has eontemplated an American tournee for years, and
aimed the shot at us.
The reason that we are aware of the direction in which this underhanded always abandoned the idea again. We do not think he ever will come here.
slanderer has aimed his shaft, and the reason for our attributing this attempt
to a Boston mannf acturer is, because, in conversation with the representative
CONCERTED RECITATIVE.
of a Boston manufacturer, not more than a month ago, we made use of cer-
WILKESBARRE, Feb. 1, 1881.
tain expressions aud did it with a distinct purpose, and these expressions,
the "eminent (Boston?) manufacturer" has willfully and maliciously dis- Editor Musical Critic and Trade Review;
torted to serve his personal ends—in fact, he has so distorted them that we
DEAR SIR: Will you please decide abet. A says that there is such a thing
may rightfully charge him with flagrant falsehood.
as Concerted Recitative. B says there is not. Will you please decide.
We had already detected the " eminent (Boston?) manufacturer " med-
Yours, etc.,
dling in our concerns, because he had not been able to use the MUSICAL
G. D. EARIE.
CRITIC AND TEADE REVIEW to serve his own purposes. We had heard him
bullyrag small Boston newspapers into a compliance with his wishes. He
[There is no such thing. ED. MUSICAL CRITIC AND TRADE REVIEW] .
evidently thought that this paper was quite as easy to manage; but finding
that an influential and widely read journal like the MUSICAL CRITIC AND
ANTED—A Salesman for Organs and Pianos
TRADE REVIEW was made of sterner stuff, he endeavored " to get even" by
in and near Philadelphia, by an old estab-
sneakingly and surreptitiously attacking it whenever opportunity offered.
Having once detected the " eminent (Boston?) manufacturer)" at his little
lished house. A liberal arrangement will be made
game, we prepared for him the trap into which he has so heedlessly fallen,
with the right sort of man, enterprising and reliable.
for he is young, thoughtless, inexperienced and giddy. We succeeded better
even than we had hoped, for he has shown his hand, and enabled us to iden-
Address: DUTTON & SON, 1115 Chestnut Street,
tify him in connection with a matter with which he had no concern what-
Philadelphia,
Pa.
ever.
We may add, before we dismiss, for the present, the "eminent (Boston?)
manufacturer," that he is noted in the trade for his malicious, unwarrant-
able, and underhanded attacks upon his competitors, and we will bring for-
ward facts in support of this statement, if such a course should ever become
Pianos & Organs, Foreign and American
necessary.
Sheet Music, Music Books, Violin
We repeat, it was an instructive and an entertaining sight to see the
Strings & Musical Merchandise,
vermin scamper about, when we lifted the stone in our last issue. The
No. 207 W. Baltimore St., BALTIMORE, MD.
one remark concerning the shallowness and ignorance of the parties who
THE FREE LANCE.
I
W
OTTO SUTEO,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
February 20th, 1881.
THE MUSICAL CRITIC AND TRADE REVIEW.
37
TRADE CHAT.
Mr. C. C. Converse, of the Burdett Organ Co., was in town the week
before last, and reported an active business.
Irwin Bros., of Natick, Mass., write to correct the statement in our last
issue, that they are just starting in the music business. They have been in
it for the last two years.
That ever-genial and popular salesman of the Pelton, Pomeroy & Cross
music house, Mr. Rollin H. Day, closed a very successful week by disposing
of six pianos last Saturday afternoon. "O, happy day."—The Play,
•Chicago.
A fire on the morning of the 7th inst., at Omro, Wisconsin, destroyed
the building in which was located the store of Bridge & Son, music dealers.
The English and Continental music trades seem to be well represented
at the Melbourne (Australia) exhibition, both as in quantity and quality.
We note among the prominent exhibitors of pianos, Messrs. Brinsmead &
Sons, Messrs, Challen & Sons, of England; Messrs. Erard, Moritz, Son &
Richard Lipp & Son, Grotrian, Helfferich & Schulze, Schiedmayer & Sons
and others of Germany, and the Smith American Organ Company, of
America. The exhibition of miscellaneous musical instruments from all the
leading European houses is very full and complete.
M. Bainbridge Bishop is the inventor ef an instrument now on exhibi-
tion
at No. 11 East Fourteenth street, New York City, which he calls a
<(
color organ." The theory on which this instrument is constructed is that
•every musical note has its complementary color, and the mechanism of the
" color organ " is so devised that when any key on the instrument is played
upon, the supposed complementary color is exhibited on a white ground
by means of the opening of a shutter or valve in the upper front part of the
instrument. We had intended to give a more detailed account of this instru-
ment, but want of space forbids in this issue.
Mr. C. D. Blake, of Boston, whose recent failure we have already noted,
was formerly of the firm of McNeil & Blake, who failed and went out of
business; he paid a portion of the indebtedness of that firm, and cleared
himself of their matters. On January 1, 1880, his inventory showed—due on
leases, $15,000; in stock, rented or on sale, $7,000; liabilities, $7,000.
One of the principal piano manufacturers competing for the growing
Southern trade is the old and well-known house of Charles M. Stieff, No.
9 North Liberty street, Baltimore, Md. Since the death of Mr. Charles M.
Stieff, senior, the business has been carried on by his sons, and the business
has been vigorously pushed by them in all directions, but principally of
course in a southerly one. This house makes a piano the quality of which
is well and favorably known; they handle the New England, one of the best
makes of organs in the country, and in addition to their wholesale manufac-
turing business they have a large renting and retail trade.
AN OLD ACQUAINTANCE.—Mr. Jacob Gosche, known to the entire
musical profession of America as the discoverer and successful manager of
Theodore Thomas, is at present in town with his Criterion Comedy Com-
pany. Mr. Gosche, when handling musical affairs, made some unpleasant
•experiences, and everybody will be glad to hear that he is doing well since
he started with his new enterprise. Mr. Gosche always} was a hard worker,
and his final success is well deserved.
GOOD PROSPECTS.—Mr. Mapleson announces that the opening perform-
ance of the Spring Season will be Flotow's " Martha." It is really wonder-
ful how cleverly the English manager acts in bringing the most hackneyed
works to the front. We suppose that the entire Spring Season will not offer
any novelties, except, perhaps, in the prospectus.
THE RIGHT THING IN THE RIGHT PLACE.—Strakosch proposes to per-
THE L A T E S T - N E W CASE F O R F A V O R I T E
STYLES
HIGH TOP,
SHOWY, ATTRACTIVE, RELIABLE AND LOW PRICE.
SEND FOR CATALOGUE AND SPECIAL TEEMS FOR CASH
CLOUGKE & W A R R E N ORGAN CO.,
DETROIT, MICH.
SCHOMACKER
1
Gold String Pianos,
form " Mefistofele," "Lohengrin," "Aida," and "William Tell" on the
jstage of the Fifth Avenue Theatre. That will be exceedingly funny and
THESE ROYAL INSTRUMENTS
will show opera on the reduced plan. Strakosch is very bold, and should
New Yorkers refuse to patronize his performances, he will be astonished at
Unrivaled
for Tone and Durability,
the lack of support. The Fifth Avenue Theatre is not an opera house, in
E S T A B L I S H E D SMSTOIE 1838,
spite of the united efforts of the trio, Haverly, Hess, and Strakosch.
Combine every practical improvement known to the modern piano, and, with the additional
of our patent Gold Strings, it is the most highly improved and very leading piano of
THE DESPISED COENET.—We received a few days ago a long letter from introduction
the world. Received the highest honors at the Centennial, and wherever in competition. The
Mr. Arbuckle, the excellent band master and cornet virtuoso. This gentle- Electro Gold Wires used IH our instruments produce a decidedly more brilliant, enduring tone,
with a refined musical quality so much desired in the piano, the coating being of pure Gold of the
man expresses his grievances about an insult and injury, done to him by highest
standard and done by Cold process ; will last forever, and is an absolute security against
another member of the musical profession, and wishes us to ventilate the rust
or atmospheric action, and at the same time imparting elegance of appearance found in no
matter coram publico. Mr. Arbuckle's wish shall be complied with. The other make. Too much cannot be said in favor of these Gold String PianoB.
An immense demand has already sprung up for all our styles—Grande, Squares and Uprights.
whole story is: Mr. Arbuckle was engaged and advertised to appear at a We caution
the public against m srepresentation. All other manufacturers are compelled to uae
•concert in Brooklyn in conjunction with other artists, among whom was the ordinary common metal-plated strings, done by ordinary Hot process, which does impair the
quality of the string, and is not a security against rust or the intolerable nuisance of snapping
Rafael Joseffy. This artist, after having seen the programme, declared that tone
indisputable fact. Our priceB moderate. Illustrated Catalogues, giving full descrip-
he would not play at any concert where a cornet virtuoso was among the of tion wires—an
of styles, prices, 4c, mailed free on application.
performers, and it seems that as the committee of the concert was not will-
ing to lose Mr. Joseffy's services, consequently Mr. Arbuckle had to give
way, and the concert took place without the cornet, so offensive to Mr. 11O3 Chestnut Street, Philadelphia,
Joseffy. We are willing to believe that the celebrated Hungarian pianist
3 East Fourteenth Street, New York,
has become a very virtuous man of late, but. even virtue has its limits, and
493 Washington Street, Boston.
we really think that a man of Arbuckle's standing does not injure in any way
the artistic standard of a miscellaneous programme. A man who performs
The Olympic Theatre, London, has produced a new comic opera,
in a piano recital a paraphrase on Gilmore's " Columbia " should not be so "Lola," a pretty trifle of absurdities and sly bits slung together by Mr.
very exacting in regard to the programmes of concerts for which he is Frank Marshall, and wedded to pretty, catching music by Antonio Orsini.
-engaged. But Mr. Joseffy is a young man, and probably acted in a moment There are beauties, conspiracies and intrigues, and the proprietor of a new
of impulsiveness, when lie refused to play. The committee of the concert society journal, entitled Virtue, all mixed up in wild confusion, with a spark-
acted in a cowardly manner. It was their duty to keep Arbuckle and let ling song or two, and pleasant, if not altogether original, music to give it
Joseffy secede. After having engaged the cornet player, they had no right color and expression, and it is fairly good fooling. It wants sharper and
to dismiss him so unceremoniously. Mr. Arbuckle in his letter says: " I quicker acting, however, to make it run.
think that my reputation as a musician and artist stands equally as high
The expenses of the Paris Opera for the year 1880 were $800,000. The
as Mr. Joseffy's." This point may remain undecided, for whatever our own
opinion may be, we are sure to meet with opposition ; and in this particular troupe $250,000; copyright and poor-taxes, $100,000; gas, $50,000-sweep-
•case this question is neither here nor there. Mr. Joseffy is an excellent ing, $7,500; raise en scene of " Aida," $50,000; " Comte Ory," $60,000; a new
pianist, and Mr. Arbuckle's reputation as a cornetist is beyond dispute. To ballet "La Korrigane," $16,000. Summing up the receipts, including the
define the exact standing of the two artists, and their relative position in the subvention, did not cover the expenses.
profession is useless. We hope that Mr. Arbuckle will get over his grief in
According to the Frank/iller Zeitung Verdi is at present busy compos-
a short time, and will have an early opportunity of showing to New York ing his
" Oteilo." It is to be given first at Vienna, Frau Materna taking the
that his artistic standard has remained unshaken and untouched.
part of Desdemona.
SCHOMACKER PIANO-FORTE M'F'G CO.,

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