Music Trade Review

Issue: 1880 Vol. 3 N. 7

November 5th, 1880.
THE MUSICAL CRITIC AND TRADE REVIEW.
SULLIVAN:—Mr. Arthur Sullivan's new sacred musical drama, " T h e Martyr of
Antioch," has been successfully produced at the Leeds Musical Festival.
GROVE'S DICTIONARY.—The n t h number of Mr. Grove's admirable Dictionary of
Music opens with the 18 concluding pages of Mr. W. S. Rockstro's article on " Opera,"
begun in the preceding part, and extends to the title "Palestrina."
DECORATED.—On the 50th professional anniversary of Herr Bilse, at Berlin, the Em-
peror Wilhelm sent him the cross of the Order of Hohenzollern.
A T LAST !—Mdme. Art6t-Padilla, who recently had an increase in her family, will
shortly make one last tour, and then retire from professional life.
A GOODLY NUMBER.—Herr Theodor Wachtel recently sang inZ* Postilion de Leng-
iumeau for the 1,200th time.
NICE.—A choral society, called L'Echo de Nice, has been established in that city.
WILLIAMS.—Mr. Williams, the great Williams, the stout Williams, the
creator of the Young Apollo Club, now calls himself the manager of the
original Young Apollo Club, and declares most seriously that he has no con-
nection with similar organizations which have taken the same name. It is
terrible to learn that several young Apollo clubs are in the field, but we are
glad to hear that Mr. Williams is to be considered the genuine Richmond.
MINOR ROLES.—In one of the valued critical essays in this city the parts
of Prefetto and Marchese in " Linda di Chamounix " were called minor roles.
Very severe on the artists who had to perform these important parts.
ORCHESTRAL MUSIC IN BALTIMORE.
T a meeting of merchants recently held in this city, for the purpose of
organizing a protective association, Mr. Henry C. Smith, president of
CURIOSITY.—A " Waltz for four, Violoncellos," by Mr. Fitzenhagen, has been per-
the Shoe and Leather Board of Trade, in the course of an address, made the
formed frequently of late with marked success in Moscow.
following remarks: " What Baltimore lacks most to-day, is a co-operative
LALO.—M. E. Lale has written a new violin piece for Marsick, who will play it first public spirit." This reveals in one short sentence the cause of the lack of
at the Chatelet Concerts, and then in Germany.
energy so necessary in the consummation of enterprises of all kinds. For
A HANDSOME SUM.—Mdme. Adelina Patti is to receive 15,000 francs a night, paid nearly six months the question had been agitated whether a musical festival
should take place in connection with the Sesqui-Centennial celebration
in advance, at Monte Carlo.
held here in October. This would have been the opportune time and
NIEMANN.—At the Royal Opera-house Herr Niemann selected Spontini's Ferdinand occasion for just such a festival; we needed a musical festival not alone for
Cortez for his first appearance this season. The theatre was crowded, and Herr Niemann's strangers, but especially for our own citizens, who rarely have an opportunity
reception enthusiastic.—[How even worn voices will take people in Europe. Artists are to hear good music, and never have an opportunity to hear great works. Yet
better treated over there.—ED. MUSICAL C R I T I C ]
notwithstanding the long time for preparation and the constant agitation, not
MILAN.—After an interval of ten years, " Robert le Diable " has been revived at the a single public-spirited citizen could be found among nearly 400,000 people,
Teatro Dal Verme, Milan, with Mdme. Contarini, Signori Ugolini and Queyrel in the lead- many of them millionaires, who could use his time or influence to realize the
ing parts. Well acted, well sung, and well put on the stage, it has drawn large houses. project. As Mr. Smith said: " It is the lack of co-operative spirit." Had it
REICHARDT.—Alexander Reichardt, the composer of "Thou Art so Near" and not been for a few Germans, members of German singing societies, who held
other popular songs, has been elected vice-president of the Academy of Music of Bou- an informal meeting to celebrate the day at the Schutzen-Park (a place where
rarely anyone else but Germans congregate), no celebration would have been
logne-sur-Mer, in place of M. Sanson, who retires.
VIENNA.—The concerts of the Gesellschafts-concerte, Vienna, commence on the 14th decided upon.
November. The 12th April is fixed for the Extraordinary Concert. Mdme. Norman-Neruda
You will ask—as you naturally should—where was the Peabody Con-
plays at the first ; Herr Auer, from St. Petersburgh, at the third ; and Mr. Charles Halle servatory of Music represented in such an event ? By asking that question
at the fourth ; " T h e Creation " being reserved for the second.
Franz Liszt will again you reach to the root of the matter. The Peabody exercises no influence
be invited to take part in the "Extraordinary Concert," on April 12, 1881.
whatever, except to distort the ideas of the average attendant who is willing
WEBER CYCLUS.—There is now to be a " Weber Cyclus " at the Imperial Opera, to be cultivated, but has no other authority here outside of the Peabody. As
Vienna, including " Preciosa," in which most of the characters are to be sustained by a conservatory it has done absolutely nothing. Not a single pupil has left the
members of the Burgtheater company.
" Euryanthe " opened the Cyclus at the end ot conservatory who has ever accomplished anything of moment while in it or
since. Some pupils have attained a certain amount of proficiency as pianists,
the past month.
yet this proficiency must only be measured by a certain standard. During a
GYE.—Mr. Ernest Gye was recently in Paris, making engagements for his next long number of years of private tuition pianoforte pupils are sure to play
season at Covent Garden.
Borne of Bach's fugues. We mean play them correctly, and memorized at
STRAUSS.—Herr Eduard Strauss, now in Hamburgh, will, with his orchestra, visit, that. That has not yet happened at the Peabody. The concerts, considered
this season, several important towns in Germany, including Berlin and Dresden.
from a critical point of view, are parodies upon music, and very often below
KREBS.—Mdlle. Marie Krebs has entirely recovered the use of her fingers, and in- the standard of critical analysis. The appropriations by the trustees, added
to the subscriptions received from the citizens, do not amount to a sum large
tends revisiting England after Christmas.
enough to pay the musicians a salary equal to the labor required. Re-
BRAHMS.—In return for the degree of Doctor of Music which was lately bestowed hearsals are few, and concerts sometimes two and three weeks apart, during
upon him by the University of Breslau, Johannes Brahms has dedicated to the university which time no rehearsals take place, and this brings matters down to the Bame
a composition in which the ways of students are the motive.
It will be played under the
condition as if no rehearsals had taken place at all, as most of the musicians
composer's direction at Breslau on the 4th of next January.
in the meantime play at balls and entertainments. An orchestra, in order to
HENSCHEL.—Mr. Henschel, says the London World, has made many friends in this perform a Beethoven or Rubinstein or Berlioz symphony, must be in con-
country, who will be glad to hear that, although he intends returning to America in a tinual practice and rehearsal. One of the trustees, on being told that a cer-
fortnight to fulfil a number of engagements, his permanent home will be London.
He tain sum was required to pay for additional first violinists, said: "Why, let
sings this week at Leeds and on the 23d inst. at a concert at Brighton, after which he us drop the first and begin with the second or third violinists." A conserva-
instantly leaves for Queenstown, en route for New York, where he is announced to sing tory based upon such principles, and guided by such authorities, should
on November 4th—rather a tight fit—at a concert of the Oratorio Society.
He has then
a number of engagements in the States up to the month of May, when the first grand eschew all attemps to impose upon a community; but notwithstanding this,
festival, of four days' duration, will be held in New York under the conductorship of Dr. the renowned symphonies and orchestral works are played at the Peabody
Damrosch. By the end of May Mr. Henschel will be in Boston, to be united in matri- and applauded. As certain musical instruments are not represented here at
monial bliss to the charming Miss Lilian Bailey, and with her he hopes to arrive for the all, the director has on various occasions substituted other instruments in
place of them. Still the performances are applauded and even praised by
month of June in London, where he will settle down permanently.
the greater portion of the press here.
RAFF.—The Symphony " Summertime " by Joachim Raff, was performed at the first
Crystal Palace Concert, London, this season.
How can such an institution exert a healthy influence upon Art-life in a
PASDELOUP.—M. Pasdeloup, at Paris, announces a series of historical concerts of community ? It has, during the many years of its existence, produced no in-
works by French composers, from Lully to the present time, and works new to Paris by fluence at all, otherwise some actions would necessarily have taken place
the Russian composers, Glinka, Dargomirschky, Rubinstein, Seroff, Tschaikowsky, and which would have resulted in some kind of a festival. Imagine Dusseldorf
Rimsky-Korsakoff, and by the Italian writers Verdi, Boito, and Ponchielli. M. Pasde- with its exhibition and no music ; Brussels with its fStes and no music ; Cin-
loup also proposes another attempt to popularise the works of the German school in Paris, cinnati with its exposition and no music. This was not a celebration lasting
and to produce compositions by Wagner, Brahms, Raff, and Goldmark.
one day, but 10 days. Of course this unhealthy condition radiates in every
COMMENDABLE—The opera-house at Saigon, in French Cochin-China, has paid direction. The churches are affected also. At a service in one of the largest
churches here an organist closed by playing a Bach fugue. He is a musician
authors' rights for the first time to the French Society of Authors and Composers.
of ability, as the selection proves. The minister "layed for him," to use
ST. PETERSBURG.—The St. Petersburg opera season opened with "Aida," with slang, and when he came down to the vestibule, the poor organist was asked,
Mesds. Salla and Scalchi, MM. Masini, Cotogni, and Gasparini. Glinka's " La Vie pour " What were you just now playing?" With reverence for both subjects
le Czar " is in preparation to be sung in Italian.
(Bach and minister), he quietly replied, "One of Bach's fugues." "Who
MUSIC-JOURNALISM.—Among the new papers are announced the Neue Zeit, at is this Bach ? " was the rejoinder ; and without awaiting any further answer,
Berlin, an organ of the opera and the theatre ; and the Musik- Welt, also at Berlin, with the minister continued, '' He should have learned a trade ; that's no music.
Dr. von Buelow, Dr. Hanslick, and M. Saint-Saens on the literary staff.
Never play such stuff here again." Probably the minister was a constant
ROEDER.—Roeder's posthumous work, "German Opera During the Last Thirty attendant at some of our classical symphony concerts.
Years," is, it is stated, to be finished by his daughter, the vocalist, Mdlle. Mila Rodani,
The Academy of Music is under a new and very active management. S.
and to be published shortly.
W. Fort, the new manager, would ingratiate himself with the Art-loving
DEATH LIST.—The deaths are announced—of apoplexy, at Bordeaux, of Signor public of this city if he would arrange a series of symphony concerts in the
Calendini, violoncellist; at Milan, aged 41, of Giulietta Frugoni, danseuse ; at Malta, concert hall or auditorium of the Academy. He could get sufficient sub-
aged 54, of Camillo Darbois, pianist ; and at Naples, aged 70, of Antonio Giunti, pro scriptions to secure the expenses, as he is popular already, and has the favor
fessor of music ; at Tours, aged 91, of Madame Marguerite Delahaye ; at Tours, aged 75, of many influential people. Let us hope that he will begin this work at
ef Charles Joseph Gcetschy, a composer ; at Brussels, of Joseph Meynne, music publisher; once, and succeed in it.
at Bologna, of Luigi Ferrari, professor ; and at Naples, of Antonio Giunti, vocalist.
Something next time about some of our other musical (?) organizations.
STRAUSS.—Johann Strauss' new operetta " Das Spitzentuch der Konigin," has been
successfully produced at the Theater an der Wien, at Vienna.
BERLIN.—Gluck's "Iphigenia," with Frau Mallinger in the chief part, has been
revived at Berlin.
BRAHMS.—Herr Brahms has just completed a new, his third, orchestral symphony.
GOLDMARK.—Herr Karl Goldmark has written a new opera, entitled the "Stran
ger."
BISCHOFF.—A monument has been erected at Hildersheim to George Frederick Bis
choff, who founded the German Festivals in 1804.
VERDI.—Signor Verdi, who kept his 66th birthday at Santa Agata, received several
congratulatory telegrams.
FRANKFORT.—The new opera house at Frankfort was opened Oct. 20th.
A
KLASSIOK KUSS.
LAMBEBT.—Another young pianist, by the name of Lambert, has arrived
here. He was born in Warsaw, Poland, and studied three years with Julius
Epstein in Vienna. His record may be very good; nevertheless he will find
it very hard to find an opening here in first-class concerts. There are actu-
ally not first-class concerts enough to satisfy the ambition of every pianist
in New York, although the season promises a rich harvest of high-
toned entertainments.
KELLOGG.—The report has reached us from Europe, that Clara Louise
Kellogg is engaged to be married to a marquis, who fell in love with her
about six months ago. If Monsieur le Marquis understands his position, he
surely will make one of the stipulations of his marriage contract, that the
mother-in-law shall return by the next steamer to the United States.
THE MUSICAL CRITIC AND TRADE REVIEW.
November 5th, 1880.
HAVEKLY.—Col. Jack Haverly, formerly the guide of the Italian Opera
Troupe through the United States, has satisfied his ambition, and retired
from this honorary position, which is said to have cost him, last winter, $18,-
WHAT'S IN A NAME ?—Mr. Charles 000. He prefers this season to prepare the way for Messrs. Strakosch and
A. Stevenson announced that he was Hess, and hopes to retrieve in English opera the loss which Her Majesty's
going to give a concert at Cooper Opera caused him. Haverly has so many things on hand that he would do
Institute. The day following Mr. much better to let opera alone. Enfin—that is his business, not ours.
Charles A. Stevenson announced that
SACCONI.—One of the greatest artists Mr. Mapleson has brought from
he was not a musician—consequently Europe
is undoubtedly Mme. Sacconi, the harpist. She was for several
in no way connected with the con- years the
protege of Boito, the composer, who recommended her to the
cert at Cooper Institute. The next English impresario.
Mme. Sacconi has a brilliant tone, which is full of poetry
announcement was by Mr. Charles A. and expression.
Stevenson, that he was in no way
connected with the Bijou theatre.
STOCKHOLDERS.—There seems to be trouble already between the stock-
We think that Mr. Charles A. Steven- holders of the Academy of Music and the manager ; no serious trouble, but
son, of the Bijou theatre, made a fool dissatisfaction on one side, and unwillingness to pay on the other side. It
of himself. Everybody knows that appears that Mr. Mapleson expected the stockholders to pay a dollar each
he is not a musician, but we do not night for each of their seats. How far he is entitled to make the demand we do
see that this fact should prevent not know ; but evidently he must have some good reason to claim the amount.
another Charles A. Stevenson, who The stockholders seem to have made some promise; but having built what they
is one, from giving a concert.
term a " crush-room " on the 14th street entrances, they think that this new
improvement ought to be an equivalent for their extra dollar. Mr. Maple-
GEBSTEE.—Etelka Gerster, born son, although he always spoke of the necessity of a crush-room for the con-
some 20 years ago in Hungary, venience of his patrons, cannot see the matter in the same light, and so the
became famous over night, and will affair must be compromised one way or another. Maybe the stockholders
be forgotten in a few years. At the present moment she has enough will give a ball again for the benefit of the new crush-room, although last
voice left to satisfy the majority of an opera audience, which generally con- year's experience may prevent them from similar enterprises. Last season
they gave a masked ball, and had to learn that they are utterly unfit to man-
sists of unmusical people.
age public entertainments. If they are not too old to learn they must have
GALA NIGHTS.—At the Metropolitan Conceit Hall they call gala nights received a lesson which may be salutary for the future.
The stockholders
those when Levy does not perform, and charge on those occasions 50 cents. gave a masked ball and failed to appear themselves en masque.
is all very
When he does play, he can be heard for 25 cents. We must confess, that we well to bray about good management, but this one instance has It sufficiently
admire the keen perception and fine distinctive powers of the management. proved that they had better keep their hands off in future. If the enlightened
JOSEFFY.—The Hungarian pianist, Joseffy, would like to spend some stockholders want to rival the Liederkranz and Arion, they must not forget
weeks in Havana this winter—of course professionally. We do not think that it takes not only money, but brains and hard work, to make a ball suc-
that he would do badly among the Javanese, provided that he is managed cessful. As the ball was given in order to get a fund for new scenery, Mr.
Mapleson had to get along with the old stock, for the balance sheet after the
by th6 right person in the right manner.
ball showed a deficit of $4,000. What a pity ! This $4,000 invested in new
BELOCCA.—The beautiful singer, Mile. Anna de Belocca, ten days before scenery would have done much more good to the public and the operatic
election day, called on General Hancock at Governor's Island, spoke a few in- impresario, even to the stockholders themselves, for it would have saved
significant words, and received in exchange the General's portrait. On the them the record of a failure. The existence of the crush-room was not made
morning following this crusade was duly reported in the papers, and the fair subject to the chances of a masked ball; and as to the dollar a piece
Eussian contralto had a gratis advertisement, even if some considered her in question the public can feel easy about it, as it cannot profit or lose
action foolish. But why not help along a reputation by little tricks ? If either way.
talent is not strong enough to do it, dainty little bits of advertising may
be brought in.
SCHELLE.—The young soprano, Miss Marie Schelle, has made a success.
GREAT SOLOISTS.—The Symphony Society announces the soloists for Why ? Because she has a splendid voice. She sings sometimes very crudely,
" La Damnation de Faust." They are superior to those of last year; but being brought up in the Hyper-German school, but the voice has remained
with the exception of Herr Hensehel, are hardly up to the standard of the healthy and fresh. Girls who come from Italy sing generally with great
work. The Board of Directors did the best that could be done under the refinement, but their voices are broken. Now, which is preferable ? We in
circumstances, and Mile. Valleria will have another chance of being called all cases prefer the healthy, ringing voice to the great artistic qualities,
gained at the expense of the organ.
"charming."
DULCKEN.—Mr. Ferdinand Dulcken, composer and accompanist, par ex-
RIDICULOUS.—The story about Mapleson's receipts makes its way through
cellence, has written a fantasie for piano and orchestra, and it seems that Mr. the newspapers. How much his receipts on subscription tickets are, how
Rafael Joseffy is the happy man to whom the score has been intrusted. large the receipts on the opening night were, and so on. Nobody has the
Dulcken expects a great success, and we hope he may not be disappointed. right to inspect Mr. Mapleson's books ; consequently the manager has
smooth sailing, and cannot be easily contradicted, even if anybody cared to
LEVY.—The cornet player, Jules Levy, will not perform next summer at do it. But how the manager could make out that the opening house brought
Manhattan Beach, and has been engaged at another Coney Island resort. We $6,000 cash, we should like to know. We undertake to say that it is impos-
are sorry that Manhattan Beach will loose Levy, but we hope they will keep sible, with the present scale of prices, to have this amount in our Academy
their chief cook. After a sea bath we can, if necessary, renounce cornet of Music, and we are willing to prove it. We are glad to hear that Mapleson
solos, but a good dinner is a conditio sine qua non.
is making money, and we are sure that his creditors on the other side of the
A GRAND SCHEME.—Mr. Franz Rummel entertains the idea of giving, to- water will be equally pleased. And who else can have any interest beyond
wards the end of the season, a grand concert, in which he is going to perform the manager and his creditors ? We do not think there is another individual
four piano concertos, each directed by a different conductor. The whole that cares to know the correct figures, even if the exact truth could be
scheme seems to be in direct opposition to Barnum's menagerie. Instead of an expected.
exhibition of live animals we shall have here an exhibition of live conductors,
WHAT IS THE DIFFERENCE ?—A quartette by Reinecke will be played at
and as we have plenty of real, " alleged," and "assistant" conductors on the
first concert of the Philharmonic Club. The public has to thank Mr.
market, Mr. Rummel will have the choice, after having inspected their in- the
for the performance of this work. The members of this club origin-
dividual qualities. While one conductor is on the stage, busy with one of Werner
decided upon the quintette, and Mr. Werner was charged to send the
the piano concertos, the others can have a free fight in the green room, to ally
piano part to Mr. S. B. Mills, who at that time was rusticating in the Cat-
which only critics will be admitted. We hope that Mr. Eummel will intrust skills.
Werner came to Schuberth's store, he had forgotten the exact
the management of the affair to a reliable person, for it can be made a finan- name of When
piece, and was in doubt whether he wanted the quartette or
cial success, especially if the belligerent spirit of the parties interested can quintette the
by Reinecke. He had to decide at once, and made up his mind to
be roused.
forward the piano part of the quartette. Mr. Mills, having seriously studied
VERY FUNNY.—During the London season it is custom de rigueur, to ap- his part, will not have his labor thrown away, and the quartette will be
pear at the opera in full dress, or as it is termed, " evening dress." La bonne played. As long as it is well played, the public will be satisfied with the
bourgeoisie has complained about this aristocratic ukase, and in order to gra- change.
tify their wishes the custom has been abolished during the fall season. Mr.
ARMANDI.—A tenor robusto is in New York; his name is Armandi.
Armit, the present manager at Her Majesty's theatre, announces this fact in
Whether he is Italian, German, Belgian or French, we do not know. Some
the opera bills: " Evening dress entirely dispensed with." Explanation is not
years ago one Monsieur Armand was here, who, in spite of his name, sang
necessary, except it comes from Capt. Armit himself.
in German opera. Maybe the Italianized Armandi is the same man. He
FLOERSHEIM.—Mr. Otto Floersheim, who spent the summer in Europe, has a large repertoire, covering the entire field of grand opera ; but unfortu-
has returned to New York. We are glad that he has come, because he be- nately such works are not included in Mr. Mapleson's repertoire.
longs to the very few who write knowingly concerning music, and are able to
ATJBERT.—-Monsieur Aubert, the violoncello performer, suddenly disap-
judge musical compositions. We need a few more such men in New York.
peared several weeks ago. It was alleged that he was sick, but nobody
HOWARD. —We met Mme. Constance Howard the other night at a con- could guarantee the correctness of the statement. Suddenly he turned up as
cert. Does that mean more Piano Recitals ?
conductor of the Tagliapietra opera troupe somewhere in Michigan or Illinois.
SE NON E VERO, E BEN TROVATO !—At an orchestral concert somewhere It is not unlikely that by the time these lines appear before our readers,
(we forget the name of the place) a fire broke out during the performance in Monsieur will be back in New York, and safely lodged in the orchestra of
the hall, but, however, was immediately suppressed. One gentleman, some- Her Majesty's opera as solo violoncellist.
what frightened, said to his neighbor, " Great God ! This fire ! How terri-
CAUSE AND EFFECT.—We should have had Nannetti here this season, but
ble !" But the neighbor, a very quiet man of steady habits and sang froid,
replied, " My dear sir, this fire was a God-send, because it was the only have not; instead of him we have Novara. Why have we not Nannetti ?
Because when Col. Mapleson was ready to sign with him Henry Jarrett told
spark of fire I could discover the whole evening."
him that Max Strakosch had claims on the basso, and would not allow him
MONTI.—A critic of a professional paper calls Sign or Monti the new to sing in America under a rival management. So Mapleson, in order to
basso. Did the critic sleep all last season, or was he then connected with avoid difficulties, engaged Novara. Afterwards it came out that the claim of
another business ? Sometimes it happens that musical critics are taken Strakosch was settled years ago by Nannetti, and Jarrett's information was
from the ranks of bakers, shoemakers, real estate agents, or night watchmen. baseless, some say intentionally untrue.
INDIVIDUALITIES.

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