Music Trade Review

Issue: 1880 Vol. 3 N. 7

16
THE MUSICAL CRITIC AND TRADE REVIEW.
November 5th, 1880.
In regard to our being mouthpieces for the " Col." or Mr. Upham, you or any business
man can easily obtain the required information on that score, which must be very plain to
parties who have dealt with us the past 18 months. Now, while it may be very humili-
ating to some to mention what they were obliged to do for an honest living, it would not be
PREPARED EXPRESSLY FOR THE MUSICAL CRITIC AND TRADE REVIEW, BY so to me, for that merely established the fact that a man must have some sterling worth or
he would not rise to where this parly has you refer to. Believe me, dear Welles, that this
PARK BENJAMIN & BROS., EXPERTS IN PATENTS.
kind of reading will not do you any good. I would not do it unless the parties your refer
to are really unworthy. But the gentlemen you referred to in your article I can assure
Nos. 23,710 AND RE-ISSUE 9,431. PIANOFORTE:
you are in good standing, and their credit is A No. i; so do as you please about correct-
Mr. C. F. Theodof Steinway has devised a new sounding-board bridge ing it. I think, if I were you, I would explain a little for your own sake.
Truly yours,
for pianos. He has observed that vibrations are more readily caused and
NEW MUSICAL INVENTIONS.
more energetically propagated in a bridge formed of alternate layers of hard
and soft wood. He therefore makes his new bridge up of strata of thin
slices of pine and maple set edgewise on the sounding-board, and surmounted
by a capping strip of hard wood, in which the string-pins are inserted.
Mr. Steinway has also obtained a reissue of his patent No. 127,383, of
May 28, 1872, in which are embodied a large number of important improve-
ments, among which are the mode of supporting the metallic frame, whereby
a larger area of the sounding-board is left uncovered and the metal frame is
kept out of contact with the board—a means of causing the wooden frame to
contribute to the rigidity of the piano, and the use with the iron frame of a
removable metallic wedge for strengthening said frame.
RE-ISSUE NO. 9,412.
£
is violated in publishing it.—ED. MUSICAL CRITIC AND TRADE REVIEW.]
VOCAL TEAOHEE WANTED.
COUNCIL BLUFFS, Iowa, Oct. I, 1880.
PIANO CASE:
Mr. Geo. Woods, of Cambridgeport, Mass., has obtained a re-issue of
his Patent No. 200,850, of March 5, 1878, which relates to a corrugated frame
capable of expansion and contraction, a hinged music receptacle above the
main case of the instrument, the door of which may be swung forward far
enough to allow music, etc., to drop out by its own weight, if so desired ; also
an improved foot-guard, to prevent the feet of the player from injuring or de-
facing the instrument.
No. 283,103.
GEO. W. CARTER.
f we have anything further to say concerning the Emerson Piano Co.,
all take another time for it, and we shall not point out certain dis-
crepancies in Mr. Carter's letter, believing that such action would be unfair,
as the letter was probably written on the spur of the moment. Mr. Carter's
letter was received while we were in the West, or we would have published
it in our last issue. It was a personal letter, but we do not think confidence
Charles Avery Wells, Esq.
DEAR SIR :—If you know of a good competent vocal teacher, to teach the rudiments
of singing in public schools, he can find employment in the public schools here at $100
per month, for 10 months in the year, that is $1,000 for the school year of 10 months. A
good teacher of the higher art could also at the same time, make something extra by pri-
vate lessons and teaching advanced classes out of school hours.
I write this at the request of the school-board, here. None but a competent man,
morally, and otherwise in good standing is wanted.
Yours truly,
J. M.
PIANOFORTE ACTION :
Messrs. Kranich & Bach, the well-known pianoforte manufacturers,
THE SYDNEY AWARDS
have patented a new action for upright instruments. The next feature is
BEEHIVE CHAMBERS, Elizabeth Street,
)
the means by which the wooden butts which attach the mechanism to the
Melbourne, Australia, Sept. 7th, 1880. f
rack, may have space to expand when affected by the atmosphere, and be re-
set after such expansion. The device obviates the rattling of loose butts, To the Editor of the Musical Critic and Trade Review.
and facilitates the sounding of tremolo notes.
DEAR SIR :—I occasionally obtain a copy of your very interesting journal, and in
No. 233,147.
MECHANICAL MUSICAL INSTRUMENT:
In the orguinette, it is ordinarily customary to place the bellows side by
Bide at one end of the instrument. They are then operated by a rotary shaft
having crank bends and suitable connecting links, this shaft being connected
with the driving shaft, by pitman rods at each end. Mr. Isaiah M. Furbish,
of Augusta, Me., considers that the rotary shaft and links are liable to get
out of order. Hence he does away with this mechanism, and in the present
device arranges the wind-moving bellows so as to work by pitman rods, con-
nected directly with the driving shaft. He also claims to increase the num-
ber of the wind-moving bellows, without occupying any more space than in
the old arrangement, and with a corresponding increase of power.
No. 233,721.
MECHANICAL MUSICAL INSTRUMENT:
In a quite recent patent granted to Mr. Oliver H. Arno, of Wilmington,
Mass. (No. 227,711, May 18, 1880), for a mechanical musical instrument, the
perforated paper strip is provided with two lines of perforations, the aper-
tures of one line being for opening, and those of the other line for closing a
sliding valve, through the medium of two separate levers. In the present
device the line of perforations for closing the sliding valve is dispensed with,
and said valve is operated by means of a single lever.
RATES OF FREIGHT.
glancing through the issue of the 20th of June, I find a copy of the Musical Instrument
Awards at the recent Sydney International Exhibition.
From what source you obtained your information, I fail to understand; but really from
a rough glance one would think it had been compiled by some firm or agents interested in
putting forward their own exhibits, and those of their friends, without any attempt at facts
or reference to official reports. I do not propose to analyse the whole of the awards, but
merely to call your attention to those in which I am interested.
I am representing in the Australian Colonies Messrs. Peloubet & Co., manufacturers
of the Standard organ, and consequently in justice to them, I cannot allow to pass unno-
ticed a list of awards, in which they are allotted a 3d, instead of a 1st Degree of Merit.
Since reading the report in your journal I have been on a visit to Sydney, and I took
the opportunity to again inspect the official records of the awards, and found as previously
mentioned that the 1st Degree of Merit was awarded to Messrs. Peloubet & Co. The
organs of Messrs. Bell & Co. (which I always understood to be Canadian, and not Amer-
ican, as stated in your report), were not awarded a special 1st, as stated, but merely a 1st,
like Messrs. Peloubet & Co., with a special mention for some improved pipes, which I be-
lieve existed more in theory than in fact.
A still further peculiar circumstance is that our London house, Messrs. Barnett, Sam-
uel & Sons, who received the only 1st Degree of Merit for Harmoniums above all the ex-
hibitors, are kindly accommodated by your correspondent with a 2d Degree, and an ex-
hibitor who obtained no award for harmoniums at all, is facetiously credited with a spe-
cial first.
To enter into details of the numerous mistakes with which this report abounds, would
occupy too much of your valuable space. However, I trust in justice to Messrs. Peloubet &
Co., you will insert this letter, and oblige,
Yours most obediently,
P. P. S.
W
E have had so many inquiries about rates of steam freight from New
York to various foreign ports, via London, that we print below the
SIDEBOARD ORGAN.—A Scotch manufacturer has made an organ which
following table, which has been carefully revised, but which is subject to al- serves the double purpose of a musical instrument and a receptacle for pro-
terations at any time by the various steamship companies:
visions, wine, &c. Cannot some manufacturer here invent an organ which
Per ton of
Per ton of shall combine the benefits of an organ, a refrigerator, and a coal-bin, and
40 cubic feet
40 cubic feet might perhaps serve as a cradle in an emergency.
Port Natal
$21 41 Auckland
$23 85
Music BY THE TON.—A London firm advertise an auction sale of about
Melbourne
18 98 Shanghai
15 33
Brisbane
23 85 Wellington, N. Z
23 85 40 tons of operas, oratorios, masses, cantatas, &c., &c.
Singapore
15 33 Otago
23 85
SHEET-IRON MUSIC.—The music played by the new automatic organ, from
Hong Kong
15 33 Algoa Bay
16 55 their perforated iron sheets.
Canterbury, N. Z
23 85 Colombo
14 11
BELL AMERICAN ORGAN CO.—Messrs. Ascherberg, of London, have
Calcutta
14 11 Adelaide
38 98
Yokohama
13 50 Sydney
18 98 accepted the sole agency of the Bell American Organ Co., for England and
Bombay
16 55 Cape Town
16 55 her colonies.
Madras
15 33
HORACE WATERS.—As Mr. Horace Waters was so actively engaged on the
republican side previous to the election day, we hope the result has been
satisfactory to him.
CORRESPONDENCE.
HARDMAN, DOWLING & PECK.—If as reported, this firm is now four months
behindhand with their orders, on account of excess in demand over produc-
tion, how far behindhand will they be by Jan. 1.
THAT EMERSON MATTER.
MR. CARTER PROTESTS.
WESSELL, NICKEL & GROSS.—Mr. Gross says it is easier to charge higher
BOSTON, Oct. 5th, 1880.
FRIEND WELLES:—I think you have not done yourself or the other gentlemen you men-
tion, justice—I mean Upham & Moore—when you publish the " statement of an insane
man," to mention anything reflecting upon two gentlemen whom I have a very high regard
for. W. P. Emerson was a gentleman with whom I had some acquaintance, having
worked far him before his death ; he was a man that everybody respected. Mr. Upham
was his friend in every sense oftheword r ,and Mr. Emerson's will, I think, would bear me
out in saying what I have so far. Now, in regard to Col. Wm. Moore: in your travels you
must have heard of a gentleman whom everybody respected, although he climbed from
the lowest round of the ladder to where he stood in the piano trade -the rightly named
"Piano King " of Boston. His sterling qualities made the Emerson business what it
attained to up to the tune of his withdrawal from the trade. It was not the " suit " that
was about to come that caused him to withdraw, for up to the present time there is no
suit against the present company that I have heard about, at lea->t I do not know of any.
Now I am stating facts, and 1 do not know how Mrs. Emerson can get such a thing
against us, for we, I believe, are under no known obligation to her or her lawyers. If we
can assist in any way to enlighten them in regard to the affairs we shall be glad to do so.
prices for actions than to get them—a sad but universal experience. How
would it do to introduce an action in the courts.
PIANO LEGS. —It is rumoured that the advance in the price of piano legs,
demanded by the manufacturers of these articles, has not been as cheerfully
or as generally accepted by the piano makers, as at first reported.
STRAUCH BROS.—The new machinery which this house is putting up to
increase its production will be ready in time for the " blizzard " to come off
after election day.
HORACE WATERS & Co.—Messrs. Horace Waters & Co. now have the
exclusive agency of the Shoninger organs for the States of New York, Penn-
sylvania and Vermont.
CHEAP PIANOS.—A piano manufacturer in this city has recently taken
contracts to make 300 pianos at $100 each, to be distributed among four
dealers.
THE MUSICAL CRITIC AND TRADE REVIEW.
THE BURDETT-ESTEY ORGAN CASE.
THIRD ARTICLE.
Our Special Investigations Continued.
THE
RECENT
November 5 th, 1880.
the failure of the old firm of Boardman, Gray & Co., all the stock, fixtures,
tools, etc., etc., and employed Mr. J. Gray as superintendent in his factory.
If this action did not make McCammon the lineal successor to the firm of
Boardman, Gray & Co., we fail to see how anything could; but after all the
main question is not whether Edward McCammon is or is not the successor
to Boardman, Gray & Co., but whether anybody except McCammon could
possibly be making such an instrument after all the scales, plates, tools, etc.
had been purchased by him, and the firm of Boardman, Gray & Co. ex-
tinguished by bankruptcy. I t would seem that the end of the firm of Board-
man, Gray & Co. was also the end of the Boardman, Gray & Co. piano.
DECISION.
ORGAN OPENING.
FINE organ of great power and beauty destined for the church of St.
Charles Boromeo, in Brooklyn, was opened at the factory of Messrs.
WHAT THE MASTER IN THE CASE SAID ABOUT IT
J. H. & C. S. Odell, in West 42d street, this city, on the afternoon of the 26th
inst. Many prominent organists, musicians and members of the press, were
present at the opening.
CURIOUS FEATURES OF THE CASE.
This organ possesses many new features, including the double acting
pneumatic composition pedals and the pneumatic tubes to the base notes,
both of which are patented by Messrs. J. H. & C. S. Odell.
THE REGENT DECISION.
Over 1,500 combinations can be made on this organ without touching a
N continuation of our remarks iu our last issue upon the merits of the
celebrated organ case, we may quote the words of ex-Governor Stewart, draw stop or taking your hands off the keys.
Its mechanical arrangements are said to be superior both in number and
spoken to the Rutland, Vermont, correspondent of the Boston Evening
quality to those of any other organ built in this country or in Europe. I t is
Journal, last July.
We stated in our last that the decision in the case simply determined how an instrument of extraordinary power, the Tuba Cornet being worked under
much money was involved in it, and for what proportion the defendants were a pressure of ten inches.
The following is the scheme :
liable. In the report of ex-Governor Stewart, who was master in the case, it
The organ has three manuals and pedals.
was found that Estey & Company had made $150,000 in their business within
Compass of manuals from CC. to A., 58 notes.
a certain period, and that whatever was due to Burdett was embraced in that
Compass of pedals from CCC. to F., 30 notes, and contains the following stops and
sum. He reported that Burdett swore that this money was received " on ac-
count of the pleasing and beautiful effect produced by tuning two sets of arrangements, viz.:
reeds out of tune with reference to each other," which was not patented; and
CHOIR MANUAL.
GREAT MANUAL.
Feet. Pipes.
that he cannot, from any evidence submitted to him, form any estimate of the
Feet. Pipes.
1. Open diapason
metal 8
58
money-value of Burdetts invention, and dismissed all claims for damages. This I. Grand double open
2. Dulciana
" 8
58
report was submitted to the court for approval on the facts as stated. The
diapason
metal 16
58
3. Keraulophon
" 8
58
court simply allowed the entire amount with interest, from the time Burdett 2. Open diapason
"
S
8
4. Melodia
wood 8
58
"
entered a disclaimer of certain portions of the patent, which the court held 3. Gamba
5. Violina
metal 4
58
58
flute
wood
bad, and without any costs upon the entire suit. Estey & Co. took an ap- 4. Clarionet
6. Flute d'amour
wood 4
58
metal
58
peal to the Supreme Court, where it is confidently expected that this finding 5. Principal
7. Flageolet
metal 2
58
6. Harmonic
flute
"
will be set aside.
8. Clarionet
" 8
46
7. Twelfth
"
58
9. Tuba cornet
" 8
58
8. Fifteenth
"
58
GOVERNOR STEWART'S REMARKS.
9. Sesquialtra, 3 ranks... "
174
PEDAL
ORGAN.
In the interview published by the Eutland, Vermont, correspondent of 10. Trumpet
"
58
Feet. Pipes.
the Boston Evening Journal, the following occurred:
1. Grand open diapason. wood 16
30
The conversation now turned to political matters of the Second District,
2. Grand bourdon
" 1 6 30
SWELL MANUAL.
and the probability of Hon. James M. Taylor, of Brattleboro', being returned
3. Violincello
metal 8
30
Feet. Pipes.
to Congress from that district, as the convention is to be held next Wednes-
4. Trombone
" 16 30
1. Bourdon
wood 16
58
day at White River Junction.
COUPLERS, ETC.
metal 8
58
'' Mr. Stewart, there is considerable talk on the east side of the mountains 2. Open diapason
3. Salicional
" 8
58
1. Swell to great manual unison.
that Mr. Tyler, as a legal adviser of Waite, came to you and attempted to 4.
diapason
wood 8
58
2. Choir to great manual.
corruptly influence you as to the award in the celebrated Waite-Estey organ 5. Stop
Octave
metal 4
58
3. Swell to choir manual.
suit? "
6. Cornet, 3 ranks, various " o 174
4. Great to pedals.
That requires some explanation," said Mr. Stewart. " I was appointed 7. Cornopean
" 8
58
5. Swell to pedals.
Master to take testimony as to the award and amount of business done by the 8. Oboe
" 8
58
6. Choir to pedals.
Estey Organ Company. While at Brattleboro' Mr. Waite made some very 9. Piccole
" 2
58
PATENT REVERSIBLE COUPLER.
foolish remarks, and many of the first citizens of Brattleboro' endeavored to in- 10 Flute traverso
wood 4
58
1. Swell to great.
fluence me in favor of Waite, as if I was to decide the famous controversy. Many 11. Tremulant.
ladies endeavored to indirectly influence the result, but I can honestly say
this much: None of Mr. Waite's counsel ever attempted such a course.
Neither Mr. Tyler nor Mr. Phelps ever came to me with any such intentions. PATENT PNEUMATIC COMPOSITION GREAT PATENT PNEUMATIC COMPOSITION ON
ORGAN.
They are too smart and stand too high in the legal jarofession to attempt such
SWELL ORGAN.
a course. I am willing to say, when I made the award I believed that was the
1.
Full
swell.
1.
Full
organ.
last of it. As to me, the law was perfectly clear, and as the 'Harvey Dayton' 2. Full to mixture.
2. Full to cornet, except bourdon.
organ was decided to be genuine, there is no doubt in my mind but what the Su- 3. Full to principal, except double open.
3. Full to principal.
preme Court will reverse the decision of the Circuit Court and declare the patent 4. All of the eight feet stops.
4. All of the eight feet stops.
invalid. If Mr. Tyler visited Middlebury College, I do not remember as he 5. Gamba and flute.
5. Eight feet stops without reeds.
came to see me. He is perfectly innocent of this charge."
6. Keraulophon and clarionet flute.
6. Salicional, dulciana, and stopped dia.
7. Oboe and stopped diapason.
The above remarks are certainly strong, and coming from such a source 7. Clarionet flute.
8. Harmonic flute.
8. Vox Humana.
appear to be thoroughly conclusive.
A
I
CURIOUS FEATURES OF THE CASE.
THE ESTE7 ORGAN ABROAD.
It might seem from the way in which we originally alluded to Silas M.
ESSRS. HODGE & ESSEX, the sole London agents for the " Estey "
Waite, the Brattleboro' defaulter in connection with this case, that we
organs, have addressed the following circular to the English trade :
wished to bring him into it with little show of reason, but the latest phases of
" 637 ARGYLL STREET, REGENT STREET,
the trial appear to have developed a three-fold aspect of the case :
"LONDON, W., September 25th, 1880.
1st.—It was Mr. Riley Burdett who was managing the organ case, yet
"DEAR SIR :—We have the pleasure to inform you that, in consequence
swearing that this man Waite was his partner.
2d.—When Moses O. Nichols came to play his part in the nefarious of the increasing demand for the unrivaled " Estey " organs, we are remov-
scheme in which there were evidences of attempted blackmail, perjury, and ing to more extensive premises, at No. 42 Holborn Viaduct, E. C , where we
vile insinuations, Mr. Converse, vice-president of the Burdett Organ Com- shall feel obliged by your kindly addressing all future letters and commu-
pany, appears as the man paying the said Nichols'^bills, and advancing him nications.
money.
" Thanking you for past favors, and trusting that we may receive further
3d.—But, when the final testimony in the case was taken it appeared that orders from you,
" We are, dear sir, yours faithfully,
Silas M. Waite was the manager and apparent owner of the claim, and was
only using Burdett as owner of the patent involved in the dispute, and to
"HODGE & ESSEX."
work his (Waite's)
own scheme for tiding over the wrecked condition of the
1
Brattleboro" bank, of which he was president, and so arranging matters that
HIGHER PRICES FOR GERMAN PIANOS.
in the general smash up which he knew was sure to come, all hands would
STRIKE OF GERMAN PIANO ARTISANS.
go down together.
STRIKE of artisans engaged in the piano trade has recently taken place
in Germany. The matter has very properly been adjusted, and the
men are to receive an increase of ten per cent. pay. There is no doubt that,
WHERE IS THE BOARDMAN & GRAY PIANO ?
considering the longer hours and small pay which have hitherto ruled in Ger-
r
1 ^HE old feud about the succession to the name of Boardman, Gray &• Co. many, the men deserved an increase, and it is a matter for congratulation
J_ comes before the trade again in the shape of a circular, issued by Mr. that it was accorded by the masters without any protracted struggle.
Edward McCaininon, of Albany, called out by a circular of Whitney & Cur-
The chief point of interest to the English trade is, however, the fact that
rier, of Toledo, claiming to represent the manufacturers of the Boardman & the list prices of German pianos must be increased at least ten per cent. As
Gray piano.
the higher pay must be allowed in every German workshop, the ten per cent,
The claim of Edward McCammon to be the successor to the firm of addition to list prices will, it is stated, eventually be adopted by every Ger-
Boardman, Gray & Co., seems to an ordinary observer to be pretty well man maker on all classes of goods. Some makers have already sent out to the
established by the facts stated by him in his iirst circular, viz., that William trade circulars to this effect.—The London and Provincial Music Trade
McCammon, the predecessor of Edward McCammon, bought at the time of Review.
M
A

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