Music Trade Review

Issue: 1880 Vol. 3 N. 5

THE MUSICAL CRITIC AND TRADE REVIEW.
October 5 th, 1880.
lieve Signor Arditi on off nights. We hope that Wagner's operas will be given on oft
CECILIAN CHORUS.
nights, because Signor Rasori, in his position as second edition of Hans Richter, should
The Cecilian Chorus resumed their rehearsals for the season, on last Tuesday be strong where the excellent Maestro, Arditi, is weak. The prospectus closes with the
ing. " E l i j a h " is the work in hand, with W. H. Cross as conductor. .
evening
following remarks:
WEST PHILADELPHIA CHORAL SOCIETY.
"With a repertoire so extensive and attractive as that of Her Majesty's Opera Com-
The West Philadelphia Choral Society begin next week to work on the "Messiah," pany, and with an assembage of talent so remarkable, the Director confidently looks for
under the direction of Mr. Wm. W. Gilchrist. They expect to perform the work, or that support which he will always endeavor to merit, as no labor or expense will be spared
to render the performance of the highest excellence."
parts of it, during Christmas week.
In regard to the assemblage of " t a l e n t " so remarkable, we have at present only the
MRS. H . G. RAMBERGER.
manager's word, and with due respect to his artistic abilities, partiality on his part is not
natural, but pardonable. But Mr. Mapleson speaks of an extensive repertoire, and
One of the oldest and best of our church soprano singers, Mrs. H. G. Ramberger, only
his prospectus says, that " Selections will be made from the subjoined extensive reper-
has just retired from the choir of Holy Trinity, where she has led the voices for a very in
and then mentions nearly all the important works of the modern stage. The trick
long time.
I have known her for more than twenty years, as a conscientious and toire,"
be very clever, but the fact is, that Mr. Mapleson can select during the season, what
highly educated vocalist. She is one of the few remaining examples of the old Italian may
he
pleases,
leave out what does not appear feasible. Whether subscribers will pay
method in its best state, and I do not know her equal, hereabouts, as an exponent of their money and
on the ground of these vague promises, which actually are no promises at all,
the Rossinian school of music.
or wait for single performances, is a question which the next week will answer. Mean-
HOWE.
while we shall be treated to some more assurances on the part of the manager.
ALASTOR'S BALTIMORE LETTER.
PARIS GOSSIP.—Mapleson, when here, tried to persuade Nilsson to go to America.
Music AT THE SESQUI-CENTENNIAL FESTIVAL—MUSICIANS DEMANDING MORE P A Y - - He worked hard at it, but her husband could not leave Paris, and he did not want to
leave her for so long a time. So she does not go. No very great loss. Her voice is all
LOCAL MUSICAL SOCIETIES.
BALTIMORE, Sept. 29.
T H E SESQUI-CENTENNIAL FESTIVAL.
gone. Yet in Boito's "Mefistofile" she has some splendid moments. By the by, this
opera is the work of a genius, a little in the Wagner style. It rather under-Herod's
Wagner than out-Herod's him. He is, perhaps, a better poet than a composer. Verdi
really is at work on a libretto of his. " Iago " will be the title, not " Otello."
JUST at this time music is at a discount in our city, all attention being concentrated on
A GRATE SINGER.—The tea-kettle.
the civic pageantry of our approaching Sesqui-Centennial. It was originally intended that
A GREAT COMPOSER.—Chloroform.
a musical festival should be one of the features of the week, and Mr. Otto Sutro was re-
quested to take direction of it, but he found in a little while that the time and means were
BIJOU COMIC OPERA TROUPE.—The Bijou Comic Opera troupe commenced a sea-
both too short to bring out anything in a style worthy of the occasion, and so he withdrew, son at Horticultural Hall, Boston, on the 4th inst., with the "Spectre Knight" and
and no successor was appointed.
"Charity Begins at Home."
Since that time, however, some of the German Choral Societies have determined on a
concert. The Liederkranz, Arion, Harmonic, Germania Mannerchor, Fideleo, Beethoven,
IJEW ARRIVALS.—Several new pianists, violinists, cellists, flutists, horn-
and Euterpe, and some other associations, have united under the direction of Prof. Ham- players, cornetists, etc., have recently arrived from Europe, to take up their
mer, making a chorus of some 5C0 voices. But it is hardly reasonable to expect from so abode in this great Republic.
large a body, even of trained singers, a very finished performance on account of the short
SHERWIN.—Miss Amy Sherwin announces that she is open for concert
time allowed for rehearsal. To get such a mass of tone well in hand would require
months of practice together and under the same conductor. Still a vast chorus is such engagements. Last season she was considered a great prima donna, and was
a precious thing that one may overlook some faults in it and be so carried away by its prominent in all concerts of highest rank. Such distinction was utterly un-
power and impetus as to forget lack of finished phrasing and shading.
deserved, and we are afraid that Miss Sherwin will be obliged to be satisfied
with engagements far less pretentious.
RAISING PRICES.
The local musicians have made the serious mistake of raising their prices just in the
greatest needs of our civic holiday. It is feared that bands will have to be brought from
K1TABE AT THE WORCESTER FESTIVAL.
other cities. This action of our resident musicians is greatly to be regretted, particularly
" CARRENO had two numbers in the programme. It should be mentioned in justice to
as all other trades are undergoing expenses to help on the spectacular display. That the
musicians alone should refuse to contribute their part, and should even speculate upon the her, that the piano used was not selected by the management of the festival, but was
volunteered by a manufacturer (Knabe), and its acceptance was sharply criticized. It is
necessities of the occasion, is unpleasant to contemplate.
But this is not the worst. If the managers of the processionals shall find themseves also whispered that the player and the instrument were both volunteered—the one to show
obliged to hire^bands from other cities, in their needs, they may do so hereafter in prefer- the other. This does not detract from the player's merits as an an artist, whose performance
was exquisite. The huge sign with the name of the maker displayed on the end of the
ence. Our bands ought not to teach the public how to get along without them.
Baltimore has often been reproached with provincialism because of her preference piano for the first time this evening was hardly in good taste for a concert of this class."
for Home Talent. Cincinnati, Boston, Brooklyn and Chicago might employ the —Boston Daily Advertiser, September 24, 1880.
In addition to the above, we have it on excellent authority that Madame Carreno
Thomas Orchestra, to support their choruses on festival occasions. But Baltimore pre-
ferred to employ its own orchestra, at its festival. Sorry would the friends of music be thought the treble of the piano too mellow or weak and not in proportion to the rest of
the
instrument,
and wished to have it voiced more brilliant, which, after being done, left
to see this feeling die out. It may be provincial, but it has fostered the growth of an
orchestra here and developed the capacities of our audiences for listening to orchestral the upper part very much too brilliant; and in heavy passages it sounded thin and wiry,
music. It may well be doubted whether there is a city in America in which a higher and to such an extent that it was very noticeable, and criticized by several of the audience.
In connection with the above we print a communication which appeared in the
appreciation of good orchestral work can be found than in Baltimore. This is due to
Worcester Daily Spy, of September 27, and take our leave of the subject with the remark
the educating influence of the Peabody concerts, through a long course of years.
that the showman made to the boy when asked during a panorama exhihition of the bat-
THE BEETHOVEN CHORUS.
tle of Waterloo which was Napoleon and which the Duke of Wellington : "You pays
Not until we have had half a dozen frosts will " Society" be back at home, returned your money and you takes your choice."
Ed. Spy : The wonderful progress made in the manufacture of pianofortes in this
from their summer tours. Consequently, some of the most artistic of our musical associ-
ations have not yet gotten to work. The " Beethoven Chorus," of ladies to the number country within a few years, was most strikingly illustrated by the " Knabe Grand,"
of about sixty, gave last season a series of most delightful concerts, producing in finished which was used at the festival concerts. Americans may be fully justified in having a
style some of the master works of modern art, and of ancient art, too, going back as far laudable pride in view of this branch of our manufactures. Without disparaging the merits
as Bach and Palestrina. The success of their efforts thus far will be a stimulus to further of the instruments of other makers, like those of Steinway, Chickering, Weber, and a few
others, I fully believe that the Knabe instrument was fully equal if not superior to any
exertion. Last season the chorus was under the direction of Prof. Odendhall.
ever heard at previous festivals. Doubtless Mme. Carreno's eminent ability displayed the
THE WEDNESDAY CLUB.
instrument in the best manner possible ; but without any regard to this, there was a mark-
The " Wednesday Club" last season gave several finished performances. Among ed fullness, richness and singing quality of tone in the instrument in whatever capacity it
them were the " Erl King's Daughter," by Gade, Bennett's " May Queen," and Han- was used, which was truly delightful, and which was recognized by all good judges of
del's " Alexanderfest." The latter was a truly brilliant performance. It is not yet decided what constitutes a perfect instrument. A gentleman well qualified to judge, who is an
what will be produced this season, but the prestige won last year may lead them to dare expert in regard to anything pertaining to the mechanism and tone of pianos, pronounced
anything. The rehearsals of this club are delightful social reunions, and among the this the finest specimen he ever saw. With regard to other styles of instruments made by
singers are professors and amateurs of the highest grade. Professor Fincke will be the this firm I express no opinion, not having heard them, and have only been led to speak of
conductor this season, as he was during the last. By your next issue the winter cam- this as I would speak of anything else connected with the festival which was worthy of
commendation.
paign, in true art, will be better laid out, and I hope to give you further details.
ALASTOR.
KEANICH & BACH.—Messrs. Kranich & Bach, of this city, received a gold
medal at the Worcester Fair for Uprights and Baby Grands, through their
agents, Messrs. 0. L. Gorham & Co., of Worcester, Mass. The Upright was
AFTER having written our article, ' ' The Musical Season,'' the valuable campaign docu-
ment of Col. J. H. Mapleson has reached us, and we consider it our duty to say a few a beautiful instrument, finished in mahogany veneer.
words about this interesting pronunciamento. It is as we expected. Gerster and Cary
BELLAK.—Mr. James Bellak, of Philadelphia, exhibited at the recent
are the principal lady singers of the company. Mile. Valleria has been re-engaged, and State Fair held in Philadelphia, one of the most extensive and finest collec-
we are glad to find this conscientious singer a member of the troupe. She will be called tions of pianos and organs ever exhibited in the building. Mr. Bellak
charming, again, but whether she will make an efficient representative of the female
heroine m Boito's new opera, remains to be seen. In London they had Christine Nilsson. exhibited Burdett organs, Shoninger organs, the New England organ,
We suppose that, according to the promises of the manager last season, our public ex- Taylor & Farley organs, and Sterling organs, Steck & Co.'s pianos, Hazleton
pected the same cast, but Mme. Nilsson refused to come, and Mme. Valleria is hardly Bros . pianos, and the Ernest Gabler piano. Mr. Bellak also handles the E.
strong enough to fill her place, although she is very much liked here. Mme. Swift re- McCammon upright piano, a successor to Boardman & Gray, Albany, N. Y.,
turns to her native country, and as Mr. Mapleson predicts a remarkable career for her, and says they excel in power and fullness of tone.
her future is safe, for the Colonel is infallible. One Mile. Bianca Montesini has been
TONE.—Mr. Wm. Tonk, Jr., the popular manager of the house of J.
engaged, who is said to do wonders on the stage in dramatic parts. "There has been
Bauer & Co., of 125 East 129th street, this city, was in Hartford on Monday,
nothing like Montesini for years," says the manager.
If this really be so, we are only astonished that Mr. Mapleson has not brought her before Sept. 27, on business.
to this country, where we needed a dramatic prima donna so badly. It is so hard to believe
BEHNING.—The Behning piano is a very popular instrument in the eastern
in wonders now-a-days on the operatic stage, that we have no great confidence in mana- States. Messrs. C. D. Blake & Co., the Boston agents for this instrument,
gerial assertions; nevertheless, time will show what the new singer is worth. Another
debutante in America will be Mile. Lorenzini-Gianoli, and another immense success is report large sales, and the same statement is made by Mr. Pomeroy, the
predicted. If impressarii could have their own way, their entire company would be one Bridgeport agent.
great success; but unfortunately the public, which has to pay, sometimes thinks differ-
CHICKERING & Sons.—Messrs. S. R. Leland & Co., the Worcester agents
ently, and their views clash with those of the operatic caterers. The basso, Novara, is for Messrs. Chickering & Sons, of this city, report a very active busines
another great artist, and the new tenor, Ravelli, will make New York wild, and set all
the ladies crazy. How Campanini will stand this excitement, the opening weeks of the with the Chickering piano. We understand that the splendid Chickering
season will prove. A new chorus master, Signor Zarini, has been secured, who may be upright, which was on exhibition at the Worcester Fair, was recently sold
excellent in his profession, and must be a bad business man, for he gave up a life-long in Worcester by this house.
THE OPERA PROSPECTUS.
position to follow Mr. Mapleson to America; a new prompter and a new Maestro al
pianoforte, who is termed by the manager a Hans Richter, jr., and will occasionally re-
L. S. Backus, Music; Harvard, Nebraska; Chattel Mortgages, $100, $175.
October 5th, 1880.
DOMESTIC
YOL. III.
13
THE MUSICAL CRITIC AND TRADE REVIEW.
A.2STD E X P O R T
TRADE.
NEW YOKK, OCTOBER 5TH, 1880.
No. 5.
THE BURDETT-ESTEY ORGAN CASE.
T is a real treat to visit the trade
in Philadephia and Baltimore.
I I like
to hear Mr. Gray, of Slioe-
NEW AND STARTLING REVELATIONS.
macker & Company, talk about
CHARGES OF FRAUD AND CORRUPTION AND BLACKMAIL.
moving to New York and opening
a branch store there ; I like to
ARREST OF RILEY BURDETT'S PARTNER AND MANAGER IN THE CASE.
hear James Bellak vow that the
piano and organ trade is getting
HIS INDICTMENT BY THE GBAND JURY.
as bad as the sewing machine
IN JAIL AWAITING TRIAL.
trade (he couldn't say anything
worse about it); I like to bask in
the smile of Boner, and chat with
VER since the decision in this famous case, we have been trying to get at
the hearty Trumpler of J. Ditson
the inside history of the affair, so that we might place the true animus be-
& Co. ; I am fond of spending fore our readers. The recent astounding revelations at Brattleboro', Vermont,
a half hour with Woelsifer, of Al- concerning the stealing of the First National Bank of that town by its Pres-
brecht's, where, by the way, I ident, his flight and his arrest, have come at a time when we have about
first saw a Taber organ exposed concluded our investigations, and afford us an opportunity of exposing the
for sale.
whole matter. This we propose to do in a series of articles which we
commend to the consideration of the trade.
* *
I have met several times in
In this, the first article, we shall merely outline some of the principle fea-
Worcester, Mass., a benevolent- tures of the case, and give an account of affairs as they now stand with
looking gentleman who, I was Silas M. Waite, the Brattleboro' bank robber.
told, was the manufacturer of the
Before we have finished this series of articles we expect to expose such a
Taber organ ; but I always look- mass of corruption as has not been brought into public light in many a day.
Silas M. Waite absconded last June, having defalcated in the manage-
ed upon this statement in the light of a joke.
ment of the Brattleboro' Bank to the extent of about half a million of dollars.
Until Tuesday, September 21st, when he was arrested in Omaha, Nebraska,
In Baltimore I never find time hang heavily on my hands, when I have at the house of his brother-in-law, Truman Buck, by special detective W.
to visit such parties as Knabe & Co., and Stieff & Co., the manufacturers ; H. Shields, Waite had succeeded in hiding his tracks so well that no suspi-
and Otto Sutro, George Willig & Co., and Sanders & Stayman, the dealers. cion of his whereabouts was entertained, except by a few of the blood hounds
At Knabe & Co's, although Mr. Ernest Knabe may be traveling in the West, of the law, the popular supposition being that he had fled for Europe.
as he was when I was in Baltimore last, still Mr. Keidel will be found to take
Waite was brought back to Brattleboro' on Friday morning, September
24th. He returned as a criminal under the United States laws and will un-
his place with exceeding grace.
doubtedly be tried in the United States Court. He freely admitted to
*
the detectives on his way east that he took the money from the bank, but
* *
professed a determination to make a stout fight against conviction on the
Everyone in Philadelphia and Baltimore was up to his ears in business. ground that he never applied a dollar of the money for his own benefit. This
is an absurd plea. He said that the first money he took was $25,000, which
* *
Albert Weber has secured Stemberg to advertise the Weber piano this he gave his brother to establish a coal-yard in Chicago, from which he ex-
season. It will cost Mr. Weber about $20,000 at least, to send Mr. Sternberg pected a return of 15 per cent, per annum. The great fire wiped this out,
however, and the investment was a total loss. He also claimed to have
about the country, and I trust he may get it back again.
furnished the money for the Burdett organ works, and to have sunk the
•* * *
Albert is a very nice young man, but he talks too much. He has been whole half million in ways similar to these. He professed to have taken only
frequently heard to remark lately that the MUSICAL CRITIC AND TRADE EEVIEW $800 away with him. The detectives say that large sums of money were
is " going for him,"—whatever that may mean—and that he could break the telegraphed to him, and it is known that he purchased a cattle ranch during
his stay in the west, where it is probable he expected to remain for the rest
blamed paper all up if he had a mind to.
All right, young man, but when you undertake the above piece of busi- of his life, thinking that no decided effort would be made to capture him.
It will be remembered that in the trial of the Burdett patent case, the
ness I would advise you to get a partner, for you will have more work on your
hands than you can attend to alone. A friend remarks that Mr. Weber defendant was able to make a complete answer to every claim of infringe-
ment of the patent; it was so admitted by Burdett, his counsel, and by
probably meant his threat in jest.
experts, and this was only gainsaid or denied by a scheme concocted by
Jest so !
Burdett, or, more likely, by his partner and intimate friend, Silas M.
*
Waite, the bank forger, when the idea was hit upon of charging the de-
* *
with forging the exhibit and the testimony with which they (the
The impending failures in Boston which the MUSICAL CRITIC AND TRADE fendants
defendants)
expected to meet this case.
REVIEW alluded to about a month ago, did not come off after all; but the par-
It is charged by the evidence that transpired upon the trial that one
ties ]ust escaped by the skin of their teeth.
However, they can probably escape in the same way every time, which Moses O. Nichols, who had already testified once in favor of the defendants,
means from one to three times a year, as it is not for the interests of the par- had afterwar'ds attempted to blackmail one of the defendants to the tune of
$1,000, threatening that, in case the money was not paid, he would go over
ties carrying them to let them go under.
Still we need not give up all hope of interesting news from Boston within to the plaintiff; and as this defendant (Jacob Estey) did not blackmail '' worth
the next four weeks, as another, but smaller house, is getting into deep a cent," he (Nichols) at once went to Burdett's partner, the forger, Waite,
who bought him up, and with his aid concocted and attempted to carry out
•water because the financial supplies are about to be cut off.
a scheme to ruin Estey.
*
These parties, according to the testimony in the case, secured the ex-
* *
hibits on which Estey depended to win this suit. These exhibits were sent
Speaking of water makes me think of the Hallet, Davis & Co. stock.
to Burdett's lawyer in New York, on the plea that they were needed in
*
taking testimony, and while there, were mutilated andjprepared for Burdett's
* *
fiendish scheme, to not only smirch Estey, but prepare the way for a
The Young Journalist—with a capital J—who squeezes other papers for piratical attack on the entire organ trade.
matter for the Art Midget, and calls it editorial work, asks this question :
An examination of the testimony in this case shows that Silas M. Waite
" Can a weak editor strengthen his position by publishing his own bribed Moses O. Nichols by the payment of money in Brattleboro', Vermont;
that C. C. Converse, the vicerpresident of the Burdett Organ Co., met
portrait ? "
I should reply, " decidedly not," and should advise the Young Journal- Nichols at the Union Square Hotel, New York, paid his bill, and also paid him
additional money ; and in the trial of the case, the counsel for Burdett, while
ist—with a capital J—not to try it.
strongly admitting the complete answer of the organs which had been put in
*
evidence by the defendants, had simply this reply to make : That the defend-
I MEMBERS
would say OF
more,
but as ENJOYING
I am about THEMSELVES.—On
to start on an extended
THE TRADE
Tuesday western
night, ants, or their witnesses, had. forged these exhibits, and that but for their
trip,
I will hold
over I. until
the next of issue.
September
28, Mr.
Anderson,
the Celluloid Piano Key Co., Mr. H. forgery, the honest Mr. Waite and his partner, Mr. Burdett, would secure
Behning, the well known piano-maker, and Mr. S. Tower, the piano key their just dues.
We have here simply outlined a single one of the many extraordinary
maker, witnessed a performance of "Alixe," by Clara Morris at the Park
points in this case, and in subsequent articles shall go deeper into details.
theatre in Boston.

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