Music Trade Review

Issue: 1880 Vol. 3 N. 10

SUPPLEMENT.
December 20th, ]88o.
Mr. Gill's vocal pupils, assisted by violin pupils of Prof. Singer, and
the club gave a musical festival at tlie immense building, which at the
time existed and was known as Moody's Tabernacle, assisted by a number of the teachers and pupils of the Northwestern Conservatory of Music,
gave a recital at Evanston, tho 10th inst., The directer, Mr. Iren Locke,
eminent soloists, and Thomas' orchestra.
At that time Mr. Hamilton was president, Mr. E. G. Newell, secretary, announces a grand orchestral concert to be given next February. The
and Wm, Cox, treasurer ; and the fact that the festival netted a considerable principal numbers of the programme were: Sonata op. 26, Beethoven, Miss
surplus, speaks well for the management. Since then the club has experi- Simpson, " The Day is Done," Bali'e ; Miss Hutchinson, Polaccu op. 72,
enced another change of mind, in electing Mr. Van Imragen, who certainly Weber; Miss Scott, Chopin's " Fantasie I m p r o m p t u ; " Miss Thompson,
deserved that honor by his unswerving devotion to the interests of the club, and Mendelssohn's "Ave Maria " (Loreley) for chorus and soprano. The Third
president, and Mr. Hamilton, secretary ; and since the completion of our Chamber Concert of the Liesigang. Heimendahl String Quartette took place,
new and beautiful Central Music Hall, the club is domiciled there, leaving Dec. 11th, as follows: Quartette op. 18: 3 Beethoven. Sonata Pastorate,
E. L.
the elegant and commodious rooms they had occupied at the American Ex- Schoenefeld, and quintet; G. Minor, Mozart.
press building. All these changes did not eflect Mr. Tomlins, who still re-
tains his post, and also manages to conduct the Milwaukee Arion Club, who
BULLDOZING OUR CHICAGO CORRESPONDENT,
have come down here to Chicago and in the most friendly spirit of " rivaliz-
ing camaraderie," sung with the Apollo's.
CHICAGO, Dec. 6, 1880.
The present season of the club was inaugurated by two grand concerts, Editor Musical Critic and Trade Review :
which took place Monday and Tuesday evenings, December 6th and 7th.
The last number of the Musical Bulletin, published in Chicago, contains
The club had the assistance of Miss Fanny Kellogg, Myron W. Whitney, and an attack upon me, to which I wish to reply: The article in question claims,
Chas. Fritsch, and Messrs. Barnes and McWade, of our city. Mr. Eddy pre- that being a pianist myself, I am unable to give a fair and unbiased criti-
sided at the organ, and a large orchestra had been secured. The sale of cism of other pianists, and am kindly advised that it would have been better
tickets to the first concert was at first limited to the associate members, who taste on my part to have expressed myself in more complimentary terms in
availed themselves of it to such an extent as to exclude the general public regard to Mr. Boscovitz's playing. No doubt it is very awkward and em-
altogether. The large Music Hall was completely filled with a musical, ergo, barrassing to have people in the audience, who are perfectly familiar with
critical audience. I noticed a good many scores among the audience, and the pieces to be rendered ; but that knowledge should certainly not disfran-
have no doubt that they all turned over at the right place. Hsendel's ' 'Acis chise any one from passing an able criticism. * In fact, to a great many
and Galathea" opened the concert. In the choruses of this work, and also people that would seem a special qualification. Now, it is a singular fact,
" The Seasons," which followed, there was noticable a want of breadth and that the expressions of almost all principal musicians and competent musical
massiveness, out of proportion to the number of singers.
amateurs are in accord with my remarks ; or is perhaps the entire city preju-
Part of it may have been due to the fact that a considerable number were diced, biased and jealous ?
stationed under the organ loft, which I think cuts off a good deal of reso-
I regret that a strict regard for truth prevented me from giving Mr. B. a
nance. Otherwise the choruses were clearly sung; the sopranos attacked more favorable notice than I thought his playing deserved. His attempt to
their part with hardly enough spirit. Miss Kellogg made a pleasing im- create a personal issue between the gentleman and myself is utterly silly.
pression. Her voice seems scarcely robust enough for this sort of work. Our city is too large to be run by any one pianist or clique. " Fine words but-
Chas. Barnes was very husky in the First Part, but redeemed himself nobly ter no parsnips." No amount of undeserved adverse criticism will hurt a real
in the aria, "Love sounds th'alarm." Of course Myron Whitney was "a artist ; but on the other hand, blarney has never yet created one. Mr. B. may
Polyphemus whose "torture, fury, rage and despair " the average Acts might well pray to be delivered from Ids friends, for in their undue and injudicious
wellbeafraid of. The gigantic recitative, " I r a g e , I melt, I burn," was sung zeal they have found it necessary to employ very peculiar methods, and he
with the most perfect enunciation and vocalization imaginable; and its sequel, is hardly to be envied the auspices under which he has appeared here.
" Oh, ruddier than the cherry "—an aria which has something cyclopic
There is just enough truth in one statement of the article referred to to
about it—gained him the unavoidable encore. Of Haydn's " Seasons," make it appear plausible. It is to the effect that I criticized a performance
" Spring " and " Summer " were partly presented. " With joy th' Impatient which I had not attended. It is true that E left Hershey Hall just before
Husbandman " was finely sung by Simon Whitney, and Miss Kellogg im- Mr. Boscovitz commenced Liszt's 12th Rhapsody. I did so in the expecta-
proved upon " Galathea " by her rendering of June's part. The recitative, tion that Mr. E. G. Newell, who attended the recital with me, would join
'*' Our Fervent Prayers," was well done. In the duett and chorus, " Spring, me, as previously agreed, as we had another engagement later in the evening.
her Lovely Charrns Unfolding," the mixed chorus became decidedly mixed. On reaching the door I.found that Mr. N. had not followed me. I waited
Mr. Fritsch's voice sounded like the vox hmnana of an organ. It had the for him. just outside at the half oxjendoor of the hall, where I could as plainly
shakes very badly. The trio and chorus, from whose abundant stores, were hear every note as if I had been the same distance inside of the door. At
well sung, also the " Fugue," " God of Light," which ends the first part. the end of the piece Mr. N. joined me at the. door. This will explain how it
The best chorus work of the evening was done in " Hail, O Glorious Sun !" was possible for me to state as a fact, based upon the knowledge of every note
which is a very trying test of a chorus' ability. Miss Kellogg achieved a of the piece referred to, what I d.d concerning its performance.
great and well deserved success by her magnificent rendering of " O h , how
As to the other misstatements which I am credited with, the proper
Pleasing to the Senses," and also " Dread Thro' the Dim Expanse," with its course for thrf journal to pursue would have been to have corrected them.
characteristic pizzicato accompaniment. The orchestra did well, and the Being unable to do so, they were obliged to have have recourse to wholesale
fact that to Mr. Eddy was entrusted the organ accompaniment insured to abuse, unsubstantiated assertions, and the worn-out claim of professional
the chorus a great assistance.
jealousy. It simply remains for me to add that had the writer of the Bulletin
Rubinstein's " Tower of Babel," was performed the second night. I t is article been sufficiently acquainted with the piano literature presented at
as unsatisfactory at a first hearing, as Boito's " Mefistofele." Perhaps it is Mr. B.'s Recitals, he would perhaps have agreed with
the uncertain choice of the subject in both. Nirarod was impersonated by
Yours truly,
EMIL LIEI$:LING.
Whitney, who is perhaps the only one who will ever succeed in making that
august personage at all interesting ; a youth by the name of Abraham, was
" DER RATTENFAENGER VON HAMELJN."—We had intended in this issue to
badly treated by Fritsch, and McWade, did passably as Master Workman, give an extended review of the performance and character of this work,
which part is too heavy for his baritone voice, pleasant as it is. The chorus which was produced at the Germania Theatre on Dec. 14th; but the crowded
work is very difficult and intricate, and its execution showed considerable state of our columns compels us to defer it until our next issue, and we have
study. I think the production was premature and would have been much only room to state that the opera was composed by M. Adolph Neuendorff,
finer had it been deferred a few months. I trust that the work will be per- with libretto by M. Italiener. It was performed before a ci-owued house,
formed several times during the seaso.;, it would almost seem, as if the great and was well received.
amount of labor which necessarily precedes the rendition of such a work was
OBITUARY.—Walter H. Merrifield, of Worcester, Mass., died on the
almost wasted, if it is only produced once.
Strakosch & Hess have brought their International Opera Troupe evening of Dec. 6th. He excelled as a pianist, having a brilliant power of
here, which is better than its name. Chorus and orchestra are good. Miss execution, and was a fine harmony scholar. Much of his training was under
Laura Schirmer is a line acquisition to English opera, and did especially well Mr. B. J. Lang, of Boston. He was organist at All Saints Church, Wor-
in "Carmen," fairly dividing the honors with Marie Roze. Among the cester, and had filled a similar position in several other churches, having
operas that have been and are to be produced are " i r a Diavolo," " Mefisto- begun playing in public at an early age.
i'ele," "Carmen," " Trovatore," "Aida," "Tell," and "Bohemian Girl."
GERSTEK.—Mme. Etelka Gerster sings on Sunday, the 19th inst., in con-
Marie Roze sang, looked and acted Carmen most charmingly. Byron's voice cert, at the Academy of Music. This will be the last concert during the fall
reminds one somewhat of Brignoli's; it has the same ring. His acting has season of Italian opeia.
also the grace that distinguishes Brignoli's impersonations. Conly gives a
HOWARD.—Mme. Constance Howard, whose two recent piano recitals at
grand rendering of Mejistofele, and is a striking contrast to Perugini, who is
a much better actor than singer. I must not forget Mr. Carleton, who Steinway Hall were so successful, plays at the next Philharmonic Society
looked and sang so well as EscamUlo, that no one present could have blamed concert in Providence, R. I.
Carmen for transferring her affections to him. The troupe is playing to fine
CHICAGO AHEAD OF NEW YORK.—Rubinstein's "Tower of Babel " was on
houses.
the programme of the last May Festival in Cincinnati, but was not per-
The Boston Ideal Opera Company open at the Grand Opera Housa to- formed. Dr. Damrosch wanted to produce the work for the first time in
morrow, and have had a large advance sale. They are to play the following America at his festival next May. But he can only be second, for the first per-
operas: "Bells of Corneville," "Fatinitza," "Bohemian Girl," "Sorcerer," formance of the "Tower of Babel" took place on Tuesday, Dec. 7, at
and "Pinafore." This week will also bring the first concert of the Beetho- Chicago, in the Central Music Hall, by the Apollo Club, Mr. Tomlins, di-
ven Society, who will sing " Elijah," assisted by Mr. Geo. Henschel. Mr. rector.
Henschel is also announced for a long recital later in the week. The follow-
HARLEM MENDELSSOHN UNION.—The Harlem Mendelssohn Union an-
ing programme was rendered before the Amateur Musical Club, Dec. 1st:
"Sonata op. 28," Beethoven, Mrs. Getchell; Vocal, "Yearnings," " T h e nounces a concert on Monday, Dec. 20, at Chickering Hall, on which occa-
Page," Rubinstein, Mrs. Hall; "Fileuse," Raff, " Loure," Bach, Miss Lily sion Mr. George Henschel and other soloists will make their appearance.
Fay; " Adieu," E. Liebling, Mr. Knorr; Ballet Music, "Rienzi," Wagner,
ANOTHER ONE.—Mr. Franz Rummcl commences a series of piano-
for 8 hands, Mrs. Hadduck, Mrs. Smith, Miss Morton, and Mr. Schaefer; recitals.
" The Village Blacksmith," Hcelzel, Mrs. McWade, "Soiree de Vienne,' (
OLIVETTE.—" Olivette," an opera comique that has been received with
Tausig, Miss Dyer; " Alta Stella Confidente," llobandi, Miss Mulford; Aria, much favor in Paris, and is said to be exceedingly bright in music and dia-
" Gigue Gavotte," Bach, Mr. Ledochowski, and Mosjkowski's "Spanish logue, has been purchased by Mr. J. C. Duff, and will be produced at Abbey's
Dance," for 4 hands, played by Miss Alport and Mrs. Barbour.
Park Theatre at an early date.
At their Twenty-first Chamber Concert, Miss Ingersoll and others per-
HEBREW FAIR.—Mr. J. B. Polk, Mr. Henry Brandeis, tenor; the Franko
formed the following programme: "Andante" op. 16, Beethoven; Raffs
"Quatuor" op. 192, No. 2, and Rheinberger's Quintette op. 114. Mr. family, and Mr. Thomas' orchestra, appeared at the Metropolitan Concert
Hall on the evening of Dec. 12th, for the benefit of the Hebrew Fair.
Lewis played Wieniawski's "Valse Caprice."
Miss Rose Whitten's Benefit Concert came off Dec. 2d, under the direct-
CAMPAKINI.—Signor Campanini sang on Sunday, December 12, in
erahip of Mr. Schoenefeld.
Boston.
December 20th, 1880.
THE MUSICAL CRITIC AND TRADE REVIEW.
DOMESTIC!
A.2X1D
EXPORT
NEW YOKK, DECEMBEE
YOL. III.
20TH,
11
TRADE.
1880.
No. 10.
KIND WORDS.
W
OULD it not have been better for Miss Nancy Wells to have made that
confession privately, and have received fatherly advice to sin no
more, after doing severe penance? Does the statement that " i t contains
1 T of a mass of good things more truth than poetry " not show an impoverished intellect and a picayu-
connected with the trade in nish longing after an unwholesome notoriety?—Notice, from the Art Jabberer,
the New England States, which I in its characteristically ambiguous style.
have heard recently, I have only
room for one or two anecdotes.
A SMALL circular or dodger, barely known in New York as the MUSICAL
The first relates to Mr. Oliver, or, CBITIO AND TBADE REVIEW, that thrives only by blackmailing the music trade
as he is more commonly called, of the east, is rumored as being in a dying condition, made so by having an
Mr. "Original,"—Green.
idiot by the name of Smells or Wells connected with it in some menial capa-
O. D. Blake, the Boston dealer, city or other. The entire matter that it publishes each week is boldly stolen
went into "Original's" store the from foreign publications.—From a little Chicago jmper commonly called
other day, and found him tinkering by its half-dozen readers, the Dead Beat.
up a " C. D. Blake "piano. Origi-
nal began to chuckle when he saw
THE MUSICAL CRITIC AND TBADE REVIEW, published Nov. 20th, is literally
Blake, and the latter said, '' Well, overflowing with musical matter. Its criticisms and correspondence from
Green, what's the matter with Boston, Philadelphia, Baltimore, Cincinnati and Chicago, give accounts of
you ? How did you come by that all the important musical events which have or are going to take place, and
piano of mine ?"
is full of interesting information. We consider it the best number ever pub-
Green fairly exploded with a roar lished.—Molineux" Organists' and Conductors' Monthly.
of laughter, as he said, "It's the
funniest thing I ever heard of since
WE acknowledge the receipt of that standard musical journal (the MU-
I was in business. It's funnier than SICAL CBITIC AND TBADE REVIEW). It is without doubt the best critical and
old Dr. Trojay's tryin', to sell trade paper now published. Such staff correspondents as Emil Liebling, of
Decker & Son's and Decker Broth- Chicago, and Louis C. Elson, of Boston, alone insure the best criticisms and
ers' at the same time, and as the newsy correspondence from those cities. The musical notes at home and
same piano."
abroad contained in the MUSICAL CKITIO AND TBADE REVIEW are well worth
" Well," said Blake, " out with it Green, let's hear it."
the price of the publication, and are of great value to all musicians. The
Green went off into another fit of laughter, and when he had recovered, MUSICAL CKITIC AND TBADE REVIEW is published in New York, on the 5th
said: " A month or so ago, a man saw a piano advertised for sale at a private and 20th of each month, and is seNt postpaid for one year for only $2. The
house. He went to the house and they stuck him with a ' Weber & Co.' Burlington, Iowa, Gazette.
piano. After he had the piano about two weeks he was the sickest man you
[We appreciate the above the more highly, because, not long ago, we
ever see, so he came down to your place to see if he could get a real first class had a skirmish with the Burlington Gazette; but the editor, in a manly and
piano, and leave you the ' Weber & Co.' piano, and some cash besides, for it. appreciative manner, unusual now-adays, forgets the little fight, and pays
You said you could do it, and you let him him have a ' C. D. Blake ' piano us a handsome compliment.—Ed. MUSICAL CBITIC AND TBADE REVIEW.]
for a real first class instrument. Some how or other, he seemed to grow purty
sick of his ' C. D. Blake ' piano, and not long ago he came around to me,
CHAS. WELLES, of the MUSICAL CBITIC AND TBADE REVIEW is most enter-
and said he was through buy in' cheap trash, and wanted to know if I prising.—From the Cincinnati Musical People's notes about "Musical
couldn't let him have a genuine tiptop instrument, and take the ' C. D. Blake Editors."
'
piano and some cash for it. I told him, of course, I could, and sure enough
THE PRESIDENTIAL ELECTION AND THE TRADE.
I made the trade with him."
" Well," said Blake, " what did you let him have ? "
A LTHOUGH American politics do not excite much attention in this
Green roared again with laughter. "You'll bust," said he, "when I ±\_ country, the recent election of the new President of the United States
tell you. I let him have a Vose and Sons piano, and when I sent it to him,
bade fair at one time to exercise considerable influence on the European
the idea came into my mind that I had heard of some such thing in the trade. America is known as one of the most fiercely protective of the world's
Bible, as, ' the last state of that man was worse than the first.' "
nations, though there exists a party in the States which believes in the bene-
fits of free trade. The signal defeat of that party at the elections is one of
* * *
There is another good story that comes from Boston. The editor of one the signs of the times. Free trade arguments were, indeed, discarded before
of the snide musical sheets published in New York, which has been going for the election took place, and the fact remains that, in the opinion of the
nearly a year now without paying expenses, secured a correspondent in Bos- large majority of the American people, heavy import duties are conducive to
the national prosperity.
ton, and agreed to pay him so much per month for his letters.
For some years to come, therefore, no hope exists that the Americans
The guileless correspondent, not being acquainted with the " ways that
are dark, and the tricks that are vain " of the average musical newspaper, will abolish, or even reduce, the heavy duty of 30 per cent, ad valorem which
wrote letters for several months without receiving any pay. He wrote mild they impose upon imported musical instruments. Although the cheapness
appeals for money several times, but received no satisfaction, so, at last, he of European pianos may, therefore, enable them to gain a footing in the
States in spite of the duty, no extensive business in pianos is likelv to be
spoke out his mind pretty freely on the subject.
And what did the editor do? Well, he sent him an old, and very shaky done between Europe and America. It seems to be an admitted fact that if
account which he held against some Boston house, asking his correspondent, European pianos were admitted to America without duty, or at a reduced
who was a musician, and not a bill collector, to collect the amount, and percentage, the trade would, in all probability, be very large, and the speedy
reduction of prices by New York, Boston, and Philadelphia makers would
apply it on the bill for correspondence.
be inevitable, while the wages to artisans would also have to be considerably
modified. That these reductions would result in increased consumption,
HUMOUS OF TRADE CORRESPONDENCE.
and consequently no loss of income, experience suggests. But the American
SIB. I received the MUSICAL CKITIC & TBADE REVIEW to day and am people do not believe in it, and it must be admitted that no country is at
Much Oblige for the Journal and the adyertisemet you give me in it. I would present enjoying greater prosperity.—The London and Provincial Music
like to take the Journal and will take it as soon as I can. I would like to Trades Review.
say that any Manufactor of Violins or Proffinal Player will send me a Violin
MELBOUBNE EXHIBITION.—Four of our organ makers exhibit at Mel-
I will Put my Improvement in it free of Charge and Pay the Express both
ways, which is Equal to me giveing $5. and Improve the Instrument 100 Per bourne, J. Esty & Co., Smith American Organ Company, Taylor & Farley
Cent no matter how Poor or how good the Instrumt is as I do not know any Organ Company, and Peloubet & Company. None of our piano makers
one in N Y would you Please Hand them thiss letter or show it to some of exhibit. Sensible men.
the best Violin Players in N Y or Manufacto'rs of Violins
HANDSOME.—Did you ever see anything neater than the new style of the
I will send you a cut and Advertisemet as soon as I can. I can give Sterling Organ Co. ?
good refferance that I will do as I say I will send you a coppy of a recomen-
FBEUND.—John C. Freund turned up in this city about ten days ago.
datin I got with out asking for it and Oblige yours respt T Peaker.
BELGIAN EXHIBITION.—The Belgian Exhibition of 1880 is now closed.
I take the Pleasure to Recomment the New invention of Mr Peaker for The exhibition was confined to Belgian goods, and there were altogether
Proloning and strengthing the tone of the Violin it seems to me that there is fifty-five exhibitors of musical instruments. Of these thirty-six were piano-
something Extraordinery in it and I ask especially all good Players on thiss forte manufacturers or makers of parts of pianos, seven were manufacturers
Instrument to look deeper in it I hope Mr Peaker will meet with all the suc- of wind instruments, ten were makers of organs and harmoniums, and two
cess his invention deserves
were violin makers. There were neither competitions nor prize awards, the
B MEISSNEK
various makers exhibiting for honor and publicity only. The Belgian Exhi-
Prof of Music of the Bettie Stuart Inst bition has been so successful that there is a talk of holding another in a year
Prof Meissner is OUT best Teacher of Music in the City
T PEAKEB. or two on a larger scale.
O

Download Page 12: PDF File | Image

Download Page 13 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.