Marketplace

Issue: 1976 March


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Sleek new scale
weighting for you
By PAMELA MAYHEW
Cltiaa Scleace Wriltr
Ctu..-llJJ-a.-.
Can you spare a dime?
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That's what It may take to have your weight electronlcaily reported
to you on the ne• sleek and racy Watling sure. Designer of the new
model, University of Arizona eflllneenng graduate Keith Moser
(forearouod), won a contest sponsored by Watling International and
Its owner Carlton VanGroder (background). VaoGorder is perched
on the old cast-Iron model that Is to be replaced by Moser's model.
The weight-for.a-penny scale that has
guarded many a street comer, drugstore
and five.and-dime for decades, is about
to step aside for a new space.age replace-
ment with a sleek space.age price tag -
probably a dtme.
The older, chunky scale, a fixture
smce 1889, will undergo streamlining, its
creaking counterbalance and spring
weighing mechanism replaced with elec·
Ironic components, its cylindrical weight
meter displaced by a digital viewing
screen.
Creator of the new design is Kei. ..
Moser, a recent graduate of the Universi-
ty of Ariz0fl3 aerospace and mechanical
engineering department. He won a scale
design contest sponsored by Carlton
YanGorder, owner-president of Watling
International Co., manufacturer of the
old-style model.
"Everybody's got to change some-
time," sighed YanGorder, a Tucson resi·
dent. He admitted that the high cost of
casting parts for the old scales played a
major role in the design change.
Moser was awarded $1,500 and offered
~ position at Watling lntemational's plant
in Puerto Rico where the new scales will
be manufactured.
Watling's Tucson operation, at ™'I E.
Wieding Road, will not be affected by the
plans to manufacture the new scale. The
local facility primarily deals with storage
of parts for Watling.
"It's all pretty exciting," said the
young designer. "It's nice to think of
something you made being out on the
streets and seen by the public."
VanGorder left the appearance of the
scale to Moser, but set a few guidelines.
He requested a scale that would please
old customers like Woolworth Co. and
Grant Department Stores and attract
new clientele like supermarkets and
hospitals.
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He also wanted a scale that could be
built for about $350; be short enough for
an 11 year-0ld to use; and have a digital
readout screen that would be clear, but
discreet.
''You don't want the printout screen to
be tro big," said Ya.nGorder. "You want
it so a lady can step onto the scale with-
out being afraid that everyone can see
how much she weighs."
Moser, assisted by classmates from
professor Marvin D. Martin's mechanical
.::ngineeril • design class, came up with a
scale that met all these requirements and
me;re. The scale has a tapered red and
black body and gently tilted digital print-
out screen. The screen gives weight in
pounds and metric system kilos.
To this basic scale plan Moser added
places where stamp and plastic laminat-
ing machines can be attached.
"It's a very modem looking scale -
much better than the designs that were
suggested by the commercial engim:enng
companies I went to befort: going to the
UA for help," said YanGorder, whose
firm sells the scales to distributors who,
in tum, place them in stores and main-
tain them.
Watling's new, improved scale has
entered the space age in terms of coin
cost, too. Instead of the old-fashioned
penny, it will probably cost a dime to
operate.
"Look at it this way," said YanGord-
er. "A penny ~ years ago was probably
worth IO cents today."
appeared in the "Tucson (Arizona.) Daily Citizen" 2/5/76. The same story also appeared in The Miami Herald
~ ~other newspapers all over the country. For many, many years coin operated personal weighing scales were knovn
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e Gold Bonds of the Industry." Perhaps the new 10¢ scale by Carlton Van Gorder of Watling International, Inc.,
-4' hnom that has long been neglected by the industry.
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MARKETPLACE
NEWSLETTER
PAGE 4, MARCH, 1976
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The sound of music, automatic music, has been heard in this industry for almost 100
years. From the wax cylinder phono of Thomas A. Edison in 1886 thru automatic pianos,
harps, violins, up to today's glorified jukeboxes. Every step along the way, every
change in design and mechanism to do the same thing has seen the price go up and up and
higher up. From the first modern type jukebox of 1934 until today's models, price boomed
from $250 to i2,000. That's an increase of 70
About ten manufacturers of jukeboxes existed during those 42 years. Only three are
left. Offhand, there vas Wurlitzer, Mills, Gable, Capehart, Aireon, Exhibit, Capitol,
vho left the industry. The original AMI, now known as Rove-AMI, along with Seeburg and
Rock-Ola remain. So that, as price soared, manufacturing plunged. The three manufactur-
ers now existant are more than capable of taking care of all jukebox demand. Wurlitzer
and NSM of Germany have also entered the U.S. sales picture •
Aside from changes in cabinetry plus electro-mechanical improvements, tho very highly
regarded, especially in the matter of great tonal quality, phonos have continued along
the lines of the original jukebox idea. In 1939, the defunct Mills Novelty Company came
up with a new idea, "Panoram", music on film that, for a brief period, seemed destined
to lead music operators into a new era. Mechanical imperfections plus lack of an exten-
sive film library, turned the "Panoram" and other similar type machines, back into the
old time penny arcade peek machines.
At least "Panoram" was a new idea, even tho it was based on the drop picture machines
of the 1890s. Someone was thinking about the jukebox operator and his future. From the
post-War II period up to the 1976 models there has been constant repetition. Oh, yes,
the number of selections zoomed all the way up to 200. What difference if the number
would have gone up to 2,000 selections? This simply meant more dead record storage . Some
of the 200 selections didn't get ten plays a year. In the past few years, as all know,
this has been cut back to 100 and 160 selections.
"So what?", as many music operators question. What the music industry requires is a
new play action idea. An idea that will bring back young and old to play jukeboxes in
droves. Pretty new cabinets, exceptional tonal quality are fine and dandy. High prices
do not frighten operators who can amortize the cost within a reasonable period of time
and enjoy a decent return on their investment and for their hard work during the amor-
ti zation period. At least more than they could get investing their dollars in stocks,
bonds or real estate. What does upset operators is the fact no new and different ideas
have , while prices of jukeboxes continue to soar, come into being to as~ure the music
operators' future. A lot more than a change of cabinetry plus a fev electro-mechanical
improvements are needed by the automatic music industry to bring back boom times.
'ihat do you think? Write: Marketplace, 185 N. Wabash Ave., Chicago, Ill. 60601.

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