Coin Slot

Issue: 1982 June 088

Coin Slot Magazine - #088 - 1982 - June[International Arcade Museum]
Continued from page 41
Price Schedule:
Conditions
Number
Good
Excellent
Restored
950
1942
3,497
1,800
4,500
6,500
9,500
11,500
*1015
1946-47
***56,246
850
1,850
3,000
4,700
6,500
*1080
1947-49
7,604
800
1,500
2,800
1100
1948-49
**25,000
475
875
1,250
4,300
2,750
4,200
Model
Year
Manufactured
Parts
Fair
5,800
* includes various styles
** current estimate is 7,000
*** possibly 69,000 produced
With a few minor changes to the mechanism of the
piece front door saved on labor costs. The beveled
lower plastics saved the time for trimming plastics and
painting them. The elimination of lighting saved money.
The rotating program holder saved space. Every corner
was cut in the production of the 1100, but the money
1080 and the addition of the cobra tone arm and
improved sound system, the cabinet is where price
cutting began. Although not obvious at first, the lack of
castings was a certain sign of cost cutting. The one-
Jukebox Serial Numbers:
Wurlitzer Serial Numbers (1946 to 1949 models)
■ and the rest of the collecting community is
greatly in debt to Jerry Wagner of San Diego,
speakers, and accessories. The significance is that
unknown production numbers will become known,
Look these numbers over closely. If you have one of
California The surprize that awaited me is
proof that there are some serious collectors out there,
It may seem like just a random grouping of numerals
until the significance is understood. If this system
the following models that is lower or higher than those
listed in the observed column, send the information to
me. The list you see now could only have been possible
with the difficult task of accumulating groups of model
works, it will also work on pre-war jukeboxes, wall
and serial numbers.
Wurlitzer Serial Numbers (1946 to 1949 models)
Observed
Low
High
1,001,262 - 1,041,889
Model
1015 Jukebox
Probable
Low
High
1,000,001 - 1,050,000
Quantity
50,000
1,052,281 - 1,084,594
3031
1,050,001 - 1,085,000
35,000
1,102,252 - 1,152,165
1,364,350 - 1,364,809
1,392,751
1,421,017 - 1,437,957
1,481,499-1,490,896
1,600,162 - 1,600,357
1,602,745 - 1,607,198
1,650,421 - 1,656,938
3020 Walibox
4000 Wall Speaker
4002 Painted Star Speaker
215 Impulse Transmitter
216 Red Impulse Receiver
3025 Painted Walibox
3025 Chrome Walibox.
3045 Painted Walibox.
1,100,001 - 1,155,000
?
1,390,001 -
?
1,420,001 - 1,440,000
1,480,001 -1,491,000
1,600,001 - 1,602,000
1,602,001 - 1,608,000
.....1,650,001 - 1,658,000
55,000
?
?
20,000
11,000
2,000
6,000
6,000
?
3045
Walibox
Chrome Walibox.
?
?
Red Stepper- RS serial
Red Stepper.
1,868,001 - 1,870,000
1,870,001 - 1,875,000
2,000
5,000
Red Stepper - 3 fuses
1,875,001 - 1,880,000
5,000
SilverStepper-SilverTrans... 1,880,001 - 1,882,500
SilverStepper- BlackTrans... 1,882,501 - 1,887,000
Jukebox
1,917,001 -1,921,000
2,500
4,500
4,000
1,868,617 - 1,869,009
1,870,074- 1,874,754
219
219
1,875,876- 1,878,074
219
1,880,384- 1,881,891
1,883,178 - 1,886,822
1,919,120-1,919,802
219
219
1017
1,945,008- 1,950,670
1080
Jukebox
1,945,001
- 1,952,605
7,604
2,050,634 - 2,068,001
1015
Jukebox
2,050,001 - 2,069,000
69,000
1100
Jukebox
2,100,001 -2,125,000
25,000
1080A Jukebox
2,150,001 - 2,151,000
1,000
2,170,001 - 2,171,500
1,500
2,180,001 - 2,183,000
3,000
2,200,101 -2,009,100
2,300,001 - 2,303,000
1,000,001 - 1,050,000
3,000
2,050,001 - 2,080,000
80,000
2,100,001 - 2,127,000
27,000
2,101,140-2,124,651
2,150,034 - 2,150,550
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1017A Jukebox
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Amp
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2,201,880-2,208,128
2140
Frog
Barbox
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2,300,874
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1,013,354
503 Amplifier
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2,071,971
503 Amplifier
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2,170,187 - 2,171,106
2,110,585 - 2,125,859
(? = unknown estimate)
42-THE COIN SLOT
© The International Arcade Museum
506
Amplifier.
9,000
June, 1982
http://www.arcade-museum.com/
Coin Slot Magazine - #088 - 1982 - June[International Arcade Museum]
was cut only from the cabinet The 24-select mechanism
remained intact and the sound system superior to any
prior model. Today the collector weighs the value of
the jukebox mostly on the cabinet style. The 950 may
have been short of a mechanical and audio disaster,
although the cabinet is the most beautiful. The 1100 is
the Plain Jane of the 1940s. When a suitable set of
replacement plastics are made available for the 1100,
many 1100s will receive the face lift they need. The
1100 will prove to be one of the best buys for the
money at the present. It still has the charm of the 40s,
but the blush in the cheeks had worn to a grey. By the
time the model 1250 was introduced in 1950, the sun
had set for the classics. A new decade was beginning
for Wurlitzer and those years are another story.
Footnote:
As the song "Where Have all the Flowers Gone" in
the 1960's, the same applies to Wurlitzer jukeboxes.
Where did they all go? A small percentage went
straight to the dump. They were stripped of any usable
mechanical parts and scrapped. Another small per
centage was forgotten at the jukebox's last location.
The majority ended up in the operator's warehouse
and private owners purchased them for their base
ments. This accounts for 60 to 75 percent of the total
amount manufactured. The rest were shipped overseas
from the factory in the 1940's, and in the 1950's the 78
rpm jukeboxes found their way to South America and
Latin America. Many of the 78 rpm record presses also
followed when the United States market totally had
converted to 45 rpm in 1959. It was cheaper to press
78 rpm recordings rather than convert to 45 rpm in the
less developed countries. These 78 rpm records were
still being pressed in the late 1970's in South America
to supply the abundance of 78 rpm American jukeboxes
An indication that the larger platter is beginning to lose
popularity is when a Midwestern jukebox dealer can
purchase 87 model 1015's in Brazil and profitably
compete with current U.S. prices after shipping costs.
With so many 78 rpm jukeboxes to the south of us, and
with an ample supply of records, why not get every bit
of usefulness from what is considered antique here?
Somehow I have the feeling that more large groups of
jukeboxes will be arriving in the near future. How will
they affect the market? Let's wait and see.
Pinball Troubleshooting
Continued from page 39
'normally closed' switches the exact reverse of this
should occur, the actuator blade moving by a small
amount before the points start to open and by a similar
amount after the points separate. Reference to Figures
2A and 2B should help to illustrate override.
Adjusting of switches for proper override
should be performed by slightly bending
the 'non-actuated' blade (the one not
moved by the external device). The switch
should be in its open position (for'normally
closed' switches the switch should be actuated by hand
to open the points). The blade should be bent slightly in
whichever direction is necessary to provide a small
gap between the two mating points. This bending
should be done using a special contact adjusting tool
or a small pair of needle nose pliers gripping the blade
immediately adjacent to its fixed end. The switch
should then be actuated by hand (or released in the
case of a 'normally closed' switch) observing when the
points first touch and then noticing if both blades
continue to move a small distance further, as described
above. If enough override does not occur readjust the
blade until proper override is obtained.
It may take a person a while to develop this point
adjusting technique (it is not easy) but once perfected
it will be one of the most important skills in game
maintenance. One should very seldom have to bend
the 'actuator blade' of the switch unless it has become
bent itself. Also remember that an 'SPDT switch has
both a 'normally open' and a 'normally closed' side,
each of which should be treated as a separate switch.
Once one side is adjusted the other side's adjustment
should be rechecked since movement of the common
actuator blade can occur during adjustment.
This completes the discussion of pingame compon
ents. Next month some of the basic circuit configur
ations used in games will be discussed starting with
connections of switches to perform complex switching
functions
CORRECTION:
The Coin Slot regrets the error made in Jerry
Noel's ad in the May, 1982 issue on page 16. We
hope this has not caused any inconvenience. The
last item for sale should have read:
(7) Cash Registers: 4 National, 1 American,
1 Illinois and 1 Michigan,
for all $1,800
Jerry Noel
points to rub slightly against one another providing a
type of self cleaning action for the points' surfaces A
general rule for the proper amount of override would
be that the actuator blade should continue to move,
after the points first touch each other, by an amount
about equal to its movement from its rest position to
the position where this touching first occurs. For
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10466 Lincoln Dr.
Hamburg, Wl 54438
(715)675-6972
Please accept our sincere apology, Mr. Jerry Noel.
lists dnri song titles
DESMOINES, IOWA50311 #(515)981-4019or981-0245
June, 1982
© The International Arcade Museum
THE COIN SLOT —43
http://www.arcade-museum.com/

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