Coin Slot

Issue: 1981 July 077

Coin Slot Magazine - #077 - 1981 - July [International Arcade Museum]
rants reopened, did the box become a familiar feature
of the American scene.
One more consideration of note is that prior to the
introduction of amplification in the late Twenties, no
JUK6EOX
phonograph could make enough noise to compete
with the clatter of the player piano and the uproar of a
mechanical band
So, for the purpose of this article and with all respect
lever
for our friend in San Francisco in 1899, let us further
define the jukebox as, 'an amplified phonograph built
on a commercial production basis with a coin mech
anism, for the purpose of making money from the
customer. The people making money on these juke
boxes were tavern owners, the distributor, the opera
tor, and the manufacturers. Was the mob also involved?
More on that later. If I am wiped out in the mean time
you will know who did it.
The first commercial jukeboxes could very well have
been built around 1925. There are-some clouds as to
By Jim McLellan
the manufacture that gets the credit and blue ribbon...but
Mills, Seeberg, Automatic Musical' Instrument Com
pany (AMI) were tooling up in the late 20's. Wurlitzer
and
The Jukebox— Its Beginnings
Rock Ola,
later to become giants, didn't get
cooking until around 1 933-34 as they were primarily in
the music box business.
The first jukeboxes of this era (lets say from the late
20's and early 30's) resembled old radios. They posses
The jukebox was invented by Gus Edison, a distant
sed no plastic or rotating lights, or bubble tubes. Their
nephew of old Tom Edison, in order to save his bar in St.
cabinets were made of oak, mahogany, maple and
Louis. MO. from foreclosure. The year was 1907.
The above paragraph is, of course, totally untrue, but
as with any beginning there are many stories. History
has a way of glorifying facts in order to keep the kids
other materials that you would find in furniture pieces
awake in class, although it never worked for me.
jukebox with transluscent plastic panels behind which
In order to ascertain the true beginning of the
jukebox — maybe the first step is to define a jukebox.
were fixed low wattage bulbs, goes to Seeberg in
1938. The effect was to make the phonograph glow.
of that time period.
These early jukeboxes were blah compared to the
boxes of the late 30's and 40's. Credit for the first
The simpliest definition I can conjure up on my own as I
Manufacturers had striven to give their equipment
sit here at my writing machine is "A phonograph with a
drawing power by using veneers, sfeps and angles on
coin mechanism attached to it for the express purpose
of making money from those who wish to play it."
Further, a more formal definition of jukebox (Gullah
the wooden cabinets. But this was the age of electricity
International Dictionary, or as very poetically put in the
and the light-up jukebox was a breakthrough. When
the "Symphonola" classic was unveiled at the 1938
convention at the Sherman Hotel in Chicago, it stopped
the show. Rock-Ola, Wurlitzer and'AMI went straight
January 1975 edition of OUI mag, by Albert Goldman
back to their factories and restyled their 1938 models.
juke, joog disorderly, wicked), Webster's Third New

Most
McLuhanesque
ot
media,
most
Norman
Rockwellish of teenage scenes..inspiration for dan
The most gigantic impact ever made on the light-up
animated jukebox was by my man, .'Paul Fuller of the
cing saddle shoes, .consolation for boozy, heads-down
Rudolph Wurlitzer Manufacturing "Co., North Tono-
middle age., altar to the great god Bass...progenitor of
wanda. New York. He is largely responsible for the
light shows..archetypefordiscotheques...noble sculp
classic jukeboxes made by Wurlitzer from 1939 to
tured, gloriously illuminated, ebulliently bubbling foun
1949.
tain of youth and luridly glowing shrine to the maltshop
Paul's impact produced the revolving lights with
muses — of all pop icons, the most sublime by far is
animated color changes, bubble tubes, elaborate use
the juke-box
of chrome, little ministages complete with curtains on
God1 If I could write like that. I may be
stuck away in the corner of some smoke-filled publica
the back door and behind the record stack. Jukeboxes
tion room writing articles instead of the mile-high airof
were offering 24 selections now instead of 10 or 12.
.com
m
:
u
e birth may be
om bets m for
jukebox...then one of the fr
best
us its
d
-
e
e
in 1899, when the a owner
d Palais Royal Saloon in
a the
lo d .a an r of c electric
n
San Francisco
installed
motor-driven Edison
w
w listening tubes
Do /ww four
phonograph. It / had
and the machine
:
was activated
http by inserting a nickel in a slot. However.the
Denver having a blast collecting old jukeboxes.
OK...if we are to use the simple definition of a
Just before the War and up until 1949 were the
classic years for the jukebox. These are the valuable
collector items today. The most notable jukebox from
before the war was the 850 Wurlitzer with its polorized
Peacocks that flitted its feathers in time to the music,
or so it seemed. The classic jukebox, and the one the
second reincarnation of the jukebox may be more
Smithsonian Institute has on display was the 1015
'Wurlitzer There were more 1015s made than any other
relavant as we know it. Not until-Repeal (January 5,
jukebox and it seems to be the favorite of most of the
1933), when thousands of taverns, bars, and restau
nostalgia freaks. It is the one with the crown top,
42-THE
COIN
SLOT
© The
International
Arcade
Museum
July 1981
http://www.arcade-museum.com/
Coin Slot Magazine - #077 - 1981 - July [International Arcade Museum]
elaborate use of plastic, color cylinders that revolve
mechanism for the Model "A" and Model "B" are the
and change colors, eight bubble tubes, walnut cabinet,
same except the vendor pocket is substantially longer
etc. and the one that people say, Oh Yea, I remember
and wider than the Model "A". This feature makes the
that one.' The last of these fancy creatures as we know
the classics was Paul Fullers 1100 Wurlitzer- 1947-48.
Model "B" really different.
With the introduction of the T.V. in the 50's, the
Comparing a Model "A" and Model "B" with each
having a nine pound globe will allow you to see that the
jukebox was pushed further and further back into the
Model "B" is a taller machine. Do not be deceived by
corner and relegated more and more to background
the fact that the Model "B" appears to have a bigger
music. During the hayday of the jukebox, it was the
globe. It definitly does not. The Model "B" base comes
focal point of the room both from the music standpoint
in either plain orwith a dish that has 1908 inscribed on
as well as the visual. Also people were encouraged to
'hang around' at the soda fountain and local hamburger
the top of the dish.
joints instead of the fast food concepts that were
No. 1R FINISH is a cardinal red baked enamel. This
finish comprises first a coat of red oxide oil base primer
prevelant in the 60's and still are today
The regular stock fluid on the Model "B" was No 1R.
Today's jukeboxes are mostly for background music.
The mechanism is hidden and the charm and mood of
baked on under 225° temperature. The finish coat is a
the 40's jukeboxes is absent I have recently seen a
temperature. This enamel gives a high luster finish
trend, however, for more flash in jukeboxes and would
with excellent wearing qualities. Any other color other
love to help design one A lot of hearing is what you
that No. 1 R is a repainted machine and not an original
color. Naturally as with all Columbus machines, the
see
high quality baking enamel baked on under 180°
Model "B" came equipped with Columbus Vise-Grip
Locks with each lock having the name Columbus on it.
COLUMBUS
Model "B"
50 Peanut Vendor
Finding a Columbus Model "B" will not be an easy
task and is a nice addition to any collection. However,
let me point out this is an expensive machine and if
numbers mean anything there are a few in existence
today.
For more information on the Columbus Model "B"
please contact: One Penny Wonder, 805 Terraceview
Lane, Plymouth, MN 55447 or call (612) 473-3871.
****•••****
i
•WANTED*
Regina Music
Boxes
Especially Uprights
And Changers
We will also buy
incomplete Reginas
And Parts. (Send photos.)
We are a well known,
fully equipped,
CIRCA 1910
music box
restoration shop,
and can also
make any gears
• ••••••••••
or parts you may need.
.com
m
:
u
Vendor had been used in r
om United
se and many
u States
f the
m
d the
-
e
foreign countries during
past
twenty
five years. The
e
d
ad The Model
oa back .a to rc 1910.
l
Model "B" dates
"B" was
n
w
w "A". However, there were a few
Do the
w
similar to
Model
w
/
:/
differences ttp
h that makes a Model "B" truly one of the
The well-known "Columbus" Model "B" 5 Call
(609) 858-6421
THE MEEKINS
MUSIC BOX CO.
most unique Columbus machines ever made.
Box 161,
The writer believes the Model "B" was a 5 not a [1 (penny) machine it most likely was converted. The
© The International Arcade Museum
July 1981
I
Colllngswood, NJ 08109
http://www.arcade-museum.com/
THE COIN SLOT-43

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