Coin Slot Location

Issue: 1981-August - Vol.Num 1.5 Issue Autumn

Location
the introduction of their pointer wheel machine
named the Cuban Machine, which consisted of
three separately revolving arrows on a dial. If all
three arrows stopped on the same colour the
machine would pay out. In this sense one can find
examples which predate even this. However, the
connection becomes increasingly tenuous, and one
would be better placed to consider the design and
styling of the Puritan machine in order to propose
an alternative reason for the use of three reels.
The machine looks at first sight remarkably like a
cash register, in which case one might be forgiven
for mistaking the numbered reels as a sales tally in
dollars and cents rather than as a three figure
gambling combination. One is, in fact, witnessing
an early example of gambling machine deception,
whereby the spectator, and especially any
antagonistic legal authorities, can be fooled into
seeing it as a legitimate trading device rather than
an illegal gambling machine.
Trade stimulator
Despite its disguise the Puritan is historically
classified as a 'trade stimulator', in that it
incorporated no automatic payout. Its main
innovative feature, apart from its use of three
reels, was its use of a mechanical system whereby
every fifth or seventh coin played into the machine
was channelled into a separate compartment for
use either as a housepaid jackpot or as the
operator's percentage.
As with all successful machines it was soon being
widely copied and marketed by other rival
manufacturers.
Having now briefly examined the key
developments in America prior to the introduction
of the three-reel automatic payout 'slot' machine
in 1905 by Charles Fey, one can now safely
introduce it in some detail without fear of giving a
false impression of it. The machine consisted of a
rather drab cast iron cabinet resting upon claw
feet. It was operated by the insertion of a nickel
into a single slot which enabled the handle at the
side of the machine to be pulled down by the
player causing the three, ten stop, symbol
bedecked reels to spin. A perforated plate inside
the machine spun with each reel. The reels would
then stop in a consecutive timed sequence, and if a
winning combination was made the perforations
would line up so that metal fingers would project
through them so as to trip the coin slide for a cash
payout in nickels.
Despite the fact that the machine had an
automatic payout the reward chart on the front of
the machine listed drinks as the prizes. This was a
fairly standard ploy, adopted in order to deceive
the authorities in areas where gambling was illegal
into thinking that the machine was no more than a
trade stimulator, in that it seemingly gave awards
for merchandise rather than cash, and was
therefore legal. Another ploy that Fey reputedly
adopted was the use of a tax stamp.
Having used playing card suits as well as
horseshoe, bell, and star symbols on the reels, he
stuck a 2c tax stamp on each of his machines,
there being a Federal revenue tax on a pack of
playing cards at the time. This in effect allowed
the operator to further confuse the issue and
enable him to argue that even if the authorities
refused to accept the machine as a trade
stimulator that, by the addition of the tax stamp,
the machine was in conformity with the law, being
as much a game of chance as a game of cards. By
this time such artifices had become increasingly
common, and in retrospect it is evident the
automatic gambling machine has spent over half
its production life posing as something else.
Within this context even the name of a machine
became significant-witness the Puritan for
example-and to this end Fey again followed
earlier precedents by giving his machine a patriotic
name. He called it the Liberty Bell after one of the
greatest symbols of American independence.
Great setback
Fey placed the first of these hand built machines in
a San Fransisco saloon. It proved to be very
popular. As a consequence production at his small
workshop in Market Street was geared up to
making as many of these machines as would
satisfy the demand from his operator routes along
the Barbary Coast. However, within a year the
enterprise was to suffer a great setback. On the
morning of the 18th of April, 1906, the city of San
Fransisco was virtually destroyed by a major
earthquake followed by raging fires . Recording
the event in a somewhat romantic mood, many
years after the event, his grandson Marshall A.
Fey wrote:
"Within four blocks of Fey's shop five major
uncontrollable fires broke out. Later in the day all
hope of saving the area of Market Street was
abandoned. Charles Fey hastened to a nearby
The Archaeology of the Fruit Machine
livery stable for his horse and buggy. Then he
quickly returned to his doomed shop to salvage
what he could. Fortunately he did save his most
prized possession, the original Liberty Bell
machine and a few lesser valuables.
"After the fire Fey returned to find that the
handsome edifice that housed his shop was in a
complete state of ruin. The interior of the building
had been completely gutted by fire. All that he was
able to salvage was a mass of molten nickels found
in the cash can of a slot buried in a pile of rubble
on the ground floor. He mounted the souvenir of
melted nickels on a casting that he was to treasure
the rest of his life as a memento of the 1906
holocaust,,.
Severe blow
Doubtless the destruction of his workshop must
have been a severe blow, forcing him to spend
what capital and energy he had left upon building
and equipping a new workshop in Jesse Street,
rather than on expanding the company's
production or marketing capacity. However it is
debatable as tc whether, had the earthquake not
happened, he would have had the ability or the
foresight to undertake the marketing of the
machine on a national scale, for, it must be
remembered, it was never operated beyond the
San Fransisco area.
Its manufacture was never subcontracted, neither
was a partnership formed in order to provide
capital to exploit the machines' potential. The
machine itself was manufactured for only one or
two years, and a recent estimate of the number of
Liberty Bell machines ever produced concluded a
total output of some 50 or 60 machines-hardly
enough to shake the world.
As important a symbol as Fey has become to the
history of automatic machines, both in terms of
his innovative skill, and his longevity within the
manufacturing field, his greatest achievement
appears in retrospect to have been the persistent
nature of the divergent and often misleading
stories which have clung to his name.
At this point in the story there exists two
contradictory versions of events. One little known
version emanates from the Mills family. It states
that because of his financial difficulties following
the 1906 earthquake, Fey took his machine to the
Mills Novelty Company in Chicago, and offered
them the manufacturing rights to the Liberty Bell
in exchange for the first 50 such machines that the
company produced. The offer was accepted and
the Mills company set to work in producing a
more sophisticated version of the Fey machine.
However, no contemporary written evidence has
been found so far to support this story.
Reservations for its ready acceptance rest on two
factors. Firstly, Fey received no credit for his
machine in the subsequent Mills advertising
literature unlike, for example, M. A. Larkin, who
in 1908 had struck a deal with the company
relating to the production of a dice machine of his
own design, the On The Level, whereby he was
used not only for testimonials, but was also given
the Californian distributorship. Secondly, since
Fey's machine was unpatented, Mills would, in
fact, have had no need to get permission from Fey
in order to manufacture a copy of it.
The second, though somewhat mellowed version,
emanates from the Fey family. Its gist, as is to be
expected, is favourable to Fey, yet its real
occurence is to my mind of equal probability to
the Mills version. It runs as follows: Even though
Fey was scarcely able to cope with the demand for
the machine he refused all offers for the
manufacturing and distribution rights. As a
consequence the machine was never used beyond
the State of California. He feared that the
machine would be copied, a common enough
practice at the time, but he could not patent it
because it was not for 'the public good' (although
in practice there were ways around this as
exemplified by the 1911 Mills patent for the
Liberty Bell as a gum vending device).
Fey neither sold nor leased his machines, but
instead chose only to operate them locally on a
percentage basis. This, he believed, would stop
competitors from acquiring a machine and therby
copying it. It was a futile attempt, as Fey must
have realised when, according to the story, he
discovered that one of his machines had
disappeared from a local saloon.
During this period all of the three increasingly
important manufacturing companies of Mills,
Caille and Watling maintained branch offices in
San Fransisco. The parent companies must have
soon been made aware of the success that Fey's
Liberty Bell was having. It must have been to his
great dismay, therefore, to hear that the Mills
Novelty Company of Chicago, in January 1909,
were announcing the manufacture of a brand new
machine, known as the Mills Liberty Bell!

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