Coin Machine Review (& Pacific ...)

Issue: 1939 March

.....
JIMMIE LUNCEFORD (0 ) 4582
'Taint What You Do (FT)
Cheatin' On Me (FT)
SECRIC'S HONEY BEARS ( 0 ) 4576
The Joint Is Jumpin' (FT)
Off Time (FT)
OVIE ALSTON ( 0 ) 4577
Twinkle Dinkle (FT)
Spareribs and Spaghetti (FT)
JIM BOYD STRING BAND (HB ) 4559
It Makes No Difference Now
Troubles
BUSTER BAILEY ( 0) 4564
Man With a Horn Goes Berserk (FT)
Light Ui:>_ (FT)
FRED FEIBEL QUARTET (Organ, etc.) 4563
Swingin' At the Sugar Bowl (FT)
Swing Patrol (FT)
PATSY MONTANA (HB ) 4568
You're the Only Star
That's Where the West Begins
PATRICIA NORMAN (V ) 4547
Pluckin' On a Golden Harp (FT)
Flow Gently, Sweet Alton (FT)
MILDRED BAILEY (0 ) 4548
They Say (FT)
I Go For That (FT)
JAN GARBER ( 0 ) 4644
The Funny Old Hills (FT)
I Can't Get You Out 01 My Mind (FT)
MILDRED BAILEY (V) 4619
Be_gin the Beguine (FT)
I Cried For You (FT)
CHICK BULLOCK ( 0) 4620
When You Wore A Tulip (FT)
I Want A Girl (FT)
ART SHAW ( 0) 4637
South Sea Island Magic (FT)
It Ain't Right (FT)
credite d with having discovered one of
the fine new Negro bands, that of Bill
"Count" Basie.
Obtaining bands for recordings has
long been a hobby of the younger
Hammond. It was he who persuaded
the Englis h Columbia Co. to releas,e
abroad recordings of some of America s
fine s wing musicians then unknown.
On these recordings, many of them col-
lector's items today, will be found such
names as Benny Goodman, Bennie Car-
ter, Joe Sullivan, Fletcher Henders on
and Red Norvo. To bring these records
to American audiences today it is still
necessary to pay the English company
royalties.
Today, however, he knows just about
everybody in the field. His work with
the American Record Corp. will be no
accident because he will be doing, on
the job, just what he has been doing
for fun in the past-discovering vital
new music in America and bringing it
to the public through the medium of
recordings.
"Today recording companies must do
a crea tive as we ll as a service job,"
Hammond asserts. "It is not enough any
more just to get well-known bands to
make popular tunes. There is too much
of that already. The next job to be
done is to find the new, native, original
music that always has and always will
serve as the source material for Ameri-
can ja zz, and to encourage established
bands to play such typical music."
Hammond Scouts
for American Record Corp.
NEW YORK CITY.-Coming to the po-
sition with a rich background, John
Henry Hammond, Jr. , son of_ a man with
an illustrious record in music, has been
named talent scout and associate re-
cording director for CBS' American Re-
cord Corp. , according to rep~;! of ~xe,~
cutives. Trained in the
classics,
young Hammond, now 28, early discov-
ered "race records" and began at once
to glean information on "jazzology" of
which today he is a walking encyclo-
pedia. His present collection of thou-
sands of phonograph records was be-
gun on a youthful allowance of a doUar
a week. His familiarity with the pic-
turesque and fascinating field of hot
music is b a cked up by sound learning
at Hotchkiss and Yale.
Hammond's interest in "race" music
resulted in his discovery of such per-
sonali lies as the Mitchell Christian
Singers, Pete Johnson, Joe Turner,
Meade Lux Lewis and Albert Ammons,
whose places in the catalogue of the
American Record Corp. assures the ex-
istence as Hammond puts it, of " a trea-
sure h~use of original, native American
music from which we hope to draw
many ' fine artists." Hammond is also
Rock-Ola Parties
become popular w ith
new luxury lightup.
BIRMINGHAM. - Rock-Ola parties in
private homes and public places of
amusement are actuall y in style now
days , a ccording to reports corning from
many amus ement centers. In fact the
famous Rock-Ola Luxury Lightup has
become so popular that it attracts atten-
tion wherever one is placed.
The renting of phonographs for the use
of private parties has become a daily
habit of the Gold Dust twins. In fact
the Hurvich brothers have built up an en-
viable business in renting phonographs
to dances and parties, and the practice
is becoming m ore popular all the time.
The phonograph and the records are
furnished and it is reported that a mar-
velous repeat business is available.
e
lnanaediate
RECORD SERVICE
Within a few hours of you is an Authorized
RCA-Victor Distributor who understands the
specialized needs of Phonograph Operators
and is equipped to give you immediate
record service.
ATLANTA, GA. - - - - - ,
Polk Musical Supply Company
29 Pryor Street, North East
e
Parking Arranged
HOLLYWOOD. - To better care for
their customers the Rudolph Wurlitzer
C ompany has arranged free parking
space adjacent to their building at 1025
North Highland Avenue and mailed
Courtesy Parking Passes to operators
throughout Southern California.
The passes are g ood for a year and
entitle the holder to free parking in the
Wurlitzer lot at all times.
. - - - - - BOSTON, MASS. - - - - ,
Eastern Company
620 Memorial Dr., Cambridge
MILWAUKEE, WIS. - -
Taylor Electric Company
112 North Broadway
The doctor was visiting Rastus ' wife to
deliver her twelfth offspring. While rid-
ing along with Rastus he saw a duck in
the road.
Doctor: "Whose duck is that?"
Rastus: "Dal ain 't no duck. Dal's a
s tork with his legs wore off."
NEWARK, N. J. - - - - ,
Krich-Radisco, Inc.
422 Elizabeth Avenue
BRUNSWICK
NEW YORK, N. Y. - - - - ,
Bruno-New York, Incorporated
4 60 West 34th Street
Every Artist an ARTIST!
PHONOGRAPH OPERATORS
The 1939
, - OKLAHOMA CITY, OKLA. -
Hales-Mullaly, Incorporated
1-7 North East 6th Street
'flellletc11e
-
2000-PLAY . NEEDLE
is now the peer of them all.

NEW YORK CITY
PHILADELPHIA, PA. - -
Raymond Rosen & Company
32nd and Walnut Streets
WASHINGTON, D. C. -
outhern Wholesalers, Inc.
1519 "L" St., N.W.
Guilford St., Baltimore, Md .
IT'S DIFFERENT!
1229 PARK ROW BLDG.
COIN
MACHINE
REVIEW
DENVER, COLO. - - - .
. Hendrie and Holthoff Mfg. & Sup.
Co.
1635 17th St.
e
L. E. TURNER
37

It Pays to Use
VICTOR and
BLUEBIRD
RECORDS
https://elibrary.arcade-museum.com
Hits On
BRUNSWICK
Every Artist an ARTIST !
Only Records Suitable for Automatic Phonograph Use Are Reviewed in These Columns
CODE TO SYMBOLS: O-0RCHESTRA; HS-HILLBILLY; V-VOCAL; N-NOVELTY; R-RACE
BRUNSWICK
HORACE HEIDT (0) 8316
WE'VE COME A LONG WAY TOGETHER
(FT)
NEVER AGAIN (FT)
Slow foxtrots played in dreamy dance tem po
w ith vocals by Larry Cotton . Very good .
KAY ltYSER (0) 8317, 8324
HEAVEN CAN WAIT (FT)
I PROMISE YOU (FT)
STICKS AND STONES (FT)
AIN'T YA' GOT NO ROMANCE ? (FT)
First is another pair of slow foxtrots to keep
' em dancing and listening . Numbers are well
played and arrangements interesting. Second
offers novelties of the first magnitude . Sully
Mas on does both . Very qood.
HARRY JAMES (0) 8318
BOO-WOO (FT)
WOO-WOO (FT)
A jam session with Harry James and the
Boogie Woogie Trio . A full course meal for
the rug cutters, jitterbugs and what have you.
Scads of places where this disc will thrill .
TEDDY WILSON (0) 8319
MORE THAN YOU KNOW (FT)
SUGAR (FT)
Two grand old timers expertly done in slow
s wing by Wilson and featuring the intoxicat-
ing vocals of Billie Holiday . A ringer!
BARRY WOOD (0 ) 8323
GOOD FOR NOTHIN ' (FT)
LAST NIGHT A MIRACLE HAPPENED
(FT)
Entrancing foxtrot s wi th s uperb vocals by
Wood . Slow and fascinating arrangements .
Tunes have plenty appeal. Only sour note is
the blue ending standardized by this combo .
38
COIN
MACHINE
REVIEW
BLUEBIRD
ARTIE SHAW (0) 10141, 10148
THIS IS IT (FT)
IT'S ALL YOURS (FT)
ALONE TOGETHER (FT)
ROSE ROOM (FT)
Money-makers! First pair hail from the
mus ical comedy " Stars in Your Eyes ." The
clarinet of Artie ' s is pleasantly effective on all
four arrangements . Swing arrangemen t of
"Ros e Room " is a honey .
GRAY GORDON (0) 10142
IT'S ALL SO NEW TO ME (FT)
THE MOON IS A SILVER DOLLAR (FT)
"A" side is a medium sweet tempo foxtro t
taken from Joan Crawford 's ne w MGM pix
" Ice Follies ." Reverse side has a smooth bal-
lad admirably suited to Gordon 's Tic-Toe
rhythm.
"FATS" WALLER (0) 10146, 10149
A GOOD MAN IS HARD TO FIND (FT )
HOW CAN YOU FAC E ME? (FT)
PATTY CAKE, PATTY CAKE (FT)
ARM FUL O ' SW EETNESS (FT)
The old torch ballad is revived on this rec-
ord with " Fats " singing " A Good Man ."
Medium swing featuring " Fats' '. vocal w.ork
and pianistic efforts . Reverse 1s solid JlVe .
Second disc presents the type of number made
to order for this colored clown.
GLENN MILLER (0) 10145
CUCKOO IN THE C LOCK (FT)
ROMANCE RUNS IN THE FAMILY (FT )
Mighty interesting record . Medium swing
tune and a rhythmic ballad . W ell chosen
v ocals.
DICK TODD (V) 10150
I PROMISE YOU
I GET ALONG WITHOUT YOU VERY
WELL
Should produce for operators. Todd is
backed by three charming young lady com-
panions whos e constant chanting fills in the
empty s pots.
DECCA
GLEN GRAY (0) 2281, 2292
LAST NIGHT A MIRAC LE HAPPE NED
(FT)
HOBOKEN BUCKET (FT)
COULD BE (FT)
I WON 'T BE LIEVE IT (FT)
A slow ey and a fasty on the first disc.
" A" side is a dreamv love song nicely done
by Kenny Sargeant. The whole band swings
o ut on the " B" side burlesquing " The Old
Oaken Bucket." Second record carries an-
other duo of dandy foxtrots . First is fas t
and second medium slow . Verv qood.
BOB CROSBY (0) 2282
SKATER'S WALTZ (FT)
EYE OPENER (FT)
A pair of swingy dandies featuring Bob
Zurke at the piano . Plenty of dough await-
ing this disc on the phonos .
PAUL WHITEMAN (0) 2283
I GO FOR THAT (FT)
NEVER FELT BETTER, NEVER HAD
LESS (FT)
Ano ther knockout featuring the Swing
Wing and the superb vocal work of the
Mod ernaires . Unlimited possibilities.
MILLS BROTHERS (V) 2285
SWEET ADELINE
YOU TELL ME YOUR DREAM I'LL
TELL YOU MINE
These boys are nickel getters in thousands
of spots regardless of the numbers they rec-
We've moued
The DECCA San Francisco office has moved to
new a nd finer quarters at:
35 Stillman Street
At this new a ddress, in larger and more a d e-
quate quarters, the same organization stand s
ready to serve you even more efficiently .
Get the DECCA habit. Once formed . . . never
broken] For DECCA supplies you with the finest
money-making record s week in and week out.
Hear the newest releases a t the new San Fran-
cisco offices or a t our other branches.
DECCA DISTRIBUTING CORP.
3131 Western Ave.
1 08 E. 17th St.
35 Stillman St.
SEATTLE
LOS ANGELES
SAN FRANCISCO
and other branches throughout the U. S.
ord . Here is a made-to-measure n umber for
taverns , bars, etc. Platter mate is attractive
too . Highly recommended.
BING CROSBY (V) 2289
MY MELA NCHOLY BABY
BETW EEN A KISS AND A SIGH
Two grand numbers by Crosby . His " Mel-
ancholy Baby" is a real gem for ops . Sec-
ond tun e is average.
ANDREWS SISTERS (V) 2290
BEGIN THE BEGUINE
LONG TIME NO SEE
A sensational vocal operator 's natural.
First tune gets a s nappy handling by the
Sisters Andrews . Coupling is okeh too. Get
this by all means. You 'll find you can use
qllantities.
GUY LOMBARDO (0) 2291
PENNY SERENADE (FT)
I CAN 'T FIND ANYTHING TO SUIT MY
MOOD (FT)
The type of numbers Lombardo does so
well . His " Penny Serenade" should make a
nice showing .
JIMMY DORSEY (0) 2293
LET'S STOP THE C LOCK (FT)
THE MASQUERADE IS OVER (FT )
Knockout tunes played with the Dorsey
finesse evident in every note. Top ranking
favorites capable of winning friend s and
nickels too .
VICTOR
RICHARD HIMBER (0) 26164
PARADE OF BANDS (5 & 6)
Third record in the band impression series .
This time the ork plays the theme songs of
Whiteman , Bob Crosby , Artie Shaw , Larry
Clinton , Eddie Duchin and Count Basie.
Exceptionally well done and a proven
money-maker for ops .
BENNY GOODMAN (0) 26166, 26170
PICK-A-RIB (I & 2) (FT)
AND THE ANGELS SING (FT)
SENT FOR YOU YESTERDAY AND
HERE YOU COME TODAY (FT)
The famous Goodman Quartet adds a bass
a nd becomes a quintet on the first disc. A
--THE BOT BOX--
Victor 710-Hot Pretzels
Beer Barrel Polka
Victor 711-Polka International
World's Fair Polka
1'wo outstanding records for music
operators. First is played by Glahe
Musette's ork. and second by Silver
Bell combo. During first week these
records were on sale in east. over 5000
copies were sold to operators. Both
dis cs are naturals for any type of spot.
Get next to these and start cashing in.
very plea s ing example of hot chamber
mus ic . Second p latter is a positive . thril_l.
Starting at a med ium slow tempo the hme 1s
doubled following the vocal chorus and a
wailing trumpet dominates the performanc e
to the end of the record . Coupling is an
ansvier to a jitterbug 's prayer .. . a medium
b lues number and plenty good .
SAMMY KAYE (0) 26171
NAME IT AND IT 'S YOURS (FT )
THURSDAY (FT)
From Lew Leslie 's " Blackbirds of 1939"
comes this attractive partnership . Very good .
TOMMY DORSEY (0) 26172
HONOLULU (FT)
THIS NIGHT (FT)
Film tunes from " Honolulu ." Sw ing tunes
and a s mooth ballad . Loads of a p peal.
VOCALION
RED NORVO (0 ) 4648
G ET ALONG WITHOUT YOU VERY
WELL (FT)
KISS ME WITH YOUR EYES (FT)
Two na turals , vocally as well a s musical-
ly. Norvo's combo d oes a noble job of mak-
ing these danceable a s well as entertaining
to listen to. Second ditty hails from Para-
mo un t's " Cafe Society " w hich is just hit-
ting the boards . A timely record.

VOCALION
Tops Your "Must" List!
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