Coin Machine Review (& Pacific ...)

Issue: 1939 July

4*
2524 Henry Busse
OH BY JINGO! (FT VC)
OH JOHNNY, OH JOHNNY OH! (FT VC)
I* 2525 Bert Sheffer
MONKEY ON A STRING (FT)
TRAMMIN' AT THE FAIR (FT)
' * 2526 Al Cooper
JUMPIN' AT THE SAVOY (FT VC)
WE'D RATHER JUMP THAN SWING (FT VC)
3*
2527 Jolly Jack Robel
EARBENDER POLKA
AT THE OUTING
3*
2528 Harry Owens
CALLING ALL LOVERS (FT VC)
HULA BLUES (FT)
2*
2529 Jack Sneed
JAMAICA MAMA (V)
SISSY IN THE BARN (V)
3*
2505 Paul Whiteman
THE SHOEMAKER'S HOLIDAY (FT)
THE JUNE BUGS DANCE (FTI
2*
2506 The Merry Macs
IGLOO (V)
l'M FOREVER BLOWING BUBBLES (V)
3*
2507 The Ink Spots
IT'S FUNNY TO EVERYONE BUT ME (V)
JUST FOR A THRILL (V)
4* 2509 Henry Busse
THAT'S RIGHT-l'M WRONG (FT VC)
ROLLER SKATING ON A RAINBOW (FT VC)
4* 2510 Andy Kirk
S'POSIN' (FT VC)
l'LL NEVER LEARN (FT VC)
5*
2511 Freddie "Schnickelfrih" Fisher
HORSEY KEEP YOUR TAIL UP (VN)
MY PONY BOY (Y)
4*
2512 Ambrose
0. K. FOR SOUND (FT YC)
FREE (FT VC)
3*
2513 Ambrose
I HEARD A SONG IN A TAXI (FT YC)
THERE'S A NEW WORLD (FT VC)
5*
2494 Bing Crosby
EL RANCHO GRANDE (V)
IDA SWEET AS APPLE CIDER (V)
26282 Gray Gordon
AN OLD FASHIONED TUNE ALWAYS IS
NEW (FT VC)
THE SONG OF THE METRONOME (FT VC)
3*
26269 Jean Sablon
RENDEZVOUS TIME IN PAREE (V)
WE CAN LIVE ON LOVE (V)
4* 26270 Gray Gordon
CINDERELLA (W VC)
YOU ARE MY DREAM (FT VC)
3*
26271 Tommy Dorsey
I POURED MY HEART INTO A SONG (FT
VC)
BACK TO BACK (FT VC)
5* 26272 Hal Kemp
l'M SORRY FOR MYSELF (FT . VC)
WHEN WINTER COMES (FT VC)
4* 26273 Sammy Kaye
WE CAN LIVE ON LOVE (FT VC)
SOUTH AMERICAN WAY (FT VC)
• •
"I want something nice in oil for a
dining room."
"Yes, madam, a landscape or a can
of sardines?"
1/erJ
5*
DECCA
$mw.1,h cJ/d:i "'
lf'IIIW
Here Are 14 We Recommend
2321 SUNRISE SERENADE
by The Casa Loma Orch.
2384 BEER BARREL POLKA
by Jolly Jack Robel Band
2494 EL RANCHO GRANDE
by The Mills Bros.
by Bing Crosby
2440 WOODCHOPPERS' BALL
by Woody Herman Orch .
2464 ROSE OF WASHINGTON
S(j)UARE
~=: :1:~\le::::1
COIN
MACHINI
Not I or 2 or 3, but dozens of DECCA HITS are now available to
operators who want to "cash-in" on songs the public likes. -:- Never
before have there been so many outstanding DECCA favorites on the
market at once. -:- Visit a DECCA office today and hear these records
that will "mean money" to you.
2535 I SURRENDER DEAR
~
NEEDLES
45
ff
by Bing Crosby
.
ller4
~, l/t111rt
2285 SWEET ADELINE
TO
/Decca)
They call him King, but he really is the
Columbus of modern jazz. Without his in-
fluence, dance music might yet be the dis-
cordant thing it was in 1920. But to this
daring discoverer we owe not only the sym-
phonic fox trot, but many another promis-
ing experiment in syncopated music. Spon-
sor of more than a score of today's best-
known musical personalities, first to bring
Tin Pan Alley to Carnegie Hall, Paul
Whiteman still basks in the spotlight of
world-wide fame as he did when his .first
Victor recording "Whispering" sold two
million pressings. He says of himself: "I
haven't yet reached the point of stodginess
and old age where it is time· for me to look
back and wonder if it was all worth it."
Nl~lTl~ll
VICTOR
26278 Hal Kemp
LOVE FOR SALE (FT VC)
PARADISE (FT VC)
4* 26283 Larry Clinton
IN A PERSIAN MARKET (FT)
POOR LITTLE RICH GIRL (FT)
4* 26284 Gray Gordon
THE LAST TRIP ON THE OLD SHIP (FT VC)
THAT'S RIGHT-l'M WRONG (FT VC)
26285 Sammy Kaye
2*
I CAN'T AFFORD TO DREAM (FT VC)
LET'S MAKE MEMORIES TONIGHT (FT VC)
2*
26286 Jean Sablon
IS IT POSSIBLE? (V)
SOUTH AMERICAN WAY (V)
4* 26287 Tommy Dorsey
YOU DON'T KNOW HOW MUCH YOU CAN
SUFFER ( FT VC)
OH YOU CRAZY MOON (FT VC)
3*
26277 Larry Clinton
COMES LOVE (FT VC)
A BOY NAMED LEM (FT VC)
3*
26279 Sammy Kaye
MOON LOVE (FT VC)
SHAVE AND A HAIRCUT-SHAMPOO (FT
VC)
.
5* 26280 Kenny Baker
STAIRWAY TO THE STARS (V)
WATTE SAILS (V)
4*
26281 Tommy Dorsey
WELL ALL RIGHT! (FT VC)
ALL I REMEMBER IS YOU (FT VC)
Paul Whiteman
4*
by Bob Crosby & His Orch.
2286 IF I DIDN'T CARE
by The Ink Spots
f)
2462 WELL ALRIGHT
by The Andrews Sisters
2507 IT'S FUNNY TO EVERY-
ONE BUT ME
by The Ink Spots
2511 HORSEY KEEP YOUR
TAIL UP
by "Schnickelfrlh" Orchestra
2436 WISHING
!Will Make It Sol
by Russ Morgan & His Orch.
2541 AIN'T CHA COMIN' OUT
by Dick Robertson Orch.
2465 THE LADY'S IN LOVE
WITH YOU
by Bob Crosby & His Orch.
... ~
DISTRIBUTING CORP.
3131 Western Ave., SEATTLE
108 E. 17th Street, LOS ANGELES
35 Stillman St., SAN FRANCISCO
TOMMY KEARNS, 1025 Alakea St., HONOLULU, T. H.
and other branches In U. S.
https://elibrary.arcade-museum.com
Needle Wear
cessive record wear. It takes a skilled
craftsman to shape the patented elliptical
point and fashion a perfect radius which is
so important. For perfect performance it is
best to replace the worn needle with a
new one after it has played 2000 records . ♦
by Sherman Pate
Only through the use of the microphoto
can an operator fully appreciate the delicate
yet sturdy construction of the new Standard
Elliptical Permo Point Needle. Hundreds
of operators have found, during the past
eleven years, how indispensable this modern
phonograph needle is to perfect automatic
phonograph reproduction.
George Hall
(Vocalion)
No. 3
No.
Illustration number one shows a Permo
Point needle as it appears in playing posi-
tion, or as it fits in the record groove. Pic-
ture number two is the side view of Permo's
patented elliptical point. View number three
illustrates the even wear on a Permo Point
after it has played more than 2000 records.
46
of a human hair. This is possible because
the precious metal point material is ex-
tremely fine grained and smooth and creates
a self-lubricating polishing action in the
groove rather than an abrasive action.
Many operators prudently anticipate the
time when the needle will no longer give
efficien t service and make replacements,
thereby protecting themselves against ex-
pensive service calls and needless wear on
records. This is done by checking the num-
ber of plays as recorded on the meter, and
inspection of the needle point with their
Magnifiers.
In the past a few operators have tried
resharpening used needles because they
could see the apparent excess of P'recious
metal on the poin t. This has always proved
to be false economy as it leads to poor
reproduction, extra service calls and ex-
VOCAf .. lON
COIN
MACHINE
REVIE'((
T o p s Yo ur "Must" List!
George Hall possesses a record for
the longest musical run on Broadway,
having played at the Taft Hotel for
more than six years. In the matter of
broadcasting, he . has been allotted
more time during this period than any
other musical attraction heard over
CBS. Hall was born in Brooklyn. His
father was associated, as violinist, with
the eminent Walter Damrosch. Conse-
quently Hall was educated for a musi-
cal career. After many arduous years
of study, he .became first violinist for
Victor Herbert and relishes many happy
mem ories in this relationship. Consid-
ered the most unaffected bandsman
along Broadway, Hall has always made
it a stern policy to employ musicians
who could legitimately interpret his ar-
rangements. In the matter of arrange-
ments the first requisite was embellish-
ing the melody with modern harmonic
designs.
• •
e
A man and his wile were suffering
from seasickness, while their young son
became more rowdy by the minute.
Finally the mother mustered courage
and voice enough to say:
"John, I wish you would speak to
Willie."
The father, unable to lift his head,
said feebly:
"Hello, Willie."
THESE WURLITZER-SIMPLEX
FACTORY REPRESENTATIVES WILL
HANDLE YOUR MUSIC REQUIREMENTS
W. E. SIMMONS
No . 2
By comparing illustrations one and two,
it may be observed that the elliptical point
is twice as long as it is wide. This gives the
practical feature of having two points on
one needle. The even wear that is illustrated
in view number three is made possible by
the construction of the needle with these
two bearing surfaces, guaranteeing a full
life before the Perino Point is discarded.
Music operators make use of this desirable
feature by reversing the position of the
needle point in the pickup one half turn
every three to four hundred records.
That operators are sometimes confused
by the apparent excess or surplus of preci-
ous metal point material remaining after
the Permo Point has played over 2000
records, indicates the perfect construction
and even wear of this modern needle. Oper-
ators must remember that it is necessary to
have a minimum amount of point bearing
surface in the record groove at all times for
fidelity reproduction.
It is interesting to note that the Permo
Point needle, in 2000 plays, shortens, in
overall length, the approximate thickness
California
1025 North Highland Ave.
Roo ms 1401 -4-5
Phone GRan ite 4148
Nevada
Hollywood , Calif.
Arizona
FRED FIELDS
3127 Western Ave.
Seattle, Wash.
R. Q. KRAMER
Shirley Savoy Hotel
Denver, Colo.
Washington
Oregon
Idaho
Western Montana
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