Coin Machine Review (& Pacific ...)

Issue: 1939 February

36
COIN
MACHINE
REVIEW
graphs bought in 1934; and, coupled
with this, is the fact that many phono-
graphs older than four years which
s hould have been fully depreciated, are
still on location, with their operator-
owners seemingly unwilling to replace
them , due to failure to get proper re-
turns to date on their investment.
Since operators who have only phono-
graphs that are less than four years
old naturally require at leas t one more
year of operation to depreciate their
oldest equipment fully and are , there-
fore , not in the market for any substan-
tial numbe r of new phonographs , the
phonograph manufacturer must look to
lhe operator of equipment more than
four years old for his present business,
in order to keep his plant running. This
can be handled to a certain extent by
operators who purchase new equipment,
trading-in the old equipment of other
operators not wanting to purchase new
machines.
Obviously, if the operators look to the
phonograph manufacturers to cooperate
with them by selling only to e stablished
music operators good phonographs at
reasonable prices, then certainly the
operators must show a ready willing-
ness to cooperate with the manufactur-
ers by seeing to it that they, the op-
erators, replace at leas t twenty percent
of their total equipment e very year, so
that the factorie s can plan on a steady
replacement program with which to
keep production schedules moving.
The operator and the manufacturer
have a common goal-to stabilize and
make the automatic music business per-
manent by giving the public the most
in automatic music for their money at a
reasonable and steady profit. The op-
erator cannot achieve this aim ii the
manufacturer forces him to take less
than live years depreciation on his
equipment; neither can the manufac-
turer reach his, ii the operator insists
on operating antiquated machines and
refuses to modernize to give the public
better music, as well as giving the man-
ufacturer a steady business.
How To Solve This Problem-Two-Way
Publicity-Announced Policies.
1. Manufacturers to figure their year-
ly production on a basis of not more
than twenty percent of their own-made
units owned by their operator-customers.
2. Operators to replace twenty per-
cent of their equipment each year.
Those not doing so, not to be sold in
the future by the manufacturers.
3. Manufacturers to agree, through
their association, on only one change of
models per year, all announced at the
same time.
4. No new operators to be created
or established. No public advertising. No
sales to locations by manufacturers or
by operators. If the latter violates this
clause, he is not to be sold by the man-
ufacturer (or through any agency) in
the future.
5. Manufacturers and operators to as-
sist each other in lighting adverse legis-
lation and other detrimental matters.
. . .
e
Dusty: ,,"I believe in calling a spade
a spade.
Rusty: "I believe it's the safest policy
myself. I once tried to pass off a spade
as a club. That's how I got my two
fingers shot off."
BRUNSWICK
Every Artist an ARTIST!
Music Operators'
Association, Inc. of Houston
President - F. S. CLANCY; Vice-president -
SAM AYO; Treasurer-LESTER HEARN; Execu-
tive Secretary-W. A. NIEMACKL, ll05 Broad-
way, Houston, Texas.
By JOHN G. WRIGHT
Music Operators' Association of Hous-
ton set two new records-a new high
for attendance and a 100% vote pres-
ent-at the first business meeting of
1939 held at Texas State Hotel the eve-
ning of January 6. Every operating firm
was represented, making 100% voting
strength and only live were lacking to
make literally a 100% attendance.
Two applications for membership in
M. 0. A. of H. were read and voted on.
One, that of Harold Daily for operating
members hip, was accepted. The other
application was rejected.
A motion providing that a member
who had withdrawn from the organiza-
tion be charged not less than $100 nor
more than $1000 to be reinstated, was
defeated.
Election of officers was held, and a s
provided by the constitution, officers
were nominated from the floor and el-
ected by popular vote.
Those slated to guide the organiza-
tion during 1939 are: president, F. S.
Clancy; vice-president, Sam Ayo; treas-
urer, Lestern Hearn (re-elected); execu-
tive secretary, W. A. Niemackl. Board of
Directors: J. W . Williams, Fred McClure ,
William Peacock, Lester Hearn and Jack
Armstrong.
After the new officers had been
seated Herbert L. Heatly, by a unani-
mous vote, was elected honorary asso-
ciate member, and appointed legal ad-
visor. Such an honor has been conferred
only once before, when John G. Wright,
Texas representative for the COIN MA-
CHINE REVIEW, was elected honorary
associate member of the Association.
0. L. Bickley, Vice-President of Local
I.B.O.E. introduced L. W. Merchant, busi-
ness manager of same local, who had
been invited to explain the workings of
the union to the Association. President
Clancy read from the portfoilo of I. A. E.
P. 0. , explaining how phonograph oper-
ators had been inducted into different
branches of organized labor, and finally
into the one organization especially cre-
ated for them, the International Assn. of
Electrical Phonograph Operators.
George Cunningham spoke against
making any sort of union labor connec-
tions whatsoever. D. W . Willett spoke
in favor of affiliating with I.A.O.E.P.O.
After a committee of E. M. Gates, Lester
Hearn and F. S. Clancy had been ap-
pointed to meet with representatives of
I.B.O.E. , the matter was carried over
until next meeting.
Rarely is any business of a serious
nature transacted at a social meeting of
Music Operators' Association of Hous-
ton. Due to the fact, however, that the
group is still undecided as to the union
question, time was taken out at the Jan-
uary 19 social gathering to read aloud
WANTED
To Buy For Cash
Used 32 volt Motors and Converters for
Wurlitzer and Seeburg Phonographs.
ADVISE WHAT YOU HAVE
BICKLEY DISTRIBUTING CO.
3322 Harrisburg Blvd.
Houston, Texas
to all present the article, "Musicm'en
Unite," on page 53 of the January issue
of COIN MACHINE REVIEW.
Commenting on the story, officials of
the organization said: "Judging from
this write-up, appearing in a magazine
that is an authority on operators' asso-
ciations over the whole country, those
operators in California have identically
the same set-up as Houston Operators
want."
e
A little girl of five was entertaining
while her mother was getting ready.
One of the ladies remarked to the other
with a significant look, "Not very
p-r-e-t-t-y," spelling the last word.
"No," said the child quickly, "but
awful s-m-a-r-1. "
lnanaediate
RECORD SERVICE
Within a few hours of you is an Authorized
RCA-Victor Distributor who understands the
specialized needs of Phonograph Operators
and is equipped to give you immediate
record service.
ATLANTA, GA. - - - - ,
Polk Musical Supply Company
29 Pryor Street, North East
.----BOSTON, MASS.----,
Eastern Company
620 Memorial Dr., Cambridge
DENVER, COLO.
Hendrie and Bolthoff Mfg. & Sup.
Co.
1635 17th St.
-
MILWAUKEE, WIS. -
Taylor Electric Company
112 North Broadway
NEWARK, N. J. - - ~
Krich-Radisco, Inc.
422 Elizabeth Avenue
NEW YORK, N:Y. - - ~
Bruno-New York, Incorporated
460 West 34th Street
-
OKLAHOMA CITY, OKLA. -
Hales-Mullaly, Incorporated
1-7 North East 6th Street
-
PHILADELPHIA, PA. -
Raymond Rosen & Company
32nd and Walnut Streets
- - - WASHINGTON, D. C. -
Southern Wholesalers, Inc.
1519 "L" St., N.W.
1511 Guilford St., Baltimore, Md.
It Pays to Use
VICTOR and
BLUEBIRD
RECORDS
https://elibrary.arcade-museum.com
Hits On Dis~s
Only Records Suitable for Automatic Phonograph Use Are Reviewed in These Columns
CODE TO SYMBOLS: 0-0RCHESTRA ; HB-HILLBILLY; V-VOCAL ; N-NOVELTY ; R-RACE
BRUNSWICK
HORACE HEIDT ( 0 ) 8305
CARNIVAL OF VENICE (FT)
THE GREEN GRASS GREW ALL
AROUND (FT)
Clever arrangements and vocals on an old
fable. Male chorus does a noble job of back-
ing up Heidt similar in style to "Old MacDon-
ald Had A Farm." Sweet novelty for ops.
Platter companion is a swingy affair with
minor appeal.
DOROTHY LAMOUR (V J 8304
KINDA LONESOME (FT)
JUNIOR (FT)
Smooth and sweet renditions of current fav-
orites. Second tune is one of those "We Love
Baby" ballads bound to creep into and pull
the heart strings of the hardest of toughies.
Merit in both numbers.
BLUEBIRD
MESS MEZZROW ( 0 ) 10085
CO MIN' ON WITH THE COME ON ( I
& 2)
Another hot series coming up. Recorded
under the superyision of Hugues Panassie this
is the forerunner of many more that are par-
ticularly recorded for the far flung member-
ship of the hot jazz fraternity. This New Or-
leans type of music burns up the needles and
should also keep the coin chute busy.
JOHNNY MESSNER (0 )
SINGIN' IN THE SADDLE (FT)
LET'S STOP THE CLOCK (FT)
A cowboy number and a love song . Smooth
tunes engagingly performed. Okeh .
TOMMY LADNIER (0 ) 10086
WEARY BLUES (FT)
)A-DA (FT)
Second in the Hugues Panassie series. En-
tirely different in style from the first. A-1
material for the hot jazz devotees.
" FATS" WALLER (0 ) 10116
HOLD TIGHT (FT)
YOU OUT-SMARTED YOURSELF (FT)
Two brand new nifties. Done in typical
Waller style with vocal refrains, clowning,
and piano ramblings by "Fats". Recom-
mended.
VAN ALEXANDER (0 ) 10118
THE MASQUERADE IS OVER (FT)
HEAVEN CAN WAIT (FT)
A duo of engaging numbers smoothly
treated by Alexander. Both tunes have a
wealth of value to operators. Second tune is
especially worthy.
.
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DECCA
RUDY VALLEE (V ) 2246
OH , DIOGENES
SING FOR YOUR SUPPER
A pair of the top vocal tunes from the new
New York favorite "Boys from Syracuse"
featuring Vallee on the vocals in front of Har-
ry Sosnik's ork. Ideal material for ops.
LOUIS ARMSTRONG (0 ) 2230
AS LONG AS YOU LIVE YOU'LL BE
DEAD WHEN YOU DIE (FT)
WHEN THE SAINTS GO MARCHING IN
(FT)
Don't shy off this one. With a vocal choir
going to town on the second side this is a
disc usable anywhere. Plenty of good, hot
trumpet and throaty vocals by Armstrong.
BING CROSBY (V) 2257
JUST A KID NAMED JOE
THE LONESOME ROAD
A perfect coupling for Crosby with John
Scott Trotter's combo. in the background. Re-
cording of " Lonesome Road" is especially
good. Will make money for ops.
CONNIE BOSWELL (V ) 2258, 2259
THE UMBRELLA MAN
THEY SAY
THANKS FOR EVERYTHING
DEEP IN A DREAM
Four current favorites dished up by the
charming chanteuse, Connie Boswell. Weddy
Herman 's band aids. A natural quartet of
vocals for any spots . Get 'em!
TOMMY DORSEY (0) 26145
COCKTAILS FOR TWO (FT)
OLD BLACK JOE (FT)
Two well-established melodies in the Dorsey
style of swing. Old appeal is still there and
numbers will click beautifully with the public.
RICHARD HIMBER (0 ) 26146
JEANNIE SWINGS OUT (FT)
SWEET AND HIGH (FT)
Taking "I Dream of Jeannie" and "Sweet
and Low" Himber does his distinctive pyra-
miding and winds up with pleasant results.
Vocals are well taken. Numbers have oodles
of appeal.
TOMMY DORSEY (0 ) 26149
THIS IS IT (FT)
IT'S ALL YOURS (FT)
Played in the medium sweet-swing style this
pair from the musical comedy "Stars In Your
Eyes" is sweet meat for ops. Bound to please.
SAMMY KAYE (0 ) 26150
COULD BE (FT)
PENNY SERENADE (Tango)
Climb aboard on this number. One of the
best to come out of Kaye's camp in a month
of Sundays. Three Barons sing. This number
will build rapidly. Tango foxtrot is a suitable
coupling.
VOCALION
RAY HERBECK ( 0 ) 4611
SIMPLE AND SWEET (FT)
GOTTA PEBBLE IN MY SHOE (FT)
Herbeck contributes two conventional fox-
trots with average mob appeal. Vocals on
both. Second tune has caught on remarkably
well of late and Herbeck 's arrangement is
jake for most any spot. Good.
LEWIS-JOHNSON-AMMONS (Pianos) 4606
BOOGIE WOOGIE PRAYER (1 & 2)
Boogie W oogie Prayer is a three piano
prayer to King jazz. Wild, fantastic, and in-
teresting. For variety it should click,
WALTER POWELL (0 ) 4612
DEVIL'S HOLIDAY (FT)
DEFINITION OF SWING (FT)
Second di tty is a weird potpouri of noises
but none-the-less modestly descriptive of
swing. No vocals. Accompanying tune might
be part two. Okeh.
VICTOR
37
COIN
MACHINE
REVIEW
ALL STAR BAND ( 0) 26144
BLUE LOU (FT)
THE BLUES (FT)
Goodman, Rollini, Miller, Berigan, Dunham,
James, Dorsey, Teagarden, Mastren, Zurke,
Haggart and Ray Bauduc . . . all top-notch
men on their various instruments . . . com-
prise the All-Star Band . . a unique record-
ing. A surprisingly wellknit ensemble and
truly magnificent numbers.
Should make
money.
Don't let Jack of public interest knock your
phonographs down for the count! You can
always fight public indifference-a nd there
won't be any KO's or knockdowns - by
using plenty of fresh, new DECCA records._
You'll WIN-with full cash boxes!
.5Qy.,,.,,. ~ Here are some of DECC A's latest releases.
~
2237 When The Bloom Is On The Sage
It's a Lonely Trail
BING CROSBY
2221 Umbrella Man-FT VC
We Speak Of You Often-FT VC
GUY LOMBARDO & HIS ORCH.
2214 Hold Ti ght
Billy Boy
ANDREWS SISTERS
Hear them . .. use them. They'll be money-
ma kers for y ou!
2201 The Funny Old Hills
I Have Eyes
BING CROSBY
2222 Jeepers Creepers-FT VC
Mutiny In The Nursery- FT VC
PAUL WHITEMAN & HIS ORCH.
2248 This Can' t Be Love
The Shortest Day Of The Year
FRANCES LANGFORD & RUDY VALLEE
DECCA DISTRIBUTING CORPORATION
3131 Western Ave.
SEATTLE
Every A~ti&t an ARTIST I
Down for the COUNT?
~-•·\/4
,:,
~
l
LES BROWN (0 ) 10122
SEEING NELLIE HOME (FT)
OLD DOG TRAY (FT)
A brace of tunes grandmother used to sing,
re-arranged by Les Brown for his up-and-com-
ing swing band. Miriam Shaw warbles the
familiar words and the band does a noble job
of making these two old timers big names for
today's mad throngs. Use it.
BRUNSWICK
108 E. 17th St.
LOS ANGELES
and other branches tlrrouglrout tire U. S.
105 Market St.
SAN FRANCISCO
LARRY CLINTON & HIS ORCHE STRA
V ictor 26 108-JEEPERS CREEPERS
THE DEVIL WITH THE DEVIL
LARRY CLINTON & HIS ORCHESTRA
Victor 26 100-MY HEART BELONGS TO DADDY
MOST GENTL E MEN DON 'T LIKE
LOVE
ARTIE SHAW & HIS ORCHEST RA
Blu ebi rd 10046-DAY AFTER DAY
DEEP IN A DREAM
JOHNNY MESSNER & HIS ORCHESTRA
Bluebi rd 10 107-COULD BE
THE DEVIL WITH THE DEVIL
-
LEO J. MEYBERG CO.
LOS ANGELES ... 2027 South Figueroa
SAN FRANCISCO . .. . . 70 Tenth StrHt
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