Coin Machine Review (& Pacific ...)

Issue: 1938 March

AN
DiD ~I JJJ1E;]
TELLS HOW
By CHARLES P. RODMAN
50-d
COIN
MACmNE
REVIEW
If you ask anyone in South Dakota
what man in the state has made the
greatest success in the coin machine
game, invariably the answer will be
"W. C. Fairbanks of Sioux Falls." If
such is the case it is worth finding out
who Fairbanks is, and how he has es-
tablished the success generally attri-
buted to him.
He first began as a salesman for the
old Regina music box. When , in 1900,
that gave out as an amusement feature ,
he entered the coin machine game as
an operator. He has added equipment
steadily until now he is the largest oper-
ator in the state of South Dakota. And
here is the beauty of it-he is never in
trouble as a result of trying to buck the
law.
Fairbanks operates all legal machines,
but before he "stocks up" you may be
sure he has tried the equipment and
found it a profit maker. And he makes
no bones in saying he does make a
profit. In fact his bank book shows that
in more than one month of 1937 he gath-
ered in $10,000. Of course such figures
as that represents total income, and
Fairbanks isn't telling how much of it
went for operating expenses.
Another notable thing about Fair-
banks is that his daughter, Mrs. Lillian
Gifford, is associated with him. There
are some who insinuate that she is the
real power behind the throne. Be that
as it may , the two of them make a team
Pictured above is the operating
headquarters of W. C. Fairbanks
& Co. in Sioux Falls. The photo
at ihe right shows a two hour
catch of trout, the smallest 4
pounds and the largest 6 pounds.
Mr. Fairbanks is on the right.
that is hard to beat. Undoubtedly it is
to the sharp-seeing eye of Mrs. Gifford
that so many of the locations have made
good. She generally spots the location
and almost invariably it turns out to be
a winner.
The two members of the W. C . Fair-
banks Co. have found that better tav-
erns and night clubs are the best loca-
tions for music boxes. And Mrs. Gifford
insists that the locations do just a little
more than ordinarily might be expected
of them. They are required to dust the
machines off every morning and night
and keep them looking attractive. That
means a heavier cashbox, and makes
profits for both the location and the
operator.
Just now Fairbanks finds the best rec-
ords are swing tunes-not the "hotsy-
totsy " kind, but those with good rhythm.
A frequent change of records is always
welcomed by the public and this opera-
tor gives all that is desired and has kept
the public with him.
Another requirement is that machines
always be kept in good repair. Other-
wise they lose, and the loss makes itself
felt for a long time , if not permanently.
Three men in the repair shop at Sioux
Falls do nothing but keep the music ma-
chines in good shape. Mechanics must
know their business, of course, for Fair-
banks is a stickler for good workmanship.
This trait is evidenced by his selection
of ·collectors, too. Route men must, first
of all, be men of good
principle and must
have a known honest
record. Another quali-
fication is that they
must be married and
must be at least 35
years of age. Why?
Because experience
has shown they are
worth more to the
firm. Pleasing person-
ality is one of the
major qualifications.
Asked what he considered a "good
location,'· Fairbanks responded, "Well,
in the city we have machines taking in
$150 a week and that is rather above
the average. The small town machines
do not stand so high , but still they are
just as productive of profit, for they do
not require the work and labor to keep
in repair as a rule."
Employment of loyal collectors is one
of the big factors contributing to the
success of the Fairbanks Co. Any time
a route weakens the collector immedi-
ately takes off his coat and gets busy.
He will go hunting for better locations,
new locations, bolster up the old loca-
tions , and, in short, do everything pos-
sible to make it a paying proposition.
For this he is allowed five per cent of
the revenue , which is paid every six
months, and usually amounts to a neat
little sum. This is in addition to a regu-
lar monthly salary.
It is not all work with Mr. Fairbanks.
He is past seventy and feels entitled to
some pleasure now and then. One of
his greatest joys comes in spending the
time with his two great-granddaughters.
He also delights in accompanying vis-
itors through his IS-room office building.
When he wants a real rest he hies him-
self to the lakes of northern Minnesota
for a week of good fishing. "And you
can tell 'em I alway s get a good string
of finny beauties, too," he says, and
furnishes a photograph to show what an
"ordinary" catch means.
" Us e discretion, conduct your busi-
ness strictly legitimately, make it a real
business proposition and then use all
the common sense and energy you have
and success can be attained in the coin
machine field ," was the parting advice
offered by Mrs. Gifford, Fairbanks'
daughter and associate.
And it must be right, that formula, for
the pair have certainly made the busi-
ness of W. C. Fairbanks Co. a real
success.
l!itJ . On 1;JiJCJ
Only Records Suitable for Automatic Phonograph Use Are Reviewed in These Columns
CODE TO SYMBOLS : O-ORCHESTRA; HB-HILLBILLY; V-VOCAL; N-NOVELTY; R-RACE
BRUNSWICK
RED NORVO (0 ) 8068
I WAS DOING ALL RIGHT (FT)
LOVE IS HERE TO STAY (FT)
IT'S WONDERFUL (FT)
ALWAYS AND ALWAYS (FT)
A pair of swellegants from the "Goldwyn
Follies. " The queen of them all, MIldred
Bailey, holds forth on the vocals and brother,
your bread is buttered. A '!reat dl~C. SecDnd
pair, a trifle bit older, but Just as mterestmg.
The Bailey-Norvo combo. should bnng m the
coin.
TEDDY WILSON ( 0 ) 8070
WHEN YOU'RE SMILING (FT)
I CAN'T BELIEVE THAT YOU'RE IN
LOVE WITH ME (FT)
Here is another unbeatable combination .
Wilson and Billie Holliday. Wilson bangs out,
swing style, a pair of nifties, and Billie adds
glamor to them with her lyric chanhng. Very
good.
HORACE HEIDT ( 0 ) 8073. 8074, 8075, 8078
HOW 'DjA LIKE TO LOVE ME? (FT)
I FALL IN LOVE WITH YOU EVERY
DAY (FT)
I'LL TAKE YOU HOME AGAIN
KATHLEEN(FT)
HEIGH-HO (FT)
GUESS RIGHT WITH HORACE
HEIDT (l & 2)
When it comes to sweet swing nobody ex-
cels the Heidt combo. Here is living evidence.
This sextet of tunes brings to the operator as
fine a group of dance tunes any band has re-
corded in a week's period recently. HIghly
recommended. The entire organization partici-
pates to make these six sides truly worthy of
your attention.
TI-PI-TIN (Waltz)
A SHACK IN THE BACK OF THE
HILLS (FT)
This one requires a separate comment for
it is destined to be one of the biggest Heidt
has made for some little time. It is a perfect
recording of the sensational new waltz plus a
superb rendition of a popular slow foxtrot.
This disc has two highly saleable numbers.
Recommended.
RAY NOBLE (0) 8079
THE MOON OF MANAKOORA (FT)
I HADN 'T ANYONE 'TILL YOU (FT)
You've heard, and used, many recordings of
the first number but you've never had a pro-
duction number like this 'un. It is entirely
different and completely overshadows past
efforts on the number. Worthy of a good try.
Coupling is a slow ft., only fair.
RUSS MORGAN (0) 8080
ooooo-OH BOOM! (FT)
AT A PERFUME COUNTER (FT)
Hats off and a pair of cheers to Brunswick
for this terrific double. Combining a fast nov-
elty tune with a slow and dreamy foxtrot
Russ Morgan acquits himself admirably. It
really is a darb and you shouldn't miss it. We
know many ops. are buying only the lower
bracket records right at present but when
records like this come along the operator is
cheating himself for it will more than pay for
itself in increased plays.
PINKY TOMLIN (V) 8082
HOME TOWN
SHENANIGANS
A pair of ditties particularly suitable to
the style and delivery of Pinky Tomlin. First
is an interesting and swingy old time style
number that should click. Second hails from
Republic's "Outside of Paradise" and has
-already won its spurs . Very fine vocal pair-
ing.
BLUEBIRD
THE NORSEMAN (V) 7405
LET'S WALTZ FOR OLD TIME'S SAKE
I PASSED UP A W ONDERFUL THING
An excellent male quartet does a noble job
with these two tunes. First is by far the best
·and should coax the n ickels. Well done and
well recorded.
TUNE WRANGLERS (HB) 7413
FOUR LEAFED C LOVER (FT)
W HE N YOU THI NK ' A W HO LE LOT
ABOUT SOMEONE (FT)
Snappy, full of pep, and bound to p lease
the h illbilly customers plenty. These fast num-
bers are genuinely good. First ditty is an old
timer a nd second side .offers a number th at
should register okeh.
BLUE BARRON (0) 7419
AT A PERFUME COUNTER (FT)
DID AN ANGEL KISS YOU? (FT)
A truly swell dance disc. Blue Barron has
just been signed by Victor and this is his first
offering under the Bluebird label. A finished
band, solid tunes, and great arrangements.
FREDDY MARTIN (D) 7420
MY DAY (FT)
MAMMY BONG (FT)
Unusual numbers. Second leads the pair
and has a Cuban flavor. Lyrics are plenty
interesting. Good.
OZZIE NELSON ( 0 ) 7430, 7432
A SHACK IN THE BACK OF THE
HILLS (FT)
THE OLD APPLE TREE (FT)
YOU'RE AN EDUCATION (FT)
IT'S EASIER SAID THAN DONE (FT)
A snappy foursome of delectable dance mu-
sic. All played lively with suitable vocals.
"The Old Apple Tree" turns out to be a
T he R EVI EW is the on ly pub li cation in the world main-
ta i ning a com plete e lectr ica l department for reviewing
n~('ords for the coin machine operator. Th e reviews a p-
peari ng in these co lu mns are staff produced by REVIEW
men who play. exa mine. and for m opin ions for pub li ca -
tion on every worthw h ile disc made. T his EXCLU S IVE
REVI EW S ERVICE is not available elsew here.
a
humorous production vocal treat. All four are
good and worth using .
DEAN HUDSON (N) 7433
LIEBESTRAUM
STORMY WEATHER
Here is a natural for automatic phono-
graphs. The Glee Club assisted by the vibra-
phone turn in as fine a novelty vocal as we've
had the privilege of reviewing for some little
time. Get this and give it time to build. It's
really tops!
ARTHUR TODD (V) 7434
THANKS FOR THE MEMORY
GOODNIGHT, SWEET DREAMS,
GOODNIGHT
From the Radio City Rainbow Room comes
this latest vocal rave of New York city. Tenor
with guitar..
and very good, too! The '
numbers are current favorites. The recording
is perfect. The cash possibilities for the disc
are apparent. 'Nuf sed .
BILL BOYD (HB) 7435
THAT'S W HY I'M JEALOUS OF YOU
(FT)
AN ACE (FT)
This disc features two popular tunes. The
first is rendered in a style that will click in
barrooms while the second side is a novelty
minstrel song and it's most profitable use is
easy to determine. Good.
DECCA
FRANKIE CARLE (N) 1623
THE WEDDING OF THE PAINTED
DOLL (FT)
DOLL DANCE (FT)
Popular piano with guitar, bass and drums.
Both tunes are popular numbers of a few
years back. This novel recording should ex-
cite attention and result in a substantial play.
BING CROSBY (V) 1616
DANCING UNDER THE STARS
PALACE IN PARADISE
With Lani McIntire and his Hawaiians Bing
turns in two very fine vocal offerings. Second
tune, by Harry Owens, is a honey.
BING CROSBY (V ) 1648, 1649
ON THE SENTIMENTAL SIDE
MY HEART IS TAKING LESSONS
THE MOON OF MANAKOORA
THIS IS MY NIGHT TO DREAM
Crosby has always been a money maker for
the operator. Here is a quartet of numbers
that certainly will not disappoint. First pair
and the fourth number come from Major Pic-
tures' "Dr. Rhythm." Third tune claims "The
Hurricane " for parentage. john Scott Trotter
and his ork. back up. Great stuff for the en-
terprising op. Recommended.
JIMMY DORSEY (0) 1651. 1652
ON THE SENTIMENTAL SIDE (FT)
DOCTOR RHYTHM (FT)
MY FIRST IMPRESSION OF YOU (FT)
SMOKE FROM A CHIMNEY (FT)
A wonderful quartet of dance tunes. All
foxtrots, all with vocals, all up-to-date.

51
COIN
MACHINE
REVIEW
OF THIS
MEANS TWO POINTS
IN ONE
THE WORLD'S MOST PERFECT LONG PLAY '
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6415 RAVENSWOOD AVE.,
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CHICAGO, ILLINOIS

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