Coin Machine Review (& Pacific ...)

Issue: 1936 June

THE GRAND OLD GAME
OF
LOCATION PERCENTAGE
L.
By
C . FORCE
T
.~
HERE is many a grand old I game that
goes on through the ages-through dark-
ness and through light. through depression
and whoopee. But the subject of our tent
meeting tonight, brethren, is the grand old
game of percentage to locations.
" How much of a split shall I give the
location proprietor ?" is the question that
keeps many a phonograph operator up
nights. The matter of choosing "which
record' 'isn't terrifically complicated. By
following the recommendations of the lead-
ing phono-record manufacturers, it's fairly
easy for even a bathroom tenor to select
good records. But when it comes to de-
ciding how much of the cash-box take is
to be handed back to the location proprie-
tor, there's a problem brewing with no
mother to guide you.
There are many ways to get a good loca·
tion. One of them is to do a little con·
vincing at the point of a revolver and an·
other one, which common sense should in·
dicate is the right one, is by means of a bit
of salesmanship. Unfortunately, many ops
immediately turn to the poorest method of
all. Like a steel mil! worker out on a
holiday trying to impress the populace with
his green silk shirt and his "high yaller"
shoes, they get locations by simply bump-
ing up the percentage offered by the other
guy.
What a tragic mistake. Percentage rais-
ing, like price cutting, leads nowhere ex-
cept to war. Giving the proPrietor more
of the weekly take encourages him to ask
for still more and encourages the other
operators to bump up their percentage. So
the game goes m.erri ly on and unbusiness-
like operator soon finds himself in the
middle, paying out so much of his daily
take that he is soon forced to cut corners
in other directions. He cuts down on the
number of new records and he cuts down
on the number of refinishing jobs on his
phonographs. The result is his equipment
goes to pot and, in order to attract loca-
tions, he has to offer still more percentage.
It's the old, old story of a dog chasing its
tail-a merry-go-round without end.
Contrast this with the operator who is
really making smart money through phono-
graph operating. He isn't going to be
stampeded into the downhill battle of in-
flating percentages. He sets a fair percent-
age and sticks to his guns. His tactics are
sane and sensible. He buys enough good
records and keeps them changed fast enough
to encourage play. He keeps his equip-
ment in top-notch shape, bright and clean
in appearance, and tip top in operating con-
dition.
Let others battle over the percentage.
Let others try to pull themselv.es up by the
bootstraps through the questionable prac-
tice of squabbling over percentages. His
bait to catch the location proprietor is bet-
ter equipment and better service.
And so, this brings us around the cor-
ner now to the matter of equipment. Shall
we shuck off the coat for a moment and,
getting right down to brass tacks, push the
J UNE ,
1936
L. C. FORCE
Director of Phonoqraph Sales
Mills Novelty Co.
pencil around on a clean white piece of
paper and see what we can see?
Let's take a route of ten machines oper-
ating under average conditions. Out of
those ten machines, we'll say that two of
them are doing very nicely, thank you.
Six more are tu.rning in a good average and
the remaining two are sick abed on two
chairs.
Old Mr. Wise!7uy Operator has figured
out long ago that, next to the state of his
own health, those two better· than-average
locations are the most imporant things in
life to him. The six average 'locations are
just average, of course, and will go along,
while the two poor locations can't possibly
go any lower. But those two heavy-money
locations are big news to him and are
MILLS o MANAGER
Geor ge M. G raham in char g e of
phono s ales in Southern California.
LOS ANGELES.-His firm's policy of
selling to operators exclusively was re-
affirmed by George M. Graham, well known
Mills man, upon his arrival here under his
appointment as district manager for the
ohonograph division of the Mills Novelty
Co. of Chicago.
From his Los Angeles headquarters, Gra-
ham will cover the Southern California, Ne·
vada and Arizona territory in the interests
of the new Do Re Mi and De Luxe Dance
His ap-
Master automatic phonographs.
pointment gives Mills a closely knit music
organization on the West Coast under the
immediate supervision of C. C. Helm, zone
manager with headquarters in San Fran-
cisco. He has arranged for consignment of
two carloads of phonographs per month to
his territory.
Graham's address is 1140 Beverly Way,
Altadena, and his telephone number is Ster-
ling 8605.
things that he must watch like a hawk.
He can lose an average location or he
can lose one of his poor locations and he
can get another one just about the same.
The loss of an average or a poor location
won't affect his earnings greatly. But if he
loses either one of those two good spots-
zing~his general average takes a sicken-
ing nose dive. Don't believe it ? Work
it out for yourself on a piece of paper and
watch your general average get pale around
the gills when you take the big-shot loca-
tion out of the earnin~s calculation.
So, if you are Netty well convinced that
all your fatherly instincts should be cen-
tered around those two good spots, we'll
shift the spotlight and think out loud for
a moment about the whys and wherefores
of a good phonograph.
Doesn't it follow like a headache follows
whoopee that you need the very best pho-
nograph which you can possibly buy for
those good locations? Isn't it as certain
as the first-grade arithmetic of 2 plus 2
equals 4 that the best form of insurance on
earning power is a darn good phonograph
with all of the gadgets and features dear
to the heart of the location owner and his
patrons) Get wise and get excited. Get
a stamp, get a piece of paper, get an en-
velope, and ask the manufacturer. Many
and delightful are the new features of the
new-model phonograph. Use that stamp,
that piece of paper, and that. envelope to
write a letter. Remember, it's not only
the sporting thing to do right by our Nell,
but it's also smart business practice to get
good phonographs for good locations.
DECCA ALL-STAR RECORDS
Ope rators Wise De p end on D ecca Discs
an d S upplies ~
DECCA ALL-STAR RECORDS
DECCA PERMO-POINT NEEDLES
SYLVANIA RADIO TUBES
CARRYING CASES
DEC CA DISTRIBUTING
CORPORATION
1240 South Main Street
LOS ANGELES
105 Market Street
SAN FRANCISCO
COIN
MACHINE
REVIEW

73
Two knocko ut tunes from the musical produc-
tion, "New F aces of 1936 . " These numbers show
Newman ' s versa tility in brilliant fashion. Smooth ..
sweet and rhythmical.
HITS ON DISCS
B,ENNY GOODMAN (Orchestra)
In these columns are offered to music operators the reviews of the latest
releases submitted by the major record companies for audition in THE
REVIEW'S own Automatic Music Department. THE REVIEW and REVIEW
SUPPLEMENT are the only coin machine magazines maintaining their own
music equipment to provide staff-produced record reviews for operators.
BRUNSWICK
Great stuff for swi ng addicts.
does the voca ls. Fair.
lUD GlUSKIN (Orchestra)
r
BRUNSWICK SUN!'HINE AT MIDNIGHT
7664
j
(FT)
l ON THE AIR (FT)
Two marvelous tunes distingu ished by the un-
mistakable Gluskin touch.
Recommended fox-
trots . Vocals by Buddy Ciark .
FRANKIE TRUMBAUER (Orchestra)
BRUNSWICK {SOMEBODY LOVES ME (FT)
7665
AIN' T MISBEHAVIN' (FT)
Snappy numbers . . . a few months old . . .
but still good enough to use on your mac hi nes
aga in. Trumbauer h as an excellent orchestra and
they certainl y go to town putting these t wo on
BRUNSWICK {DINAH (FT)
7666
LAZY RIVER (FT)
This is the wildest "Dinah" we've ever heard.
It features a couple of end urance note holding
episodes and the shoutin ' of Prima. Great nu m-
ber for the automatics. Second side is the slow
fox trot number. Good.
DUKE ELLINGTON: HUDSON·DelANGE
(Orchestras)
BRUNSWICK [ OH, BABE! MAYBE SOME
7667
DAY (FT)
L MONOPOLY SWING (FT)
O riginal s. First composed and played by Duke
Ellington's band with Ivy Anderson chanting the
vocals. Loads of swell piano. Very good. Sec-
o nd is an original by Will Hudson an d was ap-
~arently prompted by the current i.nterest in the
parlor game 0 the sa me name. Fair.
VICTOR { SUMMER HOLIDAY (FT)
25325
A RENDEZVOUS WITH A
DREAM (FT)
Real summer numbers t hat w ill fit into any
spo ts. The intoxica ting piano of Duchin scores
most ever / where. Excellent .
RUBY NEWMAN (Orchestra)
VICTOR { IT'S A SIN TO TELL A LIE
25327
(Waltz)
SMALL TOWN GIRL (FT)
This is Ruby Newman's firs t recording u po n his
return to the Victor label. Hi s band's smooth
st, le is well suited to these two selections. Waltz
is now a national favo ri te and should continue
popular all summer. Recommended for the auto·
matics.
VICTOR { TONI ~ HT'S THE NIGHT (FT)
25329
IT'S II1GH TIME I "OT THE
LO'\'7·DOWN ON YOU (FT)
GUY lOMBARDO (Orchestra)
VICTOR { THE STATE OF MY HEART (FT)
25331
-MONOPOLY (FT)
Dance tunes with all th e smooth fini sh and in-
dividual touches for whic h Lombardo and hi ~
orc hestra a re famous are much in evidence on
these two.
COLUMBIA
ANDY IONA (Hawaiian Orchestra)
COLUMBIA { ON A COCOANUT ISLAND
3132
(FT)
PRETTY RED HIRISCUS (FT)
COLUMBIA
HOLA E PAE (FT)
3133
1 VANA VANA (FT)
"On A Cocoanut I sland " . .. I'd like to be a.
c;::;t;:,\V2 wi th '·ou. This number is a slow fox-
trot. Beouti fuI" melod ; . 3133 pairs native stuff.
( ;co d.
T
,
PHONOGRAPH OPERATORS' HEADQUARTERS!
We Are Distributors lor
VICTOR and BLUEBIRD RECORDS
I NEARLY LET LOVE GO
SLIPPING THROUGH MY
FINGERS (FT)
GOT TO DANCE MY WAY
TO HEAVEN (FT)
Dandy foxtrots from .. It 's Love Again. " Skinny
Ennis sings the first, which IS a sweet, sentI-
mental number. Second w as written by Sam Cos-
low and sung by Bob Allen. Very good.
1
Featuring • ••
" FATS" WALLER
BENNY GOODMAN
RAY NOBLE
GUY LOMBARDO
RUSS MORGAN (Orchestra)
BRUNSWICK {LET'S SING AGAIN (FT)
7669
YOU CAN' T PULL WOOL
OVER MY EYES (FT)
Music in the Ru ss Morga n manner. Good dance
numbers.
LEO J. MEYBERG COMPANY
VICTOR
GOODMA~~
JACK HYLTON (Orchestra)
THIS ' LL MAKE YOU WHISTLE
VICTOR {
(FT)
25330
MAY ALL YOUR TROUBLES BE
LITTLE ONES (FT)
Since this band started broadcasting for Rea l
Si lk on Sunday nights it . has had a tremendou ~
fo llowing . "May All Y our Troubles" is from
"She Sha ll Have Music." Very good .
TOMMY DORSEY (Orchestra)
VICTOR { ROYA L GARDEN BLUES (FT)
25326
JADA (FT)
These two numbers go wa l back to 19 18 and
1919 an d were once tremendous hits.
As re-
recorded they are only average swing tunes .
HAL KEMP (Orchestra)
BRUNSWICK
7668
Helen Ward
EDDY DUCHIN (Orchestra)
y.·ax.
lOUIS PRIMA (Orchestra)
VICTOR {REMEMBER (FT)
25329
WALK, JENNIE, WALK (FT)
An other Victor Swing Classic and this o ne is a.
honey. "Remember" is an old popular tune reo
w ritten wit h plenty of swing injected. Second
tun e doesn't measure up to "Remember" but it
still is a good run ning mate .
335 W . Washington Blvd.
TRIO
LOS ANGELES
VICTOR {TOO GOOD TO BE TRUE (FT)
25324
ALL MY LIFE (FT)
70 Tenth Street
Mail Order. Given
Prompt Anenlion
SAN FRANCISCO
,
JUNE MUSIC SURVEY
Below are listed the Best Sellers reported by the leading record companies for the. P~lSt ~o!'th.
Credit is given to the side responsible for the heavy sale of the complete record by ilshng It first.
' BRUNSWICK
VOCALION
7656--0rgan Grinder' . Swing-FT
You ' re Not the Kind-FT
Hudson-DeLange Orchestra
762s-Lost-FT
The Touch of Your Lips-FT
Hal Kemp and his Orchestra
7654--Small Town Girl-FT
You Can ' t Judge a Book By Its
Co~er
Orville Knapp and his Orch
7657-At the Darktown Strutters' Ball
-FT
Alice Clue Grown-FT
Louis Prima and his
Orleans Gang
New
7649--Everything Stops for Tea-FT
Robins and Roses-FT
Orville Knapp and his 'Orch
COLUMBIA
3 132-D-Pretty Red Hibiscus-FT
On a Cocoanut Island-Slow
FT
Andy lona and his
Islanders
3 133· 0-Hola E Pae-FT (Five
o'Clock Song)
Vana Vana-FT •
Andy lona an~· his
Islanders
'
3 131 · 0-)u.t To Be In Carolin~FT
It Ain ' t Nobody's Biz'nell
What I Oo--FT
Frank Froeba and his
Swing Band
3127·0-The Spanola-Rhumba
Llora ndo--Tango
Carlos Molina and his Orch .
74

COIN
MACHINE
032:I9--She Come Rolling Down the
Mountain
Hop Pickin ' Time in Happy
Valley
The Sweet Violet Boys
03218--Sweet Birds
Yip. Yip. Yowie , I ' m an Eagle
The Sweet Violet Boys
03 1 99--Get ' Em From the Peanut Man
Prell My Button
Lil Johnson
03013-Monkey and the Baboon
Lonnie Johnson and Spencer
Williams
Wipe It Off
Lonnie Johnson and Clarence
Williams
03111Jo-Sweet Violels
Put On Your Old Grey Bonnet
Th e Sweet Violet Boys
03222-Hoodoo Lady
Ice Man (Come On Up)
Memphis Minnie
MElOTONE
0-06-IIJo-Ace In the Hole
My Gal Sal
Chick Bullock and his
Levee Loungers
6-06-58-The Wheel of , the Wagon is
Broken
Give Me a Home in Montana
Patsy Montana
5-11-17-Sing Me a Song of Hawaii
You ' re the One Rose (That's
Left In My Heart)
Lani Mcintyre's Hawaiian.
REVIEW
6· 06·04-1. It True What They Say
About Dixie?
Rhythm Saved the World
Johnny Johnson and his
Orchestra
5-11-56--1 Wanna Be a Cowboy' s
Sweetheart
Ridin' Old Paint
Patsy Montana
6·05·57-Wah. HOD!
Bow Wow Blues
Hoosier Hot Shots
DECCA
775-1.
It True What They Say
About Olxle?
Melody From the Sky
Frances Langford
791-Robins and Roses
We ' ll Re.t at the End of the
Trail
Bing Crosby
766-1. It True What They Say
• About Dixie.
Welcome Stranger
Jimmie Dorsey and Orch
757-The Touch of Your Lips
Twilight On the Trail
Bing Crosby
520o--Mexlcall .Rose.
Goofus
Milton K. Brown and his
Brownies
5211-lf You Can 't Get Five Get
Two
Show Me the Way to Go Home
Milton K . Brown and his
Brownies
IOl21-Recordare
Si Tu Supieras MI Nena
Manuel Maytorema ' u.
Acuna Orchestra
IOl21Jo-La Mujer Del 36
Beatrlz
S.
Trio Mexico
IOII~Bulca
otor Amor
Una Carta aMi Chata
Trio Mexico
IOIIS-Temor
Por Ti Aprendi a Querer
Lopez y au OrqU8sta
VICTOR
25316-The Glory of Love
You C'a n't Pull the Wool Over
My Eye.
Benny Goodman and his Orch
25321Jo-Star 0 u.t
Benny Goodman and his Orch
Star Dust
Tommy Dorsey and his Orch
25245-Goody Goody
It's Been So Long
Benny Goodman and his Orch
25316-1'11 Stand By
Love Came Out of the Night
Eddy 0 uchin and his Orch
25319--I'm Nobody' . Sweetheart Now
StoP. Look and Listen
Paul Whiteman and his Orch
25321-lsn't Love the Strangest Thing
I Nearly Let Love Go Slipping
T'hrough My Fingers
Eddy Ouchln and his Orch
JUNE,
1935

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