Coin Machine Journal

Issue: 1946 December

6
THE COIN MACHINE JOURNAL
December, 1946
Inspired Industry Awaits
'47 Show
By DA VE GOTTLIEB, President
Coin Machine Industries, Inc., and
Pioneer Operator and Manufacturer
Never has a coin machine show been
more eagerly awaited than the great
convention of our industry in the Hotel
Sherman, February 3, 4, 5, 6, 1947.
Always in the past, we were a little
uncertain right up to a week before
opening on just how big and universal
the show might be. In the past we
have even had space available right
up to the show opening.
This time it is totally different.
More than two months before open-
ing day we found ourselves entirely
sold out of exhibition space. All indi-
cations presage an attendance of at
least 12,000 operators. Our show pro-
gram this time will be more complete
than ever before, and every visitor to
Chicago during Coin Machine Week
Dave Gottlieb
i~
~6,
Original
Hard Shell Candies
Made exclusively for Vending Machine purposes.
Pan's "Hard Shell Candies" will withstand the seasonal
climatic conditions longer and at the same time retain
their freshness and appetizing appearance.
Present production limited to current raw material supplies
but we hope conditions will permit us to serve you soon.
PAN CONFECTIONS
Originators of
HARD SHELL VENDING CANDIES
311-329 W. Superior St.
Chicago 10, Illinois
BUY FROM DEVICES
Brand new 1946 1 c and 5c Silver Kings. A safe, sure, dignified
independent business of your own with guaranteed new 5c Silver
King nut vending machines.
1-Silver King $13.95; 10-$12.50;
25-or more $10.00 each.
DEVICES NOVELTY SALES COMPANY
467 N. Milwaukee Ave., Chicago 10, Illinou
Chicago and vicinity operators call Monroe 7533
will gain more profit from his trip
than from any other in the past.
Our last Coin Machine Show was
in January, 1941, six years ago! Six
years is a long time to go without a
general exhibition for the trade, but
the war forced us, as well as all other
trade associations, to do it. In Decem-
ber of 1941, I wrote a statement giv-
ing reasons why I thought we should
hold a show in 1942 - and than all
of a sudden Pearl Harbor happened!
The show was off and the Coin Ma-
chine Industry which already had join-
ed heart and soul with our country
in defense manufacturing, threw itself
100% into war production. We all
knew that, in that global war, all
civilian goods were out of the ques-
tion and every single machine and
hand was needed for the war imple-
ments that must bring victory.
Enviable War Record
The record of our industry in the
war is outstanding. A large number
of our factories received "E" awards
and those which did not receive these
awards were probably not eligible be-
cause they were doing subcontracting.
The real story of war production in
coin machine factories has never been
told. Because we had the inventors,
the engineers and the modern know-
how in electronics, radio, and tricky
electrical gadgets of every description,
some of the most delicate problems in
detection, communications, timing de-
vices, and automatic controls were
turned over to our factories. Most of
the work was extremely secret, but
the top men in the Army and Navy
have acknowledged t he debt of grati-
tude they owe our inventors, develop-
ers, and engineers. Their opinion,
succinctly stated, was "You're the
(Continued on pag e 38)
Journal readers are the world's best operators.
https://elibrary.arcade-museum.com
December, 1946
THE COIN MACHINE JOURNAL
Engineered Music Answer
To Deluxe Locations
Dallas' Swank New "Chicken Bar"
Points the Way to New Types of
Music Installations
America's restaurant owners are
looking ahead to a new era in the op-
eration of eating places. You'll see
big changes as materials become
available. The trend, the direction of
advance, is typified by the new $350,-
000 Chicken Bar at Dallas, Texas.
Here the average restaurant patron
is recognized as having, in addition
to an appetite for good food and good
service, a hunger for greater conven-
iences, comforts and beauty, more
atmosphere and-yes-good music.
Knowing these things, Mr. J. Cur-
tis Stanford, manager and principal
owner of the Chicken Bar, located it
near the heart of the city. In fact,
he located it right at one of the main
gates to the "inner city" or downtown
business district. He also obtained a
plot of land large enough to assure
plenty of parking space. Then he en-
gaged the architectural firm of Frank
J. Boerder Studios of Dallas and in-
structed them to design a building
that would excite and invite ... that
7
The new Chicken Bar in Dallas uses a
Seeburg Symphonola, 64 Wireless
W allomatics anq 20 recessed speakers.
would be unusual, beautiful and spa-
cious . . . that would radiate the
really modern in appointments and
food dispensing. He wanted a build-
ing that would make people feel that
visiting the Chicken Bar was a big
event in their lives, a thrilling date,
a preferred evening out.
The management of the Chicken Bar
also knew from experience that res-
taurant patrons, almost without ex-
ception, want music with their meals
-IF that music is well played at a
low, conversational level. But how
could such music be provided to dis-
criminating patrons all the many hours
per day this restaurant would be
open? It was obvious that an eiec-
( Continued on page 20)
At the left is shown the colorful "Spanish Room" of the Chicken Bar which uses two recessed
speakers on back sides of ceiling beams. At the right is the entrance foyer and bar.
Journal readers are the world's best operators
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