C.O.C.A. Times

Issue: 2002-July - Vol 2 Num 2

the spicy side such as "The Sultan's Harem," or the
shocker-type like "The Hanging of Mrs. Rogers."
The Rogers pictures scored something of an arcade
box-office record when they drew 2,400 pennies
tone machine in a New York arcade during the first
three days of showing.
large city in America to cater to the demand for
cheap flash entertainment.
Past Arcade Glory
Some idea of the past glory of the arcades can be
discerned from one operated by the Automatic
Vaudeville Company on New York's 14th Street.
[Figure 5] Here hundreds of coin devices were
pulling in pennies, and the management found that
coins were actually clogging the machines. To meet
this collection problem a series of tracks (boxed in)
were run beneath the machines, and each machine
was connected by a steel pipe, running from its coin
box, to the roof of the boxed passage. The base of
the pipe had a drop door, and eight electrically oper-
ated cars were run on the tracks. As a car passed
beneath a machine, it automatically opened and
closed the drop door to receive a shower of pennies.
After having made its rounds, the car traveled down
an incline to the manager's office where if passed
over a catch which released the bottom and allowed
the coins to pour down a chute to the safe. Each
machine in the arcade was numbered, and slugs
bearing corresponding numbers were periodically
placed in the machines. When a numbered slug did
not show up in the penny collection, the manager
knew that the machine was out of order.
The most profitable arcades were those operated
on a chain basis, such as the Automatic Vaudeville
Company and Mills Amusement Company, which
had locations scattered in cities and parks through-
out the country. These concerns could engage in
large-scale buying or manufacturing, and the
Automatic Vaudeville Company actually controlled
the Grand Rapids production of phonograph cabi-
nets. Chain locations could exchange machines,
pictures, records, and signs to give their arcade new
blood. Material circulated from one spot in the
chain to another, and, by the time it had rotated thru
the circuit, it was sufficiently fresh to pull in a new
stream of coppers at its original location.
The smaller arcades lacked these advantages,
and they depended on new attractions or dressed-up
machines to give their locations much-needed nov-
elty. Thus, the drop-card subjects ran a bit toward
Early Manufacturers
The bulk of the arcade machines were manufac-
tured by Caille Bros., Detroit, the Mills Novelty
Company, Chicago, and the William Rosenfield
Company, New York. [Figure 6] Basically the
Penny Arcade devices were quite similar, but their
manufacturers made attempts to give them a differ-
ent appearance or a new claim. Electric shockers,
for example, instead of merely inviting patrons to
see who could absorb the most electricity, began to
advertise that the machine was beneficial for
headaches, neuralgia, rheumatism, and all nervous
disorders! Caille Bros. Modernized the lifting
machine, which was merely the reverse of a scale
mechanism, by bringing out a Tower Lifter, in
which the tugging customer would light a series of
electric bulbs on a tower and ringing a bell at the top
when the highest score was registered. The Mills
Company called its perfume vender "Whiffs of
Fragrance," offering a choice of not one but four
different odors, while the Roovers Bros. in
Brooklyn substituted a colored nameplate for the
single aluminum strip in their die-press. [Figure 7]
The Exhibit Supply Company, of Chicago, brought
out new series of novelty cards for vending
machines, and fortune telling devices were re-chris-
tened "Gypsy Queens," complete with Oriental cos-
tumes, drapes and colored lighting.
In 1905 the Penny Arcade was meeting the prime
need of the new century for inex-pensive mass
entertainment, and it saw no need for innovations.
The new city workers had no money for the rela-
tively expensive theater, and language barriers
operated against the immigrant population. The
few coppers they could spend for amusement went
to the arcades. But suddenly he flood of pennies
pouring into the arcades was slowed by two devel-
opments. As the Penny Arcade had been standing
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still, the phonograph and Kinetoscope had pro-
gressed.
The phonograph, which had given rise to the
early parlors and arcades, was no longer a curiosity.
The introduction of cheap spring motors and mass
production had brought it within the financial reach
of the average family and made the talking-machine
a household instrument.
Meanwhile the
Kinetoscope had graduated from its peep-show slot
cabinet to the screen, giving rise to the nickelodeon.
With both the phonograph and the Kinetoscope
finding new sales uses, the arcade was having its
backbone broken.
ing-pictures, and moved their coin ma-chines into
the lobby. Arcade owners began to feel real compe-
tition from the nickelo-deon, for the new movie
houses sprang up wherever a vacant store offered
itself as a location. To meet this rivalry from the
screen, the phonograph and Kinetoscope had been
combined in devices such as Rosenfield's Illustrated
Song Machine, a coin cabi-net in which a phono-
graph record was co-ordinated to play while a series
of drop pic-tures clicked off, and the patron was
given a "talking-picture" he could see and hear.
[Figure 8] This idea incidentally, was not new and
can be traced back o the similar Ki-netophone, mar-
keted by Edison in 1895.
By 1907 the motion picture had evolved into a
First Nickelodeon
The first nickelodeon appeared in Pittsburgh in separate kind of entertainment and some arcademen
June, 1905, in a remodeled store-room, and, ironi- such as Loew, Zukor and Fox turned all their atten-
cally, was located next door to a Penny Arcade. Its tion to this field. Those who remained with the
instantaneous suc-cess led to a skyrocketing boom. Penny Arcade began to gradually fall away from the
Soon arcade operators from coast-to-coast were in- idea of building their businesses around movies.
stalling projection machines, usually in vacant lofts The accent was now on more and better amusement
over their arcades. In several loca-tions customers games, unusual shooting galleries and various nov-
were first persuaded to visit the upstairs movie by elties. With the arrival of the 1920's when new prin-
means of a "crystal staircase" constructed of glass, ciples were introduced to coin-operated amusement
with running water underneath. On their way down games, arcades began to assume their modern day
from the nickelodeon, patrons were routed out thru appearance and finally reached their peak of popu-
the arcade itself, and as they passed thru the rows of larity during the recent war [WWII] years. For
machines they would often drop odd pennies into wherever crowds have spare time and operators
have novel coin machines the Penny Arcade will
the chutes.
Other arcades partitioned off a section for mov- flourish .
A Roovers Stamper centered between Rosenfield
phonographs, and Rosenfield picture machines
on right wall.
An assortment of machines from different manu-
facturers. Cai/le Hercules Grip Test and Mills
Punching Bag in background.
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