C.O.C.A. Times

Issue: 2001-July - Vol 1 Num 2

FREEPORT GUM MACHINES
This tale comes from Ron Gunn of Iowa. It goes like this .....
We live in a small town (12,000), and as a profes-
sional person for many years, I know many of the
people who live here. Most of the auctioneers and
antique dealers know me and the kinds of things I
tend to look for. Occasionally one will call telling
me what is coming up in an auction, however, not
much shows up. To them a Silver King Hot Nut
machine with the red hobnail glass is exciting.
In the fall of 1998 I stopped by the local realtor's
office to give them the information on the sale clos-
ing of my father's house at the conclusion of his
estate. I had to leave town, and would not be around
for the closing. The real tor was out of the office, but
in another office another realtor/auctioneer was
with a customer. When he saw me he hollered out
the door suggesting I should look at a couple of
gum machines he had for sale at an auction on the
weekend. I had not looked at the sale bill as I knew
I could not be there. He said he had never seen any-
thing like them and described them as machines
with wooden sides (I said probably Baby Grand
machines), but told him I was leavi.ng town shortly.
I would not be around for the sale, and wasn't sure
I would have time to stop and look at the machines-
-after all, who wants to make significant effort to
see Baby Grands. He insisted I make an effort to see
them.
My last minute plans took me to that part of the
town, so I elected to take a look at the machines. I
later learned they had been part of an old, old estate
that contained items from a tum of the century
blacksmith shop. It was immediately obvious they
were not Baby Grand machines. In fact they were
Freeport Gum Vendors. One was used to dispense
"Goo-Goo Gum", the other "Perfecto Gum".
Except for the gum dispensed, graphics, etc. the
machines were identical.
I still had to leave town, so asked my daughter to go
the the auction and buy them for me. We called
home the evening of the auction. There had been lit-
tle interest, and she had paid $260.00 each for them.
they were extremely dirty, but cleaned up well.
Paint and graphics are still nice and distinct.
I had Bill Enes look at them during the Chicago
Coin-Op Show. Both of them have cast iron mar-
quees. Bill said they are the only Freeports he had
ever seen with marquees. The paper signs on the
marquees are deteriorated, and partly missing. An
intelligent guess is the Perfecto marquee said:
A BIG PIECE OF GUM
YOUR FORTUNE
------AND-----
A Lettter from Your Sweetheart
Both machines are numbered inside on both the
wood case and the front casting. The wood case
number is stamped, and the number on the front
casting is hand painted. In both cases the numbers
match (significant in some other parts of the col-
lecting world). I assume ??? the numbers designate
the manufacturing sequence. The Goo-Goo
machine is numbered 049, and the Perfecto Gum
Machine is 874.
Goo Goo Gum
Perfecto Gum
I remember when I showed the machines to Bill
Enes at the Fall 1998 Chicagoland show he called
other collectors over to look at them and told them
to quit complaining that good finds don' t show up
anymore. The machines caught several eyes while
carrying them through the aisles and several collec-
tors stopped my wife and me to look at them and
asked if they were for sale. THEY AREN'T!!!
THE FUN IS IN THE HUNT
by Bill Howard
The Atlantic City Sniff
The Santa Claus of the East
Coin-op collectors sometimes have to ask them- About two months after the "Atlantic City Sniff," I
selves, "Do I take a chance?" A few asked that ques- had occasion to visit Jay Lowe of Lancaster,
tion and had their chance at the Fall 2000 Atlantic Pennsylvania, the "Santa Claus of the East." I spied
City Antique Show when, in a booth on Friday set- this mystery machine as it sat in his basement.
up day, there appeared a strange machine no one "What's going on here, H. Jay?" I asked. He
had ever seen before. At first, it appeared to be a explained that when the price got down to a few
Clawson Three Jack. However, a closer look thousand at the end of the show, a friend of his took
revealed that it was slightly a chance and now wanted to sell it for what he paid
larger and had metal tips and had dropped it off for Jay to "move." As I had
around the quarter-sawed to wait for Jay to repair a machine I had brought
case to discourage banging him, he suggested I look at it while I waited. As I
the machine. The case also did, tension increased. I was faced with the ques-
had a hole that appeared to tions noted above, plus a new one. Why had so
have been plugged with many people passed even at a lower price? At the
metal.
same time, many things looked good. The "plus" in
the case turned out to be a metal license embedded
An inspection of the inside into the case that read, "License 123, 15 March
revealed that much of the 1895, San Francisco." The case itself had been
three pay-out chutes were cleaned off and looked stunning. A cardboard sign
missing, so that the machine was cleaned and fastened to the front. It read,
would not pay out or hold a "Musical Machine. Drop a Nickel in the Slot and
coin. What got everyone Hear Grover's Band." An inspection of the inside,
Clawson
buzzing was the fact that the without the pressure of show on-lookers, told me
Three Jack
machine played music every this was not "too good to be true," and the inner
time you inserted a nickel and pushed the lever voice in all sick coin-op collectors whispered, "take
a chance."
down.
Agony prevailed over the better part of two days
because many coin-op collectors and dealers could-
n't decide whether to pay the high price the dealer
asked. If the machine proved to be the fast musical
three jack ever to tum up, it was worth probably
twice what potential purchaser might be left holding
the bag rather than a good machine. Many potential
suitors asked the following of themselves.
1.)
2.)
3.)
4.)
Was the music box original
Was it meant for the machine at hand
Was the machine ever mass produced this way
Were the parts interchangeable with a Clawson
Three Jack so that the machine could be made
to work as originally designed
Unless all the above questions could be answered
"yes," the machine was trouble. All suitors, includ-
ing yours truly, declined as the price went down.
I thought of who I knew that had a Clawson Three
Jack and the knowledge needed. I called the
Godfather, Mike Gorski, of Westlake. When I got
the Don on the phone, he reminded me that he did-
n't like partners, but suggested that I offer $200 to
bring the machine to Westlake. If we bought the
machine, the $200 would be applied to the price
asked. If we didn't, we had to return the machine
within two weeks at our expense and loose the
$200. H. Jay said, "Okay." I headed west with the
machine and guarded optimism.
The Autopsy Report
Within days of getting home, I scurried to Westlake
with the machine. I waited as nervous as a groom on
his wedding day, while Brother Gorski poked and
prodded and looked at his Clawson and then the
mystery machine, and then his Clawson again and
then at some books. Finally, I knew the news was

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